@luv2act976 Rude or not my statements are constructive; more to the point it doesn’t make them any less valid. I believe you when you say it took a' lot of effort'; having performed in a number of G&S operettas myself, including this one. However, i assume anyone who puts themselves on here wishes to engage public reaction and opinion, if this is not the case there wouldn't be a comments page.
this really doesn't have any redeeming features, maybe the costumes and some of the choreography.
Oh dear oh dear oh dear, tis a bit flat, diction is crap, projection is a problem, little support, sopranos make their way up to the top notes, not much in the way of varied dynamics, the male leads are off. ow Ow OW!
Annoying as there is certainly a great deal of untapped potential, you should run workshops, vocal exercises etc
heyyy you guys skipped the Buon Giorno part?
musicalyricist 1 year ago
Comment removed
luv2act976 2 years ago
@luv2act976 Rude or not my statements are constructive; more to the point it doesn’t make them any less valid. I believe you when you say it took a' lot of effort'; having performed in a number of G&S operettas myself, including this one. However, i assume anyone who puts themselves on here wishes to engage public reaction and opinion, if this is not the case there wouldn't be a comments page.
davidgoodman85 8 months ago
this really doesn't have any redeeming features, maybe the costumes and some of the choreography.
Oh dear oh dear oh dear, tis a bit flat, diction is crap, projection is a problem, little support, sopranos make their way up to the top notes, not much in the way of varied dynamics, the male leads are off. ow Ow OW!
Annoying as there is certainly a great deal of untapped potential, you should run workshops, vocal exercises etc
davidgoodman85 2 years ago 3
@davidgoodman85 Their Marco is AWFUL
Essexpianos 8 months ago