Added: 3 years ago
From: coloraturafan
Views: 5,031
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  • sorry, here is the only Mado Robin ostia or the street and no one can interpret it as her for her stratospheric coloratura, perhaps the only Mexican nightingale could be the Angela Peralta, unfortunately that will not know, because there is a recording of it, but of all existing Mado Robin and nothing else.

  • Comment removed

  • Moffo (just looked at the other posting of her in 69', what a difference 9 years makes....), Callas, Galli-Curi

  • 1. Amelita Galli Curci, 2. Anna Moffo (this record of A.G.C. is not the best sorry).

  • Callas, Robin, Moffo, Gezty y Takova ... voces celestiales

  • Moffo.

  • @FindsLoveInAllThings

    Anna Moffo

  • Anna Moffo hands down the best here....

    seems the Flutist she sings with is the best too!

    And she kas the most perfect timing and pitch with the flute by far than any of the others. I miss her terribly.....or at least her equal in talent....I fear she is irreplacable!

  • sorry but... what's the name of this aria?

  • @omarbrightman

    This the aria "Andon glisenti", justo before 'Spargi d'amaro pianto' of Lucia di Lammermoor.

  • ana moffo and callas are the bombs...

  • 1) Anna Moffo

    2) Gail Robinson

    3) Sylvia Geszty

  • also meine Favoritin ist die Silvia Gestzy, sie trifft jeden Ton der Coloratur... einfach genial

  • sutherland, Moooooooooooffo, sills and callas and its so particular stamp which is single.

  • My all time favorites are Sutherlan, Dessay, and Claycomb, not in that order necessarily, but to me Callas is like chocolate cake, I'll have it any time!!

  • Callas is my favorite followed by Galli-Curci and Moffo.

  • I always found Callas' voice rather dark for Lucia, but, after all, it is a dark role, and Callas brings, for her, the usual remarkable insights to the character. I agree with your mention of Galli-Curci in second place (for me, she is first place). Her performances are often overlooked as lacking depth but listen to the phrasing, the pure legato, the unique delicate touches no other singer provides.

  • @janejones11

    Anna Moffo

  • Callas could still sing this music quite beautifully in 1952. Galli-Curci's technique is amazing. Moffo is appealing. I heard her sing Lucia on stage in 1966, two years after seeing Sutherland, and her performance seemed pale in comparison. But on a recording, it works.

  • I also heard Moffo sing the role on stage, and she was marvelous I thought. Not as spectacular technically as Sutherland (few are), but a beautiful voice and technique as well as characterization.

  • You read my mind =) Thanks for these videos !

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