Her tapering of phrase endings into infinity are remarkable. I'd love to hear more. I've posted a Rach 2 -3rd mvt. played by a now deceased colleague Justin Blasdale who died at the age of 50. I hope it's all right - just wanted to share another of the world's unsung heroes with you. Thanks so much for sharing this.
..I like Richter...but at times it is like he is out to kill the piano....one conductor said he runs to his own drum, with or without any orchestra playing beside him....I have to have his recordings, though....a must
Despite the asynchroticism at 9:21, she's a bold virile performer of little subtlety, but huge aggression. For me, WEISSENBERG towers over all at the 9:00 ending
You are correct of course. I take no umbrage. Perhaps you would be kind enough to give me a few small chores to perform -- it's a fast route to Paradise, with all the fruit, virgins and such
You are too charming! That said, if u luv Rach 2, hear Richter's and, especially, Weissenberg's 2nd movement finale....HUGE MAGNIFICENT like none other
Yes I've heard both: the Richter is my all-time favorite recording in fact. It's what I give to people who have no classical recordings. And Weissenberg is tremendous too! He's one of my favorite artists. I have almost all of his recordings; even those that haven't come out on CD.
Really, to quibble over 9:21 when listening to a performance as fine as this . . . ! (In fact she accomodates the orchestra within a single bar and it doesn't upset anything -- another sign of mastery.) What a wonderful musician! Thanks for posting this!
Speaking of this 10min limit, the person who uploaded the Karajan/Beethoven sym clips managed to squeeeze 25+ minutes into them. I asked him how he did this but unfortunately he hasn't responded. Anyway it seems it might be possible to go beyond 10 min...
There are some old users who can post longer video, but unfortunately this option is not available to me. I would love to be able to upload uncut recordings, but so far we all have to live with "10 min. limit"
Имя Розы Тамаркиной у меня почему-то ассоциируется с именем Дину Липатти... гениально одаренные музыканты, ушедшие от нас так невероятно рано... и все же успевшие оставить доказательства своей гениальности.
Truecrypt - то, что Вы делаете - совершенно выше всяких похвал. И уж тем более, если брать в расчет то, что на западе имена великих советских (или русских) музыкантов часто попросту игнорируются по причине незнания их записей... Еще раз огромное спасибо!
No, of course not, because the general level (musically and technically) of playing is very high, just like here BTW. But I've heard performances of Gilels where there are simply too many mistakes - yet he always stays interesting.
It has also to do with the type of pianist, in the past there are great examples: Anton Rubinstein could make many mistakes and his playing was still great, but when Hans von Bulow played only one wrong note, people were complaining...
Dear Smith, don't talk nonsense again...this is wonderful playing, the orchestra is great, too. I was just responding to your remark: "The Musicians are so well-tuned to her phrasing perceptions". Well they are, except that one passage I mentioned, but it's a live-recording, these things happen...
No, the tempo slows down but the wood-instruments (flutes?) that play the accompanying triplets don't seem to get it. Clearly it's the conductor's job to put it nicely together.
For the rest, as I wrote 6 months earlier, great performance!
I love her divided hands,the quick juxtapositions between rallentando and tenuto,
her intense focused expression of each phrase(No god-forsaken long lines here).I love her dry Forte-piano tones contrasted against the romanticism of her phrasing.
Her tapering of phrase endings into infinity are remarkable. I'd love to hear more. I've posted a Rach 2 -3rd mvt. played by a now deceased colleague Justin Blasdale who died at the age of 50. I hope it's all right - just wanted to share another of the world's unsung heroes with you. Thanks so much for sharing this.
maestrojimbo 1 year ago
The sound of greatness.
raanan17 1 year ago
..I like Richter...but at times it is like he is out to kill the piano....one conductor said he runs to his own drum, with or without any orchestra playing beside him....I have to have his recordings, though....a must
j72050 2 years ago
can someone tell me if there's a movie with this score in it? it seems so familiar, but I can't put my finger on it.
DaisytheDancer 2 years ago
All byyyy myyyyyyyyyyyyself...
AndreiPRE 2 years ago
bravo even though it's not susan boyle playing i still love it lalalalalalalala
linda19116hotmail 2 years ago
prekrassno i interessno
samechatelno shto eta legenda w internete tak wsech sainteresowala
wanjabelaga 3 years ago
Despite the asynchroticism at 9:21, she's a bold virile performer of little subtlety, but huge aggression. For me, WEISSENBERG towers over all at the 9:00 ending
sagalat 3 years ago 2
You've got too much time on your hands.
sll10 2 years ago
You are correct of course. I take no umbrage. Perhaps you would be kind enough to give me a few small chores to perform -- it's a fast route to Paradise, with all the fruit, virgins and such
sagalat 2 years ago
LOL! Touche! It's just I thought the performance so remarkable that it seemed like nitpicking. However, bravo to you for being so specific!
sll10 2 years ago
You are too charming! That said, if u luv Rach 2, hear Richter's and, especially, Weissenberg's 2nd movement finale....HUGE MAGNIFICENT like none other
sagalat 2 years ago
Yes I've heard both: the Richter is my all-time favorite recording in fact. It's what I give to people who have no classical recordings. And Weissenberg is tremendous too! He's one of my favorite artists. I have almost all of his recordings; even those that haven't come out on CD.
sll10 2 years ago
Wow! I've never heard this pianist before (or even heard OF her). Man she's terrific!! Thanks for posting!
sll10 3 years ago
Really, to quibble over 9:21 when listening to a performance as fine as this . . . ! (In fact she accomodates the orchestra within a single bar and it doesn't upset anything -- another sign of mastery.) What a wonderful musician! Thanks for posting this!
iedsri 3 years ago
so beautiful! magic playing!
IloveAlexisBledel689 3 years ago 5
zOMG Roza Tamarkina's classic performance of Rach's 2nd piano concerto! Thanks! Now how about uploading parts 1 & 3 as well?
weikko79 3 years ago
I hate to cut movements - YT doesn't allow clips longer than 10 minutes. Well... may be I'll do.
truecrypt 3 years ago
Speaking of this 10min limit, the person who uploaded the Karajan/Beethoven sym clips managed to squeeeze 25+ minutes into them. I asked him how he did this but unfortunately he hasn't responded. Anyway it seems it might be possible to go beyond 10 min...
AntonioDGO 3 years ago
YouTube does allow longer clips than 10 minutes. Just now I have on my right clips that run to 10:28, 10:40...and I've seen even longer ones.
weikko79 3 years ago
YT accepts clips up to 10:59
There are some old users who can post longer video, but unfortunately this option is not available to me. I would love to be able to upload uncut recordings, but so far we all have to live with "10 min. limit"
truecrypt 3 years ago
Имя Розы Тамаркиной у меня почему-то ассоциируется с именем Дину Липатти... гениально одаренные музыканты, ушедшие от нас так невероятно рано... и все же успевшие оставить доказательства своей гениальности.
Truecrypt - то, что Вы делаете - совершенно выше всяких похвал. И уж тем более, если брать в расчет то, что на западе имена великих советских (или русских) музыкантов часто попросту игнорируются по причине незнания их записей... Еще раз огромное спасибо!
ChatlaninUef 4 years ago
Everything makes sense. As if she somehow knew
that it had to be NOW.
suzettegm 4 years ago
Whoever is conducting this does a more deeply meaningful job than any I've ever heard.
The Musicians are so well-tuned to her phrasing perceptions.BRAVISSIMO!
smithsherman 4 years ago
Except at 9:21 (this passage is a mess...)
pianopera 4 years ago
who care's with such an interpreation!
marcelmombeekeigen 4 years ago
Every detail is important, there are no unimportant details in an interpretation, because they can make it great or worthless. So, yes, I care...
pianopera 4 years ago
so, if horowitz or gilels plays some wrong note's in a great interpreation, the interpretation become's worthless??
marcelmombeekeigen 4 years ago
No, of course not, because the general level (musically and technically) of playing is very high, just like here BTW. But I've heard performances of Gilels where there are simply too many mistakes - yet he always stays interesting.
It has also to do with the type of pianist, in the past there are great examples: Anton Rubinstein could make many mistakes and his playing was still great, but when Hans von Bulow played only one wrong note, people were complaining...
pianopera 4 years ago
Dear Erwin, You were fooled again.You let physical error take your eyes off of the meaning...Oh well...Marcel noticed too...
You've been exposed...
smithsherman 4 years ago
Dear Smith, don't talk nonsense again...this is wonderful playing, the orchestra is great, too. I was just responding to your remark: "The Musicians are so well-tuned to her phrasing perceptions". Well they are, except that one passage I mentioned, but it's a live-recording, these things happen...
pianopera 4 years ago
I see no problem at 9:21. Does she play a wrong note or something? I didn't notice a thing.
weikko79 3 years ago
No, the tempo slows down but the wood-instruments (flutes?) that play the accompanying triplets don't seem to get it. Clearly it's the conductor's job to put it nicely together.
For the rest, as I wrote 6 months earlier, great performance!
pianopera 3 years ago 2
In sum,she plays with a tonal and phrasing concept of a central European born in 1800Perhaps She was Dussek or Thalberg previously.
Beautiful...Beautiful!!!!!!
smithsherman 4 years ago
I love her divided hands,the quick juxtapositions between rallentando and tenuto,
her intense focused expression of each phrase(No god-forsaken long lines here).I love her dry Forte-piano tones contrasted against the romanticism of her phrasing.
smithsherman 4 years ago 4
Beautifully played with great maturity. She lived a short life but left us with her talent and will be remembered for her artistic contributions.
RealRussiansOnly 4 years ago 3
Very impressive playing, I didn't know her recordings. What a sad story.
Nice picture or Rachmaninov (having a holiday in his dacha?)
pianopera 4 years ago