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[AmericanCinemaBallet]

Hi Mary!

Great to hear from you as always. I am getting settled back in CA. You bring a very valid point, that is how do teachers integrate this into their current or future teaching jobs. I am taking all this into consideration and am not opposed to developing a franchising opportunity for teachers of my method, or something along those lines. The real change I feel will take place when primarily parents and students begin to demand this caliber of training; when they begin to question

[AmericanCinemaBallet]

their current schools, for example, when they begin to ask why the JKO or SAB schools are not capable of producing the caliber of dancers as the Bolshoi or Vaganova academies? This is what will be required for a real change to take place. The way in which I am beginning to bring about this change of perspective is by teaching master classes, helping current studio owners become more successful by implementing my method. Ultimately they will profit more with my method than without it

[marypflieger]

@AmericanCinemaBallet Yes, definitely. I think it is often difficult for parents and even students to know the difference between good training and bad training, especially when a school (like the two you mentioned) has an outstanding reputation relative to other schools, and in many ways offers good training, but is not able to reach the standard of the Russian schools. If your method became recognized, people could start changing the way they look for good training.