I own highlights recording of Tosca with Renata Tebaldi, Mario Del Monaco, and George London. @stevevandien the Te Deum you first heard may be from the recording I have. London is magnificent. That is a baritone!!
Le récitatif commençait plutôt bien,le ton et le jeu y étaient crédibles;quand le chant intervient celà se gâte.Mais au moins,on l'entend au milieu du choeur.
Did anyone ever notice that George London's Scarpia inspired the Dr. Seuss's Grinch? The sideways slide of the jaw, the curl of the eyebrow (which has a life of its own), the liquefied evil incarnate!!!! It's all there, dripping with magnificent evil and rich life-affirming devilishness.
I too find that even though it is vocally extraordinary, I feel the lack of something in his performance, the accent does not help but it is not that either, there seem to be segments when he loses the melody somehow or perhaps cuts the words short....not being musically trained I can't pinpoint closer than that.
vocally very exciting- but I don't find him very convincing for some reason. I dunno why- maybe I just hear him as a "German singer" even though he was a Jewish boy! His approach reminds me of Darth Vader for some reason!
Personally, George London is the BEST Scarpia. He is monstrous, with a big voice and very powerful, just as Scarpia should be. Tito Gobbi did not sing it this good. He is more sly and sneaky but a true Scarpia has to be a monster. I liked London ever since I heard his Scarpia opposite Leontyne Price in the 1962 Karajan album.
I like this performance very much, George London brings out the real villainy of Scarpia! I usually like Tito Gobbi, but this is also excellent! Thank you for the video.
Absolutely incredible...George was the business. Gobbi?! please!! Well... he had chutzpah I'll give him that... but his was one of the biggest fake careers in the history of opera. Good actor??? Ham with a capital H. And he shouted his way through Scarpia to hide the fact that his voice was dry as an old goat's with no top!
Interesting how the two singers speak rather than sing Puccini's written note pitches at the beginning; also, I think the tempo is too fast and lacks grandeur. London is magnificent, of course, one of the great Scarpias. He is also wonderful on the magnificent Tebaldi/Del Monaco recording.
You know... I love Gobbi, don't get me wrong... but watching his videos today, I don't think his interpretation has aged very well. His acting is rather hammy by modern standards. I would still prefer London, who keeps it more suave and sophisticated, but still quite menacing.
Yes George Burnstein and Beverly Silverman had a date when both where very young but no match. Burnstein became London and Silverman, Sills! He had a throat problem later that had nothing to do with the way he sang and he then became sick with a MS like disease and died in his 60's. I was lucky enough to hear him in concert and met him afterwards, tall polished and a great voice. I still have his signature in a book about Lanza whom he sang with in 1947, the bel canto trio.
Simply one of the all-time greatest voices ever. Thanks for posting this amazing video which captures this great singer in one of his greatest roles!!!
Thanks:). I was pretty sure this wasn't much later than '61, because that final high note just sails out there like a laser beam -- the paralyzed vocal cord didn't cut severely into London's powers for another couple years or so --
I own highlights recording of Tosca with Renata Tebaldi, Mario Del Monaco, and George London. @stevevandien the Te Deum you first heard may be from the recording I have. London is magnificent. That is a baritone!!
frankmaiorana66 2 days ago
This man, LONDON, IS Scarpia... Puccini just knew he would be born one day to sing his lines!
Tho voice is COLOSSAL, it does not respect the limits of nature, and that is exactly what it takes!!!
Gabvelri 3 months ago
Der beste Scarpia aller Zeiten!
Heldenbariton1 4 months ago
Le récitatif commençait plutôt bien,le ton et le jeu y étaient crédibles;quand le chant intervient celà se gâte.Mais au moins,on l'entend au milieu du choeur.
abracadabranque 6 months ago
I love his voice !! He has wonderful voice and great technic !!!
MissPieknaJola 7 months ago
@jp40798 Sure sounds Scarpianate though! Evil bastard! Bravo, George London!
dynomax101 9 months ago
Did anyone ever notice that George London's Scarpia inspired the Dr. Seuss's Grinch? The sideways slide of the jaw, the curl of the eyebrow (which has a life of its own), the liquefied evil incarnate!!!! It's all there, dripping with magnificent evil and rich life-affirming devilishness.
leouija 1 year ago
JESUS EFFIN CHRIST................
RVP57 1 year ago
The only thing strange with London here is that neither the orchestra nor the chorus could keep up with his strong and magnificent voice!
Bquillamus 1 year ago
Thank you. What a voice! What a performance!
dnettles 1 year ago
One of the greatest singers to ever appear on the stage of the Met Opera House
in New York City. Terrific performance here.
Fegen 1 year ago
I too find that even though it is vocally extraordinary, I feel the lack of something in his performance, the accent does not help but it is not that either, there seem to be segments when he loses the melody somehow or perhaps cuts the words short....not being musically trained I can't pinpoint closer than that.
jorfel49 1 year ago
La più scura e potente voce da baritono nella storia dell'opera, assieme a Titta Ruffo.
Wolts1983 1 year ago
vocally very exciting- but I don't find him very convincing for some reason. I dunno why- maybe I just hear him as a "German singer" even though he was a Jewish boy! His approach reminds me of Darth Vader for some reason!
Cantormatis 1 year ago
Personally, George London is the BEST Scarpia. He is monstrous, with a big voice and very powerful, just as Scarpia should be. Tito Gobbi did not sing it this good. He is more sly and sneaky but a true Scarpia has to be a monster. I liked London ever since I heard his Scarpia opposite Leontyne Price in the 1962 Karajan album.
MastersoftheOpera 1 year ago
Him and Warren are my two favorites in this role.
VinylToVideo 1 year ago
The best TOSCA Past,present and future:
Renata Tebaldi,Mario Del Monaco,George London.
Decca classics.
flavikio 1 year ago
I like this performance very much, George London brings out the real villainy of Scarpia! I usually like Tito Gobbi, but this is also excellent! Thank you for the video.
clydesight 1 year ago
Sublime London Grazie !***********infinite!
bodiloto 2 years ago
perhaps the greatest bass to have lived.
he carries over the orchestra and chorus like they are nothing.
Jozh487 2 years ago 2
Absolutely luscious!
cleanears 2 years ago 3
Absolutely incredible...George was the business. Gobbi?! please!! Well... he had chutzpah I'll give him that... but his was one of the biggest fake careers in the history of opera. Good actor??? Ham with a capital H. And he shouted his way through Scarpia to hide the fact that his voice was dry as an old goat's with no top!
HeldenB 2 years ago
He is unbelievabel, what a voice.
noregrets54 2 years ago 2
Comment removed
bodiloto 2 years ago
Lol the spoletta in this is hilarious.
leadoffeohippus 2 years ago 18
Interesting how the two singers speak rather than sing Puccini's written note pitches at the beginning; also, I think the tempo is too fast and lacks grandeur. London is magnificent, of course, one of the great Scarpias. He is also wonderful on the magnificent Tebaldi/Del Monaco recording.
billyguns2 2 years ago
@billyguns2
The only note that isn't on-pitch is Spoletta's 'gno' in 'sta bene il convegno', I think.
piasecznik 1 year ago
The most magnificent Scarpia in history
tomzoricic 2 years ago 15
Vocally...maybe. Gobbi is still the interpretive master.
Chiliarches 2 years ago
You know... I love Gobbi, don't get me wrong... but watching his videos today, I don't think his interpretation has aged very well. His acting is rather hammy by modern standards. I would still prefer London, who keeps it more suave and sophisticated, but still quite menacing.
BorisGodunov 2 years ago 4
I base my preference for Gobbi more off the famous recording than the clips on YouTube...
Chiliarches 2 years ago
Maybe, he is great!
But do you know Scarpia by Leonard Warren?
tertium0auris 2 years ago
@tomzoricic PASQUALE AMATO AND RICCARDO STRACCIARI GIVE EQUALLY
GOOD RENDITIONS OF THIS ONE OF THE MOST BRILLIANT ARIAS EVER WRITTEN FOR THE BARITONE VOICE IN ALL OPERA.
lozzarus 1 year ago
@lozzarus
Silvano Carroli in his younger days is my favorite, he's not well known.
epetkin 1 year ago
@tomzoricic
Ever hear a young Silvano Carroli? I think he beats them all.
epetkin 1 year ago
Yes George Burnstein and Beverly Silverman had a date when both where very young but no match. Burnstein became London and Silverman, Sills! He had a throat problem later that had nothing to do with the way he sang and he then became sick with a MS like disease and died in his 60's. I was lucky enough to hear him in concert and met him afterwards, tall polished and a great voice. I still have his signature in a book about Lanza whom he sang with in 1947, the bel canto trio.
pearlmuth3 3 years ago
Great reminiscense! So what do you think of Jacomini's "Ch'ella mi credo'?
sagalat 2 years ago
Giacomini
nickcowie 2 years ago
Simply one of the all-time greatest voices ever. Thanks for posting this amazing video which captures this great singer in one of his greatest roles!!!
rustywrh 3 years ago 4
jesus christ !!!
Lyonseyes 3 years ago 2
I bet his singing made the whole house shake!
tremendous!
zciweslab 3 years ago
great voice but he seems to be singing out of time all over the place... ?
Matt54e 3 years ago
the perfect Scarpia!
BernardProfitendieu 3 years ago
thank you
orthochrom 3 years ago 3
Simply... the best...
Cantermann 3 years ago 2
his scene always makes me want to genuflect and make the sign of the cross lol
tenorismo 3 years ago
George London is a god. thanks for the video.
lordeikrem 3 years ago
great, amazing, awesome, breath taking!
arturovilla02 3 years ago
STRAORDINARIO!!!!!
zs1968 3 years ago 2
Am still shaking. An immediate Favorite. This is as good as it gets. Bravo!
sagalat 3 years ago
When and where was this? A splendid version -- and one of my sentimental favorites, since the first "Te Deum" I heard was a London recording:) --
stevevandien 3 years ago
This is from the Staatsoper Stuttgart, 1961.
primobaritono 3 years ago
Thanks:). I was pretty sure this wasn't much later than '61, because that final high note just sails out there like a laser beam -- the paralyzed vocal cord didn't cut severely into London's powers for another couple years or so --
stevevandien 3 years ago
THANK YOU SOOOOO MUCH
redsox2213 3 years ago 3
Well if his Scarpia doesn't instill the fear of God in Tosca I don't know who would.
DragTas 3 years ago 2