there's something to learn from every solo he ever took, but i think one of the best lessons here is how he thoughtfully incorporates the main motif of the head into the content of his solo, rather than just blowing the changes, as less disciplined players tend to do.
Pros rarely "mess up" on solos. They know their way around the horn so well, they can just go into "neutral" and run some well-practiced patterns until they come up with a motif (something to say), then modify it, extend it, comment on it, and so on.
To put it another way, we all improvise when we speak, and we do it seamlessly because we know our language well. But for a beginning improviser, it's like trying to talk in a new language.
You took my kisses and all my love You taught me how to care Am I to be just remnant of a one-sided love affair All you took I gladly gave There is nothing left for me to save All of me Why not take all of me Can't you see I'm no good without you Take my lips I want to lose them Take my arms I'll never use them Your goodbye left me with eyes that cry How can I go on dear, without you You took the part that once was my heart So why not take all of me
I love it. This is jazz and Wynton really put a nice touch on this classic. His ideas are so hip. To not mess up on a solo you really have to be able to think quite fast. But he is known for that and with his impressive knowledge on jazz theory, too, he can pull anything off however he wants!!
this aint all of me... i can only listen to the sound of silence!
frednolasco 4 months ago
there's something to learn from every solo he ever took, but i think one of the best lessons here is how he thoughtfully incorporates the main motif of the head into the content of his solo, rather than just blowing the changes, as less disciplined players tend to do.
torwald41 8 months ago
Pros rarely "mess up" on solos. They know their way around the horn so well, they can just go into "neutral" and run some well-practiced patterns until they come up with a motif (something to say), then modify it, extend it, comment on it, and so on.
To put it another way, we all improvise when we speak, and we do it seamlessly because we know our language well. But for a beginning improviser, it's like trying to talk in a new language.
GDM223SR 9 months ago
If you're not getting any sound, switch it to 240p (in the bottom right corner)
kinshua 1 year ago 15
karaokevox 1 year ago
erm, no sound on this vid?
brikzmaster 1 year ago
I'm not getting any sound?
Whyliefortruth 1 year ago
i like this...very good sound of Wynton's trumpet
Giwilly18 1 year ago
lineup please?? : )
lionelroach 1 year ago
groovin as always. love it.
justhannan 3 years ago
Like this!! They're playing this with that "big four" feel; which is synonymous with New Orleans tradition.
davisc1926 3 years ago
I love the touch he adds to this!!!
kingoliver45 3 years ago
This comment has received too many negative votes show
haha 2:20.. i think he's struggling w/ the changes a little! i played this song at a session last night and they're pretty tough!
coolstruttin1 3 years ago
you're stupid.
dec10 3 years ago
yeah he is stupid. Wynton NEVER struggle with changes!
ertbleekie 3 years ago
hahahahah you have pig ears
jesemus33 3 years ago
Que bueno es...!!!
hernasax 3 years ago
Dí qué si!!
Hay que ir todos a Vitoria a verle el 18 de Julio
Nikolapoz 2 years ago
I love it. This is jazz and Wynton really put a nice touch on this classic. His ideas are so hip. To not mess up on a solo you really have to be able to think quite fast. But he is known for that and with his impressive knowledge on jazz theory, too, he can pull anything off however he wants!!
putput00 3 years ago 5