You only confuse people with that half/whole diminished stuff. A diminished scale ALWAYS STARTS WITH A WHOLE STEP. THERE IS NO FLAT 2ND IN A DIMINISHED SCALE!!!. The scale he is playing is called either D diminished, B diminished, F diminished or Ab Diminished.
@lsmith869 "A diminished scale ALWAYS STARTS WITH A WHOLE STEP." Absolutely right my friend! You can call this also a Db Octatonic. Which is again a "diminished" sound.
Can anybody recommend any more artists who use this kind of style? I absolutely love this kind of music, it would be lovely to have some of this type of stuff on my ipod! Cheers for the lesson :D
Just amazing the way he teaches, plus information that us really helpful. I bought his Improv DVD's and if you likes this clip, you should buy it too.
can you imagine a more relaxed, kind and personal, yet at the same time tremendously informative style of teaching? because i sure as hell can't... this guy should be a role model to every kind of guitarteacher and -player out there.
Someone help me out here. In all the theory books I've been able to find, a diminished scale starts on the tonic and then proceeds whole step-half step-whole step-half step, etc. So in Db, you should have Db-Eb-E-Gb-G etc. Larry is playing Db-D natural-E-F, which I believe is either a B diminished or D diminished scale. There's no doubt it works over what he's playing (Db7aug9) but from what I can find, that's not a Db diminished scale. Can anyone more knowledgeable clear this up for me?
i dunno, its pretty complicated this diminished scale biz, but i just think of it a 'half step-whole step' scale, where the next note from the tonic is a half step up, then whole step, and so on. This is the one Larry uses in this example. So i look at it as two diminished scaled for Db. The other diminished scale you can call a 'whole step-half step' scale (whole step comes first), and it is used in a different context from larry's vid above.
@61DaveO There are 2 modes for the diminished scale.
Sometimes you can find the "half step/Whole step" diminished scale named "Dominant diminished", because you have the chord tones from a dominant chord plus tensions : b9, #9, #11, 13.
The "W/H diminished scale" is used over Diminished chords.
Check out Don Mock 's "Symetric scales revealed" book
@61DaveO Hi Dave. Yes - he is using the half/whole scale here - not a diminished scale. Half/whole is a good choice over a 13b9 V chord in a II-V-I. However, try a melodic minor half step above the V chord (or a wholetone scale off of the root) if the chord contains a #5 and a b9.
Sounds basically like raising your root 1/2 step so your temporarily soloing in D instead of Db. but the dim scale gives you some symmetry so you could almost just play that totally for a while and sound like you are the king of guitar. It's not unlike a magic trick because w/o knowing how, this stuff looks impossible but when it is explained, you go "I should have guessed!" Carlton is a king of guitar.
God im gonna sound like such a scrub but where does everyone learn all the buisness about A B C and naturals and whatnot. I cant crack any of this and I want to learn these scales badly.
@cryan5280 Music theory. Just do a search. There are 12 notes in music A thru G sharp. B and E have no sharps. A, A #, B, C, C#, D, D#, E, F, F#, G AND G#. If you want to name a note flat, it goes down a 1/2 step. A flat is the same as G#. D flat is = C#. I don't use "natural" or flats really in naming because I don't play jazz or read music off of paper. D natural just means D (no sharps or flats). 10th fret, E string. That's ALWAYS a D natural in my book.
@cryan5280 - lol. yes know the feeling! An old teacher of mine used to say the first 10 years are the worst!! Like everything, best to take bite-sized chunks, like focus on a scale-type for a few months, apply it over backing (important) and then once comfortable, move on to another - another way is to learn some failry easy licks using a scale so you remember them!
guys help...i just cant understand how diminished scale fits on the v7? i mean v7 is a pattern of R-2-3-4-5-6-b7-R, so half step up with diminished scale? i mean how? it doesn't fit....need ur ideas..
@cheeseerox V7 is a chord symbol. You have written a mixolydian scale pattern which is not a diminished scale but another scale choice for V7. If you play a V7 chord and build a diminshed scale first going a half step from its root you will see all the chord tones of a V7 chord are included. i.e Diminshed scale is 1, b9, #9, 3, b5, 5, 6, b7 and a V7 chord has the notes: 1, 3, 5, b7. Hope this helps
@cheeseerox Okay...I will answer your question. Take a diminished scale...and HARMONIZE it in Thirds...your answer will lie in the results of your efforts...you will understand it much better if you do the work yourself instead of someone handing you a carrot versus teaching you how to plant a garden.
@cheeseerox It takes some work and stepping out of your comfort zone. The notes of the A dominant 7 are A C# E G I'll capitalize the chord tones spelling out the chscale. A diminished = A bflat c C# d# E f# G. FOr the record the notes of A minor are in there too. It's an unusual sound that takes practice to make it work and to accustom your ears to the sound.
I remember as a kid listening to Steely Dan on the radio...You know, when they actually used to play music on the radio! This guy is the reason I became a life long SD fan. Preach on, Brother Larry!
some of you clowns are trying to correct the MASTER???
Get a grip!!!!
lovemyhd1960too 4 days ago
very interesting
mark55spark 1 week ago
You only confuse people with that half/whole diminished stuff. A diminished scale ALWAYS STARTS WITH A WHOLE STEP. THERE IS NO FLAT 2ND IN A DIMINISHED SCALE!!!. The scale he is playing is called either D diminished, B diminished, F diminished or Ab Diminished.
lsmith869 2 weeks ago
@lsmith869 "A diminished scale ALWAYS STARTS WITH A WHOLE STEP." Absolutely right my friend! You can call this also a Db Octatonic. Which is again a "diminished" sound.
PanosIliou 1 week ago
Can anybody recommend any more artists who use this kind of style? I absolutely love this kind of music, it would be lovely to have some of this type of stuff on my ipod! Cheers for the lesson :D
SmithlerOfDaFunk 3 weeks ago
@SmithlerOfDaFunk john scofield
sramirezsoprano 2 weeks ago
@sramirezsoprano Thank you :)
SmithlerOfDaFunk 1 week ago
@SmithlerOfDaFunk also Robben Ford from his Jing Chi band albums and some Mike Stern.
JoeSzilagy 2 weeks ago
@JoeSzilagy Cheers!
SmithlerOfDaFunk 1 week ago
@ 1:16 that look pierced my soul.
dafuzzyguitar 4 weeks ago
i dont get it
DrWrongPaul 1 month ago
i need to jam with this guy
GuiseppePipes 1 month ago
What a gentleman! A true master.Thanks Larry for sharing your gift.I feel like like
I am taking a lesson from my best friend who happens to be the best guitar player on the planet.
AllenPinchloaf 2 months ago
This guy has been such an inspiration both musically and personally...
There's always something to learn from the Masters...!
LastOfSixMusic 5 months ago
great teacher! thanks!
akahanga 5 months ago
Just amazing the way he teaches, plus information that us really helpful. I bought his Improv DVD's and if you likes this clip, you should buy it too.
buccigm 5 months ago
Amen to comment below.
keysmank 6 months ago
can you imagine a more relaxed, kind and personal, yet at the same time tremendously informative style of teaching? because i sure as hell can't... this guy should be a role model to every kind of guitarteacher and -player out there.
carstenneugebauer 6 months ago
Amazing guitarist and teacher...GREAT!
mrkkitson 7 months ago
What is the raised 9? Is at the same as the 2? So E flat in this instance?
niverent 10 months ago
@niverent Its actually E bro. But the 9th is an octave higher than the 2nd.
kRIstAfAri89 9 months ago
@kRIstAfAri89 Thanks bro!
niverent 9 months ago
Man, he is smooth with this teaching thing. . . I could do nothing but just listen and soak it in!!! No stress or strain whatsoever. . .
woodie62 10 months ago
This is pure gold, and so generous of the great LC to share this, thanks v much
geespar1 10 months ago
Why dint i find you before Mr.Carlton..you are one of the best guitar trainers I ever watched on youtube..God bless you
fawadrizvi 11 months ago
Thanks for the input, friends. It helps! I'll look for the Don Mock book.
61DaveO 11 months ago
All this music theorie makes my head spin...AAAARRRGH...
Porly62 11 months ago
Someone help me out here. In all the theory books I've been able to find, a diminished scale starts on the tonic and then proceeds whole step-half step-whole step-half step, etc. So in Db, you should have Db-Eb-E-Gb-G etc. Larry is playing Db-D natural-E-F, which I believe is either a B diminished or D diminished scale. There's no doubt it works over what he's playing (Db7aug9) but from what I can find, that's not a Db diminished scale. Can anyone more knowledgeable clear this up for me?
61DaveO 11 months ago
@61DaveO
i dunno, its pretty complicated this diminished scale biz, but i just think of it a 'half step-whole step' scale, where the next note from the tonic is a half step up, then whole step, and so on. This is the one Larry uses in this example. So i look at it as two diminished scaled for Db. The other diminished scale you can call a 'whole step-half step' scale (whole step comes first), and it is used in a different context from larry's vid above.
gonzogourmet 11 months ago
@61DaveO There are 2 modes for the diminished scale.
Sometimes you can find the "half step/Whole step" diminished scale named "Dominant diminished", because you have the chord tones from a dominant chord plus tensions : b9, #9, #11, 13.
The "W/H diminished scale" is used over Diminished chords.
Check out Don Mock 's "Symetric scales revealed" book
manuorchestra 11 months ago
@61DaveO Hi Dave. Yes - he is using the half/whole scale here - not a diminished scale. Half/whole is a good choice over a 13b9 V chord in a II-V-I. However, try a melodic minor half step above the V chord (or a wholetone scale off of the root) if the chord contains a #5 and a b9.
capnovenmitts 16 hours ago
Larry Carlton is a genius and yet comes across as being so unassuming. He is among the smoothest players out there and very knowledgeable.
lessonman335 1 year ago
Sir you dont deserve that Gibson. You deserve a Custom hand made guitar made exactly for you by Gibson.
TheHornet79 1 year ago
One baby step for Larry=one giant leap for all guitarists.
jwandhistools 1 year ago
"Outside of the tonality but it's still correct?". Ouch, my head hurts. I got confused there for a second.
GaryLawrence0 1 year ago
Sounds basically like raising your root 1/2 step so your temporarily soloing in D instead of Db. but the dim scale gives you some symmetry so you could almost just play that totally for a while and sound like you are the king of guitar. It's not unlike a magic trick because w/o knowing how, this stuff looks impossible but when it is explained, you go "I should have guessed!" Carlton is a king of guitar.
TruthSurge 1 year ago
God im gonna sound like such a scrub but where does everyone learn all the buisness about A B C and naturals and whatnot. I cant crack any of this and I want to learn these scales badly.
cryan5280 1 year ago
@cryan5280 Music theory. Just do a search. There are 12 notes in music A thru G sharp. B and E have no sharps. A, A #, B, C, C#, D, D#, E, F, F#, G AND G#. If you want to name a note flat, it goes down a 1/2 step. A flat is the same as G#. D flat is = C#. I don't use "natural" or flats really in naming because I don't play jazz or read music off of paper. D natural just means D (no sharps or flats). 10th fret, E string. That's ALWAYS a D natural in my book.
TruthSurge 1 year ago
@cryan5280 - lol. yes know the feeling! An old teacher of mine used to say the first 10 years are the worst!! Like everything, best to take bite-sized chunks, like focus on a scale-type for a few months, apply it over backing (important) and then once comfortable, move on to another - another way is to learn some failry easy licks using a scale so you remember them!
Tbonetardis 1 year ago
He's in such control of his dynamics. Perfect scale to give everyone a headache! (which is a good thing).
Visualundeath 1 year ago 10
1:17 haha look at his awesome guitar face when he hits the D natural over the Dbmin7.... awesome
willrock241 1 year ago
master of masters
miro108 1 year ago
Great player ! Great Teacher !
eikels 1 year ago
Simplicity is it's own reward. 3 freakin' notes! Larry, you are a genius.
jwandhistools 1 year ago
guys help...i just cant understand how diminished scale fits on the v7? i mean v7 is a pattern of R-2-3-4-5-6-b7-R, so half step up with diminished scale? i mean how? it doesn't fit....need ur ideas..
cheeseerox 1 year ago
@cheeseerox V7 is a chord symbol. You have written a mixolydian scale pattern which is not a diminished scale but another scale choice for V7. If you play a V7 chord and build a diminshed scale first going a half step from its root you will see all the chord tones of a V7 chord are included. i.e Diminshed scale is 1, b9, #9, 3, b5, 5, 6, b7 and a V7 chord has the notes: 1, 3, 5, b7. Hope this helps
squider98 1 year ago
@cheeseerox Okay...I will answer your question. Take a diminished scale...and HARMONIZE it in Thirds...your answer will lie in the results of your efforts...you will understand it much better if you do the work yourself instead of someone handing you a carrot versus teaching you how to plant a garden.
Chromatype 1 year ago
@cheeseerox It takes some work and stepping out of your comfort zone. The notes of the A dominant 7 are A C# E G I'll capitalize the chord tones spelling out the chscale. A diminished = A bflat c C# d# E f# G. FOr the record the notes of A minor are in there too. It's an unusual sound that takes practice to make it work and to accustom your ears to the sound.
cm0220ster 1 year ago
He is a great teacher isn't he! Larry you are truly a master artist. and musician.Thank you so much for your generosity in posting this video!
takman59 1 year ago
What a great teacher.
sandbarclam 1 year ago 26
Mr Larry....Thank you kindly for this lesson !!! ......awesome !
jasmoism 1 year ago
who worote this tone```????
gphilamp 1 year ago
teh song BURNABLE woooow so bliss bliss
gphilamp 1 year ago
what a tone. i have a 63 reissue. love to know what amp to pair it with. at the moment i have a mesa subway rocket but it's a little bit boxy....
noisyneil 1 year ago
Fender Super Reverb is a great match with the 335 IMO.
Twanger73 1 year ago
que bueno!!!
cabenavisson 2 years ago
Listen to "Don't Take Me Alive" by Steely Dan. Awesome lead guitar by Larry.
davshaw5 2 years ago
I remember as a kid listening to Steely Dan on the radio...You know, when they actually used to play music on the radio! This guy is the reason I became a life long SD fan. Preach on, Brother Larry!
exposurejd 2 years ago