Added: 3 years ago
From: HIghFlyinByrd
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  • Great stuff! Thank you! Almost as good as the final released song! Everyone will remember the "dit-dit" beautifully described by Baxterbather below was continued by the Rolling Stones in "Under My Thumb".

  • @HighFlyinByrd it's a beach boys/LA nod. usually either just two notes (a mid-high note and its octave on a different string) or a very spartan chord way up the neck. It still sounds fresh here; "don't worry baby" had just been released. notice it doesn't change except during the part where the end of a stanza would be. this way it implies a dramatic lift without delivering one and re-enforces the back-beat as well, making a folk ballad a swinging bach pop archetype. designed for dancing.

  • Sounds like barre chords on a Nasville tune six-string

  • lovely stereo

    

  • To whoever posted this, THANK YOU!!!! 

  • Touched by God

  • Nice, good for Karaoke

  • The sound of Byrds meets Donovan 2011:

    Michael Moeller - Where the wind blows

    Its just wonderfull!

  • one of the best stereo tracks I have heard

  • Yes, that is someone from the wrecking crew making that "dit dit" on the Rhythm Guitar. McGuinn was the only Byrd allowed to play an instrument on this song because he had the most experience and was a better musician. And the rest is history.

  • The AFM contract for this session appears in the Song List section of the Wrecking Crew documentary film site (wreckingcrewfilm).

  • What was exactly wrong with "Take 20". Sounds damn near perfect to me.

  • Insiders told me that Glenn Campbell, Hal Blaine, Carol Kaye & another musician were called in because Columbia execs didn't think the Byrds' playing would sell the track after hearing them playing it. The initial single was the studio musicians, but later pressings were the Byrds, due to Terry's insisting, and the album cut is the Byrds playing. The execs had to admit the studio musicians were no better. (rumor?)

  • @hoggjazz

    "Insiders" doesn't cut it. Name names...or be silent.

  • @LTF6161

    this is roger with the wrecking crew.

    it#s pretty well known that the studio and melcher weren't impressed with their instrumental skills and so hired the wrecking cre.

    only roger palys here.

  • @hoggjazz

    yeah, because both the a and b side of their first single were by the wrecking crew, and those 2 versions are also on their first albums, you only have the 64 demos by the byrds doing it in a studio.

    and well, the wrecking crew are legends, they played most of the 60s stuff of the beach boys under brian wilsons leading, they played pet sounds, califronia girls, good vibrations and so on.

  • 12 strings guitar...That's how heaven sounded like back in the 60s

  • Well produced music that no longer exists anymore.

  • funny, mcguinn references this video in his lecture at uc berkeley which you can find on you tube, he gives a background on this recording

    HE KNOWS YOU EXIST!!!1

  • Again, from most of the comments below, including those of the person who posted this take, Crosby wasn't there. Do you believe otherwise? If so, why?

  • Great listen...along with McGuinn's 12-string Rickenbacker work, the Wrecking Crew were phenomenal!! I wonder if that's Terry Melcher producing...

  • @perfuzz

    After listening again, it does sound like it may be a six-string played way up high (killing the played stings) by Crosby...

  • @SaddleCat1

    Well, if what most everybody else is saying below is correct (and I b/v that it is) Crosby didn't play on this track. The only Byrd to do so way McGuinn. And btw that don't sound like a mandolin to me. I'll go w/ the six string response.

  • LTF6161@

    The 'dit dit' sounds like a mandolin. McGuinn played mandolin (that's where he got the idea of playing the 12-string w/ steel picks), This is live studio and I don't hear rythmn guitar, maybe they have Crosby playing the rudimentary 'dit dit' on a mandolin..?

  • This was recorded January 20, 1965 sometime between 10am-1pm (from contract listed on Roger McGuinn's website).

  • I love the unmistakeable sound of the Rickenbacker

  • This is mind-blowing... Wow.

  • This is great sound for so long ago.

  • Okay...I'll try this again. Will someone tell me WHO and/or what instrument is playing the "dit dit" in the background. It is I assume a guitar. Is it the 12 string? Is it McGuinn? Or not? I really don't care who...but for me that dit dit makes the song

  • @LTF6161 6-string guitar, I reckon. Can't say for sure though.

  • @HIghFlyinByrd

    Thank you. So lets go one step further for a lazy person like me...who is playing it again? And btw, I really really, really, (did I say REALLY) appreciate you putting this up. I HAVE passed it on:>) Again, that "dit, dit" really "turns me..." back "all those years ago". Thanks again

  • @HIghFlyinByrd Yes the guitar accent is done by the session guy. Sounds alot like the Beach Boys backing for "Don't Worry Baby", also a wrecking crew job.

  • @HIghFlyinByrd Yes the guitar accent is done by the session guy. Sounds alot like the Beach Boys backing for "Don't Worry Baby", also a wrecking crew job.

    I love it when Melcher says, "ah lets do another. It doesn't feel right" Ah...how sixties!

  • @HIghFlyinByrd yeah, and what is the chords for that dit dit hahah

  • @HIghFlyinByrd I think so it´s the 6-string of David Crosby.

  • @HIghFlyinByrd I think so it´s the 6-string of David Crosby.

  • @LTF6161

    Someone is striking a chord and there is heavy echo on it. Sounds like a 6 string electric. Very percussive. Today it would be a synth sampler keyboard doing a percussive symphony strike.

    It seems like they hit the strings then mute it or it has echo and compression or something. On the downbeats?? The Wrecking Crew did this on other songs?? Don't Worry Baby by the Beach Boys aka Brian Wilson & The Wrecking Crew?? or another BB song??

  • @Franzko787

    Thanks!

  • @LTF6161

    6 string with echo. You can hear it at 16 seconds. Played by one of the Wrecking Crew on the downbeats. Watch the TV studio videos where they are lip synching the music and you can see Crosby faking it. It is a very stacatto precussive effect. I am not sure how the seesion player is muting it after they hit the chord. I heard this before in possibly a Beach Boy songs because all these groups in CA used the Wrecking Crew. The record company probably insisted on it.

  • @LTF6161 - I think it's Mr Crosby him self. It sounds as if hes playing high pitch chords very staccato on this take, live hes probably playing them more ordinarily fashion, still very staccato. It would be a humbucker pickup, what brand of guitar is hard to hear, 6 string.

  • @LTF6161 -- Thats Dave Crosby -- he played little else on this track so it seems.

    A great job all round by this group . Most inventive and the best arrangement for many a year. They get my Salute. Cheers jt

  • @westjt

    Wow...this runs counter to everything else on this thread...including by the person who put it up. Considering what I have read on this thread, I have serious doubts that Crosby was even there.

  • Roger (Jim ) McGuinn was the only member of the Byrds who played on this song. The studio moguls wanted to have their own muscians play on this. The same stidio musicians who played on the Beach Boys songs, that's why this sounds a lot like "Don't worry baby". An interesting sideline, a woman played the bass.

  • @LTF6161 that's David Crosby on a Gretsch ... sounds like a bird chirpping.

    McGuinn is playing the lead line on the Ric 12

  • @LTF6161

    Hal Blaine, a good friend of mine, and Wrecking Crew Drummer, on well over 50,000 tunes, including this one, told me the "dit dit" is in fact a guitar. He was the drummer on the session. He cannot for sure remember who played the "dit dit" in the background. It could have been McGuinn....it more probably was Glen Campbell. That's what he recalls.....a session done 45 years ago.

    Hope this helps.

  • @allegradrums

    Thanks!

  • @allegradrums

    Gawd . . . Hal Blaine. I can't imagine being Hal Blaine. The weight of the music history that he's experienced would just crush me.

  • @LTF6161 I'm going to say that it's either some really high notes on a Hammond organ or perhaps some sort of Farfisa, etc

  • @LTF6161 McGuinn is the only Byrd playing on the track (obviously on the 12-string). Members of the Wrecking Crew backing McGuinn were: Jerry Cole (rhythm guitar), Larry Knechtel (bass), Hal Blaine (drums), and Leon Russell (electric piano). Of course, the vocals were added later.

  • @LTF6161 McGuinn is the only Byrd playing on the track (obviously on the 12-string). Members of the Wrecking Crew backing McGuinn were: Jerry Cole (rhythm guitar), Larry Knechtel (bass), Hal Blaine (drums), and Leon Russell (electric piano). Of course, the vocals were added later. Jerry's rhythm chops were directly influenced by the Beach Boys' "Don't Worry Baby".

  • @LTF6161- It was probably the Gretsch guitar that Crosby can be seen playing in many of the clips of the birds. The Ric 12 string played the intro lick as well as all the guitar parts in the left channel on your PC/computer in this video.

  • @LTF6161 That "dit dit" is played by Jerry Cole. Larry Knechtel is on bass. Hal Blaine is on drums, and Leon Russell is on electric piano. Terry Melcher is producing.

    It's most likely a 6 string guitar.

  • @marantz79

    Thank you very much! Yours is the best explanation I have received. Again, Thanks!

  • @LTF6161

    It's a Rick 12

  • @sparkledrive01

    It seems there is some disagreement here

  • @LTF6161 This is late, but I'd say a six-string guitar playing high chord shapes with palm muting and reverb- apparently this was borrowed form the arrangement of Don't Worry Baby by the Beach Boys as some of the musos had been on both sessions

  • @gibb253

    happens to everybody.

    nice to know that others also know about the music of the wrecking crew.

  • @LTF6161 sounds like some string tap drum instrument. sounds wierd maybe, check out Hammerd Dulcimer maybe. It must be someting similiar.

  • @LTF6161 I guess the "dit dit" you're referring to (I can hear it sometimes too) is Jerry Cole from the Wrecking Crew who played electric guitar on this recording, "backing" McGuinn.

  • @LTF6161 the dit dit is that classic 60's fender amp reverb set to high..the coils resonated like that.... 6 string rythm

  • @55artsy

    Thank you.

  • @LTF6161 the tambourine... ;o)

  • @LTF6161 chill

  • Excellent band from the 60's ....Always felt good to hear them !!! 5*****

  • McGuinn, Jerry Cole and Bill Pittman on guitars, Larry Knechtel on bass, Hal Blaine on drums and Leon Russell on electric piano (which was left out of the final mix). They also played on the flip side " I Knew I'd Want You". Terry Melcher was the producer. The musicians were told to try and capture the feel of the Beach Boys' "Don't Worry Baby".The Byrds played on "Turn Turn Turn." The union sheet for this session (and many others) is on The Wrecking Crew movie website.

  • McGuinn, Larry Knechtal (bs) Hal Blaine (dr), Leon Russell (elec piano barely there)

    Popping guitar is ? I think the studio sheet is on McGuinns site.

  • I absolutely love the music from the 60's because I was raised on the music from the 50's and 60's. Of all of the songs I have ever heard this has got to be the best song I have ever heard. It always amazes me that Dillon wrote it , but it took these guys to really bring it home. I wish I could sit down and talk with McGuinn sometime about their music.

  • Such beautiful music, even without vocals. If you search Youtube, you will find many backing tracks of classic 60's songs which sound amazing. Nowhere Man by the Beatles is another great one. What a time to be an artist/musician!

  • According to Roger. this and Turn, Turn, Turn were the only two songs done with studio musicians... the recording companies weren't taking chances back then...

  • No, only this song and the B side song of the 45 record "I Knew I'd Want You" were done by Roger and the "studio crew" with Roger, David and Gene singing on both.

  • Hey, the Beach Boys never were thought of as actual musicians in terms of playing ability. Brian was a genious at songwriting and arranging, and they were all incredible vocalists.

  • hal blaine on the drums, carol kaye on the bass, mcguinn on the guitar.

    although the only "byrd" to play on this track was mcguinn its still a byrds song as far as i'm concerned

  • Is this an actual recording before the song was released?

  • Thanks very much for sharing this.

  • If only, If only IF ONLY there was a "My Back Pages" outtake like this!!

    ?HighFlyinByrd, come on now,- (or else I'll reveal you're TRUE identity!)

    Hmmm....

  • this song is awesome even without the vocals..i am sooooo loving it

  • Fabuloso registro musical .Buena calidad y excelente grupo.

  • HighFlyinByrd - wow - amazing to hear the track seperate from the voices - many thanks - I wish I had seen this before I did a cover - yeah the Dylan original is packed with great poetry but Producer Terry Melcher made a great decision there. Started The Byrds out with a Number One. Always loved this song since I was a kid. Pop in and see my cover - not a patch on The Byrds - What a sound ! All the Best.

  • " Didnt feel right"...Felt right to me...

  • Video no.

    Sound in Stereo ist Super.

  • They heard this in Nam.

  • Tommy Tedesco, Hal Blaine, Joe Osborne. I love The Byrds.

  • Is the "dit...dit" off another guitar or that Mcguin on the 12 string ? Please forgive my ignorance.

  • Let me try that again. Is the dit...dit off of another guitar or IS that McGuinn on the 12 string. Again, please forgive my musical ignorance. Just curious.

  • I believe that's David Crosby's part.

  • @LTF6161 a sitar?

  • @Heavyfanatic

    I think it is a bit early for a sitar, lol! Thanks

  • @LTF6161 Breaking the sound down it sounds like McGuin is doing some finger picking on the 12- which gives it a fuller sound, while Crosby is adding what you call the "dit-dit" up stroke on his Gretsch. Chris Hillman ( Bass ) is doing some sort of two note bass playing octives of 5ths.

  • @Keyboardman88

    Again, according to most of the comments below, including those of HighFlyinByrd who put this track up, Crosby and Hillman were not there. With the exception of McGuin, this was put together by session musicians known as the "Wrecking Crew". Unless you have info to the contrary, I am strongly inclined to believe this.

  • @LTF6161

    it's jerry cole on rythm guitar.

    you can notcie that those little dit dits sound EXACTLY like the solo from the beach boys don#t worry baby, on which Jerry also played guitar.

  • @OropherThranduil Hi, sorry I've just repeated what you said-I hadnt scrolled down and seen your comment.

  • @LTF6161 The dit dit is one of two 6 string guitars played by Bill Pittman & Jerry Cole. McGuinn Plays the 12 string throughout the entire song.

  • @LTF6161 @LTF6161 If you watch the byrds from 1965 performing on TV it looks like Crosby playing a 6 string Gretsch guitar.

  • McGuinn or Wrecking Crew playin', what's the importance. Great 12-string sounds in the style of the 60's over 7 minutes, that's all what counts. Fabulous....

  • That was awesome! 7 minutes of jingle jangle instead of 2! Thank you!

    As someone said, you don't get a more "60s sound" than McGuinn on his guitar!

    Best wishes,  PPZ

  • Comment removed

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  • Mcguinn only plays the intro-.

    So, someone from Wrecking Crew is my guirar hero after all!

    Very fab intro though.

    And this week I get my 12 string...

    Mark Lemon

    Village Green Machine

  • No no no no no, McGuinn plays every 12 string you hear in this song—1. And all throughout.

  • I did hear or read him say in an interview he was allowed the intro but the other guy played the rest. A bitter pill to swallow I know.

    Great playing whoever it is!

  • The bass and drum riffs sound like a Beach Boys song. Roger was a pretty accomplished guitarist at that time with his picking style. His timing sounds a just slightly off at times.

    Was this recorded at Capitol Records Studio 1 in LA? If they had good management in CA - they would probably be told you are going to use the Wrecking Crew or else. "You want a #1 record?" This is a great historical archive here.

  • @HIghFlyinByrd I hear a total of 3 electrics, 2 rhythm and Roger's. So Roger is in the left and who is emulating Roger in the right?

    So anyone who knows the Wrecking crew, and the history of this song, knows that you have Jerry Cole on guitar for starts. I read it was Jerry Cole who did Rogers part in this, but you claim Roger does play his part. Which channel is Tommy Tedesco ? is Glen in there? Is that Carol Kaye on bass? Who's vocal from engineer both? great post, thanks

  • @freqazoidiac The engineer on that session is Terry Melcher...Doris Day's son. Awesome session!! Take care....gigmiester101

  • @gigmiester101 not the engineer the Producer

  • @HIghFlyinByrd must be larry knetel on bass before he made bread with bread but who plays the off beat "chinks" on guitar ?

  • Never knew it was the Wrecking Crew. Seems obvious now when I think about it. So is that Carol Kaye and Hal Blaine? Apparently this was their make-or-break single and after it was a hit they were allowed to play on their own records.

  • Oh, this is a treasure...music then was just magical.

  • @Suzywriter I agree. I think music today has gone downhill. The music that came from the '60s is great stuff!

  • I'm so glad that they changed the bass line in the intro.

  • I saved this one after only 0:32 seconds.

    I love this kind of thing.........................­..

    where you only hear certain parts of a song without hearing the wholething complete.

    I've been doing that alot recently with my CD player. I just plug the headphones ina little bit (not the whole way) and I can get a variety of different sounds (drums and bass only, horns and background vocals only, certain parts that can't be heard AT ALL when everything is put together).

  • There are two little bands around the business end of your headphone jack. Each band picks up one of the two signals that make up a stereo recording and sends it to one of the two headphones. FYI :)

  • What's even more cool is with mon stuff like the Byrds music and The Beatles' earlier albums, you can use the left or right channel knob and just hear the vocals or guitars. Kinda cool to hear that stuff. I did that with a lot of my Tom Petty CDs to just hear the guitar lines to play along with it.

  • This is great stuff! Thanks. The Byrds are the second best; after the Beatles that is.

  • At about 4.45 you can also hear tape print through. fascinating stuff.

  • Very little bass on the first half of the vid,...the last 3 minutes sound similar to the original backing track...I have got an even more basic backing session of this cut on vinyl

  • Did Carol Kaye play bass guitar on this?

  • No, alot of people think that the Wrecking Crew played on this song, but only Hal Blaine and Jerry Cole played on this track. The rest of the Wrecking rew did not. The bass player for this sessions name is Larry Knechtel who was a session bassist.

  • Larry Knechtel was not just a session bassist, he played piano on Bridge Over Troubled Water, and lead guitar on Guitar Man for Bread (who he was also a member of)

  • I heard McGuinn say that this and "Turn Turn Turn" were the only 'studio musician' tracks the Byrds put out...

  • No, they play on "Turn, Turn, Turn." It was this song and the b-side which is "I Knew I'd Want You." After that the band said they wanted to play their instruments or cut no record at all. "Turn Turn Turn" was recorded by the band, but it took them something like 50+ takes to get it right.

  • McGuinn also borrowed guitar lick "dit...dit" off the Beach Boys "Don't worry baby".

    That's anther reason it sounds "The Beach boys".

    The Byrds could play and did on the next records ,but as it's been said already, the studio wanted product quick. The Byrds were young and new and went along . THE BYRDS ARE GREAT!!!

  • This is fantastic - when I first heard Mr Tambourine Man and The Byrds back in 1965 it blew me away and it still does today! There is something in that 12 string Rickenbauer "same old sound" that McGuinn developed that is simply heavenly - thankyou to whoever posted this.

  • studio musicians? which players are session people anyway? i'm hearing guitar, drums, bass, etc. now, if there were horns in there...

  • Only Roger played on this track. Roger, David and Gene sang on this and the b-side. The musicians, except Roger's 12-string, are all session musician.

  • what an amazing find...who released this anyway? certainly not anyone associated with the byrds.

  • This is part of a bootleg compilation called "Journals". Along with McGuinn were Larry Knechtel on bass (who just died), Jerry Cole on rhythm guitar (a la "Don't Worry Baby"), Hal Blaine on drums, and Leon Russell on electric piano (mixed out of the eventual released recording). The Journals compilation features all 22 takes during this session, the 22nd being the take of choice with the tambourine and vocals mixed in later. Numerous other outtakes of other Byrds tunes are featured in Journals.

  • It is amazing to me the grief the Monkees' got for revealing they used session musicians on their first two albums, while bands like the Byrds and Beach Boys kept quiet and were lauded for their" musicianship. I love the Byrds--be it the Byrds or the Wrecking Crew--but there was a lot of posing goin on in the sixties. Personally, I don't care HOW or WHO make the music as long as I like it.

  • Well it was only on this song that studio musicians were used, and it's b-side, I believe.

    And The Beach boys, well, Brian had harps and horns and three different types of guitars going on, so...yeah!

  • wonderful stuff, even tho this was studio musicians backing roger and not the byrds it sounds sooooo good. this can easily stand alone without lyrics. Classic, thanks so much

  • I'm a huge Byrds fan myself, but it shouldn't be too be surprising how good it sounds ... without the Wrecking Crew, it likely would have taken twice as long to sound half as good.

    Studio musicians at that time were the cream of the crop, seasoned pros who'd been in the business years longer than the 20-somethings in most bands of the day. They just didn't have "the look."

    Studio musicians were like the record company's insurance policy ... they got it done, done right and done quickly.

  • Right you are k4nbc.This is what Dylan was referencing when he wrote this classic,after having spent time in the Village.

  • A;most all future Hal of Famers (or should be) ...

    Timeless sound - like the Beach Boys backing tracks from mid-60's...

    Got any more instrumental tracks?

    {Click BB45s for rare Beach Boys video playlist}

  • The reason it sounds like Beach Boys backing tracks is because the same studio musicians played on the Beach Boys recordings. This group of studio players was called The Wrecking Crew. Being a drummer, I only remember that the drummer is Hal Blaine. They also did most of Sonny and Cher's hits (The Beat Goes On, etc.). And The Turtles, too. Probably much more that I don't know about. Go to Hal Blaine's myspace page and he has a list of recordings/artists they did.

  • Wonder why they didn't put this kind of stuff on the reissues? They didn't really use a lot of bonus tracks considering how long a CD can be.

  • I seem to recall coming across an account of this recording session--the session musicians had just done "Don't Worry Baby" the night before for the Beach Boys, and they incoroprated the same shuffle beat and guitar syncopation on this cut...

  • Wasn't Don't Worry Baby released in 64?

  • I guess that high-pitched guitarish sound is the rhythm guitar? I've heard tons of versions of this, but this is the only one with that sound in it.

  • It's in the album version, except it's in the right side and I guess it's not as quite as noticeable as here

  • @HIghFlyinByrd Ok, HighFlyinByrd...who are you? Have we got an insider here?

  • @Suzywriter Negatory ;)

  • The Tambourine man in Greenwich Village where Dylan lived was the drug dealer. You heard the tambourine outside, you ran downstairs and scored. A lil ol' NY history.

  • This is a really cool video. I listen to music constantly and I think I first heard this somewhere around 1965 and of all the music that I have heard this has remained my favorite song. To this day it sometimes gives me chills to listen to it. Dylan wrote some great songs, but he could never pull them off like some of the others, like The Byrds and Hendrix did. Thanks to whoever posted this video.

  • According to the liner notes of the compilation Never Before, this song and I Knew I'd Want You were recorded Jan. 20 1965 at Columbia Studios. Terry Melcher was the producer, Ray Gerhardt was the engineer.

    Roger McGuinn - 12 string guitar

    Jerry Cole - rhythm guitar

    Larry Knechtel - bass

    Leon Russell - electric piano

    Hal Blaine - drums

    Vocals were dubbed later by McGuinn and David Crosby

  • no gene clark?!?

  • so byrd's version was released before dylan's?

  • According to wikipedia the Byrds released it before Dylan.I'm surprised.

  • No. :(

  • Up until now, I've always found the fact that Leon Russell played electric piano on this to be a bit curious, because on the finished product, you can't really hear any electric piano at all. Without the vocals, however, it is slightly audible, mixed at about 3 o'clock when you listen on headphones.

  • The Leon Russel piano was mixed out of the final release.

  • Este vídeo me empieza a enseñar música.Tengo para rato.Gracias.

  • This song always use to confuse me, I mean what is a tambourine man and how can he play a song? It sounded ridiculous, what does he do, shake a tambourine and sing? It was only later that I realized what Dylan meant was he was wasted after partying all night, and a guy was shaking a bunch of coins in his hand for the jukebox, probably in a bar after drinking all night. I mean read the lyrics, that`s exactly what he is talking about. He is wasted after a hard night of partying in the morning.

  • Keep playing that 12 string Roger!

  • this is gold..I think this insight will also show what costs them so much money , working in up in the studio, Im sure columbia billed them to death..nowdays if you ever go in, have ya stuff tight before you go,not that THIS could have been avoided given the period of the day back then.

  • I concur, this is GOLD! Thank you so much for posting it.

  • This is solid GOLD to me.  I love this song and I love hearing the instrumental development of it!

  • No scratch vocals?

  • this is so cool. The day a classic was born!

  • who said anything about who wrote it

  • Like a lost world.

  • It's really great to hear a bit of the original evolution that went into making one of my all-time favorite songs from childhood. So hard to believe this was more than 40 years ago...almost sounds like it was recorded yesterday!

  • Oh shut the hell up. This is great to hear and see with my mind.

    Thanks for posting this great moment in musical history!

  • Dude, shut the fuck up already. Nobody cares if it isn't a video. They just want to hear the music. You act like a fucking child about it.

  • This "Dont Worry Baby" version of Mr.Tambourine man really gives the final version a run for it's money. Not sure if it's second best!

  • Whoa, historical recording session. Thanks for posting this.

    I was around back then and this song had a huge impact here in California. I was a child, but I remember driving up the Coast highway and my older siblings just going nuts over this song and how pretty it sounded even to me. LOL - of course my parents didn't "dig it."

  • Amazing the whole track was done at once. Melcher is great too.

  • One of my YOUTUBE "favorites". The whole Don't Worry Baby/Mr Tambourine Man/ sound is etheral.....

  • I thought this was gonna be fake, thx for posting it.

    Man the guys making music back then had such skill and a real ear for music. "It feels a little slow" and it did. Man its a shame that amazing musical period from the late 50's to the early 80's couldnt have lasted forever.

  • Very cool! thnx for the post, sounds great without vocals

  • I just realized if you sing along with this track, the missing last verse is on the backing track. Try it and all of a sudden you'll realize this is longer

  • Anybody know why The Byrds and The Turtles ommitted the last verse an Mr. Tambourine and It Ain't Me Babe? For you buffs, Hal Blaine on drums, Terry Melcher behind the tape deck

    and for those who don't know, Terry is Doris

    Day's son.