This is amazing... The richness, the tone colors that he gets out just really blow my mind. This is a very crappy upload though, the sound quality is horrid. More people might've liked it if they listened to it on CD.
@annefrankisaho When Gould was a baby he might have sucked his THUMB but he certainly never sucked at Scriabin or any other composer of piano music! However, and no offense, but your screen ID certainly sucks.
Gould was a GENIUS, specially for Bach and barroque music. I dont think they are comparable, I also like more Richters interpretation because I think his sound is more convincent and expressive, Richter played almost all Scriabin works, he knew this composer very well and you can listen the results of that knowledge in his genius hands. But ask Richter...when he met Gould he was astonished! and he admitted Gould´s Bach was far better than his. They are just 2 of the greatest pianist of all tme
If I heard Scriabin play his own piece, that would be the time I enjoyed HIS genius. Goulds interpretation of this piece is a little off the mark for me. Who said anything about a competition by the way?
Gould had odd ideas about how the tempi within a piece should be related mathematically. An approach that upset Bernstein a great deal with the Brahms First. This rather languid rendering of Scriabin 5 simply isn't "Russian" enough for some people. It is a quite valid and thought provoking interpretation nonetheless. Blasting through everything at top speed is not necessarily the most musical approach to everything.
@micheldvorsky -Compare Gould's Prokofiev 7th to Argerich's. Radically different, both wonderful. She pulls out all the stops with that astounding control she has, and Gould's sounds like aural cubism.
Sounds plodding and his deliberate tempo does not suit s. in my op. A crazy over-medicated man can't do it.He had not a true affinity for S. He has a lot of tonal resource that should be no surprise but it is. It is certainly better than his Chopin 3rd sonata . Gulda 's Bach playing is fantastic.
I'm sorry: I have the complete recordings of GG, with all the private recordings and definitely this is not his recording of the Scriabin Sonata. I'd like to know where you found it. This is a fake.
I'm sorry again: the Scriabin sonata that appears in that album is the only one he recorded in 1970 in NY. He never played this sonata for the radio or fot the tv.
@Matteo7419 You seem to think you are something of an expert, yet you are unfamiliar with this recording? It was released by Sony. What possible reason do you have to claim he never played this on the radio? Perhaps you have personally scoured the complete archives? Well, clearly not, if you never stumbled across this very widely known performance.
@wayneredhart My dear friend, firts of all I'd like to know wich volume of the Sony Edition you're talking about, 'cause I've the complete Sony Edition and I can't find it. Second thing, I've the complete discografy of GG, included many private recordings of him playing at his home. So, definitely, I think I'm "expert" enough to say this is not GG playing the Scriabin 5th on the radio. If yoy have this recording, please tell me the label and the number of catalogue, so I can find it. Thank you.
@Matteo7419 It's from the same volume that has Scriabin's 3rd sonata and Chopin's 3rd etc- in the original Sony issue of the complete GG edition. If your discography does not include this widely known recording then it must be an extremely poor one. As for your being an "expert", you can't even tell from the style of playing that this is Gould? Could it be any more obvious?
@wayneredhart Well, actually I obviously have this recording. That's 52622 of Sony Edition with Chopin 3rd on radio 1970 and the Scriabin Sonatas, but the 5th was not recorded for the radio, but at 30th Street Studio on July 1970. He never played this Sonata for the radio and I could'nt understand the correspondence with Sony Edition and the volume you're speaking about. This is a Studio recording, but the audio quality of the post in terrible.
@Matteo7419 Poor sound, yes, but that doesn't make the performane any less obviously that of Gould, whether it was for the radio or made in a studio. Sorry, I misread your point about the radio, thinking you were denying that he had ever recorded this. However, I'm still rather suprised that a self-proclaimed 'expert' would pronounce this to be fake, simply because of slightly dodgy sound quality. The style is unmistakable.
This interpretation is practically backwards to me. While this is Scriabin, and at this point in his life, we begin to lose many previous conventions, the four movement structure of the Sonata form is still present. But Gould plays the 1st and 3rd movements with somewhat less rubato than other recordings and the 2nd and 4th movements at half the intended Presto. I don't want to say this is devoid of emotion, but it feels almost as if Gould has replaced Scriabin's melodic ideas with his own.
Granted, supplanting one's own ideas of musicality into the piece is fundamental to being a great performer, but there seems to be a loss of Scriabin's soul that is substituted with Gould's interpretation.
Now this guy's really got the mystical longing & hope of the piece, and we can hear ALL the notes and textures, unlike Richter. Extraordinary atmosphere!
Gould is of course excellent, but as always he is a little capricious. Check for example 1:58 on -all momentum is lost. I think there is a clear cut between the introduction, where the piece generates a sort of cumulative energy, and the first theme, where the force should be progressively displayed. In my opinion, no one performs this sonata with the demonic ivresse and sheer command of the overall structure of Sviatoslav Richter.
Although I've seen the word in some english texts, "ivresse" is a french word literally meaning "intoxication" and "drunkness", but also conveying the literary sense of ecstatic abandonment. (A thousand apologies for the sheer pedantry.)
As for me I don't think Gould was a romantic. Here we see something "beethovenian" of some sort... I prefer far Sofronitsky, Merzhanov, Ashkenazy - that's what romantics means for me.
I didn t say this was my prefered pianist. far from it. But this was posted for historic purposes and shows he has great respect for this composer . of course it s missing a bit of passion .I think
I think that is correct that, Gould placed more importance on polyphony and form.
Another important fact is, the importance that Gould place on timing. No other pianist has Gould's timing. Romantic interpreters tend to play much more rubato than Gould, perhaps this is why people find his playing to be "cold". Listen to his Goldberg Variations. Gould's interpretation of the, "Goldberg Variations" is one of the most sensitive things that I have ever heard, played with perfect timing.
@SSSLAWWWA Gould plays in a traditional way, with the melody standing out against the background. but Richter incorporates the melody within the background, so that the melody, by being hardly noticeable as such, demands more work and focus from the listener, a more modern approach of making music ( I think). If your brain accepts the challenge, you get more involved, and the pleasure reward is better. thats why i like Richter's more than gould's.
@frtac As for me, it's impossible to compare Richter and Gould in this sonata. Gould's playing here is a kind of nonsence at all. I heard Gould always wanted to see a musical "form", so his rec. like this one are some "search" for a "form". I only can wish that no one else will ever go that way. Music first, not a "form" and all things like that.
Tiresome?! Eh, this sonata's not for everyone... But i love it, and of course Gould does very interesting things with it. Just like the Prokofiev sonata no. 7. He should have recorded more modern music, but to be fair, he did record quite a bit.
Try Horowit'z interpretation of this sonata - like Gould, he preserves the rhythm and form but he seems to put a lot more energy and adventuresome spirit into it.
I love Glenn Gould, and I really think he always considers himself as a peer of all the great composers, even Bach.HE WAS A MUSICIAN, NOT A PERFORMER ONLY.
Who cares about scriabine? Gould always knew how THE COMPOSERS should written their musics, IF POSSIBLE. And for this, he is not just a pianist. HE IS THE MUSIC ITSELF.
Sorry,isn't Gould a pianist?I respect every opinion,but its so difficult for me to accept your affirmation.He often can crazy recordings,but remains an incredible virtuoso...
this is personally my favorite interpretation because he makes such a lush and involved work so legible like no-others do. richter's interpretation is formidable, but it doesn't sound like he owns the piece to me.
Surprisingly entertaining,(only if one already knows how the piece goes).A typical GG destruction job,funereal tempi,hair-raising mis-readings(3.54>>..ye gods!)All probably on purpose.A huge achievement,to reduce THE most exciting work in the literature to a grey,flat,dismal trudge. ThankGod the ending cut off, YT's uploading probably went into terminal depression,and decided spontaneously it had had enuf.UGH! Thanx anyway.
this was only for historical purpose. Some of Goulds playing is boring I agree too. but this was a work usually sledge hammered through to the extent that I could never hear the polyphony. I guess I can though here.
this is NOT RIGHT!! i know there's no strictly 'right' way to play something...but he obviously wasn't reading the music. this is supposed to be EXCITING - a poem of ecstasy - but its just 'romantic'. half the piece is supposed to be presto! as well as that he gets notes wrong...which would be excuseable if he had done it by mistake, but it sounds like he's done it on purpose.
well for historic purpose it s good to place up here with other rec. I think hondestly if you didn t know it was Gould though you might like it a little
Gould didn't exactly shy away from romantic works. What probably occurred to him was that there was a substantial amount of childishness going on around the romantic period. People would come to concerts and boo if the work contained a new chord. The majority wanted to cling onto the sonata form etc etc. Gould was a pioneer of new music as well as old, but because of the people's hostile attitudes towards new music, the music then was restricted.. perhaps that's why he shyed away from them
Gould is a very good interpreter of scriabin. A better recording would have given his justice.
firefws 1 month ago
This must be a joke? DREADFUL performance.
FunkBach 2 months ago
This is amazing... The richness, the tone colors that he gets out just really blow my mind. This is a very crappy upload though, the sound quality is horrid. More people might've liked it if they listened to it on CD.
cfwpiano 3 months ago
Christ yes Gould was a total romantic, amongst many other things.
sukkot54 4 months ago
Gould sucked at Scriabin. Somehow he turned one of the most turbulent pieces I've ever heard into naptime music.
annefrankisaho 5 months ago
@annefrankisaho When Gould was a baby he might have sucked his THUMB but he certainly never sucked at Scriabin or any other composer of piano music! However, and no offense, but your screen ID certainly sucks.
FOOFOOKITTY 3 months ago
This sounds like me in my livingroom while I try to get the tempo up to where Scribin actually wanted it to be.
TRIXIE1001 11 months ago
AS EVER (BUT IS THIS THAT I LIKE OF GOULD) HE IS EVER DIFFERENT :)
elicandondo 11 months ago
Everyone is going to think I'm an idiot... but I prefer this version over Richters. lol
Steinwaytoday 1 year ago 2
@Steinwaytoday I was just thinking the same thing after listening to them back to back.. :p I am not usually a Gould fan, but this is luscious.
briawnaanderson 6 months ago
Gould was a GENIUS, specially for Bach and barroque music. I dont think they are comparable, I also like more Richters interpretation because I think his sound is more convincent and expressive, Richter played almost all Scriabin works, he knew this composer very well and you can listen the results of that knowledge in his genius hands. But ask Richter...when he met Gould he was astonished! and he admitted Gould´s Bach was far better than his. They are just 2 of the greatest pianist of all tme
visionfugitiva 1 year ago
Wow, Ricther kicks both Horowitz and Goulds asses in this piece.
Theonedue 1 year ago 2
@Theonedue more than possible
chad410 1 year ago
@Theonedue God, why is music always a competition with assholes like you? STFU And enjoy Scriabin's genius.
cfwpiano 3 months ago
If I heard Scriabin play his own piece, that would be the time I enjoyed HIS genius. Goulds interpretation of this piece is a little off the mark for me. Who said anything about a competition by the way?
Theonedue 3 months ago
it doesn't have richter's energy, but it has more finesse than him.
werq34ac 1 year ago
well this is a disgrace
pozsoz 1 year ago
na you upload the 2nd part? ;)
4785689 1 year ago
Gould had odd ideas about how the tempi within a piece should be related mathematically. An approach that upset Bernstein a great deal with the Brahms First. This rather languid rendering of Scriabin 5 simply isn't "Russian" enough for some people. It is a quite valid and thought provoking interpretation nonetheless. Blasting through everything at top speed is not necessarily the most musical approach to everything.
perry1559 1 year ago 3
Comment removed
micheldvorsky 1 year ago
@micheldvorsky -Compare Gould's Prokofiev 7th to Argerich's. Radically different, both wonderful. She pulls out all the stops with that astounding control she has, and Gould's sounds like aural cubism.
perry1559 1 year ago
Sounds plodding and his deliberate tempo does not suit s. in my op. A crazy over-medicated man can't do it.He had not a true affinity for S. He has a lot of tonal resource that should be no surprise but it is. It is certainly better than his Chopin 3rd sonata . Gulda 's Bach playing is fantastic.
lovesGenet 1 year ago
@lovesGenet No one plays Bach like Gould, and Goulda does not have Bach's timing.
KABRIS1 1 year ago
he seems to have changed the timing of the notes, he has completely changed the piece. i did not like it at all.
ibclappin 1 year ago
Very lethargic playing.
demosj 1 year ago
Heard so many versions of this sonata... The best belongs to Horowitz's one. This one is too slow.
diuleelomei 1 year ago
Comment removed
Matteo7419 1 year ago
Im afraid it is
chad410 1 year ago
I'm sorry: I have the complete recordings of GG, with all the private recordings and definitely this is not his recording of the Scriabin Sonata. I'd like to know where you found it. This is a fake.
Matteo7419 1 year ago
A fake??? My god... Gould recorded it for a radio broadcast. You can find it in the GG edition (Gould plays Chopin, Mendelssohn and Scriabine).
leverkuhn67 1 year ago
I'm sorry again: the Scriabin sonata that appears in that album is the only one he recorded in 1970 in NY. He never played this sonata for the radio or fot the tv.
Matteo7419 1 year ago
@Matteo7419 Idiot.
wayneredhart 1 year ago
@wayneredhart ??? Why? What's your problem?
Matteo7419 1 year ago
@Matteo7419 You seem to think you are something of an expert, yet you are unfamiliar with this recording? It was released by Sony. What possible reason do you have to claim he never played this on the radio? Perhaps you have personally scoured the complete archives? Well, clearly not, if you never stumbled across this very widely known performance.
wayneredhart 1 year ago
@wayneredhart My dear friend, firts of all I'd like to know wich volume of the Sony Edition you're talking about, 'cause I've the complete Sony Edition and I can't find it. Second thing, I've the complete discografy of GG, included many private recordings of him playing at his home. So, definitely, I think I'm "expert" enough to say this is not GG playing the Scriabin 5th on the radio. If yoy have this recording, please tell me the label and the number of catalogue, so I can find it. Thank you.
Matteo7419 1 year ago
@Matteo7419 It's from the same volume that has Scriabin's 3rd sonata and Chopin's 3rd etc- in the original Sony issue of the complete GG edition. If your discography does not include this widely known recording then it must be an extremely poor one. As for your being an "expert", you can't even tell from the style of playing that this is Gould? Could it be any more obvious?
wayneredhart 1 year ago
@wayneredhart Well, actually I obviously have this recording. That's 52622 of Sony Edition with Chopin 3rd on radio 1970 and the Scriabin Sonatas, but the 5th was not recorded for the radio, but at 30th Street Studio on July 1970. He never played this Sonata for the radio and I could'nt understand the correspondence with Sony Edition and the volume you're speaking about. This is a Studio recording, but the audio quality of the post in terrible.
Matteo7419 1 year ago
@Matteo7419 Poor sound, yes, but that doesn't make the performane any less obviously that of Gould, whether it was for the radio or made in a studio. Sorry, I misread your point about the radio, thinking you were denying that he had ever recorded this. However, I'm still rather suprised that a self-proclaimed 'expert' would pronounce this to be fake, simply because of slightly dodgy sound quality. The style is unmistakable.
wayneredhart 1 year ago
@chad410 This definitely is NOT Gould, a total fake!
trntlobne 1 year ago
@trntlobne certainly is
chad410 1 year ago
This interpretation is practically backwards to me. While this is Scriabin, and at this point in his life, we begin to lose many previous conventions, the four movement structure of the Sonata form is still present. But Gould plays the 1st and 3rd movements with somewhat less rubato than other recordings and the 2nd and 4th movements at half the intended Presto. I don't want to say this is devoid of emotion, but it feels almost as if Gould has replaced Scriabin's melodic ideas with his own.
The3lse 2 years ago
Granted, supplanting one's own ideas of musicality into the piece is fundamental to being a great performer, but there seems to be a loss of Scriabin's soul that is substituted with Gould's interpretation.
The3lse 2 years ago
its too slow for my taste. this feeling of longing is really long-ing..It's not anxious enough nor excited. it seems timid.
yes, very clear and beautiful texture. but so is hamlin and he plays it much more excitingly
cpdavidzas 2 years ago
Where is the ending??
jeremiemichael1 2 years ago
@jeremiemichael1
he hasn't finished playing it yet...
robbiethemann 1 year ago
I like it. I never heard this work before.
GeorgeMaxwellDuPre 2 years ago
I don't like it.
This is TOO gould .
I MUCH admirer stanislav neahaus interpretation .
kempff95 2 years ago
I like it but I don t know why
chad410 2 years ago
Now this guy's really got the mystical longing & hope of the piece, and we can hear ALL the notes and textures, unlike Richter. Extraordinary atmosphere!
flibbertergibbet 2 years ago
elemental beauty fixed in chronatic divine gould present
nniuqn 2 years ago 2
Gould is of course excellent, but as always he is a little capricious. Check for example 1:58 on -all momentum is lost. I think there is a clear cut between the introduction, where the piece generates a sort of cumulative energy, and the first theme, where the force should be progressively displayed. In my opinion, no one performs this sonata with the demonic ivresse and sheer command of the overall structure of Sviatoslav Richter.
kiasmus 2 years ago
Is "ivresse" a misspelling or is it a real (English) word? Never heard of it, and I am a voracious (English) reader.
thesillycunt 2 years ago
Although I've seen the word in some english texts, "ivresse" is a french word literally meaning "intoxication" and "drunkness", but also conveying the literary sense of ecstatic abandonment. (A thousand apologies for the sheer pedantry.)
kiasmus 2 years ago
You should also apologize for being a show-off.
MadamePukengkay 2 years ago
I do.
kiasmus 2 years ago
we're missing the last 5 1/2 pages...
ksrucin 2 years ago
Comment removed
ksrucin 2 years ago
This sounds like it's in slow motion and under water!
sll10 2 years ago
This has been flagged as spam show
where is the rest of this???
kepler101 2 years ago
Comment removed
morvensky 2 years ago
So I agree with you!
SSSLAWWWA 2 years ago
As for me I don't think Gould was a romantic. Here we see something "beethovenian" of some sort... I prefer far Sofronitsky, Merzhanov, Ashkenazy - that's what romantics means for me.
SSSLAWWWA 2 years ago 6
I didn t say this was my prefered pianist. far from it. But this was posted for historic purposes and shows he has great respect for this composer . of course it s missing a bit of passion .I think
chad410 2 years ago
That's my reply - I was wrong when posting. I agree!
SSSLAWWWA 2 years ago 2
@chad410
I think that is correct that, Gould placed more importance on polyphony and form.
Another important fact is, the importance that Gould place on timing. No other pianist has Gould's timing. Romantic interpreters tend to play much more rubato than Gould, perhaps this is why people find his playing to be "cold". Listen to his Goldberg Variations. Gould's interpretation of the, "Goldberg Variations" is one of the most sensitive things that I have ever heard, played with perfect timing.
KABRIS1 1 year ago
@SSSLAWWWA Gould plays in a traditional way, with the melody standing out against the background. but Richter incorporates the melody within the background, so that the melody, by being hardly noticeable as such, demands more work and focus from the listener, a more modern approach of making music ( I think). If your brain accepts the challenge, you get more involved, and the pleasure reward is better. thats why i like Richter's more than gould's.
frtac 1 year ago
@frtac As for me, it's impossible to compare Richter and Gould in this sonata. Gould's playing here is a kind of nonsence at all. I heard Gould always wanted to see a musical "form", so his rec. like this one are some "search" for a "form". I only can wish that no one else will ever go that way. Music first, not a "form" and all things like that.
SSSLAWWWA 1 year ago
I think Gould is best at bach than any other composer...
Kalen1457 2 years ago 2
actually I think he makes this tiresome sonata come to life also :P
chad410 2 years ago
Tiresome?! Eh, this sonata's not for everyone... But i love it, and of course Gould does very interesting things with it. Just like the Prokofiev sonata no. 7. He should have recorded more modern music, but to be fair, he did record quite a bit.
crowdmaker 2 years ago 4
Try Horowit'z interpretation of this sonata - like Gould, he preserves the rhythm and form but he seems to put a lot more energy and adventuresome spirit into it.
squishym 2 years ago 2
ELINIDARA, you misunderstand my comment. .My fault, surely.
I think Gould IS a great virtuoso, one of the greatest, but he IS much than this.
CHEERS( for you too AZIMUTH595).
Both of you are so young...and I love Greece).
klinsha8 2 years ago
I was not beeing sarcastic, only a litle bit.
I love Glenn Gould, and I really think he always considers himself as a peer of all the great composers, even Bach.HE WAS A MUSICIAN, NOT A PERFORMER ONLY.
klinsha8 3 years ago 2
Comment removed
micheldvorsky 3 years ago
yep. i don t like this sonata at all, but like the playing in a bizare way.
chad410 3 years ago
Sultanov's is better than Richer's.
MrAsungot 3 years ago
ok im sure yes.
chad410 3 years ago
Gould the romantic... ;)) Thanks
perdipe 3 years ago
Painfully slow and obvious wrongs note learned! Pretty bad.
kevasman 3 years ago
Who cares about scriabine? Gould always knew how THE COMPOSERS should written their musics, IF POSSIBLE. And for this, he is not just a pianist. HE IS THE MUSIC ITSELF.
klinsha8 3 years ago
To klinsha8: I care about Scriabin... So do I for every single composer.
AZIMUTH595 3 years ago
Sorry,isn't Gould a pianist?I respect every opinion,but its so difficult for me to accept your affirmation.He often can crazy recordings,but remains an incredible virtuoso...
Ellinidara 3 years ago
where is the music???
michieldpiano 3 years ago
this is personally my favorite interpretation because he makes such a lush and involved work so legible like no-others do. richter's interpretation is formidable, but it doesn't sound like he owns the piece to me.
elmauro 3 years ago
Surprisingly entertaining,(only if one already knows how the piece goes).A typical GG destruction job,funereal tempi,hair-raising mis-readings(3.54>>..ye gods!)All probably on purpose.A huge achievement,to reduce THE most exciting work in the literature to a grey,flat,dismal trudge. ThankGod the ending cut off, YT's uploading probably went into terminal depression,and decided spontaneously it had had enuf.UGH! Thanx anyway.
NOSEhow2LIV 3 years ago
this was only for historical purpose. Some of Goulds playing is boring I agree too. but this was a work usually sledge hammered through to the extent that I could never hear the polyphony. I guess I can though here.
chad410 3 years ago
Richter's version is far superior
vcupiano 3 years ago
this is NOT RIGHT!! i know there's no strictly 'right' way to play something...but he obviously wasn't reading the music. this is supposed to be EXCITING - a poem of ecstasy - but its just 'romantic'. half the piece is supposed to be presto! as well as that he gets notes wrong...which would be excuseable if he had done it by mistake, but it sounds like he's done it on purpose.
caaliin 3 years ago 2
I must agree with CAALIIN..
This is practice tempo, Glen:-) It is not Scriabin..I have CD with Hakon Austbo with Scriabin ten sonatas-IT IS RIGHT!
MichalGresl 3 years ago
well for historic purpose it s good to place up here with other rec. I think hondestly if you didn t know it was Gould though you might like it a little
chad410 3 years ago
Comment removed
morvensky 2 years ago
The best interpretation, like only Sofronitky
played before, but with more sentiment.
polskaczech 3 years ago
WHY IS THE END CUT OFF!!!
coasterman16 3 years ago
Gould didn't exactly shy away from romantic works. What probably occurred to him was that there was a substantial amount of childishness going on around the romantic period. People would come to concerts and boo if the work contained a new chord. The majority wanted to cling onto the sonata form etc etc. Gould was a pioneer of new music as well as old, but because of the people's hostile attitudes towards new music, the music then was restricted.. perhaps that's why he shyed away from them
clubsandwedge 3 years ago
Horowitz said all music was romantic by nature.
chad410 3 years ago
Comment removed
xodn3300 2 years ago
pretty interesting
luiarthur 3 years ago 2
thanks
spv88 3 years ago 2