Added: 6 years ago
From: linguamortua
Views: 6,383
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  • Great Job!! I'm playing this piece too. I'd like to thank you for this video. Only one thing: In the penultimate modulation (from 2/4 to 3/4, q=126) Was it your interpretation that you made it a little bit faster or am I wrong and you followed the strict tempo? Thanks again

  • @neburytak It might have been interpretation. At the time, I was not as careful with things like that. Good luck and have lots of fun!!! Let me know if you post your video :)

  • Oh yeah and I dig the overview angle . . .

  • I'm very impressed. Couple of questions:

    Do you have any suggestions on feeling all the time changes?

    And what was with the muting with the elbow towards the end? I don't remember seeing that in the music . . .I like it though.

  • Thank you. The time changes are usually hinted at before you modulate (i.e. you are already playing the rhythmic modulation before it actually happens). The elbow thing was a little show off thing my teacher wanted me to do just for kicks. He thought it would look bad ass. Thanks for watching!

  • dude great job! im laying this movement and the fourth, along with creston and mau mau suite for this years state festival. i have to say u played this amazingly! with correct sticking, accents, strokes, i cant believe it. im speechless. keep up the good work dude!!

  • Why, thank you very much :)

  • You did a LOT of alternating and not very many doubles. Any particular reason?

  • just to have more momentum I guess. I think that it is like running. It's better to alternate legs than to skip. I don't know, it's not that its right, it just feels right to me.

  • Very nice! I am probably going to play this in the near future, so it's nice to have a visual representation of it (how tricky!) I've looked to the music for it (from the Eight Pieces book), and man, is the notation confusing!

  • Thank you very much. You get used to the notation a couple runs into it, but it is still rather hard. Have fun, I know I did. Take it easy. Thanks for watching.

  • the sound is pretty dry you should play on calf head, we would hear less harmonics and more fundametal also, plastic heads are just awfull. with them all the accents just sound the same, we loose a lot of contrasts and dynamics

  • awasome!!!

  • you are very good...thats awasome!!i play myself timpani and I'm juniorstudent for percussion und timpani in germany... can you give me maybe the notes of this?

  • Thank you very very much. I appreciate the comment :)

  • Sure.  Where are you graduating from?

  • I've already graduated from California State University, San Bernardino. I studied with Gary Long, timpanist for Long Beach SO, and principal with San Bernardino SO.

  • I haven't heard of him, but I would assume he's quite good.

    What are you plans then for your career?

  • I am currently just freelancing, in a couple of years I would like to go get a masters with Mitch Peters in LA or go to a conservatory, and then a doctorate. Right now, I'm just trying to pay off my debt :) You should check out my other videos.

  • I did look at the other Timpani, the milhaud and the stout.

    I was very impressed with the keyboard peice. It reminded me of ideokinetics.

  • Gary is pretty freaking good, my playing is almost never up to his standards, so if you think I'm good, you'll think he's amazing.

  • You play very agressively and your techinique is very, very good.

    Wow

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