I'm not crazy about the style of the piece, too frenetic for me, but I don't think that this kind of percussion doesn't sit well with electric intruments as a rule. It can work beautifully, but I think the bass is what's missing here, as well as low-end percussion. The percussion instruments here just don't hvae the depth to support the guitar on their own. There also is no tanpura, which would also help.
Jimi Hendrix once amazed Vishwa Shankar(Ravi Shankars son), who was a Sitar master, by playing along Vishwa on Sitar, in the difficult timing of Raga...which may take years to master. yet Jimi played under, around Vishwa with ease.
timing my friend, IS melody. timing is also phrasing. I do not quite follow what you say...I mean, timing is the umbrella under which melody, phrasing, harmony fall.
well if you meant that it's fine, sorry but I didn't follow myself the comparison between the Hindustani treatment of the ragas + Jimi Hendrix and this video, which seems to be something else. I personally feel the electric instrument here doesn't mix well with the unplugged traditional instruments, but I assume with Jimi Hendrix it was a different story and they probably jammed in the alaap portion, or not?...
hmmm, I couldn't tell you. I read it in a book. far as I know, Jimi just plugged in his Strat to a small amp and played as he normally would.
I agree that electric instruments usually don't sound good with the traditional instruments. but in Jimi's case, it was all in his fingers. if you watch a video of him playing on a small amp or listen to a jam sessin, its all in the fingers.
well, I don't find it hard to believe that in Jimi's case it was different, but in this video, althought there is a good effort, I feel something does not work...
I think the word he is looking for is notes.....Each rag has a certain set of notes that can be played within the rag. So timing has nothing to do with staying within a rag as much as playing the notes in the right order and not playing notes outside the rag.
Amazing precision........i tell u guys its very difficult to get these classical sounds out of a GUITAR..........DO U KNW GUITAR WAS DERIVIED FROM EK-TARA FROM INDIA LONG AGO..!!
This piece of Music is played with a lot of passion, hardwork and basic rules in mind. Mr. Prasanna is definitely an Intelligent Musicians and his style of playing is a reflective of Legendary John Mclaughin. It's amazing what can be achieved when we stick to our guns. I always believe it's only Indian Music which is our core competency and we should build around that, always.
i was there! he dedicated it to me! =D great person!chalenges himslelf nd sets his own stds with every song.easy to make a ragam like hamsadwani sound perfectly beautiful carnatc or fusion but safe beautiful music like that,every great soul can play.prasannas more,knows so many ragams,not scared o mistakes.altho its hard to hear him hit a false note,u know that its not safe music.come out of a chalenge,a fearless vision to see beyond.hendrixblues and sriragam,who can put that together?
@ #
Vaibhav8584 ... +1 ... indian ocean was there .. and now motherjane is so into it ! .. they sure know how to rock with indian music !
bhayanakmautchaos 1 year ago
Sounds cool! I like it!
electrixladyland69 1 year ago
I'm not crazy about the style of the piece, too frenetic for me, but I don't think that this kind of percussion doesn't sit well with electric intruments as a rule. It can work beautifully, but I think the bass is what's missing here, as well as low-end percussion. The percussion instruments here just don't hvae the depth to support the guitar on their own. There also is no tanpura, which would also help.
ironbuttermilk 2 years ago
Thunderous intensity. A marvellous fusion of carnatic and rock.
kariaudar 2 years ago
i could listen to this all day............
fragmaka 3 years ago
Jimi Hendrix once amazed Vishwa Shankar(Ravi Shankars son), who was a Sitar master, by playing along Vishwa on Sitar, in the difficult timing of Raga...which may take years to master. yet Jimi played under, around Vishwa with ease.
originalname33 3 years ago
raga has not to do with timing...but with melody...
holikarang 3 years ago
timing my friend, IS melody. timing is also phrasing. I do not quite follow what you say...I mean, timing is the umbrella under which melody, phrasing, harmony fall.
they are simply products of timing.
originalname33 3 years ago
well if you meant that it's fine, sorry but I didn't follow myself the comparison between the Hindustani treatment of the ragas + Jimi Hendrix and this video, which seems to be something else. I personally feel the electric instrument here doesn't mix well with the unplugged traditional instruments, but I assume with Jimi Hendrix it was a different story and they probably jammed in the alaap portion, or not?...
holikarang 3 years ago
hmmm, I couldn't tell you. I read it in a book. far as I know, Jimi just plugged in his Strat to a small amp and played as he normally would.
I agree that electric instruments usually don't sound good with the traditional instruments. but in Jimi's case, it was all in his fingers. if you watch a video of him playing on a small amp or listen to a jam sessin, its all in the fingers.
originalname33 3 years ago
well, I don't find it hard to believe that in Jimi's case it was different, but in this video, althought there is a good effort, I feel something does not work...
holikarang 3 years ago
I think the word he is looking for is notes.....Each rag has a certain set of notes that can be played within the rag. So timing has nothing to do with staying within a rag as much as playing the notes in the right order and not playing notes outside the rag.
kandgenterprise 3 years ago
how do you know this... im a huge hendrix fan and ive never heard this..
codehendrix 3 years ago
I already mentioned I read it in a book bro
the book is called Electric Gypsy
you can read an e book of it online, but its pretty limited
originalname33 3 years ago
it says it in his biography purple haze too
icutyouupsobad 3 years ago
Amazing precision........i tell u guys its very difficult to get these classical sounds out of a GUITAR..........DO U KNW GUITAR WAS DERIVIED FROM EK-TARA FROM INDIA LONG AGO..!!
guitarmancool 3 years ago
sahi jugal bandi hai! thousand thumbs up!
shivajigr8 3 years ago
This piece of Music is played with a lot of passion, hardwork and basic rules in mind. Mr. Prasanna is definitely an Intelligent Musicians and his style of playing is a reflective of Legendary John Mclaughin. It's amazing what can be achieved when we stick to our guns. I always believe it's only Indian Music which is our core competency and we should build around that, always.
Musically
Vaibhav
Vaibhav8584 3 years ago 4
very nicely said....
hellsabbath 3 years ago
Thank you
isaacnd200 4 years ago
carnatic music should only be played in acoustically engineered halls.
heavyatheart 4 years ago 4
this is a masterpiece. I wish the sound was of the studio quality for something as precious as this. hats off to you dear prasanna.
heavyatheart 4 years ago
he is a genius
hugecricketfan 4 years ago
i was there! he dedicated it to me! =D great person!chalenges himslelf nd sets his own stds with every song.easy to make a ragam like hamsadwani sound perfectly beautiful carnatc or fusion but safe beautiful music like that,every great soul can play.prasannas more,knows so many ragams,not scared o mistakes.altho its hard to hear him hit a false note,u know that its not safe music.come out of a chalenge,a fearless vision to see beyond.hendrixblues and sriragam,who can put that together?
namusav 4 years ago
stds?
erasermcfleafly 4 years ago
prasanna rocks
kkhadka 5 years ago
awesome
ShantiHank 5 years ago