Added: 3 years ago
From: earlymus
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  • Wonderful music, wonderful performance, wonderful piano! Just a quick question: the piano's sound seems different from the usual replicas of the Cristofori pianos that I heard (which sound more like harpsichords). Can you tell me if perhaps there is an evolution in the Cristofori pianos and this piano is a replica of a Cristofori piano which is among the last ones that Cristofori built?

  • Very beautiful.

    BTW, is this instrument tuned to Baroque pitch?

    Thanks

  • Where is rhytm???

  • I cant believe this performance. It's like an answered prayer. This want is what sent me to Boulez and Rochberg. The flexibility here is so imaginative andf answers the emotional complexity I believe Scarlatti had which cant be fiound anywhere in this period. Did Bach even dream of such.W.c. Bach expressionist asides maybe .I love this.

  • come si a a dire che nn erano romatici i compositori del 700

  • The most beautiful rendering of this sonata I have heard !!!!! Very expressive, very moving !! Pity more people don't dare to free baroque music from the metronome!!

    Thank you !!!

  • what program are you using? for notation

  • Wow, at 1:20 you use a kind of trill (ribattuta) that I usually hear only in performance of Monteverdi and other early Italian Baroque opera. I'd be interested to know why you use this kind of trill. I don't believe I've ever heard a keyboard player use one. I will adopt it in some of my own Scarlatti playing.

  • How relaxing.

  • This really shows the new style after the baroque period.

  • Wow. My mind was blown away at the rhythm .Landowska i must hear inScarlatti and this wonderful sound.WOW!

  • 5 stelle a questo sensibile esecutore che fa sentire l'eco del Bebung nel ribattuto all'inizio della seconda parte. eccelso

  • I deeeeeeeply enjoyed your performance. I play mainly Scarlatti and your play is really inspiring.

    Any connection with Wanda Landowska's teaching ?

  • Thanks for the feedback. There is indeed a connection, not so much with Landowska's teaching as with her marvelously flexible rhythm in her Scarlatti recordings.

  • How absolutely lovely this playing is!

  • una de mis obras favoritas ... muy buen video al igual q la interpetacion 5/5

  • Scarlatti is a Scorpion!! Like me too!! That's why I like to play Scarlatti -- my fella Scorpion!

    I can feel Scarlatti's Scorpion-natural-depth of sensual-emotion expressed so well in here.

  • I'm a Scorpio as well...

  • ermm.you mean the music is as dangerous as scorpion or as "dark" as scorpion?

  • Words failed me, because this performance moved me!!!

  • scarlati good

  • Why is every note a half step down?

  • Standard pitch has been going up a little over the last few centuries. He's using a historical tuning, which was about a half step lower.

  • oh cool.

  • Ojej. Czemu nuty są tak dużym drukiem. Po co?

  • Dźwiek nie jest dobry.

    Napisy na nutach?

    Dlaczego tak ?

  • Il trillo che inizia la seconda sezione fatto come un bebung o come una ribattuta monteverdiana. Notevole

  • I love all these pieces that Robert plays - but this is my favourite. Absolutely beautiful.

    It would be nice to hear the Adagio from Haydn Sonata H46 in A Flat Major on this instrument.

  • Hi Robert! This is a superb performance! I especially like the way in which you express the beautiful crescendo flow (0:21 - 0:23) where you lift the notes "up onto the clouds" (0:22). Expressive musical Art!

  • I didn't realise, the the old instrumnts could so expresive. Good performance

  • By "old instruments" do you mean pianos that were available in Bach and Scarlatti's day? Is that what is heard here?

  • Lovely Scarlatti, thanks for sharing,regards, one of Smith's flock ;))

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