In the late 80's and early 90's I thought Leech was going to be one of the great ones. He was bnetter in Rigoletto than anyone of his time.He had a wonderful sound - almost like Bjorling - but then he seemed to lose something. The voice developed a wobble and seemed to lose support. I have no idea what happended, but I miss him.
I loved Malfitano in the french repertoire,her Juliet,Marguerite in Faust, Antonia in Hoffman, etc were wonderful I feel that she pushed her voice too far singing heavy roles that did not suit her and her sound suffered as a result. Leech also lost much of the beauty in his voice for the same reason. 2 essentially lyric voices wanting to be bigger and darker than nature intended. They were good singers with beautiful instruments that were damaged.
This is wonderful! Must say I am more used and prefer Malfitano in the French repertoire. Very touching here 2:35 is glorious. Passionate, reserved and intelligent in character portal. A performance to die for :]. However, I always tend to think of La Tebaldi & Bergonzi when I hear Butterfly. Thanks for this Mr. Onegin ;). Kind and warm regards. Always!
I agree RialtoTwo. I really like Leech's voice though. Malfitanos' voice just isnt the right color nor timbre..a bit dry in texture. I think other than the Price recording I like the Mitchell/Cianella performance of this duet...
In the late 80's and early 90's I thought Leech was going to be one of the great ones. He was bnetter in Rigoletto than anyone of his time.He had a wonderful sound - almost like Bjorling - but then he seemed to lose something. The voice developed a wobble and seemed to lose support. I have no idea what happended, but I miss him.
diarci 2 months ago
I loved Malfitano in the french repertoire,her Juliet,Marguerite in Faust, Antonia in Hoffman, etc were wonderful I feel that she pushed her voice too far singing heavy roles that did not suit her and her sound suffered as a result. Leech also lost much of the beauty in his voice for the same reason. 2 essentially lyric voices wanting to be bigger and darker than nature intended. They were good singers with beautiful instruments that were damaged.
intelegentable 3 months ago
I think he is so sexy....I would love to be his Butterfly just so he makes love to me at the end of the duet onstage.
operas6 1 year ago
BRAAAAAAAAAAAAAAAAAAAAAAAAAAVI!
ciociosan 1 year ago
Why did he take the shirt off? Is he hot? Or, is she about to make the laudry for him? Hmmn... Can't figure it out.
fabrizzzio48 2 years ago
No DVD yet. The opera world doesn't like to give too many American tenors credit for great works.
manishafan 2 years ago
what production is this?
polkaparty 2 years ago
It must be released on DVD, because it is simply GREAT! Bravi!
Operalover77 2 years ago
El, maravilloso, ella actua muy bien, pero falta que su canto sea mas "japones" y creible.
maragato23 2 years ago
This is wonderful! Must say I am more used and prefer Malfitano in the French repertoire. Very touching here 2:35 is glorious. Passionate, reserved and intelligent in character portal. A performance to die for :]. However, I always tend to think of La Tebaldi & Bergonzi when I hear Butterfly. Thanks for this Mr. Onegin ;). Kind and warm regards. Always!
Lanark8 2 years ago 2
Nice but not up to my old Price & Tucker recording.
RialtoTwo 2 years ago
I agree RialtoTwo. I really like Leech's voice though. Malfitanos' voice just isnt the right color nor timbre..a bit dry in texture. I think other than the Price recording I like the Mitchell/Cianella performance of this duet...
silvanero 2 years ago
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Price was probably better then Malfitano but Tucker is a walking Pare at best, LOL
manishafan 2 years ago