Pianist: in the loud passages, play loud with your right hand and p with your left. You must be keenly aware where the cello is relatively weak, and has important thematic material, to really scale down. Be careful that you preserve the two against three, for example in the coda section, your left hand is not playing duplets against the triplets in your right hand.
More dynamic and color range contrast needed. More lyrical passages need more expressivity.
Thank you for commenting. Valuable advice, but this is now a historical recording - it was made 2 years ago :))Things sound a lot different now, although tempo's still fast. People are used to hearing this movement played slower, but in my opinion, this is the right tempo.
The opening tempo was OK, but it soon accelerated, and in the development section beginning where the piano starts with triplets based on F# major, there was overt rushing. If the basic tempo is too fast, it leaves little for the piu allegro at the end without the latter sounding ridiculously hysterical, if the indicated change in tempo is honored. The melodic sections, such as early on in G major can benefit from slight contrasting relaxation in tempo, and certainly character.
OMG! your 14???? IM 14!!!! I'm used to bieng the best out of everyone...but you make me look horrible!!!! i Finished suzuki book 6, and my teacher wanted me to get out of the books,so i'm now doing allegro appasianato....ur way better than that one kid..nathan chan i thinks his name....GOOD FOR YOU! Keep it up! Any words of advice?
Okay, in this movement the pianist IS too loud in spots, and I say that as a pianist that has played and loves this piece. I will say that it's a very difficult movement to play without going all out, though! Try playing two-thirds of the fugue, your hands battling each other as well as the cello, with Brahms throwing in thick chords, polyrhythm, and huge leaps in both hands as overkill-it is hard! Though possible to do graciously. =)
But hey, at 14, I was barely playing Debussy arabesques...
I think you two are a star duo! The performance is very exciting. About the balance- there are only a couple spots in this where I actually couldn't hear the cello. She should pull back in those for the next performance. I thoroghly enjoyed the playing of both. Congratulaions!
wow. this is really too fast. there is so much being said between the piano and the cello parts you just cant to justice to all of it this fast. the painist plays too loud alot. realize that this piece isnt just for cello and the piano as an background part. the 2 instruments have to work together. the pianist really plays too loudly. she kind of drowns you out
lol i couldn't perform this piece this well untill i was 17..
Chemicalpneumonia 1 month ago
@Chemicalpneumonia now that i've heard the whole piece i would say that i can do it better
Chemicalpneumonia 1 month ago
This was filmed in a place with stone walls and floors, of course the piano's louder. Dimwits.
TheJstaten1 7 months ago
How old is this kid, like 12?
GreenChristine1219 1 year ago
Parabéns garoto. Você é um vencedor!!!
bine2100 1 year ago 2
Excellent. I did not find the performance too fast at all. I liked the tempo very much. Well done.
MrBrain4 1 year ago 2
brilliant
Shlosh10p 2 years ago
Too fast and out of control.
Pianist: in the loud passages, play loud with your right hand and p with your left. You must be keenly aware where the cello is relatively weak, and has important thematic material, to really scale down. Be careful that you preserve the two against three, for example in the coda section, your left hand is not playing duplets against the triplets in your right hand.
More dynamic and color range contrast needed. More lyrical passages need more expressivity.
gitprofnikat 2 years ago
Thank you for commenting. Valuable advice, but this is now a historical recording - it was made 2 years ago :))Things sound a lot different now, although tempo's still fast. People are used to hearing this movement played slower, but in my opinion, this is the right tempo.
inaned 2 years ago
The opening tempo was OK, but it soon accelerated, and in the development section beginning where the piano starts with triplets based on F# major, there was overt rushing. If the basic tempo is too fast, it leaves little for the piu allegro at the end without the latter sounding ridiculously hysterical, if the indicated change in tempo is honored. The melodic sections, such as early on in G major can benefit from slight contrasting relaxation in tempo, and certainly character.
gitprofnikat 2 years ago
amazing man. So much feeling :)
leppapod 2 years ago
Every time I hear this I... (sighs) I don't know - the Furnier / Backhaus recording though.
DieSonneSinkt 2 years ago
im to say im extremely impressed :) ur like the same lvl as me but u play SOO much better than i :)
good job mate
metaxassasin 2 years ago
I'm impressed. You are talented, and the pianist too. Congratulations and all the best for you career :)
anchoalyptica 3 years ago
Congratulation, it's really good, I fancy now to work my cello and this 3rd mouvement so difficult.
I'm impessed at 3'26" because you don't use the thumb to play. Great !
ringedspace 3 years ago
It's not the pianist too loud, but the cello too weak.
juleczka7 3 years ago
Could well be the case....
inaned 3 years ago
Haha, there are parts where the piano is so loud I couldn't even hear you playing. It just looked like you where just pretending to play.
vsupiano 3 years ago
Jeez no kidding is the cello actually playing? :P
Lochsloy92 3 years ago
I remember I was playing..:)))
inaned 3 years ago
OMG! your 14???? IM 14!!!! I'm used to bieng the best out of everyone...but you make me look horrible!!!! i Finished suzuki book 6, and my teacher wanted me to get out of the books,so i'm now doing allegro appasianato....ur way better than that one kid..nathan chan i thinks his name....GOOD FOR YOU! Keep it up! Any words of advice?
JmkorotkinPunk 3 years ago
Okay, in this movement the pianist IS too loud in spots, and I say that as a pianist that has played and loves this piece. I will say that it's a very difficult movement to play without going all out, though! Try playing two-thirds of the fugue, your hands battling each other as well as the cello, with Brahms throwing in thick chords, polyrhythm, and huge leaps in both hands as overkill-it is hard! Though possible to do graciously. =)
But hey, at 14, I was barely playing Debussy arabesques...
allegriajoy 3 years ago
Valdir1981, so true
TrittInDieEier 4 years ago 2
As my teacher said: sometimes this is a wonderful piece, but sometimes it´s a war, the piano against the cello.
Valdir1981 4 years ago 6
Well said! :)))
inaned 4 years ago
I think so^^
ivylwl2 3 years ago
I think you two are a star duo! The performance is very exciting. About the balance- there are only a couple spots in this where I actually couldn't hear the cello. She should pull back in those for the next performance. I thoroghly enjoyed the playing of both. Congratulaions!
piano6861 4 years ago
The piano is way too loud...at times, you can't even hear the cello being played.
Tenisar 4 years ago 2
wow. this is really too fast. there is so much being said between the piano and the cello parts you just cant to justice to all of it this fast. the painist plays too loud alot. realize that this piece isnt just for cello and the piano as an background part. the 2 instruments have to work together. the pianist really plays too loudly. she kind of drowns you out
munzonikia 4 years ago 2
i think the pianist is also rushing you somewhat.
munzonikia 4 years ago 2
braviiii....bea e boris duo perfetto!!!!!:)
frogcello 4 years ago
Nice job buddy but you kinda rush!? Dont worry I do to
Strider3000 4 years ago 2
Right - I can't help it yet. :)
inaned 4 years ago
Wow
really well played allthough the piano is too loud sometimes you don't even hear the chello any more.
TrittInDieEier 4 years ago 2
too fast
Timrdx 4 years ago 2
really good, i think the piano overpowered the cello though
fchu 4 years ago 2