so the main question is, if we don't have a teacher with us, how can we figure out how to correct our mistakes? They say practice makes perfect, but if you practice sloppy, you'll become perfect at sloppy. HELP!!!!!!
There are ways to figure out our weaknesses and mistakes by being strict and honest, reading related books of history, theories, aesthetics, philosophy, and spiritualities, making friends with others or other teachers, attending exhibitions, or consulting a native Chinese regarding calligraphy topics, and etc.
@WhiteEaglePerry Godowsky and Busoni as great pianists and Pu Hsin-Yu as a Chinese brush painter were largely self-taught. They all emphasized the importance of self observation in great details. To observe oneself without knowing more related materials may be difficult. Generally, the more we read and know, the easier for self correction.
Chinese calligraphy models by ancient calligraphers and ones self observation are indeed ones best teachers in learning this art, whether we have a teacher or not. The ancient calligraphers had shown hints of techniques (which are unsurpassed by no one today) and philosophy in their work. Just as practicing a martial arts form, to decipher the meanings of each movement becomes the applications. To improve and self correct based on ancient models and our observation lead to progress.
The aspects for observing may include the angles, directions, speeds, and pressures of the brush tip, the angles and thickness of the structures and strokes. These are technical aspects worthy of our observation and practice for long time.
Some people write in books that when doing a Taichi form one can hold a cup of water on the head (for the entire form) and when holding a calligraphy brush one has an egg inside the palm. Sometimes they emphasize and/or maybe overemphasize a principle.
It always depends on each person's difference and different situations. They say there is no absolute rule but there are certain things to avoid.
Thx for the detailed explanation. People will surely understand now what calligraphy means as a beauty & maybe artform. So we can see that within the rules there are now rules again in this (maybe) art form. Thx again. Good work!
The point of "empty space in the hand" is to keep the wrist, hand, and fingers moving freely rather than the actual volume or space to hold an egg in certain size(s).
I have met different people using the so-called good methods of holding a brush and they cannot do a stroke beautifully, or different people using the so-called inferior methods of holding a brush and they still can do a stroke beautifully.
The points are that everyone and every situation (including different calligraphy styles and sizes) are different and try to avoid limited freedom in moving the brush.
Since there are so many Chinese calligraphy styles, the points introduced in this and later videos regarding the guidelines, rules, taboos, principles, theories, aethetics, and methods are not absolute. They may or may not fit for a certain style or calligrapher. A so-called taboo or defect may be a special feature for a specific style or calligrapher.
So I will keep the basics as related to the Kai Shu of different styles as specified in the video title.
At the early stages, a beginner writes each stroke without breathing and talking. Then one proceeds to write several strokes and change the breathing. Later one feels as if s/he "forgets" breathing while doing a stroke or several characters.
The basic strokes are the cornerstones of Chinese calligraphy. They are not easy to get right. Those I wrote in this video still have room for improvement.
so the main question is, if we don't have a teacher with us, how can we figure out how to correct our mistakes? They say practice makes perfect, but if you practice sloppy, you'll become perfect at sloppy. HELP!!!!!!
WhiteEaglePerry 2 years ago
There are ways to figure out our weaknesses and mistakes by being strict and honest, reading related books of history, theories, aesthetics, philosophy, and spiritualities, making friends with others or other teachers, attending exhibitions, or consulting a native Chinese regarding calligraphy topics, and etc.
artvirtue 2 years ago
@WhiteEaglePerry Godowsky and Busoni as great pianists and Pu Hsin-Yu as a Chinese brush painter were largely self-taught. They all emphasized the importance of self observation in great details. To observe oneself without knowing more related materials may be difficult. Generally, the more we read and know, the easier for self correction.
artvirtue 2 years ago
Chinese calligraphy models by ancient calligraphers and ones self observation are indeed ones best teachers in learning this art, whether we have a teacher or not. The ancient calligraphers had shown hints of techniques (which are unsurpassed by no one today) and philosophy in their work. Just as practicing a martial arts form, to decipher the meanings of each movement becomes the applications. To improve and self correct based on ancient models and our observation lead to progress.
artvirtue 2 years ago
The aspects for observing may include the angles, directions, speeds, and pressures of the brush tip, the angles and thickness of the structures and strokes. These are technical aspects worthy of our observation and practice for long time.
artvirtue 2 years ago
Empty space in the hand, don't they also say that you must be able to hold an egg without breaking or falling !? Firm grip but not tense or loose.
dipchips 2 years ago
Some people write in books that when doing a Taichi form one can hold a cup of water on the head (for the entire form) and when holding a calligraphy brush one has an egg inside the palm. Sometimes they emphasize and/or maybe overemphasize a principle.
It always depends on each person's difference and different situations. They say there is no absolute rule but there are certain things to avoid.
artvirtue 2 years ago
Thx for the detailed explanation. People will surely understand now what calligraphy means as a beauty & maybe artform. So we can see that within the rules there are now rules again in this (maybe) art form. Thx again. Good work!
dipchips 2 years ago
The point of "empty space in the hand" is to keep the wrist, hand, and fingers moving freely rather than the actual volume or space to hold an egg in certain size(s).
I have met different people using the so-called good methods of holding a brush and they cannot do a stroke beautifully, or different people using the so-called inferior methods of holding a brush and they still can do a stroke beautifully.
artvirtue 2 years ago
The points are that everyone and every situation (including different calligraphy styles and sizes) are different and try to avoid limited freedom in moving the brush.
artvirtue 2 years ago
Since there are so many Chinese calligraphy styles, the points introduced in this and later videos regarding the guidelines, rules, taboos, principles, theories, aethetics, and methods are not absolute. They may or may not fit for a certain style or calligrapher. A so-called taboo or defect may be a special feature for a specific style or calligrapher.
So I will keep the basics as related to the Kai Shu of different styles as specified in the video title.
Thanks for comments.
artvirtue 2 years ago
Isn't also..inhale before starting en exhale while executing the stroke? So one breath is one stroke !?
dipchips 2 years ago
At the early stages, a beginner writes each stroke without breathing and talking. Then one proceeds to write several strokes and change the breathing. Later one feels as if s/he "forgets" breathing while doing a stroke or several characters.
artvirtue 2 years ago
Dragons claw ? Isn't it called this way ?
dipchips 2 years ago
Sorry I don't understand what you mean by "dragon's claw."
artvirtue 2 years ago
You uncover, what is under the shadow of the black ink. I just love this video! Thank you very much :)
five million shuriken and favorite
SokudoJutsu 2 years ago
The basic strokes are the cornerstones of Chinese calligraphy. They are not easy to get right. Those I wrote in this video still have room for improvement.
Thank you.
artvirtue 2 years ago