People talk about hair and dresses. When if you knew anything about the business, you'll know that a lot of the time, the women are often asked to wear costumes or dresses that certain designers are trying to promote. Hair is rarely ever done by the artist themselves. Learn something!
@CateSoprano When you're staring at someone the entire time and they're just singing, you're going to look at what they're wearing because you have nothing else to look at and it's fucking distracting and takes away from the music.
@LohengrinT there really is nothing like renee in the late 80's-mid nineties. After that its still great, but more hit and miss. unavoidable I guess. every singer has their golden period.
Haha.... ummm, no. Webber probably stole a lot of the melodies (like he did from Giacomo Puccini) but this is from the composer Pietro Mascagni. It is from the opera called "L'amico Fritz".
every1 has to start somewhere, and I think she has such a lovely and extraordinary voice that we can just overlook the wardrobe mistake...maybe it was in during those years hey. Love U Renee!!
@bigboytenor You should listen to Jesus Garcia, tenor...Has been compared color wise to Pavarotti several times. Listen to his Verdi Requiem on here and close your eyes. Quite ere the resemblence...
Re: the dress! Anyone ever think that she may have been pregnant with number two daughter which makes this a perfect dress to hide a growing figure. This is beautiful whatever she wore.
@tenorlovesasoprano Her singing is amazing, but her dress? No. And what exactly made her think that was the thing to do with her hair? Her dress is appropriate as a Shakespearean costume.
Open yo9ur eyes widely, it is not her dress that determine Renee's talent... She has a fabulous voice that sound like a bird........which need to be carry with care , precious than a DIAMOND !!!
Recording technics apart, of course, this perfomance does not compare with those emotionally superior of Olivero-Vila or Olivero-Tagliavini, where the "message" is clear. This perfomance is pretty good for a stadium or open space with a multitude, never for a concert hall nor a theatre.
Why do you idiots who are tossing smart-ass remarks about concerning Fleming's gown and hair concentratre on this beautiful singing of arguably the most enchanting of all operatic duets? You don't reveal any wit. Just ignorance.
A couple of years ago Ms Flemming came on stage wearing something even more outlandish. Someone I know blurted, "Who let her out looking like that? Doesn't she have any gay friends?"
WTH is she wearing?!! And that My Pretty Barbie Salon hair do(n't)!! And she is always dressed to the 9's with full assault makeup! Must have had a stylist back then to make her look more "operatic."
Wow. I'd never heard this before. It's really beautiful. Helps that the singers are so great of course. No one does it like Pav and Renee's voice is always beautiful (although, her choices are not always quite so lovely ;) ) Bravo!
I love the Rene's front bow and cape, as well as the Punky Bruster bob on the side of her head. Divinely sung, however. Why don't more young tenors emulate Pav's "open throated", free sound? That E above middle C is so gorgeous sung open: "Tu sei bella!". Though, for effect, he sometimes "covers" it, and always "covers" F, F#, and the G above it.
I think it would be a safe bet to say when Maestro Pavarotti woke up in the morning that day, he knew it would be a good day vocally. It's certainly on display in this clip. All my admiration to Renee Fleming.
El mejor Tenor Liríco de todos los tiempos. con una de las mejores Sopranistas líricas que hay la interpretación toca el alma muy linda la interpretación la parte del duetto es mi parte favorita,
I also want to say that their voices do complement each other perfectly. This duet in particular must have the body and color of the voices matched well or it doesn't work.
This comment has received too many negative votesshow
Pavarotti was really off this night. He's never had any regard for rhythm or tempo, but he was horribly flat at 1:12, flat at 2:16 and sharp at 3:58, I've never heard him out of tune before. And like most tenors he had to be a hero and ruin the sublime ending with his full voice A instead of just singing it in falsetto.
Although the general audience would NEVER know. Plus, those are VERY minor infractions. Only someone EXTREMELY trained in the operatic ear could have picked that up.
tenorlovesasoprano-True, most people wouldn't know, but it just goes to show you that even Pavarotti is human. And yes they were minor, and he sung most of it wonderfully, but of the hundreds of live recordings I've heard of him, this was an off night.
About being flat at 1:12 and 2:16 I agree. Completely.
But he sure wasn't off. And he was one of the best Italian repertoire tenors, he was very rhythmic, where did you get that out from?
And singing the ending in his full voice was so very fine, if he did it in falsetto, the magic would have lost, and doing it in full voice he did it perfectly comparing to those "other heroes".
Pavarotti WAS good. This wasn't his best, but name just someone who could do it as good in such age.
The ending was a diminuendo, rather than total full voice, if you ask me. He was once asked how, in Celeste Aida, for instance, at the end, one went from full voice to sotto voce, or however you wish to describe it, on the one note, ie a diminuendo, and he answered, it is reported
" you shutta youra mouth" and just laughed !!! Fantastic if true!!
Esta aria permite apreciar el contraste entre la voz varonil de Pavarotti y la voz muy femenina de Fleming, en una atmosfera de idilico romance que le agrega belleza a los giros estrictamente musicales y es un manjar para el oido.
Comparing him to Corelli is stupid. He was a tenore spinto and the best in Verissmo roles. Pava was the King of Bel Canto and the lyric Italian repertoire. Big difference!
It is true that Pava didn't use mezza voce as much as he might have but he could do it. I have it in recordings. Among his peers, he was miles ahead in terms of technique. In fact, he was near perfect. He sung from leggero roles doing colorature to spinto roles such as Il Trovatore and Aida. That show his vocal dexterity which was second to none.
Hope17-It is unrealistic to expect a tenor of the modern era to produce a full voice F above tenor C. Gedda's F5 sounds like a pig's squeal (no reflection on his superb artistry...he was the Maestro of Maestri in the non-italian repertoire). Even Florez cuts it at Eb. Tenors like Maettuzzi, Fisichella, who are tenore leggeri (to the max extent) produce the F5 but it sounds horrible.
Hop17-As clueless as you are, here's a piece of info. Pava sung I Puritani with great mastery. He had a glorious full voice D5 which he could produce all the way into his 40s. He sung the F5 in falsetto as technical choice instead of cutting it at D5. His falsetto was rich and not as airy as most other tenors. The rest of the aria and the entire role was sung superbly! I'd suggest you try seeing the whole picture here! (To ve continued...see above).
Why are people commenting on things about which they have no idea? I bet most of you didn't even listen to Pava live on stage singing in an operatic role! (To be continued...see above)
I would love to know in what world you are living in; the "G", "G#" and "A" are all sung in a piano. This is opera with a full orchestra not art song with a piano. Pavarotti is singing an operatic piano. In fact it is quite beautiful.
To the people who complain about Pavarotti not singing piano in the end... what are you on about? That's piano. He's got a big large voice, so it's not Caballé piano, but it's piano.
To JuillHope: Ayuh, he had his flaws. But no one's perfect, and he had an extremely beautiful voice, was passionate, and his high notes *are* technically correct and stand as inspiration for young singers who don't want to end up with half an octave of length and a gloomy sound.
weight does hold you back from acquiring the best technique, and using it. even deborah voigt will say that, and she was like, pavarotti x2, until she lost all the weight (and almost her voice). his vocal weight is what made his sound definitive, and that's why we know who it is when we hear him. but weight does play a huge factor in singing and development of the voice.
i know that, but i'm saying exactly what you said at the end of the comment: it should have been softer. that's one thing any great opera critic will say about pavarotti: he hid his shortcomings behind his name. and that's so true, especially in cases where the music is supposed to be quiet, and he uses his mezzo or full forte, not just because he didn't like falsetto, or mixing, but because he couldn't do it that well. look him up singin an aria from i puritani with a falsetto F. it's not good.
This comment has received too many negative votesshow
that end is supposed to be falsetto, UGH. see, everyone thinks pavarotti was soooo fucking amazing, but he's so flawed in his technique and ability, that it's sad. renee was at least dynamic, pav just had the same voice throughout his career, and pretty much yelled. and with all that weight! gbnuhfceufkjbewds he just pisses me off half of the time, because if anyone acted like he did in his career nowadays, they'd be fired and never heard of again. at least renee is still amazing :) + not dead.
I think because it strains his vocal cords. When he sings piano it almost sound like sotto voce and it doens't sound that attractive. In his biography he said he never liked singing pianos. He also mentioned that he learned to sing piano by accident. He had a cold and had to sing piano through the whole rehersal. This is how he learned to sing piano, he said.
Where does he say that he disliked singing piano???
I have never read anything to back this up, he himself said that he was taught how to sing piano during his engagement to sing Idamante in Ireland in 1964.
Because he's singing in a hall of 4000 people and his piano is a forte to untrained ears such as yours. Now stop spamming this video and go back to that Alagna crap you like.
AHAHAHAHAHAHA, untrained ears? first of all, you're the one that doesn't know what they're talking about. to reach a hall of even 4000 people you don't need to be louder to be heard, i mean look at renee! it's your control, technique, and support of your piano and pianissimo that say whether your sound will travel or not, and singing forte is the cheater way. piano being forte in a big hall? ha! YOU'RE untrained, and obviously scream. and i don't even like alagna, it's gheorghiu i like.
Absolutely breathtaking! To have two great powerhouses singing such beautiful music, it's indescribable! As usual, Renee never disappoints and Pavarotti...no words. C'est magnifique!
Improvement! She wore all those multi-layered flowing gowns, almost swallowing her. I thought: Does she have that Diva complex? Typical American? But she was more simple at the Nobel Gala Concert 2006. By contrast, Anne Sofie von Otter wears simple gowns and even was expelled from the Int'l Diva Club for wearing her dress twice. But von Otter is naturally beautiful, brilliant and a real-life aristocrat, does not have to prove anything.Typical Scandinavian?
Superb performance. Renee is truly a fantastic performer. But what the hell was she thinking?!!! This had to be the 80's because that dress and that hair is just terrible!!!!
People talk about hair and dresses. When if you knew anything about the business, you'll know that a lot of the time, the women are often asked to wear costumes or dresses that certain designers are trying to promote. Hair is rarely ever done by the artist themselves. Learn something!
ateejay 3 months ago
OMG.......Superrrrrrrrrrrrr!
MrRossVit 4 months ago in playlist LUCIANO PAVAROTTI
hair? dress??? what were you thinking my dear Fleming???
Voce... BRAVAAAAAAAAAAAAAAAAA!!!
FODERAFIEND 4 months ago
sublime
theblueangel28 5 months ago
AMAZING the both of them!!!
youtah676 6 months ago
Concentrate on his suit. It might make you watch your language as well.
saunders2159 7 months ago
just beautiful singing!!!
TheZazin 7 months ago
WHY do you care about her dress?! AMAZING DUET!
CateSoprano 8 months ago 4
@CateSoprano When you're staring at someone the entire time and they're just singing, you're going to look at what they're wearing because you have nothing else to look at and it's fucking distracting and takes away from the music.
Platinum400 7 months ago
Who advises these sopranos on their wardrobes
MsRuthes 1 year ago 3
Renee in her pre-glam period with a dreadful dress and a Voice of phenomenal rock solid vocal line and tecnique
LohengrinT 1 year ago 2
@LohengrinT there really is nothing like renee in the late 80's-mid nineties. After that its still great, but more hit and miss. unavoidable I guess. every singer has their golden period.
Chilair1 1 year ago
is this by Frank Lloyd Webber?
Tommyfazz 1 year ago
Haha.... ummm, no. Webber probably stole a lot of the melodies (like he did from Giacomo Puccini) but this is from the composer Pietro Mascagni. It is from the opera called "L'amico Fritz".
golfr10under 1 year ago
@golfr10under ;o)
Tommyfazz 1 year ago
@Tommyfazz do you mean Andrew Lloyd Webber? The Broadway composer?
jtcarey2 1 year ago
@Tommyfazz
Nonsense Webber ! The composer is Pietro Mascagni. The name of opera is "L'amica Fritz" - "my friend Fritz"
Duetto delle ciliege - "Cherry Duet" - Suzel, buon di!
The great recording of the century is MASCAGNI L'amico Fritz - CONDUCTOR Gianandrea Gavazzeni
with Mirella Freni and Luciano Pavarotti
Chorus & Orchestra of the Royal Opera House, Covent Garden
Margret.B.
wasserstand 11 months ago
every1 has to start somewhere, and I think she has such a lovely and extraordinary voice that we can just overlook the wardrobe mistake...maybe it was in during those years hey. Love U Renee!!
kmartinez1986 1 year ago
Does anyone know what year this was from?
ld357 1 year ago
Will there ever be another voice like Pavarotti? I think not. At least not for a long, long time. Such beautiful, rich sounds.
bigboytenor 1 year ago
@bigboytenor You should listen to Jesus Garcia, tenor...Has been compared color wise to Pavarotti several times. Listen to his Verdi Requiem on here and close your eyes. Quite ere the resemblence...
sexybcl21 1 year ago
@bigboytenor Have you ever heard Corelli or del Monaco? For my teste they are good enough to be compared with Pavarotti.
PascualG65 1 year ago
the dress is beautiful ^^
blue1237 1 year ago
i saw this guy at burning man!!!
althoff31 1 year ago
WOW!
damac777 1 year ago
absolutely beautiful.
heigei1 1 year ago
Wow, Pavarotti's singing is just amazing!!
Jack82you 1 year ago
A match made in heaven.
jetanton 1 year ago
What was this from, is it on DVD?
mlittlemeyer 1 year ago
What year was this.
ahmad123987 1 year ago
Great ART!
artalirica 1 year ago
Woohoo! Side pony! lol Good performance.
obsessivepink 1 year ago
Re: the dress! Anyone ever think that she may have been pregnant with number two daughter which makes this a perfect dress to hide a growing figure. This is beautiful whatever she wore.
rusalkaism 1 year ago
@rusalkaism That was my first guess when I saw the bow. I think she's trying to camouflage her baby-bump. So sweet!
MissJennySmiles 1 year ago
I think the frizzy side-pony completes the ensemble. Thank goodness for the glamorous Renee that we have today ;)
OperaLover84 1 year ago
sorry to be the party pooper at the "attack Renee party", but I personally find her dress quite charming :D
tenorlovesasoprano 1 year ago
@tenorlovesasoprano Her singing is amazing, but her dress? No. And what exactly made her think that was the thing to do with her hair? Her dress is appropriate as a Shakespearean costume.
AuditoryEden 1 year ago
She has a fabulous voice, singing like a bird of Nightingale.
CassandraLai 1 year ago
Open yo9ur eyes widely, it is not her dress that determine Renee's talent... She has a fabulous voice that sound like a bird........which need to be carry with care , precious than a DIAMOND !!!
CassandraLai 1 year ago
my god, that voice.... he slays me.
nailycai 1 year ago
OMG!!! Pavarotti totally flat at 1:10!!!!!! "e son di già mature"
Bigman240 1 year ago
when was this???
fludu1 1 year ago
i hate such a shit
undermatrixx 1 year ago
my god she is so young there
copenhagen1966 1 year ago
Okay, wanna hear the stupidest thing ever?? I think that Pavarotti looks kinda like Matt LeBlanc! No seriously! ...... incredible singing, BTW
jsgirl154 1 year ago
Who CARES about the dress .. . are you LISTENING???????
freshstuff 1 year ago 2
They are the best! Wonderful impeccable singing but I must agree the dress is horrible:)
zhadinagovyadina 1 year ago
Recording technics apart, of course, this perfomance does not compare with those emotionally superior of Olivero-Vila or Olivero-Tagliavini, where the "message" is clear. This perfomance is pretty good for a stadium or open space with a multitude, never for a concert hall nor a theatre.
PascualG65 1 year ago
Loud and powerful, does not compare to Olivero and Villa.
Vasilioskouis 1 year ago
As loud and clear as these two are, you cannot compare them to the recording of Olivero and Villa. Little emotion, color, subtlety. Too much power
Vasilioskouis 1 year ago
wow!
aleafilover 1 year ago
Pavarotti and MJ were friends:)
Komarios 1 year ago
When was this recorded?
Singinganneke 1 year ago
Why do you idiots who are tossing smart-ass remarks about concerning Fleming's gown and hair concentratre on this beautiful singing of arguably the most enchanting of all operatic duets? You don't reveal any wit. Just ignorance.
jrtrmish 1 year ago 7
@jrtrmish
I agree with you. Like you, I am so sick of these stupid remarks that have nothing to do with the performance of these two fabulous singers.
chorusinger 1 year ago
... but her hair!!!
mulligatoni 1 year ago
Such sensational singing with absolute dignity!
baird292 1 year ago
I LOVE her voice! I love the eccentric dress too, hehe.
nozomiwhitewolf 2 years ago
A couple of years ago Ms Flemming came on stage wearing something even more outlandish. Someone I know blurted, "Who let her out looking like that? Doesn't she have any gay friends?"
Onegiin 2 years ago 2
@Onegiin hahaha... I loved your comment.. :) Thank you!!
chaconazo7 8 months ago
WTH is she wearing?!! And that My Pretty Barbie Salon hair do(n't)!! And she is always dressed to the 9's with full assault makeup! Must have had a stylist back then to make her look more "operatic."
jwklf 2 years ago
Renee @ 7:28 is simply rapture!
abcjuan23 2 years ago
@abcjuan23 I completely agree - that note always takes me by surprise, and Renee *definitely* took away my breath there...gorgeous.
PianistandFencer 1 year ago
I LOL'd when I saw Renee... looks like she just rolled out of bed here. hehe
lifesavers234 2 years ago
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loredinusa 2 years ago
I simply love this!!! Perfecto!
Izolditta 2 years ago 2
kiss my ass
hotazzoperastud 2 years ago 2
Wow. I'd never heard this before. It's really beautiful. Helps that the singers are so great of course. No one does it like Pav and Renee's voice is always beautiful (although, her choices are not always quite so lovely ;) ) Bravo!
Iareto 2 years ago 3
she's a cutie pie :)
SieglindeMoos 2 years ago 25
He was perfection.
chrissy1095 2 years ago
The Tenor God.
dee1153 2 years ago 2
haha the dress is the most hilarious thing ever..... wait no the hair is, but I still love her.
007LaVoce 2 years ago
Simply perfect! The voices sound together unbelievably good.
Izolditta 2 years ago 2
The BEST tenor and my favorite soprano. Thrilling !
samdon815 2 years ago 3
I love the Rene's front bow and cape, as well as the Punky Bruster bob on the side of her head. Divinely sung, however. Why don't more young tenors emulate Pav's "open throated", free sound? That E above middle C is so gorgeous sung open: "Tu sei bella!". Though, for effect, he sometimes "covers" it, and always "covers" F, F#, and the G above it.
daddy2foots 2 years ago
At the side of Pavarotti she looks like is vocalizing, none of Italian Language.
His articulation is so good.
ilbacioditosca 2 years ago
At least she tries- you'll probably never see a non-English speaking singer sing any of the English repertoire.
canario160 2 years ago
98%pavarotti.....70% fleming....
iubanne 2 years ago
I think it would be a safe bet to say when Maestro Pavarotti woke up in the morning that day, he knew it would be a good day vocally. It's certainly on display in this clip. All my admiration to Renee Fleming.
mvconnelly 2 years ago
Whoa! Pav flat!??!?!?! hahaha 1:09
pkohalloran 2 years ago
What year was this? What venue?
KozenaFan 2 years ago
OOOHHH Renee I love you, baby what went wrong with that hair!!! SWEET PEA!
Orfeo68 2 years ago 3
Looking at the dress and her hair, I think she lost a bet. But she sounds great !
NKWIAM 2 years ago 2
lmao, I agree
operababe2010 2 years ago
lol
harmonicana80 2 years ago
that dress is brutal...
Kibo103 2 years ago 47
El mejor Tenor Liríco de todos los tiempos. con una de las mejores Sopranistas líricas que hay la interpretación toca el alma muy linda la interpretación la parte del duetto es mi parte favorita,
kalifumpa 1 year ago
@Kibo103
Circus peanut
hillbillytenorino 11 months ago
@Kibo103 also the hairstile! but the singing is AMAZING!!!!
bar0qu3 10 months ago 4
beautiful singing! Some of Renee's best vocals I think....but I would like to c her go out of the way to act more....
flouraki 2 years ago
pebbles, but she sounds beautiful!! i miss pavarotti so much!
pizzomammamia 3 years ago 3
Renee looks like a hot mess, but she sounds great
DoinItClassy 3 years ago
I second that!!! haha
AmadeusJMB 2 years ago
I also want to say that their voices do complement each other perfectly. This duet in particular must have the body and color of the voices matched well or it doesn't work.
bartok6969 3 years ago
This comment has received too many negative votes show
Pavarotti was really off this night. He's never had any regard for rhythm or tempo, but he was horribly flat at 1:12, flat at 2:16 and sharp at 3:58, I've never heard him out of tune before. And like most tenors he had to be a hero and ruin the sublime ending with his full voice A instead of just singing it in falsetto.
bartok6969 3 years ago
Although the general audience would NEVER know. Plus, those are VERY minor infractions. Only someone EXTREMELY trained in the operatic ear could have picked that up.
tenorlovesasoprano 3 years ago
tenorlovesasoprano-True, most people wouldn't know, but it just goes to show you that even Pavarotti is human. And yes they were minor, and he sung most of it wonderfully, but of the hundreds of live recordings I've heard of him, this was an off night.
bartok6969 3 years ago 2
Was off? jejeje I could name you many even though It was a glorious voice.
tena2 3 years ago
Sorry for the last comment spelling I meant to say, one night off? I could name you many however not to be s pain in the nake though.
He was a fantastic tenor actually.
tena2 3 years ago
I disagree. I think he is one of the few tenors that sings with a great sense of rhythm.
tdeane34 3 years ago 3
About being flat at 1:12 and 2:16 I agree. Completely.
But he sure wasn't off. And he was one of the best Italian repertoire tenors, he was very rhythmic, where did you get that out from?
And singing the ending in his full voice was so very fine, if he did it in falsetto, the magic would have lost, and doing it in full voice he did it perfectly comparing to those "other heroes".
Pavarotti WAS good. This wasn't his best, but name just someone who could do it as good in such age.
ILoveTobin 2 years ago 4
The ending was a diminuendo, rather than total full voice, if you ask me. He was once asked how, in Celeste Aida, for instance, at the end, one went from full voice to sotto voce, or however you wish to describe it, on the one note, ie a diminuendo, and he answered, it is reported
" you shutta youra mouth" and just laughed !!! Fantastic if true!!
corellipavarotti 2 years ago
bravo!!
taotao532371437 3 years ago
senza parole.... anche con Nuccia Focile fa una interpretazione meravigliosa!!
albusflos 3 years ago
si è vero, concerto a modena in 1993 credo no?
bello concerto
saluti
tena2 3 years ago
Wow...that dress.....yikes =)
2ndamendmentgirl 3 years ago
Although you must admit the hair does fit it well... :P
hurley52303 3 years ago
breathtaking. Their voices complement each other so well.
tenorlovesasoprano 3 years ago 2
Esta aria permite apreciar el contraste entre la voz varonil de Pavarotti y la voz muy femenina de Fleming, en una atmosfera de idilico romance que le agrega belleza a los giros estrictamente musicales y es un manjar para el oido.
JorPove 3 years ago
Oh geez, 80s Renee Fleming!!!
Dacookstar 3 years ago
You have to close your eys!
But the music is interpretated so nice, sung so deeply.
Go Renee!
juggling88 3 years ago
I guess this is before Renée had a stylist![2]
lol
Johnny1206 3 years ago
Pavarotti, always Pavarotti, &... The real Diva..., so nice... so harmonic...
pitcel 3 years ago
what did they do to renee hair T_T?? anyway. Amazing!
buster95 3 years ago
I guess this is before Renee had a stylist!
that's okay, I can close my eyes, and listen, sounds stunning.
ChicLink 3 years ago 3
que voz la de pavarotti!!!!!!!
isiang123 3 years ago
Pavarotti ETERNO!
orejarota 3 years ago
my god...
renee have so a nice voice
Smil3yJok3r 3 years ago
What year was this performed???
jnsotak 3 years ago
He lives every time we play his songs.
pontedupre009 3 years ago
pavarotti here is just perfect..cant get better than this
fabiopatrizio 3 years ago
I love Fleming dress and hair....
robertocresca 3 years ago
Comparing him to Corelli is stupid. He was a tenore spinto and the best in Verissmo roles. Pava was the King of Bel Canto and the lyric Italian repertoire. Big difference!
TheInquisitive4Ever 3 years ago
It is true that Pava didn't use mezza voce as much as he might have but he could do it. I have it in recordings. Among his peers, he was miles ahead in terms of technique. In fact, he was near perfect. He sung from leggero roles doing colorature to spinto roles such as Il Trovatore and Aida. That show his vocal dexterity which was second to none.
TheInquisitive4Ever 3 years ago
Hope17-It is unrealistic to expect a tenor of the modern era to produce a full voice F above tenor C. Gedda's F5 sounds like a pig's squeal (no reflection on his superb artistry...he was the Maestro of Maestri in the non-italian repertoire). Even Florez cuts it at Eb. Tenors like Maettuzzi, Fisichella, who are tenore leggeri (to the max extent) produce the F5 but it sounds horrible.
TheInquisitive4Ever 3 years ago
Hop17-As clueless as you are, here's a piece of info. Pava sung I Puritani with great mastery. He had a glorious full voice D5 which he could produce all the way into his 40s. He sung the F5 in falsetto as technical choice instead of cutting it at D5. His falsetto was rich and not as airy as most other tenors. The rest of the aria and the entire role was sung superbly! I'd suggest you try seeing the whole picture here! (To ve continued...see above).
TheInquisitive4Ever 3 years ago
Why are people commenting on things about which they have no idea? I bet most of you didn't even listen to Pava live on stage singing in an operatic role! (To be continued...see above)
TheInquisitive4Ever 3 years ago
why is renee's dress on backwards...?
MarvelVolta 3 years ago
I would love to know in what world you are living in; the "G", "G#" and "A" are all sung in a piano. This is opera with a full orchestra not art song with a piano. Pavarotti is singing an operatic piano. In fact it is quite beautiful.
nanbil 3 years ago
To the people who complain about Pavarotti not singing piano in the end... what are you on about? That's piano. He's got a big large voice, so it's not Caballé piano, but it's piano.
To JuillHope: Ayuh, he had his flaws. But no one's perfect, and he had an extremely beautiful voice, was passionate, and his high notes *are* technically correct and stand as inspiration for young singers who don't want to end up with half an octave of length and a gloomy sound.
We can forgive him some mistakes.
PedroPiresTrovatore 3 years ago
i agree every singer has flaws.. even the almighty Pavarotti...
however, i disagree that you think Pavarotti had a big voice, it really wasn't, he just projected it the right way
mdcam89 3 years ago
I don't think his voice was big, no. Corelli had a BIG voice, for instance. Pavarotti's was large.
Ok, so maybe this distinction is a very subtle one and maybe it only exists in my head. :)
PedroPiresTrovatore 3 years ago
was this from a tucker gala?
ncrunch 3 years ago
Renee Fleming and Luciano Pavarotti. My two favorite singers of all time. I'm in heaven! I had no idea they ever sang together.
novasafo 3 years ago 2
How can you call yourself a fan and not know that these two amazing people shared the stage!
rofl. you should be ashamed. This is a fabulous example of operatic greatness. Quite possibly my favorite opera of all time :)
chubswy 3 years ago
you're right!!! I'm so ashamed! :)
novasafo 3 years ago
Does anyone know how long ago this was aired. Renee looks like a crazy 80's secretary from a Lilly Tomlin movie!
RAS3227 3 years ago 3
i totally agree with you it has this huge bow on the front in this hideous color and it has a train.... wtf?
Babs22h 3 years ago
Era tanto in forma il nostro Pavarotti! La dizione perfetta. Nessuno è comprensibile come lui. Addio!
giusalu
giusalu 3 years ago
weight does hold you back from acquiring the best technique, and using it. even deborah voigt will say that, and she was like, pavarotti x2, until she lost all the weight (and almost her voice). his vocal weight is what made his sound definitive, and that's why we know who it is when we hear him. but weight does play a huge factor in singing and development of the voice.
JuillHope17 3 years ago
i know that, but i'm saying exactly what you said at the end of the comment: it should have been softer. that's one thing any great opera critic will say about pavarotti: he hid his shortcomings behind his name. and that's so true, especially in cases where the music is supposed to be quiet, and he uses his mezzo or full forte, not just because he didn't like falsetto, or mixing, but because he couldn't do it that well. look him up singin an aria from i puritani with a falsetto F. it's not good.
JuillHope17 3 years ago
Pavarotti, spectacular, as usual. But Cecilia Bartoli knocks Renee out of the water on this one. The Pav and Cecilia version is amazing.
dee1153 3 years ago
This comment has received too many negative votes show
that end is supposed to be falsetto, UGH. see, everyone thinks pavarotti was soooo fucking amazing, but he's so flawed in his technique and ability, that it's sad. renee was at least dynamic, pav just had the same voice throughout his career, and pretty much yelled. and with all that weight! gbnuhfceufkjbewds he just pisses me off half of the time, because if anyone acted like he did in his career nowadays, they'd be fired and never heard of again. at least renee is still amazing :) + not dead.
JuillHope17 3 years ago
Lol.
Mooorhe 2 years ago
Two of my favorite singers ever, but that dress! And the hair! Usually Renee looks drop dead gorgeous but I couldn't stop laughing at this one.
gracenote85 3 years ago
I think because it strains his vocal cords. When he sings piano it almost sound like sotto voce and it doens't sound that attractive. In his biography he said he never liked singing pianos. He also mentioned that he learned to sing piano by accident. He had a cold and had to sing piano through the whole rehersal. This is how he learned to sing piano, he said.
codyb73 3 years ago
Where does he say that he disliked singing piano???
I have never read anything to back this up, he himself said that he was taught how to sing piano during his engagement to sing Idamante in Ireland in 1964.
Mooorhe 2 years ago
why can't pavarotti sing quieter than forte in parts where it's piano?
JuillHope17 3 years ago
Because he's singing in a hall of 4000 people and his piano is a forte to untrained ears such as yours. Now stop spamming this video and go back to that Alagna crap you like.
spyderwalk 3 years ago
AHAHAHAHAHAHA, untrained ears? first of all, you're the one that doesn't know what they're talking about. to reach a hall of even 4000 people you don't need to be louder to be heard, i mean look at renee! it's your control, technique, and support of your piano and pianissimo that say whether your sound will travel or not, and singing forte is the cheater way. piano being forte in a big hall? ha! YOU'RE untrained, and obviously scream. and i don't even like alagna, it's gheorghiu i like.
JuillHope17 3 years ago
Obviously.
spyderwalk 3 years ago
wow what a reply.
JuillHope17 3 years ago
the final is awesome... they look like two birds singing for each other...
rafantunes 4 years ago 2
Absolutely breathtaking! To have two great powerhouses singing such beautiful music, it's indescribable! As usual, Renee never disappoints and Pavarotti...no words. C'est magnifique!
ateejay 4 years ago 2
one word. Beautiful! ah!... she sounds so fresh and unspoiled!
dynamicstuff73 4 years ago 3
okay that dress! Lordie lordie lordie. okay now i will un pause and watch it!. oh damn that dress!
dynamicstuff73 4 years ago
Improvement! She wore all those multi-layered flowing gowns, almost swallowing her. I thought: Does she have that Diva complex? Typical American? But she was more simple at the Nobel Gala Concert 2006. By contrast, Anne Sofie von Otter wears simple gowns and even was expelled from the Int'l Diva Club for wearing her dress twice. But von Otter is naturally beautiful, brilliant and a real-life aristocrat, does not have to prove anything.Typical Scandinavian?
elizabethvonslussen 3 years ago
They are fantastic!!!Nice!
tomasjuhasz 4 years ago
timeless music, 80s fashion!
gibraltarrr 4 years ago
Oh sweet jesus...that dress is simply aweful, and yet she rocks it...hmm
Musicsinger87 4 years ago
oh my God! when was this?
aleduffoo 4 years ago
1991
hotazzoperastud 4 years ago
This is a delightful duet - beautiful music and beautiful voices.
dorjenne 4 years ago
Superb performance. Renee is truly a fantastic performer. But what the hell was she thinking?!!! This had to be the 80's because that dress and that hair is just terrible!!!!
Matthewcoakley08 4 years ago
I think that must have been a giant brioche on Fleming's head, just in case Pavarotti gets hungry. ;-) Gotta love the 80's! lol
coy6642126 4 years ago
Too funny! I've worn my hair that way, I'm embarrassed to say. Now I know why all those tenors were chewing on my head.
Speezerina 4 years ago
Perfect couple!
The best since the originals Ferrugio Tagliavini and Pia Tassinari...
Wonderful blend of harmonic vibrations!!!
fernandobicudo 4 years ago
that's an ugly ugly ugly dress.. but Renee and Pavs sound so goood
trekkie2006 4 years ago
terrible dress.
tklogan11809 4 years ago
No kidding. The hair's pretty bad too.
On the other hand, the singing by both Pav and Renee is soooo beautiful.
skylark100 4 years ago