Instead of having a bunch of passive theory geeks pick this apart, the most productive, educational and humbling experience for all is to have everybody compose their "improvements"....and post then on You Tube.
Im lucky to find other people who like to compose in bachs style. One thing I have to mention.
If you use the dubble-dominant (A-major in gm) you have to answer the theme in transposing it a 4 not a 5 up, because the "dubble-dubble-dominant" was not really allowed in baroque style. And beginning the answer is in the tonica of the the first placement of the theme. so in 11 you should use the g in the left hand to bring the first bar into tonality of g, not d.
You're right, that answers like that are seldom in baroque fugues, but we can find it in Bach's works - for example - in e minor fugues in booth wtc books.
This is very disjointed. You should study composers' scores more and in more detail. I suggest Bach (of course), Corelli trio sonatas, Vivaldi concerti (those 2 Italians are especially important for their harmonic outlines of their works), Pachelbel's organ works, Kuhnau, and Buxtehude
hey gregor as allways i will think u r a genius,i,m glad to hear your creation,is it possible u can play & record it in a real piano,i mean not an electric one,cause i think the sound is quit differrent & with more quality,my suggest ok?my regards my friend
I don't have time to practise my own works ;) I'd like better to compose something NEW. But maybe someday I'll put one piece with my personal interpretation.
Instead of having a bunch of passive theory geeks pick this apart, the most productive, educational and humbling experience for all is to have everybody compose their "improvements"....and post then on You Tube.
radiokid2 4 months ago
Im lucky to find other people who like to compose in bachs style. One thing I have to mention.
If you use the dubble-dominant (A-major in gm) you have to answer the theme in transposing it a 4 not a 5 up, because the "dubble-dubble-dominant" was not really allowed in baroque style. And beginning the answer is in the tonica of the the first placement of the theme. so in 11 you should use the g in the left hand to bring the first bar into tonality of g, not d.
Hope this is usefull ^^
GumbasCorner 10 months ago
@GumbasCorner
You're right, that answers like that are seldom in baroque fugues, but we can find it in Bach's works - for example - in e minor fugues in booth wtc books.
GKesik 10 months ago
This is very disjointed. You should study composers' scores more and in more detail. I suggest Bach (of course), Corelli trio sonatas, Vivaldi concerti (those 2 Italians are especially important for their harmonic outlines of their works), Pachelbel's organ works, Kuhnau, and Buxtehude
PraeludiumUndFuge 1 year ago
Good. Bach would be proud of you! ;)
TripleMirror 1 year ago
wonderful. Thank you so much.
225gabi 1 year ago
I liked the fugue very much!
Totennebel 1 year ago
wonderful *****
Octavin2 1 year ago
hey gregor as allways i will think u r a genius,i,m glad to hear your creation,is it possible u can play & record it in a real piano,i mean not an electric one,cause i think the sound is quit differrent & with more quality,my suggest ok?my regards my friend
Claudio
klausmann111 1 year ago
Beautiful creation, realy "Bach product". Bravo! Probably recorded in slow pace, and because some of the nuances are lost.
Gusakov 1 year ago
Wow that is just brilliant! I'm speechless...
henripche 1 year ago
whi don't you record them with you playing? :D
Erikk91 1 year ago
@Erikk91
I don't have time to practise my own works ;) I'd like better to compose something NEW. But maybe someday I'll put one piece with my personal interpretation.
GKesik 1 year ago