Why Don't You Do Right - Patty Clark (Vocal) & Ray McKinley & The New Glenn Miller Orchestra

[redshark618]

i must say i enjoy benny goodman's band better

[callmeBe]

That abrupt turn from E flat minor to E flat major at 1:36 is absolute genius! Completely unexpected--it comes out of nowhere, but works perfectly for a number of reasons: 1. minor keys are always unstable (and hard to maintain!) and wish to modulate to major, 2. the section is well defined as a coda and ripe for change, 3. it gives closure to the text, 4. now you're able to add a major seventh (vs. minor seventh) to the chord tonic for much more sting--which happens in the trumpt lines. WOW