Added: 2 years ago
From: 645sh505
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  • 冨田さん曰く、雷や血液の流れの音も電子の動きによって生じる音­なので電子音だということです。

  • MS-50がある。MS-10とかMS-20は見掛ける事もある­がMS-50は、滅多に中古市場に出ない。

  • Was he using a vocader for the voice?

  • 冨田さんの著名楽器では、Moog III-p、シンクラヴィア(小室哲哉さん曰く「音の百科事典」­)、フェアライトCMIなどがあります。これらの多くが現在製造­されていないのが惜しいところです。これらと、同程度かそれより­も圧倒的に上回る性能を持ち、且つコンパクトで省エネの楽器がで­きれば電子音楽のブームも盛り返すような気がします。

    ところで、冨田さんが大河ドラマのテーマとして作曲された曲を、­シンクラヴィアで伴奏したらどうなるでしょう?

  • ロボ声で客人を出迎えるお茶目な冨田先生(*´∀`*)

    古今東西のシンセ野郎が女の子をボコーダーでびっくりさせるのは

    偉大なる冨田先生のミームを受け継いでいる証。

  • sasamanukanatakunandeswhat?

  • sasamanukanatakunandeswhat?

  • Being a Fluent Japaneese speaker(NOT) I fully agree with VANGELIS......LOL

  • 0:50 and I thought Renoise was hard!

  • @Bollo2 Renoise hard? it's just a typical oldskool tracker with vsti/dxi option

  • there are some things that macs just take all the fun out of.....

  • シンクラビアを操作する場面、初めて観ました

    しかも3324を自宅に置いているとは

  • @nyahonyaholand 一応冨田さんはシンクラヴィアを所有していますけど、これはMO­OGではないでしょうか?

  • Comment removed

  • すごすぎます!

  • ありがとうございます

  • Non seulement, il répond en japonais, mais au travers d'un vocoder !!! Quelle cruauté ! :-)

  • I don't understand anything when I speak japan, but I like the job of Tomita since a lot of years !

    (from Bordeaux, France).

  • OMG!

    He used a DEC VAX for composing! (at least it seems a VT-100 terminal).

    Is that a FORTRAN/BASIC alike language (line based), what one?

    Amazing!

  • @nmarcel I think that is the terminal of the Synclavier which was an early sampling keyboard, I know he also used a Roland MC8 which was one of the first hardware sequencers, makes you realise just how much easier making electronic music has become over the last 20 years

  • @zappersding confirming synclavier spotted

  • @zappersding JHad a bit of software for my Amiga back in the '80s that did all a Fairlight could and more.Odd considering the CMI cost £10k and Aegis Sonix was about £40. Still,all those variables, sockets, knobs, pipelines. Like getting all the stuff to work in a trainset. I wish I'd been younger later on!

  • 私も冨田勲先生の音楽を30年くらい前に聴いて、シンセサイザー­奏者になりました。

    

  • he's studio is very small compare to other pro studio, but he's equipment was just awesome ^^ we can call that PRO HOME STUDIO of the 80's.

  • SUBTITULOS POR FAVOR NO ENTIENDO JAPONES PLEASE

  • he is the god of synthesizer music

  • Thank you Master Tomita!!! You're the best

  • 当時、冨田氏がこれを輸入しようとした際に、

    税関でこれを楽器だと理解してもらうのに苦労したそうです。

  • Now- we can do this, ALL of us, very easily.  Thanks to this Master.

  • Tomita is cool, too bad I don't understand Japanese....

  • He uses a Fairlight CMI and a NED Synclavier...

  • master!!!!

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