No wonder people love her- this singing comes straight from the heart. Great simplicity- a natural talent,but finely polished. She has the ability to move me and a few sharp notes( which could be the result of the broadcast sound) don't matter at all. This is live musicmaking after all. Kiri might well have clapped at your comments because at the London Opera Studio where she studied she was sometimes accused of singing a little flat i believe!
I have sung this aria and it IS hard work, particularly the "hop up and get 'em" notes. Also, when you know you are tired or overworked, you might have a tendency to "overcompensate" for fear of being flat. This may be the reason for the sharps, but obviously it varies from person to person.
How is it that this georgous vid is presented by a guy (?) called hotazzoperastud. You must be a funny guy. Thanks for loving Kiri. Is that your operastud bod in the picture? That's good.
So many misguided fools. Kiri is a Lyric soprano, not a coloratura. She looks like heaven, give her a break on what the jaw looks like. It does not move with the vibrato, therefore no tension, i.e.,perfection. Not sharp but on the top of the pitch of the note. Clear, facile for a smooth lyric. Not muddy, not heavy. Battle is great if you like light weight coloratura. Kiri is at the top of her game here. Clearly you guys have ears but you do not hear. Eyes but you do not see.
Her voice is one of the most spectacular things in the world. It's true there are also many also great singers, but her voice is so untouchable. Her breath support is also incredibly notable. ex: the line at 2:37...how under control was this section? Just those 4 or so measures alone can show just how superior a singer she is.
Our ears are accustomed to the tempered scale. Her intonation is georgeous and she sings perfect and "natural" intervals whenever possible. She is a doll.
Sharp!, Technically, on the pitch meter, you might be able to support this comment ----however----I think edgy, or on the edge of the tip of the note. It's not a sharpness that spoils the song or throws it all off. She doesn't go off into the stratosphere with her sharps. In her case I think her sharp makes it better. She nails the key. Always lands correctly. So the sharps are an edgy uplift and not a complete veering of course. It gives her lovely voice a personality.
Like her lovely slightly off track jaw. Kiri's beauty of voice is partly in her sharps and imperfections. Personally, I think that floating high and forever on those notes requires that sharp edge of perfection. Conversely, to be flat is death. She always knows right where she is.
Yeah, I didn't say she went into the stratosphere. I agree it gives her voice personality, I'm a huge admirer of Dame Kiri. Just that if you hear this for the first time it strikes you eh?
Eh? you Canadian? I've sung this song and it's very difficult to come from the top of your uplift and settle on a note thats a fast hop up there. I'm glad you like her. Her technique on it gives it the hint of sharpness on those hop up and get em notes. but her way with it has taught me a lot. See what you think of the Rene Flemming version. She's got great pyrotechnics that a Lady of Metal might enjoy.
lol this is ridiculous, if u want to hear clean and fast coloratura, hear gruberova, sutherland, bartoli or devia, this is unfortunately not the right repertoire for kanawa.
I'm sorry...but I'm supposed to enjoy watching her sing as much as I enjoy listening to it....the alignment of her bottom jaw gets screwed up on some of the melismas and it kind of bothers me.
I guess that this is a very good rendition, but I think that the trills in the first (allegro) part are too muddy for my tastes- it's hard to tell the actual movement of the notes from her vibrato. *please don't murder me please* I prefer Emma Kirkby's rendition, I think the clarity of her voice is better suited to the piece.
How heartwarming to read so many positive comments for a voice in full warmth, personality and artistry! I find the tempo rather swift in this aria: any comments to add?
Nope.. that's about the right tempo. You should just look up the tempo and you'll find it right about there. She does rush a bit here and there... but other than that, it's on the faster side of the tempo marking. I suppose if you wanted to be a bit more correct to the baroque style you'll aim for the slower side of the tempo marking.
She's not a baroque singer. She scoops a bit, and adds a few other things to the piece that are better suited to something a bit more from the classical era.
OMG @ 02:37 to 02:42...amazingly smooth with no cracks or rests and her face doesn't even show any desperation for air. Tremedous voice control and breathing.
Dame Sutherland was tremendous in her performance of this work but Dame Kiri is , too, in her own right incomparable. I have loved her voice for many years!
LOVE LOVE LOVEEEEEEEEE..........at 2:57 .......uuuuuuh.....just greeeeeeeaaaaaaat !!!!!
TheTarakihi 5 months ago
Hermoso
veeerooniicaaa 6 months ago
oh my goodness
theblueangel28 7 months ago
This is true sublimity, the grace beyond the reach of art. I wept as I listened.
kangadillo 10 months ago
this is a treat, she cant normallly siing in tune, but this is swesome!
picklebear 1 year ago
No wonder people love her- this singing comes straight from the heart. Great simplicity- a natural talent,but finely polished. She has the ability to move me and a few sharp notes( which could be the result of the broadcast sound) don't matter at all. This is live musicmaking after all. Kiri might well have clapped at your comments because at the London Opera Studio where she studied she was sometimes accused of singing a little flat i believe!
Tenortalker 1 year ago
too dark. personally I prefer Battle, Sutherland, or Dessay
raigekimaru 1 year ago
She goes sharp a bit doesn't she. Just goes to show that great performers are not perfect on every occasion.
GeorgeMaxwellDuPre 2 years ago
such a festive song for this season i think (must be the trumpet)...and i absolutely love her high note in the b section.
handelfan610 2 years ago
who is that directing?
handelfan610 2 years ago
@handelfan610 If you mean who is conducting it's James Levine from the MET.
Operaman41 1 year ago
@Operaman41 thank you
handelfan610 1 year ago
This a great Kiri performance. :-) Thanks for posting.
bariverdi 2 years ago
I have sung this aria and it IS hard work, particularly the "hop up and get 'em" notes. Also, when you know you are tired or overworked, you might have a tendency to "overcompensate" for fear of being flat. This may be the reason for the sharps, but obviously it varies from person to person.
allislove1 2 years ago
If they used a natual instead of a valved trumpet/coronet then I don't think you would hear her as "sharp."
ToccataInF 2 years ago
How is it that this georgous vid is presented by a guy (?) called hotazzoperastud. You must be a funny guy. Thanks for loving Kiri. Is that your operastud bod in the picture? That's good.
ImpossiblyLost 2 years ago
fuh-law-less
gibraltarrr 2 years ago
So many misguided fools. Kiri is a Lyric soprano, not a coloratura. She looks like heaven, give her a break on what the jaw looks like. It does not move with the vibrato, therefore no tension, i.e.,perfection. Not sharp but on the top of the pitch of the note. Clear, facile for a smooth lyric. Not muddy, not heavy. Battle is great if you like light weight coloratura. Kiri is at the top of her game here. Clearly you guys have ears but you do not hear. Eyes but you do not see.
ImpossiblyLost 2 years ago 2
yes, you are right. this is perfection and so many here are fools.
gibraltarrr 2 years ago
Yes, lots of great singers out there, with wonderful renditions of this piece, but the shear beauty of this voice is untouchable.
ImpossiblyLost 2 years ago
Her voice is one of the most spectacular things in the world. It's true there are also many also great singers, but her voice is so untouchable. Her breath support is also incredibly notable. ex: the line at 2:37...how under control was this section? Just those 4 or so measures alone can show just how superior a singer she is.
saxamaphoneguy1 2 years ago 5
She's got it, yeah baby she's got IT! 7th wonder of the world!
ImpossiblyLost 2 years ago
If you listen carefully you will hear some of the notes are indeed slightly sharp.
LadyofMetal16 2 years ago
Our ears are accustomed to the tempered scale. Her intonation is georgeous and she sings perfect and "natural" intervals whenever possible. She is a doll.
ToccataInF 2 years ago 2
She is singing so sharp in this! must be an off day, because she is a star.
theno1singstar 3 years ago
I agree with you. She is sharp. Still she has a gorgeous voice.
LadyofMetal16 2 years ago
Sharp!, Technically, on the pitch meter, you might be able to support this comment ----however----I think edgy, or on the edge of the tip of the note. It's not a sharpness that spoils the song or throws it all off. She doesn't go off into the stratosphere with her sharps. In her case I think her sharp makes it better. She nails the key. Always lands correctly. So the sharps are an edgy uplift and not a complete veering of course. It gives her lovely voice a personality.
ImpossiblyLost 2 years ago
Like her lovely slightly off track jaw. Kiri's beauty of voice is partly in her sharps and imperfections. Personally, I think that floating high and forever on those notes requires that sharp edge of perfection. Conversely, to be flat is death. She always knows right where she is.
ImpossiblyLost 2 years ago
Yeah, I didn't say she went into the stratosphere. I agree it gives her voice personality, I'm a huge admirer of Dame Kiri. Just that if you hear this for the first time it strikes you eh?
LadyofMetal16 2 years ago
Eh? you Canadian? I've sung this song and it's very difficult to come from the top of your uplift and settle on a note thats a fast hop up there. I'm glad you like her. Her technique on it gives it the hint of sharpness on those hop up and get em notes. but her way with it has taught me a lot. See what you think of the Rene Flemming version. She's got great pyrotechnics that a Lady of Metal might enjoy.
ImpossiblyLost 2 years ago
I am not a Fleming fan. Personally I prefer Battle and Sutherland.
LadyofMetal16 2 years ago
Don't care for Fleming either except on "Summertime"
ImpossiblyLost 2 years ago
lol this is ridiculous, if u want to hear clean and fast coloratura, hear gruberova, sutherland, bartoli or devia, this is unfortunately not the right repertoire for kanawa.
operaeater 3 years ago
I'm sorry...but I'm supposed to enjoy watching her sing as much as I enjoy listening to it....the alignment of her bottom jaw gets screwed up on some of the melismas and it kind of bothers me.
But if I close my eyes? It's good.
luvnthatgreen 3 years ago
could do worse-! like Kathleen battle.
domi2020 3 years ago
how dare you even say such a thing!
handelfan610 3 years ago
Shut up
Beethovenpastoral 3 years ago
Comment removed
nichtsleezy 2 years ago
the coloratura? is she serious? she cannot sing coloratura.
operaeater 3 years ago
I guess that this is a very good rendition, but I think that the trills in the first (allegro) part are too muddy for my tastes- it's hard to tell the actual movement of the notes from her vibrato. *please don't murder me please* I prefer Emma Kirkby's rendition, I think the clarity of her voice is better suited to the piece.
jennywren413 3 years ago
This comment has received too many negative votes show
Ugly
and
garbage!
cuddlebear51 3 years ago
I love her with the big hair. (James Levine has big hair too, but not in a good way.)
Fuliginosus 3 years ago 2
How heartwarming to read so many positive comments for a voice in full warmth, personality and artistry! I find the tempo rather swift in this aria: any comments to add?
Kiwi Kiri Whanau
kellyjkeenan 3 years ago
Nope.. that's about the right tempo. You should just look up the tempo and you'll find it right about there. She does rush a bit here and there... but other than that, it's on the faster side of the tempo marking. I suppose if you wanted to be a bit more correct to the baroque style you'll aim for the slower side of the tempo marking.
She's not a baroque singer. She scoops a bit, and adds a few other things to the piece that are better suited to something a bit more from the classical era.
coloraturacontralto 3 years ago
OMG @ 02:37 to 02:42...amazingly smooth with no cracks or rests and her face doesn't even show any desperation for air. Tremedous voice control and breathing.
jusitke07 3 years ago
How can anyone look so calm and relaxed during those long melismas? You would think she has endless breath when you look at her sing those.
musicyh 4 years ago
Dame Sutherland was tremendous in her performance of this work but Dame Kiri is , too, in her own right incomparable. I have loved her voice for many years!
dodismom 4 years ago
I love how calm and still she looks during those melismas.
fundfreq 4 years ago
thats what i love about her, no matter what shes singing. so poised, and no ugly faces or weird distorted neck or posture
paulotomaso 4 years ago
Beautiful!
TheAleph74 4 years ago
That's very lovely. I've never seen anything from this concert before. It's fun to see some clips of Kiri when she was so young. Thanks operastud!
angelitornado 4 years ago
That is where she originally sang it, this is her singign it somewhere in concert! I don't know where?
owlclarke 4 years ago
This is from a Gala Concert in New York from 1985.
hotazzoperastud 4 years ago
was this from Charles and Diana's wedding?
hillevifan 4 years ago