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wonderful! bravissima Joyce!!
SuperCrismadrid 1 day ago
It's Handel, not a race!
God...
Joyce very nice nonetheless
perles75 2 years ago
That was thrilling. I'm very glad I'm not the one who got her angry.
Habrolissimo 2 years ago 4
Me too, Habrolissimo. Esp. the last two "vedrò" leave no doubt she is serious.
Gudrun74 2 years ago
Somebody does it faster than Minko! Wow! :)
lalagonegaga 2 years ago
She is a troll.
crightl 2 years ago
WOW!!!!!
martykoll 2 years ago
superb ! minunat !! ce mai poti spune..?! e....miracol !!:) Romania. Pitesti. ionut.
radupitesti 2 years ago
@radupitesti
Ma bucur sa gasesc un conational caruia sa ii placa opera. Joyce e grozava!
Operadreamer11 1 year ago
How is this NOT on the Furore disc?
altodivo 3 years ago 7
I would definitely have started the Furore CD with it!
Gudrun74 3 years ago 2
Ce morceau résume bien la volonté d'exalter le contraste des sentiments des personnages, présent tout au long de l'Opéra. Des moments de fureur, d'extrême douceur, de tristesse et de joie se succèdent. Tout cela est conforme au véritable esprit baroque.
En attendant l'incontournable "Dopo notte" de Genève... merci!
stafffilo 3 years ago 6
Oh yes stafffilo. I don't think I've ever heard a more extreme contrast in a da capo aria than here. Honestly, I don't know of a singer who'd be able to incorporate this "switch" around 3:30 between the extremes as perfectly as she does. And her last 2 "vedrò" at 4:04 and 4:12, well ... simply blow me away!
Gudrun74 3 years ago
@Gudrun74 De acuerdo, sin duda es la mejor que he oido hasta ahora interpretando esta obra.
merviar 1 year ago
I hate whenever a conductor pushes the tempo so crazy fast. Thank god, La Didonato was able to keep up with it with aplomb. I must say it was rather a rocky ensemble, still. Thank you so much for posting this, Gudrun. I can't believe I haven't already subscribed to you as I saw so many of your clips. Well, now I do. Thanks again, and I'll eagerly await more of Didonato's Ariodante.
vitellia 3 years ago
Yes the problem of this production was the crazy tempi of the conductor... i was there in first line , and during all the night i saw the singers trying to make understand to kenneth montgomery that the tempo was bad! thanks god it was a good cast!
sonqualnave 3 years ago
Si on compare à Von Otter, Joyce montre mieux la colère du personnage. La partie plus lente est sublime. Merci d'avoir posté ceci.
aurele65 3 years ago
Indeed. She creates the role model of a da capo aria here.
Gudrun74 3 years ago