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From: huatut123
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  • no pedal! :D

  • As usual, Horowitz transcends the whole issue of who can play the fastest and the loudest. His is neither, but is the single most terrifying (in the literal sense of the word) interpretation I know of. And isn't that what this piece is about? Listen to the contrasts between loud and soft, the sforzandos, the subito pianos, the variety in pedal and articulation. Now THAT is astonishing--far more than playing it in 1:39, for example. :)

  • I tried to learn this piece but I didn't come any where near being good enough to post it online, let alone to the standard of Horowitz. His ability to articulate and play the dynamics (i.e. to pay attention to emotion) in such a technically challenging piece is truly creative and skillful.

  • What is so interestning by listening to Horowitch is his fingers, which is always totally flat, never bended a bit. This makes him weaker physicly, but he boulded up the raw power, needed to play chopin! Ask czzifra

  • this is hands down the best interpertation i dont understand how anyone can say another one is better

  • @2pacAmazesSuperman I completely agree! Total command of the piece.

  • @2pacAmazesSuperman YES!!! and by far.... :)

  • Of all interpretations of a single piece i listen to on Youtube, it's always Horowitz's that gets my tears.

  • @DantewarheitAO try Richter...

  • watch?v=VDPE2_wvdXo

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  • There is a better recording of this etude by Horowitz made in the 1930ies.

  • i love it,nice

  • This is the best.

  • Richter's is immensely better.

  • @Shoesarequiteuseful Under what criteria?

  • Horowitz puts a lot of character and dynamic into this piece, which is a rare find among all the ones that are dry/straightforward or only care about going extremely fast.

  • Intense as a blackberry pie.

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  • i only want to say a thing..and..what about richeter playing this..?

  • Love this interpretation: it shows that there is no need to show off speed in this etude.

  • this etude is fun to play... man it is a bitch at first though.

  • what an amazing interpretation by Horowitz!!

    It's full of intensity and the contrast between forte and piano makes me surprised!

    I also like the accent he plays in the end of the piece. That is really wonderful!!

  • he was so awesome, really miss this guy.

  • veri good nice

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  • Horowitz delivers the goods once again!!

  • o GOD i love this song.

    it's as if my heart stopped and my mouth won't stop gaping.

    lol. thank God for both Chopin and Horowitz.

  • THAT WAS POWERFULL

  • THAT WAS SCARY!

  • thanks sugayan

  • mistrzostwo!

    

  • This reminds me of the flight of the bumblebee.

  • BEAUTIFUL!

  • best. Horowitz my heiland

  • chopin would be turning in his grave if he heard this. But its horowitz, so i can't say it's not amazing loll

  • Yes, it is magic that is why he is Horowitz.He has a musical quality that is lacking in other performances.I think I like others better at times then I hear Horowitz and think, wow how does he do that? Please don't get hung up on who is better, artists are different, who can say who is 'best'? For this piece I like Cziffra just slightly better, but who cares? I like them both!

  • Lol.... Horowitz always reminds me why he's my number 1 favorite of all time. I've been listening only to Valentina Lisitsa's version for a while thinking it was great! Then I decided to investigate with other interpretations, and after a while I ended up here.... Just, holy crap!! WHAT IS UP!!!?! Is there some kind of magic in Horowitz' interpretations or wtf?! This is far superior to anything else! There is so much more in his interpretations.... it's really amazing...

  • Undefineable depth of the soul's feeling, that is what Horowitz gives to the instrument in a way that is utterly unique...others do so too, but very, very few...combine that with his canny virtuoso style of playing...alas! Listen to his faster Scriabin Etudes for the latter, and the slow section in his March Funebre for the former...you will be left wondering "why?" and asking "how?".

  • Richter fast tempo... Argerich virtuosity... Horowitz magic !!!!!!!!!!!!

  • Is it just me, or are Vlad's interpretations of these great pieces of music ALWAYS the best versions. Please, no more foolish comments about comparing other pianists to the Great Vlad!!!

  • @mrgeorgebailey1 It is just you.

  • This is as good as it gets. Horowitz had nothing to prove to anybody, so he played the work the way he wanted to, which was not at the breakneck speed that others did. You can find faster performances, but I can't find better anywhere.

  • Believe it or not, I've just found a brand new (never open) CD of Horowitz playing Chopin by $1.99 in a Goodwill store of Downtown Los Angeles.

  • I don't blame people for thinking that horowitz was the best [2]

  • este me gusto mas.

  • Overdone technique. Too much. Empty performance, as always from Chopin interpretations by Russians.

  • @1Thompsonmusic Oh yes, of course... Because a russian such as Horowitz will never be able to give a passionate performance of a Chopin piece will he...

    ridiculous comment!

  • @1Thompsonmusic What a bunch of bullshit.Go f@@ yourself.

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  • sometimes my sister play this

  • My favourite interpritation of this etude!

  • don't you love the finger xD

    

  • flabergasted

  • I would have loved to see those fingers!

  • Oh I wish he'd recorded all of them :(

  • Without a doubt, the clearest interpretation of this piece that I have ever heard. Just awesome.

  • Excellent.

  • He is such a good pianist. With horowitz many pieces I used to think were boring suddenly became interesting!

  • mm yes this is good. I think i know only one or two people who can play like this.. of course after weeks of practise.

  • Awesome, its to much music!!! A master piece!!!

  • Only Horowitz can suport that range of dynamics beeing fast as well

  • So clear Articulation..

  • Best interpretation of 1:42 - 1:48 . That is the only part I care about when I listen to this etude. It makes my mouth drop.

  • @daytonmlivingston exactly what i was thinking!

  • @daytonmlivingston how shallow!

  • @daytonmlivingston If you haven't listened to Gavrilov's live interpretation of this etude you should is one of my favorite of course with Richter's.

  • @daytonmlivingston

    That's the easiest part of the whole study...

  • @FelipeDeLaCuadra Well, mate, no... it isn't. It's just one of the less difficult....

  • BEST INTERPRETATION IVE EVER HEARD!!!!!! BRAVO!!! XD

    WHO ARE THOSE TEN PEOLE THAT DISIKED THIS!! THEYRE JUST JEALOUS HMPH~!

    i like the part from 1:40 - 1:51 lol

  • Rubinstein 1964 in Moscou gave an exciting interpretation of this etude. For me the most fascinating version available followed by Svatoslav Richter and Horowitz.

  • It's true that Valentina Lesitsa is verrrry good at this etude, and has the most views on youtube for it... but Horowitz plays it even better! He should have the most hits. Sure it is cool to see her hands move, and see it live

  • sorry for the double post, but it maybe slow, but at least it's precise, clean, and perfect.

  • The best one I've ever heard. I miss him.

  • Wow

    I always thought this piece shouldve been the one with the name toccata. Its so crazy on the fingers! It's like Dr. Gradus ad Parnassum on speed!

  • wonderful !!

  • i played this when i was in year 8. i used to crazy about this music. ive already pressed replay botton more than 10 times. I LOVE IT SO MUCH.

  • Awesome! One of the greats of this or any other century. TY.

  • I need to get this CD!

  • The Best Forever !!

  • This is an awesome recording of Horowitz! It is engaging for any type of listener!!

  •  its sooo hard, maybe is jst cuz m a piano noob...

  • Musicality at it's very best!!!!!!!!!!!

  • Such intensity and clarity at the same time!

  • horowitz made sing keys!

  • 1:03 and 1:52 ... electrifying ...

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  • his version is superior to all others!!!

    i love it at 0:06 it sounds like an entire orchestra starts playing!

  • This is the best.

  • Horowitz shines as always

  • the ultimate interpretation

  • Great performance. Clear and concise, you can hear the notes better compared to other interpretations wherein they gradually make it sound like a blur or lose control of the melody and bass.

  • this is awesome^^, but i like Richers playing of the etude better, :P

  • ¿how to keep the time with the perfect dosis of technique? I think the maestro got the perfect idea of the whole concept. Genius.

  • For God's sake it's an etude... and yes, I understand that Chopin's etudes are the first where real emotion has been put into them, but seriously if you're going to argue about interpretation do it on a more substantial piece?

  • @Aryamanable What are you talking about? A piece doesn't need to be full of emotion to be substantial enough to argue about its interpretation. What's this about emotion? Every one of Chopin's etudes, as well as every piece of music, each have their own concepts and ideas and the musician must interpret. This etude has its own meaning, plot and setting. It has its own tempo, its own interpretal markings, its own dynamics---everything!

  • @JohnnyStricklett

    I know I just wanted them to shut up.

  • @Aryamanable Haha, ok.

  • Also, may I presume you'll still be trolling youtube videos by the time I'm done with university?

  • @fireb0rn Depends on how long it will take you to complete your studies. My guess is another 5 years, at least. I may be still around :-)

  • Listening to this on earphones and hands covering your ears bring out so much more of the piece's richness!

  • @ilikehaku1100 Omg, totally! I'm listening to it on headphones and I read your comment, then I pressed down on the headphones and I was like..woah. LOL! Anywayz, I totally agreez. (:

  • Horiwitz is fantastic!!! But I invite you to listen to Aimi Kobayashi play this- There are two vids now she is 12-13 years old playing this- She has some fantastic moments-

    Wonder what Horowitz sounded like at 12 years old playing this! Now thats a recording I like to hear!

  • Horowitz avoids the temptation to blur the notes together by rushing the piece. The clarity of the passages is astonishing.

  • best of best!!

  • There are some pianists where I think they had a pact with the devil or some 'hand-controlling demon', but seriously, HE is God.

  • Perfectly played.Both intonation and technique are impeccable,yet I can't help liking Richter's better.......

    And it's not just the speed that attracts me in Richter,it's more the attitude...

    This rendition is brilliant too though...

  • @HeifetzRanew You like Richter's performance better because it is better. Much, much better. There is nothing special in Horowitz's playing. Thousands can play like this and hundreds can do it better. All these comments praising him to the sky are pathetic. You need to trust your own musical instincts and not be affected by some ridiculous hype. Horowitz was a so-so musician and not the greatest technician, either.

  • @MrPoliticon you need to open your ears. richter is a great pianist but i don't think you fully appreciate the musician that horowitz was. praising him is pathetic? you really need to read your comments before you post them...

  • @Bei0001 I read my comments. I even spell-check them :-)

  • @MrPoliticon

    Richter's performance is better, but you're still a troll.

  • @fireb0rn I see your ass is itching for a whip. You'll have to wait. Finish the school first and show your GPA.; I may consider then if you are worth my time :-)

  • @MrPoliticon

    /facepalm

    GPA? I lol'd.... troll harder.

  • @MrPoliticon Follow your own advice.

  • Perfect speed, Perfect Sustain, no lingering notes and those amazing dynamic changes.

    I don't blame people for thinking that horowitz was the best. He has cetainly made an unremovable impression on me with this

  • @Zoaguyver

    THINKING he is the best? Name a better one, please.

    fact remains: Horowitz = best pianist ever.

  • he was so good he didn't even have to move! lo

  • i've been watching this etude on youtube, and this is definatelly the best. The others are just so fast....=/

  • He's not moving.

  • how does he do that?!

  • perfect speed

  • Horowitz' interpretation FTW!

  • still the definitive interpretation of this magnificent etude. bravo maestro!!!

  • Compare this to Valentina Lisitsa's performance. Horowitz brings stuff out I couldn't hear in Lisitsa's. Horowitz plays very clearly. The only thing I don't get is why he quiets down at the climax, because Chopin didn't ask for it in the music. But it isn't Horowitz's style to bang stuff out so I respect that.

    What's amazing is that if you try playing this piece slowly with the music, good luck even HEARING the melody. Soo much practice.

  • @Arephid1 he often played in that way - listen to his 1960s carnegie hall recital of ballade op23 no1 in g minor - he plays the coda very softly in the beggining and utterly destroys the end of it.

  • the musicality is absolutely stunning! how does someone have so much control while playing at this tempo i beyond me, yet not surprising as it is played by Horowitz.

  • I am learning this piece, and have listened to about 10 different performances of it, and this is the first one that truly moved me, rather just just pumped me up.

  • Horowitz could play this piece twice this speed...if he wanted to show off...but for him music always comed first! I love Richter version, but this is more convincing in terms of musicality and cleareness of touch..

  • Music always comed fist? How inconsiderate of music.

  • @xcomposerpianistx , you're absolutely right, this etude is played too fast by too many pianists; IMO, Pollini's version is the best one

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  • Horowitz apart, I love Pollini version too. Pollini Etudes set a statement in the history of piano interpretation.

  • yeah pollini knows what hes doing with this one

  • @Barbapippo Valentina Lisitsa's version is also quite impressive

  • Welcome2mymind: very funny! I love the image of the townspeople chasing Richter out of town as he is carried off in an ox-cart, playing wildly all the time...

  • you can talk what ever you want,but he had the TONE!

  • no the piano had the tone

  • Then why didn't everyone else have a piano with a comparable tone? Too poor?

  • All I'm saying is that tone is a quality of the instrument, he had good "technique."

  • You are only partially correct.The instrument plays a role,definetly,but the bulk of intonation is attributed to the pianist himself.........

    Here,Horowitz beat almost everyone(not sure about Richter yet though....)

  • This is great. But so is Richter.

    If you want to compare the two, please keep in mind that the recording quality of Richter's very fast performance is far worse. Richter does have the right articulation and I'm sure it would be amazing in better sound quality.

  • It's like a poetry of mixed emotions!

  • I just listened to Richter playing this, and it seemed like "look how loud and fast and powerfully i can play" but here Horowitz opens up a whole new vista of the piece, makes it MUSIC as opposed to a really hard thing to play, which of course it is as well.

  • I agree. I don't mean to sound cruel, but Richter reminded me of Mel Brook's Frankenstein playing this piece. I half expected the camera to cut away to angry crowds with torches, ready to burn the castle.

  • This is an excellent performance, not only because of the technical proficiency, but because it is played MUSICALLY! Chopin did not write the etudes as mere "exercises;" these were ARTISITIC studies. Those pianists that burn up the keyboard with this etude, no matter how great or how popular they are, do a disservice to the music. Frankly, it's UGLY!!!

  • Personally, this and the versions of Pollini and Ashkenazy are the best ones... Then come Richter and Cziffra...

  • In your opinion.

  • This is the best perform of Etude 4 I've never heard! I'm a big fan of the Chopin's Etudes and this is an master piece (as the rest).

  • At least Horowitz had tone.. sorry.

  • strange: nobody talks about what impresses me the most, the pulsation of the rythm. which is, in my opinion, unique compared with all the other versions.

  • Hit the nail on the head, I must say! I think it's the incredible rhythmic impulse Horowitz brings to the etude that gives this particular rendition such power.

  • yep! ;)) kind regards

  • were did you got this recording its superbe

  • it's from a CD called "Horowitz Plays Chopin" :)

  • @crackapolo Yeah it's revolutionnary etude is also brilliant. You've got some amazing interpretations on this cd.

  • @crackapolo : Please work on spelling superbly !

  • Clear, fiery melody. Incredible!

  • Each note is just so clear, and the music just flows. Superb!

  • Musically speaking this interpretation is the best...as always with horowitz :))

  • @SwePianoholic In your opinion this is musically the best. People that actually know about piano would say horowitz is percussive.

  • the best one I ever heard!!!

  • @bluestickman1

    Nah he plays it slow compared to Argerich. Actually Martha's is the fastest one i have heard on Youtube yet!

    For she's the best :)

  • @brassmonkeyjew etudes are not for speed, it's for "not missing notes"

    also, because it's Chopin's, people have to compare the "not missing notes" and also "musical beauty"

  • @bluestickman1 man, etudes are for speed AND not missing notes, not only the second! the fastest you can play them with no prob and keeping them sounding as an actual piece for technique is good, but what makes a good PERFORMANCE of an etude is choosing a fitting tempo which makes your technique shine and does justice to the musicality or the form of the piece!

  • @alejandrothefader yes i don't deny that etudes are for speed and not missing notes, but it's an ETUDE, etude means study, and not missing notes will be little bit important than speed...

    And except for Chopin's Etudes, Lizst's and some more, all of the etudes are lacking musical value like Czerny 40 and 50. (Also I think RItcher is the fastest..)

  • @bluestickman1 yeah, well in the end it's all about taste, i personally love pianists that can play the etude in half the time it's usually played, but don't do it, in fact they take the piece at a tempo that everybody else does, but they give it another sound quality and impresion of control. this is one of these interpretations, you see that if he wanted he could play it way faster, but he doesn't! another example is cziffra! they play as they play because they want to, not because they must

  • I love you!!!!!!!!!

  • There are probably six pianists who play this competently. RICHTER has the world's record, HOROWITZ for clenliness, Argerich, Kempff, and a few others who get a tradeoff for clenliness vs speed. And lastly Ciffra who combines lack of tempo with strange pedal to produce I don't know what.

  • Nope, you forgot Pollini. Richter, Pollini, and Horowitz are the best. Cziffra is not as good as the top 3...

  • Holy crap...His melody is so clean. Best performance I heard.

  • Horowitz version is by far the best I have seen so far.

  • the best ever!

  • you don't even speak a good english