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From: Onegin65
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  • hey beverly how many muppets had to die for your dress?

  • The Leontyne "float" is perfect!

  • Can anyone touch this legend? I do not thnk so! To sing like this at 64 is amazing!

  • A Lady!  It does NOT get any better than this!

  • @wTrevorh Completely agree!

  • I listen to this when I need to focus. This is Miss Price showing us where heaven is. Thank God for her.

  • WOW!!!!!!!!! What can you say? Stunning!

  • Hopefully Battle will take a lesson

  • @TSquared2001 what kind of lesson. battle is this age now and sounds remarkable still.

  • @bcom11 It has nothing to do with her sound as it has to do with her attitude.

  • @TSquared2001 actually this video is about music and leontyne's sound, and no one's attitude. thanks

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  • Someday slap me silly and call me Gladys! This continues to amaze me!

  • It's not just her magnificent vocals, but her ability to captivate and give her very best each and every time. 64 years old never looked nor sounded so beautiful. I am an eternal fan!  Viva La Price!

  • Stunning!!!!!!

  • Good Lord! How does she do that?? This woman is a vocal phenomenon and has my utmost respect as a vocalist and as a person. A true professional in every sense of the word. I only hope that the younger generations of singers are taking heed from one of the greatest singers; sing with your interest and not your capital - it certainly paid of for Ms Price! Brava!

  • The absolute greatest.

  • EXTRAORDINARY SINGING BEYOND COMPARE! I'm just blown away at this phenomenal voice and artistry. What an encomparable performance. She is without a doubt one the GREATEST sopranos the world has EVER seen. The extended applause is warranted. I had the good fortune of turning the pages for her favorite accompanists, David Garvey at one of her performances in West Palm Beach, Florida. It was amazing!

  • When I first heard this, two weeks after my grandfather died, I said,"I have never heard this woman sing." And I made it a point to get to hear her, but I never managed to do it, until that appearance she made at Carnegie Hall after the WTC attacks. She is an inspiration. This performance will always remain firmly etched in my memory as one of the big things in my life. Thanks, Madame, for being an inspiration!

  • An example of beautifully aging and being humble for all sopranos passt and for all sopranos in the future.May she live for ever. Her example will live for ever.

  • shes not one to "sit"on her applause... she seems very humble... considering how extraordinarily famous she is

  • yessuh, she did that! She laboreth NOT!

  • We musn't forget that although there are many opera singers in the world that are respected and admired,there are very few that are loved as much or as well as Leontyne Price.

  • I love the way Leonyne tosses hands the roses off to her brother and Beverly just laughs at the television monitor!

  • Who wants to SEE Ms Price after the function???  WHO???!!! You don't want NOTHING from Ms Price.....NOTHIN'....now run along and play!! LOL She SITS ALLLL others DOWN!!! BRAVA!!!

  • :-)

  • God bless her! 

  • She is my Queen!

  • this is jump out of your chair amazing.

  • Assoluta! The glorious, the greatest.

  • About understanding the language - who the hell cares! I speak english and don't understand any other language, don't know what the hell she is singing about and it doesn't matter to me. I can feel the emotions and I'm simply in awe of her vocal abilities! Amazing! Unbelievable! Music transcends..........

  • The freshness of her voice is jaw droping!!!!!!

  • my jaw is still on the floor!

  • I'm floored...she actually nails the high-lying phrase with the High C# better at age 64 than in any of the earlier recordings on Youtube!!! THIS is the way to mature as a singer...in charge of your instrument...vibrant...and the list goes on. Thanks so much for posting!

  • @InformedListener I agree

  • Ms. Price's German can be, at times, a bit hard to understand, but she NAILS this piece in NO uncertain terms! BRAVA at any age!

  • The way this aria is written i think every soprano's german will be hard to understand...heheh

  • get it!

  • PLUS SHE IS 64 here! Every young soprano in the world whishes to sing like that

  • flu. Absolutely! Her stage presence is electrifying. You can see how much love there is between her and the audience.

  • One of the most incredibly difficult things to sing that I have ever heard---how ever does she do it?

  • I can't believe you linguists. What about Sutherland's Italian? What about Nilsson's German? Just listen to Nilsson in the final scene from Götterdämmerung here on youtube.  I dare those who understand German to tell me that you understand her. Is there some special critique for Ms. Price that is subtext for something else?

  • You are right! who cares about the lyrics! LISTEN TO THAT SOUND! IT´s AMAZING

  • 4leben. Leontyne's German is just fine. Her voice is phenominal too.

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  • Thanks! i totally agree with you on both points. She is simply incomparable -- without peer!

  • I love how Beverly Sills laughs at 6:16 when Leonyne goes back stage, as if to say "Take these flowers...I'm outta here! lol

  • Simply stupefying. Who can sing like this today?

  • And what about Nilsson's German? It is often very difficult to understand sopranos' German or Italian when they are up there in that "rarefied air." Given that I speak and understand German and know also the aria, I found it not difficult to understand Mme. Price Why don't you get the score?

  • To sing like this at 64,it's some voice,and some technique.Altogether amazing!

  • SHE'S THE BEST HANDS DOWN!!!!

  • Quel dommage que cette video UNIQUE avec la performance de Madame Leontyne Price exceptionnelle devant cette ligne de chant inchantable... n'ait eu aucune distinction!!

    I do not undersertand such that great quality had have not any

    congratulation....

    Every one is perfect! and much more !!!

  • I LOVE her expression at 3:08..... and the note at 3:39..... good god this woman blows me away....

  • LOL if it was Jessye Norman... you KNOW she held her own!!! LOL

  • that voice...

    :-)

  • Wow. I fell off my chair. What poor soul had to go on next? I hope it was a juggler.

  • Amazing...the voice is superbly intact at age 64...how many other big lyrics out there could pull off this tireless display of high-flying phrases without missing a beat? I'm amazed at how free her top is, even at this age. Wow...she just tosses it all off with that cheeky smile that almost says, "betcha didn't think I could work it out, eh?" GO TYNE!!!!

  • We have a few recording of these stupendous aria with Leontyne, but this captured in the begining of her seventies is one of the bets if not the best for me. incredible technique and unbeatable way she comands her voice! Such a certainty from each her tone, breath, gesture. She really knows the art of the singing. True DIVA !!!

  • Difficult to sing. Mrs Price does it brightly! Very good!!!!!!!!

  • If you didn't know, she was like in her late 60s during this performance. Ridiculous. She's incredible.

  • She was 64.

  • Seems like sho ownes this piece... From 4:25 and out is the best passage ever recorded...shes so precise and the timbre is beautiful!

    Thanks for posting

  • Phenomenal!

  • soooo fantastic!!!

  • невероятный дар,огромный дар-голос Л .Прайс

  • whatttttttttt ??????? =/ lol

  • Maravillosa

    Ú

    N

    I

    C

    A

  • Brava Diva!!!!!!!!!!!!!!

  • The greatest compliment you can give is that her rendition of this demanding piece got better and better through the years! I like this one best ; her voice is dark round and without the eventual tremolo from earlier versions! BRAVA!!!

  • Brava, Diva! Happy Birthday!

  • FANTASTIC !

    GREAT VOICE !

  • ...and she's 64 here...OMG!

  • Simply Magnificent! Nothing thin about the notes nor timbre of the voice. It's call CONTROL. Bravo Ms. Price. BRAVO!!

  • thank you, miss Price - you're SO great, and I hate the blablabla about menopause and so on - that night you were sensational, the audience adored you et vous le méritez bien: glorious voice, glorious singing, gloriuous charism and au diable l'age et toutes ces vulgarités

  • Absolutely. All women have had singing problems after menopause. Some fared better than others. Price and Sutherland fared pretty well, Tomowa-Sintow not so much...also, some singers' problems were a result of repertoire choices and/or technical problems...not menopause..

  • BTW..I just didn't comment on other singers' thinning because we were talking about Price.

  • Never thought about skin color myself. Callas had a wobbly Bb as early as 1558 ( listen to " Addio del passato" in her Lisbon Traviata with kraus) way before menopause. Sutherland just stuck to a repertory that was too high but had an awesome C until her retirement..she just could have avoided all those e flats at the end. Freni managed menopause wonderfully ( medication and repertory probably)

  • And it's not the same to sing a whole evening in a staged performance as a single aria in concert. Brava Price here but the conditions as absolutely different

  • You misunderstand me as I was making a comment referred to her staged performances in the 70s and 80s. Here she sounds spectacular uo to the Db but in general her high notes had thinned in her last decade. When she sang here, she had retired so vocally she was was vocally rested. If you watch "forza" 83 or "Aida" 85...you may be able to see her B and C were not as full bodied or as spinning as in the 60's.

  • That's serious.

  • I heard her last week at the NEA Opera Honors. She sang "America the Beautiful" and she was still working those pipes. I am happy that she and others still maintain a technique. I learn something from her everytime I hear her.

  • Her technique should be perfect to have these powerful pipes at her age.

    At her 64s she was more powerful than Netrebko and Damrau combined (At their 37s)

  • Obviously...Price was a spinto with a very dark center while Danrau is a light soprano and Netrebko a lyric or light-lyric. She was a great singer but not perfect, and by the time she retired her upper register had thinned (maybe because her mid range was too big, dark and luscious and it's recorded that in ´77 Karajan told her she was singing to un-lyrically. Plus, she was rested..Singing an opera is not like singing an aria.

  • Damrau is a dramatic coloratura soprano and Netrebko is a full lyric soprano...

  • I may agree on Netrebko (but think she's on the light side of lyric)but Damrau, while very dramatic in her interpretaions, is vocally a soprano leggiero,That is, a light voice, like dessay, Gruberova, Sills, Serra,Sumi Jo, Mesple and Scotto (though she forced her voice to sing very heavy stuff).Sutherland was a dramatic coloratura, Callas, more volume, darker and rounder color (the most important asset) and a range that's fuller in the lower register..That's a dramatic coloratura.

  • I don't want to get into a big discussion 'cause it's so subjective to judge a fach nowadays when Lyric coloraturas are singing dramatic roles and Dramatic singers are playing lyric roles. But Kathleen Battle s considered a leggiero ('cause of her warmer tone) and I totally think Damrau is a way more powerful and penetrating voice. most critics consider her a dramatic soprano as well as Gruberova.

  • Battle isn´t a real leggiero, which is why she never sang lucia, or the Queen of the Night or oven Constanza..She could be a very sweet light lyric. Gruberova is still a leggiero, a veru mature one, which is singing heavy roles very intelligently, like scotto, with very good results, unlike scotto, due to experience and study..Her e flat, however, isn't always as free as it was because somehow she has had to add some weight to the middle and low voice to sing a heavier repertory

  • I don't want to turn this into a bigger stuff. Obviously we have very different opinions about how to categorize a voice fach. You're not going to change my mind. And I don't want to change yours. So I respect your point of view but I have mine...Hugs!

  • In the category of Dramatic coloratura sopranos there are different types depending on the clarity or darkness in the quality of the voice (Is not the same to play Abigaille or Lucia or Donna Anna) A dramatic coloratura soprano can push her voice into dramatic climaxes and has an extra sustaining power. Ana about Netrebko when she was contracted to sing Violetta it was clear that she was far from being a soubrette or a light lyric soprano!

  • Coloratura just means being able to sing ornaments..weight is different. Marton and Nilsson were dramatic sopranos but had little or none coloratura, didn't have D's, eflats or Fs, but damrau can´t sing Lady Macbeth, Norma, Odabella (not even leonora in Trovatore which has some ornaments)..those are dramatic coloratura roles and she doesn´t even have the low notes. Netrebko sang a very dramatic Violetta..stagewise, not vocally and that doesn't make her a dramatic soprano.

  • And I'm pretty sure at 64, Diana and Anna will be far retired! And with no voice...Cause their technique is very bad...

  • thats pretty awesome. alot of people say she pushed her voice and thats why the middle fell apart. i think its just the way her voice was.  i dont think anyone could have those high notes or quality of tone at that age if it wasnt already there.

  • Brilliant comment!

  • No she was not microphoned! She stood there and knocked the world over with her desperately FABULOUS sound!

  • that is amazing...to have such a gift at her age...

  • 64 years old and sounds like she's not even 30 yet! ABSOLUTELY AMAZING! WOW!

  • Was she even microphoned. I love her ease of tone!

  • Fab-U-Lous!!!!! Too bad we had to glimpse Kathy Battle...ugh! Thanks for this post!

  • La Price has made us worship her. She is a Sacred Monster, an icon for the ages, a DIVA, and may we never forget it. Miss Thang has SUNG.

  • Geez, Levine really swings his arms around when he conducts.

    Great performance, though.

  • Could you DIE!!!!??? I mean she is AWESOME and with all of that..at the end a standing ovation...with Kathy Battle in the black and white gown....COULD YOU DIE!!!???? WOW

  • LOVE IT!

  • 64?!?!...i wouldn't and still don't believe it...AMAZING! I love how long that applaud for her.

  • does anyone know how old she is when this was performed...cuz she doesn't look or sound like she is old at all. talk about standing the test of time. A+ i love this and her!

  • She is 64 at the time of this performance. You should take a look at the performance that she did for the Opera News Awards she is 80 at that time and still amazing.

  • well i did listen to her do god bless america a capella and that was just as amazing. the grace and elegance she upholds in any performnace is absolutely wonderful.

  • 4:27-4:33...YEEEEEESSSSSSSSS!.­...She still had it!!...love it!

  • Is the soprano in question Eva Marton?

  • Absolutely amazing performance! I think I prefer this performance to the recording of it that she made many, many years earlier - I believe with Leinsdorf conducting. I'll have to dust off my turntable and pull out some of her vinyl...Thanks for posting this.

  • You know what I would kill to hear her do is the Empress in Frau Ohne Schatten. Does anyone know if she ever did it or parts thereof?

  • She recorded the Empress' Awakening Scene (on her Strauss album, 1973)--but never performed the role. She said in an interview in 1978 that she had considered it, along with the Marschallin, at about the time she sang Ariadne (1978-80), but Ariadne suited her better. The Awakening Scene is pretty amazing

  • A famous American soprano who was at this concert was at a party shortly after this and said "look who can't sing this aria anymore!" After viewing this, I can see why that soprano isn't around anymore. She should have learned a thing or two from Miss Price!

  • Could that be the soprano who is seen standing at the end of this?!

  • No. The soprano of which I spoke is a big voiced soprano who had a fantastic voice with a great top, but alas, she sang too much too heavy. When she did Turandot and sang the words "Quel grido", she took it abit too literally...

  • Sharon Sweet?

  • I'm afraid I shouldn't divulge because the diva in question is still having a career, or at least trying to (if they let her...). And no she did not get gastric bypass surgery...

  • Are her initials AM?

  • I'm back for more...YESSAH!!!!!

  • God bless you, Onegin65!!! Aw, man!!! I would have never been as thrilled as this if you hadn't posted this video and the many others from your library!!! You've done us all an amazing service!!! Thanks so very much!!! Mother Price TOOK TO FLIGHT. It was an amazing voice lesson watching her at 64. Such a secure and open top, with kicker high notes, as well as that sustained B-natural that wiggles up to the High-C# and back down. Mother was fierce, you hear???

  • watching leontyne price sing is as good as any voice lesson could be...

  • Here at 64 years old La Price sings this aria arguably better than any soprano currently on the Met roster could.

  • This clip gives me chills...i agree that she is a dramatic here as well not a spinto. And she was very smart...a lil older and wiser..and the voice is soo well preserved even in here 60's...most soprano are done by this time.

  • EVEN IN HER 60'S SHE WAS AWESOME!

  • I have Ms. Price sing this aria over about 30 year span. Make a necklace of these performances them it will have the most precious jewels.

  • What a treasure she is. The most beautiful sound I have ever heard in the theatre.

  • lol @ when this was first Posted I commented that Leontyne was a dramtic....I guess if Beverly agrees with me thats quite enough :0p!

  • there is nothing wrong with a little drama!!!

  • Thank you, Onegin65, for all the wonderful Price-moments. We, Price-fans, owe you a debt of gratitude.

  • Here, Here!

  • She is just amazing! @ 63!?!?  WOW!

  • Amazing Leontyne....!!!!!!!

  • La voix du siecle!!!

  • i have a great memory hearing this aria with Voigt at the Met...love it. Please, would you edit this video, adding that is die agyptische helena? so, we can find it easily when looking for arias from this opera. Otherwise, it can;t be possible. Thanks for sharing!

  • Only Price could prove a 63-year-old woman could sing this incredibly difficult aria so well! As it was already mentioned, her high range remains as bright, effortless and soft as in her prime. One can hear almost no sign of decline, except for her later tendency to go deep down to the chest notes or to scoop sometimes. That said, she's amazing, few could do this like her (and even fewer could surpass her).

  • I like the post by the way, lol.

  • I find it really interesting how as she got older the low range got even more detached and softer from her voice, and how the high range seems like it never really degraded.

  • She is not a dramatic soprano. She was a spinto at best.

  • at this point in her vocal maturity she was a dramatic soprano....a good 10 years before this performance I would agree about her being a spinto...but not in this performance

  • I don't agree. A spinto can sing some dramatic roles by definition. That is what spinto means;i.e., they can sing lyric or open it enough to sing dramatic. The true voice is spinto. Nilsson is dramatic. She could never sing lyric.

  • I agree A spinto she is but not a dramatic....

  • Spectacular!

  • every time I see this I marvel at how she WORKS IT. Love her.

  • "Zweite Brautnacht" heißt die Arie. Ausgezeichnet ist das Singen. Brava Mme. Price!

  • Mother Leontyne. The best ever.

  • This a miracle, at 63 old this dificul aria. Brava Price!!!! Braviiiiiisssiiiiiiima!

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