the BEST way to se how to do this tune is to watch furry do it.....fortunately there are some videos of him doing it, it really derived from the jugband and single soloists working to play good music with beat in our area..this version here is too fast, my version is too slow, furry's is right and the best,,, was good hobo, on first verse by the way, not engineer
Many thanks for alerting me that there is now video up of Lewis himself playing this--obviously his is the best version to watch. On the first verse, he didn't always sing the words the same way--as with most such songs, there is no single "right" lyric, since he never sang any single version twice without making some changes.
the BEST way to se how to do this tune is to watch furry do it.....fortunately there are some videos of him doing it, it really derived from the jugband and single soloists working to play goo dmusic with beat in our area..this version here is too fast, my version is too slow, furry's is right and the best,,, was good hobo, on first verse by the way, not engineer
When playing in Spanish Tuning at times you want the 6-string D like for ex. Charlie Patton. But when you don't want/need it (like Kassie), many years ago an old bluesman I met near Batesville, Mississippi, used what he called Sawtooth Spanish, tuning the 6-string UP to G, which gave two consecutive G's on the 5 and 6. He said he used it for several reasons... It took the unwanted bass-D out of the way as well as giving him a much stronger G-bass by thumbing both strings, especially for slide.
I'm not the player but I learned an almost identical interpretation from my teacher Shari Kane who is a local blues musician and no you do not play the 6th string. The bass pattern alternates between the 5th and 4th strings the entire song.
I'd never thought about it before, but no, I don't pick the 6th string. I also don't alternate regularly between the 5th and 4th, though I guess that's the default pattern.
Great video and performance. I have a few questions regarding this song. On the version I heard from the Folkways Anthology, in the first half of the song, Lewis sings the lyric "Put your head out the window and watch the drivers roll," and around the same time, Jimmie Rodgers recorded Ben Dewberry's Final Run, which has an identical chorus, both in words and in rhythm/melody. Do you know what the correlation is between the two?
The general assuption is that both are derived from an earlier song, or family of songs, which were already widespread at the turn of the century. Another great example is Charlie Poole's "Milwaukee Blues."
the BEST way to se how to do this tune is to watch furry do it.....fortunately there are some videos of him doing it, it really derived from the jugband and single soloists working to play good music with beat in our area..this version here is too fast, my version is too slow, furry's is right and the best,,, was good hobo, on first verse by the way, not engineer
MrBruceBarham 1 year ago
Many thanks for alerting me that there is now video up of Lewis himself playing this--obviously his is the best version to watch. On the first verse, he didn't always sing the words the same way--as with most such songs, there is no single "right" lyric, since he never sang any single version twice without making some changes.
elijahwald 1 year ago
the BEST way to se how to do this tune is to watch furry do it.....fortunately there are some videos of him doing it, it really derived from the jugband and single soloists working to play goo dmusic with beat in our area..this version here is too fast, my version is too slow, furry's is right and the best,,, was good hobo, on first verse by the way, not engineer
MrBruceBarham 1 year ago
When playing in Spanish Tuning at times you want the 6-string D like for ex. Charlie Patton. But when you don't want/need it (like Kassie), many years ago an old bluesman I met near Batesville, Mississippi, used what he called Sawtooth Spanish, tuning the 6-string UP to G, which gave two consecutive G's on the 5 and 6. He said he used it for several reasons... It took the unwanted bass-D out of the way as well as giving him a much stronger G-bass by thumbing both strings, especially for slide.
TheRealDadfad 1 year ago
Sounds great! Do you pick the 6th string during the song at all? I only could tell for sure that you picked there on the ending.
weadley 2 years ago
I'm not the player but I learned an almost identical interpretation from my teacher Shari Kane who is a local blues musician and no you do not play the 6th string. The bass pattern alternates between the 5th and 4th strings the entire song.
heisman9 2 years ago
I'd never thought about it before, but no, I don't pick the 6th string. I also don't alternate regularly between the 5th and 4th, though I guess that's the default pattern.
elijahwald 2 years ago
Really excellent performance and history lesson
pschaafs 2 years ago
Great video and performance. I have a few questions regarding this song. On the version I heard from the Folkways Anthology, in the first half of the song, Lewis sings the lyric "Put your head out the window and watch the drivers roll," and around the same time, Jimmie Rodgers recorded Ben Dewberry's Final Run, which has an identical chorus, both in words and in rhythm/melody. Do you know what the correlation is between the two?
yardbirdsweet 2 years ago
The general assuption is that both are derived from an earlier song, or family of songs, which were already widespread at the turn of the century. Another great example is Charlie Poole's "Milwaukee Blues."
lwapulariver 2 years ago
I figured as much. Thanks for your help.
yardbirdsweet 2 years ago
Very nice playing and history lesson. Got your book 'escaping the delta. What kind of slope shouldered dread is that, It sounds great? Thanks
frg8524 2 years ago
It's a Gibson J45, from 1949.
burlesquepaper 2 years ago