Anna is another wonderful personification of Rosina, together with Teresa Berganza. Perhaps, Anna is more sophisticated, in terms of style & somehow, my ears recognise her more of Lucia.... (Also, some small miss pitch & near shout?) I feel Rossini intended a childish joy of a girl in her first love, than a sophisticated lady deeply in love. So, I rate carefree, equally effortless, Teresa as the top Rosina. It's just a matter of taste. They two are both superb Rosinas!
THANKS SO MUCH FOR REPAIRING THIS LOVELY ARIA....ANNA MOFFO IS MY FAVORITE COLATURA SOPRANO. SHE KNOWS WHAT SHE IS SINGING....AND SINGS LIKE A DELICATE BIRD....AND WITH SEEMINGLY NO EFFORT, BUT WE KNOW HOW MUCH OF A PERFECTIONIST SHE IS...OH MY WHAT RICHNESS FOLOWED BY DELICATE ,LITTLE STEPS LEADING UP TO THE STRATOSPHERE! BRAVA-BRAVA-ANNA!!!
5/5. Love the characterization, the staccato notes, the delicacy in some of the high portions, clarity, attack and release of notes, dynamics... and that last note. Pretty darn good.
cruel comments come from people who have secrets of which they are embarrassed, they are fearful people who will always choose a negative first, and often times never get past their own problems to see the greatness in others. Jealousy, petty behavior, and cruel commentary are the hobgoblins of such small minded people. They have no power over any of us who know in our hearts and minds that God is in all of us, and his essence is humanized in Ms. Moffo's voice.
Trovo che Anna Moffo sia una delle più straordinarie interpreti del melodramma italiano. In questa performance è semplicemente unica: voce morbida, nessuna caduta d'intonazione e agilità perfettamente eseguite. Poi ci tengo a sottileneare che era anche una donna di particolare bellezza!!!
I really like this a lot. I don't know much about her but this quite good along with Callas. I must say though my heart and favorite belongs to Diana Damrau. Something about her just makes me melt and I love the energy she has throughout her take on it.
I wish I could sing like this. What a beautiful and talented lady! I wish people stopped comparing singers. Thank Goodness those people existed, in their uniqueness and exceptional talent! This is an amazing performance and incredible mastering of the technique.
Cet air de mezzo-soprano réussit à Moffo, car elle a été capable de chanter Carmen également. J'admire sa versatilité, son charisme, la splendeur de son timbre. Très bon choix, original. Pour les mécontents patentés, il n'ont qu'à chanter mieux qu'elle.
loves genet, what it must be like to have the expertise to grade ? only thing that your main choice is shit, bartoli, who must always put on the i'm great, i am, act for us, so false, and the circus-act tricks with the voice... anyone but bartoli, please !
did gencer ever do this or oliviera ? or even hans hotter ? why don't men ever try out the soprano repetoire.. imagine.. recitals by basses.. of lucia's mad scene... could be fun, no genet-lovers... ya old pano dame ! cunt !
Bartoli has characterization besti know of but my memory is recent. Did Ponselle rec this that would be something in perfect legato runs.Bartoli has tv personality and gorgeous voice and perfect technique.Did Crespin rec this it is her style too. Sills 2nd,tech,char doesn't get better! Moffo is 3rd. but i'd like to c the competition.i have not heardCallas n thisit better be earlier.
This is one marvelous soprano voice. What I'd like to know is where did you get the recording. I've been nosing around online, and the pickings are pretty limited on Amazon and some of the others. I'd sure like to have this recording.
Sì, lindoro mio sarà; Lo giurai, la vincerò. Io sono docile, Son rispettosa, Sono obbediente, Dolce, amorosa; Mi lascio reggere, Mi fo guidar. Ma se mi toccano Dov'è il mio debole Sarò una vipera E cento trappole Prima di cedere Farò giocar.
I love Anna Moffo. I am really sad that is dead. This is the best 'Una voce poco fa' version ever. But 1 question: Why tune it one whole semitone higher. It just makes it ever harder to sing?????
so the soprano can sing high e's of course... you know it all about the soprano.lol if she is gonna sing the role she of course souldnt sing it in the same key as the mezzo!!!!lol
VERY nice! I have always really liked Moffo, but never heard her Una Voce. I don't compare singers on this aria, as it is one aria that really needs to be individulaized by every singer. I like them all (mostly).
Nice interpretation - But you must look beyond scoops, poor intonation and really bad technique. I guess I am jaded because I heard her over the length of her career, the rapid decline and the wide variance in quality in live performances. - But, nice to here - Thanks
This is brilliant in every respect. I'd almost take off a tiny, tiny percentage of a mark for the very last note, but the rest of the singing is so perfect it more than compensates. She also captured the <i>mood</i> of this aria very well, perhaps better than any other I've heard. 5/5.
Nobody "copies ornaments from Callas." These ornaments are traditional and have been passed down for centuries. Callas didn't make them up. Probably from Tettrazini or somebody.
4/4 Her voice is lovely, but a lot of the ornamentation is copied directly from Maria Callas.. and the top F at the end is tastelessly over the top, and sounds thin
it's a freakin' high F. I've been told that unless you can do the exact same thing and bring the house down even more than the performer you have no right to criticise and the only thing you are allowed to do is applaud. I mean, unless you can sing that entire aria better than she can...be my guest. and copying the ornaments from Callas? Are you really that ignorant?
I'm learning - I was misled by some reading I was doing on Maria Callas that suggested that what she had done was somehow groundbreaking or original and I see now that it wasn't particularly. As sonnet43 said - they are traditional. But I absolutely stand by what I said about the final note - it would have been so much better if she had just gone down to the lower F.
haha, if it's Florence Foster Jenkins, you LAUGH. :)
I'm not saying that bad singing doesn't deserve criticism, and maybe the lower F would've sounded better... I just hate to see people rip apart great singers. I just can't stand it when everything turns into an "I know more about singing than you do" contest. Sorry if I sounded snotty before to you guys.
Moffo didn't leave anything out. In fact, she didn't have to sing it in the key of F (much harder) either, since it's really in E. Unlike Sills you can actually recognize the language as Italian. And of course, she doesn't sing meaningless roulades like the former.
5/4.5 One of the most beautiful voices in the business. Considering she really is a true lyric (I like dougbalt's opinion of "chocolaty tone") and not a coloratura, she handles this rep with amazing skill (and courage).
And I have a question -- How come so many leave out or only partially do the repeated 4 sets of running 16th notes right before the very end?? Sills doesn't ever seem to have a problem. She only leaves out one set in the 1979 performance which was the year before she retired!
Without a doubt 5/5, she's amazing, playing her part well and having a wonderful voice you could recognize from miles away while hitting those high notes in such a pure way:)
Brava! Simply esquisite. I remember this recording and it is one of my favorites. I love both the mezzzo and the soprano versions. I give Mrs. Moffo (who I had the honor to meet in person) a 5/5!!!
I sing this aria as a mezzo..., and I think that Moffo is very good singing this as a soprano... so.... 4/5 :P But I prefer this aria in a mezzo register
4.5/5, This is really gorgeous, flirty and beautiful. She her time articulating every phrase. I love this tempo (especially in the candenza?). My only complaint is that her lower register is not very full sounding.
she skips through this song, it's wonderful. who care's if the f isn't rossini, it's moffo singing and i am sure that rossini appretiates her spin. at least she sung it in the carefree spirit in which it was intended.
Her characterization puts the "cloy" in "coy." The opening bars have actual crooning. There are several instances of scooping into a note which is fine for Puccini but not Rossini. Her voice is beautiful, of course, she has good coloratura technique, (though I detect intonation problems in one little staccato run) the high F is dazzling, but it's wrong for Rossini, too: it's just a stunt. 4/3
Like the Sills clip before this, I had a feeling Moffo would be quite characterful - coy yet steadfast. Vocally, just stunning, as you state. There may be a couple things in there that aren't in the best style, but I'll accept them as pure Moffo. I love the color of her voice and the way she varies it. For me she takes the cake, even with that diva-ish high F, lol. 5/5
perfetta.)
sttar1982 4 months ago
@sttar1982 che tocco di Italianità
sttar1982 4 months ago
Bravo Anna!! Toutes ses interpretations sont merveilleuses. Mon Dieu quel voix et quelle belle femme
pbarroso001 6 months ago
Anna is another wonderful personification of Rosina, together with Teresa Berganza. Perhaps, Anna is more sophisticated, in terms of style & somehow, my ears recognise her more of Lucia.... (Also, some small miss pitch & near shout?) I feel Rossini intended a childish joy of a girl in her first love, than a sophisticated lady deeply in love. So, I rate carefree, equally effortless, Teresa as the top Rosina. It's just a matter of taste. They two are both superb Rosinas!
TheSophiaBaba 6 months ago
The word is Coloratura....I missed that! Need a proof-reader! Thanks.
kasha1932 1 year ago 2
THANKS SO MUCH FOR REPAIRING THIS LOVELY ARIA....ANNA MOFFO IS MY FAVORITE COLATURA SOPRANO. SHE KNOWS WHAT SHE IS SINGING....AND SINGS LIKE A DELICATE BIRD....AND WITH SEEMINGLY NO EFFORT, BUT WE KNOW HOW MUCH OF A PERFECTIONIST SHE IS...OH MY WHAT RICHNESS FOLOWED BY DELICATE ,LITTLE STEPS LEADING UP TO THE STRATOSPHERE! BRAVA-BRAVA-ANNA!!!
kasha1932 1 year ago
Sorry,but this lovely aria is being broken up...I cannot listen to this anymore.
kasha1932 1 year ago
the best
amillia007 1 year ago
She was Sharp on 5:09, but better than Flat. I like the Coloratura! :)
thenextmezzosoprano 1 year ago
Her technique is perfect and her voice is lovely.
andreea94a 1 year ago
5/5. Love the characterization, the staccato notes, the delicacy in some of the high portions, clarity, attack and release of notes, dynamics... and that last note. Pretty darn good.
rrcaniglia 1 year ago
bel canto purests would look down on interpolating a high note at the end of a piece like this, but I'm not a bel canto purest hahaha. 5 stars
raigekimaru 1 year ago
Never forget the first time I heard this performance back in the '70s. It's still electrifying.
(the soprano's solfege: "do, re, mi, me, me, not you, me")
BlueStarCadet08 2 years ago 2
Wow .Nothing else to say
diradour 2 years ago
one of the greatest coloraturas ever
andreea94a 2 years ago
Coloratura heaven!
dngrbunny 2 years ago
Amazing! Glad I found this rendition so may years later. Because it is one of the reasons I love Opera!
0ri0n77 2 years ago
first time Ive heard this - magnificent!
quietdepths 2 years ago 2
cruel comments come from people who have secrets of which they are embarrassed, they are fearful people who will always choose a negative first, and often times never get past their own problems to see the greatness in others. Jealousy, petty behavior, and cruel commentary are the hobgoblins of such small minded people. They have no power over any of us who know in our hearts and minds that God is in all of us, and his essence is humanized in Ms. Moffo's voice.
thnurd 2 years ago
Just sensational
DAVIDA1944 2 years ago
ah!!! ahh!! ahh a!! aa!1!!!! Ah!!!!!!!AH!!!!!!!
NoticiasInteresante1 2 years ago
BEST version of this aria I've heard online!
giyka88 2 years ago 2
Really amazing... perhaps one of the best renditions of this aria.
noncondition 3 years ago 5
By the way 4.5/4.5 out of 5
noncondition 2 years ago
Trovo che Anna Moffo sia una delle più straordinarie interpreti del melodramma italiano. In questa performance è semplicemente unica: voce morbida, nessuna caduta d'intonazione e agilità perfettamente eseguite. Poi ci tengo a sottileneare che era anche una donna di particolare bellezza!!!
Tancredi1976 3 years ago 21
Magnificent
TheForsaken82 3 years ago 7
I really like this a lot. I don't know much about her but this quite good along with Callas. I must say though my heart and favorite belongs to Diana Damrau. Something about her just makes me melt and I love the energy she has throughout her take on it.
jmsmth14 3 years ago
I wish I could sing like this. What a beautiful and talented lady! I wish people stopped comparing singers. Thank Goodness those people existed, in their uniqueness and exceptional talent! This is an amazing performance and incredible mastering of the technique.
gcafeche 3 years ago 3
I agree. Regarding smart-ass comments of some folks: ...let's have some heart for assholes, shall we?
tmcons 3 years ago
OMG... for me maybe the best performance of this aria ever!!
madziua90 3 years ago 18
Cet air de mezzo-soprano réussit à Moffo, car elle a été capable de chanter Carmen également. J'admire sa versatilité, son charisme, la splendeur de son timbre. Très bon choix, original. Pour les mécontents patentés, il n'ont qu'à chanter mieux qu'elle.
mariasarda 3 years ago 6
j'ai cet CD et c'est super!!! hélas, sa voix était déjà déclinée mais était très grande. Elle avait un registre passable bas...
silvr94 3 years ago
Exactement. mariasarda
patukott 3 years ago
loves genet, what it must be like to have the expertise to grade ? only thing that your main choice is shit, bartoli, who must always put on the i'm great, i am, act for us, so false, and the circus-act tricks with the voice... anyone but bartoli, please !
did gencer ever do this or oliviera ? or even hans hotter ? why don't men ever try out the soprano repetoire.. imagine.. recitals by basses.. of lucia's mad scene... could be fun, no genet-lovers... ya old pano dame ! cunt !
brunotaddeo 3 years ago
Brava DIVA!!!!!!
Jogab37 3 years ago 5
Bartoli has characterization besti know of but my memory is recent. Did Ponselle rec this that would be something in perfect legato runs.Bartoli has tv personality and gorgeous voice and perfect technique.Did Crespin rec this it is her style too. Sills 2nd,tech,char doesn't get better! Moffo is 3rd. but i'd like to c the competition.i have not heardCallas n thisit better be earlier.
lovesGenet 3 years ago
This has been flagged as spam show
hmm... but bartoli also sounds like a goat
IfYourMomWereATaco 3 years ago
hahahahahahha
cek1111 3 years ago 2
NICE BUT NOT THE BEST AS FAR AS CHARACTER, VOICE IS BEAUTIFUL , HER TRAV REC. IN 1960 IS HER GREATEST imo
pearlmuth3 4 years ago
This is one marvelous soprano voice. What I'd like to know is where did you get the recording. I've been nosing around online, and the pickings are pretty limited on Amazon and some of the others. I'd sure like to have this recording.
coloratursopran0154 4 years ago 2
gahgeer 4 years ago
Una voce poco fa
Qui nel cor mi risuonò;
Il mio cor ferito è già,
E lindor fu che il piagò.
Sì, lindoro mio sarà;
Lo giurai, la vincerò.
Il tutor ricuserà,
Io l'ingegno aguzzerò.
Alla fin s'accheterà
E contenta io resterò.
gahgeer 4 years ago
Really nice, the ornaments are really lovely, and this voice!!!
it's just become my second favorite performance on "una voce poco fa", after Maria Callas La Divina of course!!!
mikathelittle 4 years ago 4
Yes, she is awesome, but Callas rules!!!! :D
vladyhorowitz 3 years ago
I love Anna Moffo. I am really sad that is dead. This is the best 'Una voce poco fa' version ever. But 1 question: Why tune it one whole semitone higher. It just makes it ever harder to sing?????
silvr1507 4 years ago 3
so the soprano can sing high e's of course... you know it all about the soprano.lol if she is gonna sing the role she of course souldnt sing it in the same key as the mezzo!!!!lol
wedidntknow 4 years ago
Always amazing and perfect.
marysmules 4 years ago
VERY nice! I have always really liked Moffo, but never heard her Una Voce. I don't compare singers on this aria, as it is one aria that really needs to be individulaized by every singer. I like them all (mostly).
artdanks 4 years ago
this is the tops,,, she is the best !!! capt jacques strap
ron63026 4 years ago 2
Grandiosa Eccezzionale Fantastica
Questo è cantare!!!
Questo è stile...
Carissimi questa è una delle più grandi voci del passato, ascoltare per imparare!!!!!
abcThais 4 years ago 3
Forget 5/5! Raise the standards! 10/10!
Who cares if she scoops? It sounds fine when she does it! All the greats, my favorites, are dead.
ElliePearl 4 years ago 2
Nice interpretation - But you must look beyond scoops, poor intonation and really bad technique. I guess I am jaded because I heard her over the length of her career, the rapid decline and the wide variance in quality in live performances. - But, nice to here - Thanks
LyricoSpinto 4 years ago
it can't get much better than this performance for warmth. Moffo has always been great at melting in. 4
gj2855 4 years ago 2
beautiful perfomance... but no one seems to rememeber the great teresa berganza (I know... a mezzo... but who cares? ... at least ... not me...)
her performance is sparkling
simonboccanegra35 4 years ago
This is brilliant in every respect. I'd almost take off a tiny, tiny percentage of a mark for the very last note, but the rest of the singing is so perfect it more than compensates. She also captured the <i>mood</i> of this aria very well, perhaps better than any other I've heard. 5/5.
GalambBorong 4 years ago 2
yes yes the mood is ottimo!!!! the best i swear
cadaques1978 4 years ago
She's just lovely; and that E flat at the end is flawless.
Additionally, if you want to hear the best mezzo version of "una Voce" , listen to Marilyn Horne.
ExcellentTaste 4 years ago 2
it was an F!!! (the aria is written in E major, so it would have been an E, but it is transposed)
silvr94 2 years ago 3
Wonderful!!!
borias12 4 years ago
5/5
Winn89 4 years ago
What to say...5/5
evaeke 4 years ago
Pure and simple. 5/5.
patjan1992 4 years ago
Accomplished, stylish singing, warm tone, and playful characterization! 4.5/5
meltzerboy 4 years ago
I love her full,round,smoky timbre. The intepretation is adorable and charming.
4/5
gvjps123 4 years ago
I remember Roberta Peters singing the crap out of this aria...little voice, but AMAZING coloratura!!!!
beefnotfish 4 years ago
abosolutely the best of the best.
willthebest1 4 years ago
high F?haha i checked it out on the score
this is on E major
she put this one the F major?
lxr0913 4 years ago
actually, a high F. just gone to the piano to check it. I thought moffo never did a high F...how thrilling!
guendolinoskr 4 years ago
She also did one in a version of Ah non giunge here on YouTube
forallyouknow 3 years ago 2
oh god , it is a high E..
lxr0913 4 years ago
This rendition of Anna Moffo has introduced me to the world of opera. It's absolutely awesome. What a beautiful, great, performer!!!
renic17 4 years ago
Wow! What a way to start. Moffo was my introduction to opera also.
patjan1992 4 years ago
Nobody "copies ornaments from Callas." These ornaments are traditional and have been passed down for centuries. Callas didn't make them up. Probably from Tettrazini or somebody.
sonnet43 4 years ago 2
4/4 Her voice is lovely, but a lot of the ornamentation is copied directly from Maria Callas.. and the top F at the end is tastelessly over the top, and sounds thin
Louisacat 4 years ago
it's a freakin' high F. I've been told that unless you can do the exact same thing and bring the house down even more than the performer you have no right to criticise and the only thing you are allowed to do is applaud. I mean, unless you can sing that entire aria better than she can...be my guest. and copying the ornaments from Callas? Are you really that ignorant?
Kbritt7 4 years ago
I'm learning - I was misled by some reading I was doing on Maria Callas that suggested that what she had done was somehow groundbreaking or original and I see now that it wasn't particularly. As sonnet43 said - they are traditional. But I absolutely stand by what I said about the final note - it would have been so much better if she had just gone down to the lower F.
Louisacat 4 years ago
So if my singing ability is even less than Florence Foster Jenkin's, I'm NOT allowed to say ANYTHING and should just aplaud?
Liwah 4 years ago
haha, if it's Florence Foster Jenkins, you LAUGH. :)
I'm not saying that bad singing doesn't deserve criticism, and maybe the lower F would've sounded better... I just hate to see people rip apart great singers. I just can't stand it when everything turns into an "I know more about singing than you do" contest. Sorry if I sounded snotty before to you guys.
Kbritt7 4 years ago
I give this a 5/5. Terrific.
patjan1992 4 years ago
Moffo didn't leave anything out. In fact, she didn't have to sing it in the key of F (much harder) either, since it's really in E. Unlike Sills you can actually recognize the language as Italian. And of course, she doesn't sing meaningless roulades like the former.
zamyrabyrd 4 years ago
Great, Moffo is my favourite, although I don't love the high f at the end 5/5
krizju 4 years ago
5/4.5 One of the most beautiful voices in the business. Considering she really is a true lyric (I like dougbalt's opinion of "chocolaty tone") and not a coloratura, she handles this rep with amazing skill (and courage).
wwonka2 4 years ago
And I have a question -- How come so many leave out or only partially do the repeated 4 sets of running 16th notes right before the very end?? Sills doesn't ever seem to have a problem. She only leaves out one set in the 1979 performance which was the year before she retired!
BSistheBEST 4 years ago
She sounds amzing but in the beginning she goes out of tune 4.3/5 I prefer callas
johngarner3 4 years ago
Without a doubt 5/5, she's amazing, playing her part well and having a wonderful voice you could recognize from miles away while hitting those high notes in such a pure way:)
Winn89 4 years ago
Chocolaty, sexy tone quality balanced with acrobatic coloratura... and what a high F at the end!!! 5/5
dougbalt 4 years ago
Brava! Simply esquisite. I remember this recording and it is one of my favorites. I love both the mezzzo and the soprano versions. I give Mrs. Moffo (who I had the honor to meet in person) a 5/5!!!
georgeo 4 years ago
I sing this aria as a mezzo..., and I think that Moffo is very good singing this as a soprano... so.... 4/5 :P But I prefer this aria in a mezzo register
Njamh 4 years ago
4.5/5, This is really gorgeous, flirty and beautiful. She her time articulating every phrase. I love this tempo (especially in the candenza?). My only complaint is that her lower register is not very full sounding.
gypsycafe 4 years ago
beautiful voice - beautiful woman. loved the characterization, but the mezzo voice appeals to me more 3/5
operadm 4 years ago
she skips through this song, it's wonderful. who care's if the f isn't rossini, it's moffo singing and i am sure that rossini appretiates her spin. at least she sung it in the carefree spirit in which it was intended.
bosbriguy 4 years ago
Actually, Rossini was not a fan of sopranos singing Rosina...nor did he care for the excessive ornamentation that so many singers are so fond of.
rinceceol 4 years ago
Amazing she is brilliant. The personality in this piece is perfect. 5/5
P.S Before this contest I hadn't heard more than 4 version of this aria. Thanx me and my sister will go nuts about the contest!
eleanorgloria 4 years ago
Amazing. 4/5.
joseitox 4 years ago
Oh, 4/5 too :)
Operaphile 4 years ago
Wonderful!!! Some stunning ornamentation. Mady Mesple does the high F too. Anna wins on voice quality though!
Operaphile 4 years ago 2
BRAVA Anna!
4/5
petelovesbevsills 4 years ago
Guau!! my God, very good!! 10 points to Anna Moffo
binturong 4 years ago
Her characterization puts the "cloy" in "coy." The opening bars have actual crooning. There are several instances of scooping into a note which is fine for Puccini but not Rossini. Her voice is beautiful, of course, she has good coloratura technique, (though I detect intonation problems in one little staccato run) the high F is dazzling, but it's wrong for Rossini, too: it's just a stunt. 4/3
taytaytoo 4 years ago
Like the Sills clip before this, I had a feeling Moffo would be quite characterful - coy yet steadfast. Vocally, just stunning, as you state. There may be a couple things in there that aren't in the best style, but I'll accept them as pure Moffo. I love the color of her voice and the way she varies it. For me she takes the cake, even with that diva-ish high F, lol. 5/5
drdre333 4 years ago
5/5. What a stunning version by Moffo.
mrrk 4 years ago