Added: 3 years ago
From: truecrypt
Views: 134,684
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:
see all

All Comments (208)

Sign In or Sign Up now to post a comment!
  • As I said earlier. This is music. Period. For ever!

  • I definitely prefer this tempo to the crazy speed that most others seem to use. It really adds another layer to the pre-existent darkness. Lovely performance, Richter. You own Rachmaninov's second.

  • Richter performed The best Rach 2 ever - the orchestra is not quite up to his level but it works

  • @StanGay Well, what orchestra is it? Thank you.

  • отлично !

  • Ah....this would be a great one to put together all in one piece with the longer youtube video allowance....

  • SVIATOSLAV RICHTER! A PURE GENIUS

  • i prefer this one, everytime i listen to the beginning it makes me cry...

  • Richter plays this twice as slowly as Rachmaninoff.

    Not complaining, I like it slow, too. ;-D

  • @enilegnave21 yea he REALLY slowed this one down, i think the melody is more resonant that way, even rachmaninoffs tempo (CHALLENGING THE COMPOSER??!!! BLASPHEMY!) seems a bit ridiculous to me, and i say this with the upmost respect, its just the melody seems to lack the same depth at his speed, i unno maybe im crazy

  • Comment removed

  • the warsaw one is my favorite.lots of fireand subtlety combined.this one is more laid back.

  • wowwwww fortisisisisisisimo?!?!

  • Richter is the only one playing this piece ABOVE the orchestra from beginning to end.

    Compare with

    32pianists play Rachmaninov Piano Concerto No2 1st mvmt on YT...NO COMMENT

  • @superbemaison Valentina Lisitsa plays it above the orchestra from beginning to end. She does play it in the mode of Rachmaninoff, much faster than this, and I love both the slow and the fast versions. Nothing can take away from the beauty of this piece. Check out Valentina, you will not be disappointed.

  • What a pianist!

    What a performance!

  • Better than the DG recording in my opinion

  • merci infiniment je ne suis pas pianiste mais je me demande qui possede un jeu a la fois aussi clair,aussi limpide, aussi puisant lorsqu il le faut, aussi sensible et virtuose, et d une telle intensite emotionnelle. J adore michelangeli mais il me touche bien moins dans ce repertoire.

  • Awesome playing.TY t c. for posting.

  • In my opinion, after having listened to thousands of recordings, richter is the greatest pianist who ever lived

    

  • @awesomekapownoises23 maybe you're right!!!!!! he is a legend!

  • Easily the greatest concerto in history

  • Замечательная сила и органичность воплощения, интерпретации.

    Любые детали подчинены этому и вторичны.

    Искренняя благодарность truecrypt.

    Wonderful power and naturalness of the embodiment and interpretation.

    Another details are subordinated and secondary now.

    My gratitude to truecrypt.

  • A legendary pianist!

  • Vladimir Horowitz once said: "Of the Russian pianists, I like only one, Richter."

  • I know everyone raves about this recording but it's always seemed to me a little sentimentalized. Beginning is VERY slow and notey, the big E-flat melody is overly rubato in a not very natural way, there are a lot of capricious tempo changes for instance in the alla marcia. Of course Richter was a monster pianist, but I think there are many better versions. I grew up on Rubinstein/Richter so I guess I'm used to it, and I do like the wind-in-your-face aspect of that one.

  • @gtimny Horowitz did learn this whole concerto (although not recorded). It's presumed he learned this before Rachmaninoff Concerto No. 3 and performed it in Russia during his conservatory days. There is a documentary where he plays one small section and apparently it's something he does in the comfort of his own home, unwilling to put it on record or performance. However, Horowitz grew up in a different time, where musicians had a concept of respect. Probably why he refused to perform it.

  • @gtimny Much like how Richter was unwilling to record the fourth and third concertos. Horowitz was unwilling to record the first and second. Arthur Rubinstein took the Rhapsody on a theme of Paganini while the fourth was not performed because of its confusing nature.

  • Superb! TY truecrypt for posting.

  • ganz tolle musikstück, danke sehr herr Rachmaninov!!!!

  • ΓΕΙΑ ΣΟΥ ΡΕ ΡΑΧΜΑΝΙΝΟΦ ΛΕΒΕΝΤΗ

  • Does anyone know how old was Rachmaninov when he wrote this concerto?

  • @XeDolceQuestaMusica The Piano Concerto No. 2 in C minor, Op. 18 was composed by Sergei Rachmaninoff (1 April 1873 – 28 March 1943) between the autumn of 1900 and April 1901. So he was 28.

  • @German1184  Thank you!

  • Darn, this is good.

  • Rachmaninoff and Richter, the meeting of the titans.

  • Yeah!!! The best interpreter of Rachmaninoff ever. i am overwhelmed by the grandeur of this music. Simply awesome! He has just the right balance of technical brilliance and emotion.

  • just like Rach's Prelude op.32, Richter's interpretation of concerto 2 is so VERY much better than any of the many other interpretations I've listened to...even Rachmaninoffs own interpretation doesn't even come close -how is that possible ?

    Richter's a genius, the master of masters

  • @maasai123456789 Rachmaninoff performing his second concerto IS, that is how Rach expressed it, never an "interpretation". Richter is a genius but never better than Rach, impossible :)

  • @JDL615 I wouldn't agree on that. Rachmaninoff never thought of himself as the best interpretor for this pieces. Remember when Horowitz played Rachs 3rd piano concerto? Rachmaninoff refused to play it ever after because he said there is no way someone could play it better than Horowitz did. So of course a composer had something in mind when he wrote his pieces but they still can be overruled. So did Horowitz and I think also so did Richter here though Rach never said it

  • @DrCockX Although Rachmaninoff had great admiration for Horowitz's performance of his 3rd Concerto which he heard him play in New York in 1928 (in fact he accompanied him at a second piano in the basement of Steinway's and alleged said "he swallowed it whole," Rachmaninoff certainly did not stop playing the piece. In fact, Rachmaninoff didn't record the piece until 1939 (with Ormandy and Philadelphia) and played it many times in performance before and after.

  • wow !!! very good !!!

  • Эта прокрасная музыка вызывает бурю эмоций! Я в восторге!

  • I have one thing to say: every time i hear a very good interpretation of a masterpiece i look at the uploader and its truecrypt!! well done man! :D keep doing it to let us hear real music!!!

  • Comment removed

  • Comment removed

  • Spectacular Richter playing Rachmaninoff in his magnum opus, the best!

  • ..what a pity that he never played the third concerto in d minor op.30,it surely would have been the 'jenissei' of all performances: broad powerful majestic approach and according to Richter´s talent always from the bird´s-eye view.i heard the Sanderling performance for the first time,marvellous!

  • Simpl1 marvelous ,It's my favrout concerto.Played buy the best pianiste who understand rachmaninov more than any pianistes.

  • @loboris1995 Sorry fore my english.

  • the concert if all concerts!

  • no matter how much Messiaen,Finnissy,Boulez and Birtwhistle I hear this will always make us succumb.

  • quelle version, je la prefere a rachmaninov jouant son propre concerto, c'est dire..

    elle me procure des frissons et me touche jusqu'au fond de mes entrailles

  • Truecrypt....your recordings bring tears to my eyes...listening to this...power...It's fantastic...

    Richter was one of a kind and rightfully so....I can never get bored of listening to him, and the shivers that run up and down my spine every time I hear him will never stop.

    Thank you truecrypt, and thank you, Richter, for...bringing happiness to my life when I need it

  • I love how he takes his time with those opening chords, the grandeur of his playing is absolutely fantastic

  • Mon premier contact avec Rachmaninov, Richter et la musique... il y a longtemps. De loin la meilleure version... peut-être insurpassable!

  • @MarioLubenov : Svetlanov's version is even better, in my opinion... they very close, anyway, but Svetlanov's sound more gentle, more Slavic, I think

  • @francorussie2

    Slavic is gentle?

    Was Rachmaninov "gentle"?

  • There are occasional conflicts with the conductor and Richter. But Richter's inside personality is just too powerful.

  • it's simply the best interpretation of this piece.

  • @stefthe80 FOR SURE!!!!!!!!!!!!!!!! Sviatoslav is a legendary pianist!!

  • it's simply the best interpretation of this piece.

  • My favorite interpretation.

  • @dusica9 What about the Warsaw one?

  • @dusica9 mine too.richter is the greater interpreter of all time...i say that because i believe that liszt was the greatest pianist ever...richter is 2nd,but still the best ;)

  • Great composer! Great music! Great player! Much emotions!!

  • It makes me wonder what would have happened if he would have learned the 3rd...

  • sretan novi dan

    happy new day

  • the most 'russian' sounding interpretation i heard of this piece

  • both richter and sanderling seem to hav a great understanding of this piece

  • in the recapitulation of the main theme at 7:00 onwards, i can really feel the exchange of 'blows' between the piano and the orchestra and its balance.

  • this is the correct speed the beginning of this movement should be played ( moderato). Some do it faster but really you can feel more the power of the main theme with this tempo. the entrance of orchestra is also the most grand and majestic I ever heard.

  • Does anyone know where you can download this piece played by Richter?

  • google search for taringa

  • Je préfère la version que Richter a enregistré avec Wislocki. De toutes façons aucun autre pianiste n'a égalé cette superbe version.

  • I feel like I just got punched in the stomach.

  • Never heard such a huge power, incredible interpretation. Where can I buy this ?

  • what a beautifull concert:)

    bravo!

  • WHAT A HUGE POWER!!!!!!

  • I agree, I thinnk to play rachmaninov, you have to have such power, yet such subtle understanding of the nuances involved.... beautiful

  • I love the strength and clarity of this playing

  • Besides, I generally don't associate this piece with communism, let alone Russia, ever since I saw it cited in Ayn Rand's The Fountainhead.

  • The boy on the bicycle is the best part, man!

  • why would you.. he left Russia because of the revolution in 1917.

  • It is also my favourite one, and many others'... By the way, who is Ayn Rand?

  • Writer and philosopher. Look up Objectivism.

  • I personally relish the old scratchy sound of the record... it brings out the mood of the piece. I find it a very reactionary piece.

  • I wonder if sallychan ever went to the podiatrist to clear out her ears (as mltube suggested) (!)

    Probably a foot doctor couldn't help her much!!

    Do try an audiologist Sally-- then take 2 aspirin and call me in the morning.

    Fascinating approach to this great concerto by the always unpredictable Richter.

  • By far the vest version of Rach 2. Divine, heavenly. Fits richter's temperament like a glove...

  • This version is so dynamic. I would say it's my favorite, except the recording is too old, and the main climax theme is too herky jerky for my taste, but i blame that on the string section, or conductor, not Richter.

  • Comment removed

  • Anybody heard Brahm's 2nd Concerto (Richter, Liensdorf and Philadelphia Phil.)? Best version ever. Oh, somebody already said, "best ever..."

  • je ne suis pas la, parce que il y aura quelques choses la ici, mais maintenant il n y en a jamais

  • There will never be another Richter. He was a genious.

  • I was being sarcastic (he replies eight months too late).

  • As good as ever there was -recorded. Bravo!

  • But is it possible that every piece played by S. Richter is "one of the best"??? Yes it was!!!!!! In fact he was a real genius!!!!!!!!!

  • Rachmaninoff wrote this as he was leaving Russia forever; he recorded his memories, and It speaks of his love of his country, of its decline into decadence; it brings its listeners back to the most beautiful moments which eternity cannot deny, herein encased forever in music Russia will someday have to answer for and for all the beautiful people that it destroyed with atheistic communism.

  • Decadence isn't a something I'd generally associate with 20th century Russia.

  • Considering he wrote this piece 17 years before communists came to power in Russia, Rakhmaninov surely could make a lot of money prophecizing instead of playing his ass off on countless performances.

  • I don't understand why people thumbs down this comment. I myself am an expatrait of Russia and fully agree.... almost fully

  • I agree with hoolio... Decadence? Russia?

  • Absolutely amazing!!! One of the best interpretations I have heard of this piece! AMAZING!

  • Just for kicks, in your books, which is THE one and only, THIS one of the one with Wislocki on Deutsche Grammophon? Cheers.

  • I think the performance with Wislocki (which was originally released on MUZA, FYI) is better. Clearer sound, and like that.

  • A very dramatic start!

    I love it that way!

    Thanks for posting!

  • Amazing!!!

  • this is amazing

  • It took me a couple of listens to get used to this concerto, largely because everyone else I hear plays this so fast....but truly, this is my favorite version. His slow playing is so lyrical, and of course, he turns it on whenever he wants to and plays with clarity, precision, power, and speed where appropriate. A beautiful rendition of this amazing work.

  • Es formidable... ¡grandioso! una verdadera joya musical con dos genios Rachmaninoff y Richter

  • One of the most beautiful compositions that I have ever heard. Rachmaninoff was a true musical genius.

  • @januarybaby392 Yes! But don't forget Richter...

  • Sviatoslav Richter was the greatest pianist of the 20th century. A true Russian with a great heart, superlative technique, and a massive intelligence.

  • Actually, Richter was Half German.

  • Actually, tree quarters (at least). Any more bids? :-)

  • Actually, Rachmaninov was Tatar; so?... In the world of serious music [classical music (?)] nationality does not matter. Obviously, people have the right to be proud of their national or ethnic contributions to the advancement of arts that support humanity. Let's agree that serious arts rise above political boundaries. Thanks for your comment.

  • Nationalism and pride of "ethnic contributions" is silly, nonsensical and sometimes dangerous

  • What's your point? Does that not make him still Russian?

  • Comment removed

  • richter belongs surely to the top 10 of the piano world,but you cant say he´s better than horowitz or michelangeli or rubinstein.all of them do play on the highest level but they all have different skills and likings and they all play some composers very well others not as that,but they all do have one common thing---->they re able to catch and fascinate the audience! :))

  • Thank you Mr or Ms kajohada for speaking that I wanted speak, but cann't because of wrong English. I feel exactly same as you . It is nonsense to say Richter was greatest. Arrau, Horowitz, Richter, Gilels, Michelangeli, Gulda, Gould, Argerich, Pollini. All are in class by themself. We need them all in piano history, because noone play like any of them, and each is superb in own right and fascinate the audience.

  • the older richter got the better was his tone on the piano.i remember a concert he played brahms sonata op.2 among others,that was the most tremendous pianoplay i ve ever heard.yes i adore him very much!

  • Just what are you trying to say? It's not nonsense to describe someone as "greatest of the century"! If one had to name "greatest of 19th century", I'd say Liszt; 20th century, Richter. Of course there are many other fine ones, each with their own unique gifts. What makes Richter great is that everything he played was fabulous. You can always nitpick about some things, but I couldn't make that statement about every great artist. Arrau could be fussy and dry, especially late in his career--

  • Horowitz was sometimes bombastic, his tone could be harsh (Richter's--never!), and I was never a big fan of his Chopin (though I love his Scriabin and Rachmaninov--he got the theatricality in Liszt which not every pianist does). Michelangeli's interpretations were sometimes downright strange--but he did some things wonderfully (such as Bach-Busoni Chaconne), and he never gave many concerts. There are many fine artists, though that ought to be better known, and I'm finding them here on YouTube!

  • As for Pollini, frankly I find him cold. Often he just rushes through the music, often missing its beauty and poetry. He's best in music that's brilliant but not emotional. Frankly I've come to love Argerich. One accepts her on her terms--and then has to admit she's fabulous! Some other great women pianists are Hess, Haskil, Novaes, Pires (she does a beautiful Schumann Concerto). No, of course Richter isn't the only great pianist. But if I had to name 1 I couldn't do without, it'd be R

  • It's silly to argue about this sort of thing. One might as well argue about the best flavour of ice cream.

  • Couldn't agree more.

  • It's easy to say Richter is one of the greatest pianist (if not the) of the 20th century (recorded) because he played works from Bach to Prokofiev and even one Berg work. He developed a wonderful tone and phrasing (most evident in Schumann I think) and the tone was rounded even at fortissimo volume. I remember the 3rd movement of Grieg for this more than his Rach. It was at times overpowering but rarely harsh. Sometimes he didn't play well but he knew that and always strived for better.

  • The tone was at times overpowering*

    and also usually heavy which I thought hindered him in Mozart, I don't usually mind it in his Chopin.

    But keep in mind he played many more works than just Bach or Chopin...

  • Ugh... too much typing without thought.

    "HIS tone"

    "than just Mozart or Chopin"

    And I really enjoy some of his Chopin (nocturnes, ballades)

  • I am in total agreement with first clause of your first sentence. Richter is one of the greatest pianist (IF not the) of the 20th century (recorded). I cann't doubt that for one second. I have been Richter lover and admirerer ever since became familiar with piano music. Sorry, wrong English but thank you for agree with me.

  • i love this interpretation as much if not more than Rachmaninoff's own. I love the slow intro, and the powerful piano, beautiful.

  • Richter's prodigious technique, the blinding speed, the powerful hands. Kapell is the only other pianist who shared that reckless, ferocious passion

  • Richter "left" much more than "timbre"...

    But you left really ridiculous comment!

  • This is one of the only best performances by richter, the others are nonsense. He took his time to feel this. And i am so thankful for this recording. Rach really made the piece cause him to surrender his technique to the music. I love it.

  • Once again S. Richter shows everybody he has been one of the best and complete pianist in history!!!!!

  • What woods go into a piano?

  • the beginings seems to be rough, but that's illusion

  • 6:18-7:27

    I LOVE that part. Richter played this very well. I mean yeah the tempo's different than the Bronfman recording that I'm used to, but I like it. That section that I mentoined...especially when the main melody starts playing...it sounds so...Russian, LOL, pretty primitive approach to it...especially since the composer was Russian (duh). No, but it sounds very danceable, especially with that piano part in the background. Rachmaninoff is one of my favorite composers!

  • haha yes i totally agree with you!

    Rachmaninoff is absolutely wonderful (:

    i love Brahms too xD

  • Yes, you are right, so Russian!! Powerful Pianist + Powerful Orchistra , Fantasy!!

  • If there was a perfect interpretations of this piece then this is it.

    Every time I hear this I thank God Richter recorded this.

  • Well...Yefim Bronfman recorded it, too. He did a phenomenal recording, especially since it's newer so you can hear the parts a lot better, since Salonen's conducting. Russians always seem to play this better! Richter was Russian...Bronfman was Russian..so it makes sense! :P

  • NO NO. Bronfman is not Russian right? He is born in Tashkent. He educate in Israel and America, so does not playing really Russian, right? Sorry, wrong English.

  • That's not the only thing that's wrong. Richter was born in Ukraine (Zhitomir), but it was then the Russian Empire (and later USSR until 1991). Richter had mixed German-Swedish-Russian ancestry, but just listen to his playing...all of the hallmarks are there of the glorious Russian school of piano-playing. No one could play Tchaikovsky, Rachmaninov, Scriabin, or Prokofiev better than Richter. Richter was not just the greatest Russian pianist, he was the greatest of entire 20th century!!!

  • Dear Himitsunosallychan, It would take a book to adequately express Richter's greatness. The easier way is--just listen! I have been finding the glories of his playing right here on YouTube. Richter thought deeply about everything he played. He had a huge technique (just hear him play Chopin Etude Op 10 #4) which was always at the service of the music-- in fact EVERYTHING Richter did was FOR THE MUSIC. No swaying all over the place or facial contortions like Lang Lang.

  • Sorry, I don't play Islamey. I am too busy teaching these days to do much performing. But I guess I am a pretty good teacher as many of my students have won competitions and played in prestigious concert venues like Carnegie Hall in NY. I had a picture of Lang Lang in my studio for a long time because many of my students are Chinese and he is a good role model for them. One of the best things about Lang Lang is he gets my students to practice! But I won't let them do that extraneous stuff!

  • Soami is too tactful, sallychan, to properly handle your silly sarcasm, so let me help you to appreciate Richters supremacy in the field of piano playing. If you were an old person, like me, I would suggest going to a podiatrist and cleaning up wax in your ears, but since you are obviously a child, just grow up. There is no guarantee, of course, but this is your only chance. I might also bequest my brain to you, but you need to move fast, before some museum grabs it :-)

  • 2:19 section is comparable with Rachmaninov!To masterfully well played.

    I like it very much,although is too slow.I prefer a bit faster,but great too.

  • those bass notes at start reminds on bells from novgorod

  • I thought the same.They sound almost like a true bell.

  • Do you what I love about this rendition over the DG? The orchestra is just powerful at the theme than the DG Release.

  • Fantastic pair of musicians. Rachmaninoff and Richter! unbelievable good :D

  • best version of the second concerto i think!:))

  • don't forget rachmaninoff's own recording

  • 2 Geniuses! The Composer and The Performer!

  • A true genious

  • Once more, this person is like from another world, who is trying to teach us the meaning of music as a philosophy

  • Richter's performance of this piano concerto is the best I've ever heard. He was just great. Lets not forget Rachmaninoff with this master piece.

  • Listening to this makes me want to drink myself to sleep.

    Brilliant.

  • best interpretation of all i've heard

    and ive heard a lot because concerto no 2 is the most precious for me of all classical music

    i have the vinyl with this ( by richter and orch from warshovia )

  • My personal view on Richter is that which I think makes him as good if not better than any other