Milwaukee came up with this just the way we came up with Harvey Scales, the Esquires, Junior and the Classics, Cobey Joe Payne, the Chefs, the Essentials, Highball Holiday, International Jet Set, the Neapolitans, De La Buena, Paul Cebar, Adekola, Mel Rhyne, La Chazz, the R&B Cadets, Wild Kingdom, Codebreaker, Kid Millions, Def Harmonic, and the Violent Femmes. How the f**k has your town not come up with anything close?
@ericblowtorch don't forget Willy Porter, Jaill, the Bodeans, Fever Marlene, The Trusty Knife, Fresh Cut Collective, etc. Milwaukee has some great music coming out of it, but could stand to be more supportive of their local music scene. I think having bands like Kings Go Forth and Jaill garnering (inter)national acclaim will raise awareness that great music (art) is happening here. It has the potential to be on par with cities like Seattle or Minneapolis.
I'm an old northern head and I heard their album for the first time this week. Best thing I've heard in years. How the f**k has Milwaukee produced this. I wanna go there!
At the risk of being assassinated(!), I have to say that this recording has more in keeping with the REAL "Spirit of Blackpool Mecca" than some of Ian Levine's (sometimes) "iffy" tailor-made productions. Perfect dance rhythm.
I agree with you on that whatson. I love the fact that Ian got people back in the studio. His work as a historian is important and I appreciate that. However, his backing tracks are shit. Why find these artists, do all this hard work and get them into a studio only to overlay a sample of the original with a crunchy sounding drum machine and horribly cheesy synthesized instrumentation? He should have kept it natural
To be fair to Ian however, he DID at least record those artists for posterity using his own cash, and couldn't licence all of the original tracks for the "Strange World Of Northern Soul" project, hence the re-recorded backing tapes. (Still, I'm hoping the instrumentation might be "improved" at some stage in the future!)
I understand the whole licensing issue for the original tracks. However, I feel that he could have gotten musicians to do the tracks and not what he ended up using. A lot of his northern soul remixes sound like his dance remixes of the early/mid 80s (Pet Shop Boys anyone?). Northern Soul is a far cry from 80s dance music and should have been treated as such. Like I said, his contributions to history are highly important. I just feel that he left out one huge step in his work.
Wow.. This is fantastic. This is like Collossus Records' rythym and horn section meeting a Tony Camillo production. Hard to believe this is a new record, but in a good way. This is very, very, very well done.
It's great that people love this group in Europe. Kings Go Forth is a perfect example of what will never get airplay on "urban" i.e. black oriented radio in the US. That would be an open admission by the record labels and radio program directors that they've made a huge mistake, and done the listening public a disservice by backing rap and hip-hop exclusively. Leela James barely gets on the radio in the States. Sad.
This group are "tailor made" for the UK Soul scene who still hanker for the real instrumentation and Soulful vocals prevalent in 60s and 70s recordings (it's not so much a "revivalist" scene, as just knowing what we like!) This has great potential, and Kings Go Forth have already caused quite a stir in some quarters. Hip hop stinks by comparison!
Milwaukee came up with this just the way we came up with Harvey Scales, the Esquires, Junior and the Classics, Cobey Joe Payne, the Chefs, the Essentials, Highball Holiday, International Jet Set, the Neapolitans, De La Buena, Paul Cebar, Adekola, Mel Rhyne, La Chazz, the R&B Cadets, Wild Kingdom, Codebreaker, Kid Millions, Def Harmonic, and the Violent Femmes. How the f**k has your town not come up with anything close?
ericblowtorch 11 months ago
@ericblowtorch don't forget Willy Porter, Jaill, the Bodeans, Fever Marlene, The Trusty Knife, Fresh Cut Collective, etc. Milwaukee has some great music coming out of it, but could stand to be more supportive of their local music scene. I think having bands like Kings Go Forth and Jaill garnering (inter)national acclaim will raise awareness that great music (art) is happening here. It has the potential to be on par with cities like Seattle or Minneapolis.
heddykevy 11 months ago
Brilliant northern hoping to get tickets for jazz cafe love it roll on Thursday
KTF John
superlativesoul 1 year ago
Looking forward to see 'em next week in Nijmegen (Netherlands)!!!!!! Great soulfunk!!
jembone 1 year ago
This has been flagged as spam show
Kings Go Forth January Tour Dates- Jan5 Valencia-Wah Wah Club, Jan6 Logroño (La Rioja) Actual Festival, Jan7 Madrid-El Sol, Jan8 Barcelona-La2, Jan10 Rotterdam-Rotown, Jan11 Nijmegen-Doornroosje, Jan12 Amsterdam–Club Paradiso,Jan13 London–Jazz Cafe, Jan14 Berlin–Bohannon Club, Jan15 Dublin–Sugar Club
dcusma 1 year ago
brilliant stuff - i'm looking forward to their debut London show on thurs 13 jan big time.
walkandskank 1 year ago
I'm an old northern head and I heard their album for the first time this week. Best thing I've heard in years. How the f**k has Milwaukee produced this. I wanna go there!
littleandy77 1 year ago
this song is great. You northern soul cats are an uptight lot...
astronautagogo 1 year ago
Remix it with:
"let the sunshine in" vocals
bboyasist 1 year ago
Big Up Milwaukee ! !
sryohei1234 1 year ago
funk yeah Brew City Baby
readi1 2 years ago
Fyah !!!
checkabreak 2 years ago
What a great contemporary band.
iamprov 2 years ago
Exactly right. I can't argue with a word of that!
drwhatson 2 years ago
At the risk of being assassinated(!), I have to say that this recording has more in keeping with the REAL "Spirit of Blackpool Mecca" than some of Ian Levine's (sometimes) "iffy" tailor-made productions. Perfect dance rhythm.
"Hey Baby, That's The Way To Go"
drwhatson 2 years ago
I agree with you on that whatson. I love the fact that Ian got people back in the studio. His work as a historian is important and I appreciate that. However, his backing tracks are shit. Why find these artists, do all this hard work and get them into a studio only to overlay a sample of the original with a crunchy sounding drum machine and horribly cheesy synthesized instrumentation? He should have kept it natural
PJDooWop 2 years ago
To be fair to Ian however, he DID at least record those artists for posterity using his own cash, and couldn't licence all of the original tracks for the "Strange World Of Northern Soul" project, hence the re-recorded backing tapes. (Still, I'm hoping the instrumentation might be "improved" at some stage in the future!)
drwhatson 2 years ago
I understand the whole licensing issue for the original tracks. However, I feel that he could have gotten musicians to do the tracks and not what he ended up using. A lot of his northern soul remixes sound like his dance remixes of the early/mid 80s (Pet Shop Boys anyone?). Northern Soul is a far cry from 80s dance music and should have been treated as such. Like I said, his contributions to history are highly important. I just feel that he left out one huge step in his work.
PJDooWop 2 years ago
Fantastic!!...xx
sweetiebabesxx 2 years ago
Wow.. This is fantastic. This is like Collossus Records' rythym and horn section meeting a Tony Camillo production. Hard to believe this is a new record, but in a good way. This is very, very, very well done.
PJDooWop 2 years ago
Love It!!...nice share...x
allsoul61 2 years ago
Absolutely, I have to agree with the doc !
jelboysvw 2 years ago
Blackpool Mecca lives! LOL This would have been a monster back in 1975/76.
drwhatson 2 years ago
It's great that people love this group in Europe. Kings Go Forth is a perfect example of what will never get airplay on "urban" i.e. black oriented radio in the US. That would be an open admission by the record labels and radio program directors that they've made a huge mistake, and done the listening public a disservice by backing rap and hip-hop exclusively. Leela James barely gets on the radio in the States. Sad.
alkh3myst 2 years ago
This group are "tailor made" for the UK Soul scene who still hanker for the real instrumentation and Soulful vocals prevalent in 60s and 70s recordings (it's not so much a "revivalist" scene, as just knowing what we like!) This has great potential, and Kings Go Forth have already caused quite a stir in some quarters. Hip hop stinks by comparison!
drwhatson 2 years ago
I agree 100%.
alkh3myst 2 years ago
Comment removed
jelboysvw 2 years ago
superb track!!!! loving it
Furey10 2 years ago
shitbags discoteque this is some soul searching time
granglepuss 2 years ago
FIRE!!
bobperry617 2 years ago
jeah!
dreastronaut 2 years ago