Wonderful music, wonderful performance, wonderful piano! Just a quick question: the piano's sound seems different from the usual replicas of the Cristofori pianos that I heard (which sound more like harpsichords). Can you tell me if perhaps there is an evolution in the Cristofori pianos and this piano is a replica of a Cristofori piano which is among the last ones that Cristofori built?
I cant believe this performance. It's like an answered prayer. This want is what sent me to Boulez and Rochberg. The flexibility here is so imaginative andf answers the emotional complexity I believe Scarlatti had which cant be fiound anywhere in this period. Did Bach even dream of such.W.c. Bach expressionist asides maybe .I love this.
The most beautiful rendering of this sonata I have heard !!!!! Very expressive, very moving !! Pity more people don't dare to free baroque music from the metronome!!
Wow, at 1:20 you use a kind of trill (ribattuta) that I usually hear only in performance of Monteverdi and other early Italian Baroque opera. I'd be interested to know why you use this kind of trill. I don't believe I've ever heard a keyboard player use one. I will adopt it in some of my own Scarlatti playing.
Thanks for the feedback. There is indeed a connection, not so much with Landowska's teaching as with her marvelously flexible rhythm in her Scarlatti recordings.
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The sonata looks like so easy to play. The left hand, just quarters notes on the time, in chords, or fundamental and fifth. It looks like music composed to beginners, to students.
Hi Robert! This is a superb performance! I especially like the way in which you express the beautiful crescendo flow (0:21 - 0:23) where you lift the notes "up onto the clouds" (0:22). Expressive musical Art!
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I like this performance on a Cristofori-pianoforte, and I like a personal mood in the performance, but this interpretation is not good, too much freedom of the player. Freedom is good but too much makes a caricature of this piece.
Wonderful music, wonderful performance, wonderful piano! Just a quick question: the piano's sound seems different from the usual replicas of the Cristofori pianos that I heard (which sound more like harpsichords). Can you tell me if perhaps there is an evolution in the Cristofori pianos and this piano is a replica of a Cristofori piano which is among the last ones that Cristofori built?
vagadellestelle 11 months ago
Very beautiful.
BTW, is this instrument tuned to Baroque pitch?
Thanks
Aze876 11 months ago
Where is rhytm???
harpsichordRB 11 months ago
I cant believe this performance. It's like an answered prayer. This want is what sent me to Boulez and Rochberg. The flexibility here is so imaginative andf answers the emotional complexity I believe Scarlatti had which cant be fiound anywhere in this period. Did Bach even dream of such.W.c. Bach expressionist asides maybe .I love this.
lovesGenet 1 year ago
come si a a dire che nn erano romatici i compositori del 700
goldberg72 1 year ago
The most beautiful rendering of this sonata I have heard !!!!! Very expressive, very moving !! Pity more people don't dare to free baroque music from the metronome!!
Thank you !!!
cygnusne 1 year ago
what program are you using? for notation
luisgallegos58 1 year ago
Wow, at 1:20 you use a kind of trill (ribattuta) that I usually hear only in performance of Monteverdi and other early Italian Baroque opera. I'd be interested to know why you use this kind of trill. I don't believe I've ever heard a keyboard player use one. I will adopt it in some of my own Scarlatti playing.
fiandrhi 1 year ago
How relaxing.
HerrWarja 1 year ago
This really shows the new style after the baroque period.
koushirou 2 years ago
Wow. My mind was blown away at the rhythm .Landowska i must hear inScarlatti and this wonderful sound.WOW!
lovesGenet 2 years ago
5 stelle a questo sensibile esecutore che fa sentire l'eco del Bebung nel ribattuto all'inizio della seconda parte. eccelso
enantiodrom 2 years ago
I deeeeeeeply enjoyed your performance. I play mainly Scarlatti and your play is really inspiring.
Any connection with Wanda Landowska's teaching ?
1dtqcssh 2 years ago
Thanks for the feedback. There is indeed a connection, not so much with Landowska's teaching as with her marvelously flexible rhythm in her Scarlatti recordings.
earlymus 2 years ago
How absolutely lovely this playing is!
Noshirm 2 years ago
una de mis obras favoritas ... muy buen video al igual q la interpetacion 5/5
Kraviotho 2 years ago
Scarlatti is a Scorpion!! Like me too!! That's why I like to play Scarlatti -- my fella Scorpion!
I can feel Scarlatti's Scorpion-natural-depth of sensual-emotion expressed so well in here.
filsuf 2 years ago
I'm a Scorpio as well...
earlymus 2 years ago
ermm.you mean the music is as dangerous as scorpion or as "dark" as scorpion?
danielchong1234 2 years ago
Words failed me, because this performance moved me!!!
akane528bruno 2 years ago
scarlati good
soadnaruto 2 years ago
Why is every note a half step down?
steelseahorse 2 years ago
Standard pitch has been going up a little over the last few centuries. He's using a historical tuning, which was about a half step lower.
Lifecomesfromwithin 2 years ago
oh cool.
steelseahorse 2 years ago
Ojej. Czemu nuty są tak dużym drukiem. Po co?
justap19 3 years ago
Dźwiek nie jest dobry.
Napisy na nutach?
Dlaczego tak ?
justap19 3 years ago
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The sonata looks like so easy to play. The left hand, just quarters notes on the time, in chords, or fundamental and fifth. It looks like music composed to beginners, to students.
codonauta 3 years ago
Il trillo che inizia la seconda sezione fatto come un bebung o come una ribattuta monteverdiana. Notevole
enantiodrom 3 years ago
I love all these pieces that Robert plays - but this is my favourite. Absolutely beautiful.
It would be nice to hear the Adagio from Haydn Sonata H46 in A Flat Major on this instrument.
neilr3 3 years ago 14
Hi Robert! This is a superb performance! I especially like the way in which you express the beautiful crescendo flow (0:21 - 0:23) where you lift the notes "up onto the clouds" (0:22). Expressive musical Art!
StrangeDodo 3 years ago 34
This comment has received too many negative votes show
I like this performance on a Cristofori-pianoforte, and I like a personal mood in the performance, but this interpretation is not good, too much freedom of the player. Freedom is good but too much makes a caricature of this piece.
GerardvanR 3 years ago
I didn't realise, the the old instrumnts could so expresive. Good performance
Viscamo 3 years ago
By "old instruments" do you mean pianos that were available in Bach and Scarlatti's day? Is that what is heard here?
polymath7 3 years ago
Lovely Scarlatti, thanks for sharing,regards, one of Smith's flock ;))
suzettegm 3 years ago