@MusicBySav B roll is a term that refers to "alternate" shots. Basically, it's footage that you can cut to in order to disguise the cutting of unwanted A roll (or Main) footage.
Hey Indymogul - How did Emily Bronte write Wuthering Heights, did she have an iphone lodged up her cunt? (to record the conversations of nearby cafeterias and burger kingsesizz) Anyway she fuckin didnt !! How did she do it!! well back in the 1800s they used something u'll never understand....it was called the nokia 5100 - a piece fo shit phone, but whatever she got some great usage....now fuck off
Good stuff, but there was that part in the middle when you went on about how to shoot the scene. That is different from writing the dialogue of the scene. There were more tips in this video on the shooting as opposed to the actual writing process. I wish you had not gotten side tracked like that. More tips on the actual writing and creative process would have been better.
Without teachers, how would we have people who knew how to do?
Honestly, that saying is rubbish, I know plenty of professors who have done, and do teach as well. I also know teachers who could do better than some of the people actually out there doing.
good advice. having a reading of the script before the shoot is also a good idea. then, any improv can be transcribed beforehand so every take has the same lines. it also lets you know if the lines sound awkward. if the actors start tripping over their lines, let them improv the lines a little bit so it sounds more natural
He detested improve with a passion. He would have his students memorize their scripts by rote but only after making them do repetitions. Speeking from experience as one who did reps for many a month without ever so much touching a script your observation skills of the other person become hightened and you truly become...Connected with your partner. That way when you do get to script you are able to put more meat and substance out of your performance than were you to go straight for the lines
(without many of the head games that are involved with sub-dialog and tracking what your character is thinking from moment to moment. If the writer wanted to have 5 scripts he would have written them.
I find it helpful when writing dialog to base speech patterns on people you actually know. Ask yourself "what would (insert buddys name) say in this situation?" Helps alot. Unless of course you know nothing but really phony people. Otherwise it helps things sound a bit more natural.
I agree, my best inspiration is sitting in public places. I like going to thrift stores, discount food stores, Wal-Mart and flea markets with a pocket recorder.
One of the better ideas, instead of using a tape recorder, go to a public place and keep your eyes and ears open. Sometimes you can find good bits and pieces of dialogue that you can use (if not on one project, than another). For example, this was a bit of dialogue I picked up from a cafe while I was at FSU: "There's a secret about the cat. I can't tell you that there's a secret, but there is a secret about the cat." (the topic was about a Harry Potter book)
Thirty seconds to at most a minute should be more than enough for recording background noise. A few minutes for each location could drain too much time if working with a lot of sets since everyone must stay silent and still when recording background, or even just two or three(if someone makes a noise, you may have to restart). Time that could be used taking down equipment for the next location.
"Dr. Strangelove"?? Are you kidding me?! With a few exceptions nearly every scene was improvised on the set. Bad example. Better examples:
"Lawrence of Arabia" and "Beckett" - Robert Bolt was - and, I think, remains - the greatest screenwriter of dialogue in cinema history. Controversy aside, Mankiewicz's dialogue for "Citizen Kane." Mamet's for "House of Games" and "The Untouchables." Tarantino's for "Pulp Fiction." Comedy? Woody Allen, Mel Brooks, Bros. Marx.
Improvising does help. But it's also a way to drive your actors nuts, depending on their background. Writing good dialogue can't be taught, anymore than creative writing itself can be taught. Either you're born with the gift or you're not.
Now you CAN teach people how to AVOID writing shitty dialogue, which might have been a better subject for this video. And in that case the place to start is having your students read the classic scripts and then watch the movies.
on the improv thing: i'm fortunate to have a LOT of acting friends, so they're usually pretty good with improvisation. i usually let them adlib certain parts when i'm too lazy to script a specific scene.
I have to disagree with you on the "born with the gift" thing...i mean, its a given that it comes easier to some people than others, but overall it depends on what your influences are (in my opinion anyway).
I have noticed that more and more actors today have some improv background, but my own experience is that it was usually some seminar or night class they took to enhance their other studies/ambitions.
Now an actor who adheres to a particular school of acting is another story. They generally HATE improv. They want to come tot he set totally prepared and script changes tend to make their butt itch. But, again in my experience, these people give the best performances.
yeah. I come from an acting school/background and while its true many schooled actors prefer to remain true to the script etc,. I've noticed that most "Method" actors are comfortable in improv. Meisner actors especially. But I believe whatever the background, improv is a necessary tool for any actor. If done properly it shows true understanding of the character, scene objective etc. I think the best actors out there all stay true to the script and prefer that, but can improv if needed
Obviously that is a bit of exaggeration on my part and script analysis should be a part of any actors job, this however can become very restraining to the actor and many times this is translated through the camera lens and straight onto the screen...where as with the meisner technique the words are a rail on which the scene rides. breaking away from that rail was not anything sanford suggested as the scene would go off course.
I agree with AutumnDevi that writing isnt something you are born with or not. Writing teachers teach you guidelines to writing that help develope any natural talent you have. Of course if you dont have the imagination for it then chances are no school is going to help you. But good ideas still need structure to make a good story, and writing school teaches how to structure a story. That and many other things.
A book called 'Directing Actors' by Judith Weston.
It is INVALUABLE tool for directing actors to speak naturally. Well, 50% of it is EXCELLENT, the other 50% may sound like 'duh - don't take your contradictions so seriously' The contents of this book is some of the greatest knowledge a director can have to maniuplate/direct actors (mostly chp 1)
We made a script once, but the film was never finished. but, I couldn't figure out good responces for a few lines, so, I struck up a phone conversation with the actors (that knew nothing about the script) and waited for a way to discreetly say the lines before theirs, in ways that sounded like normal conversation.(it involved lying about my brother.) I took their responces, got the consept of how they react, and altered them to fit the script. The movie plot sucked. The dialoge was great.
Clerks dialogue is actually kinda unrealistic. It is very clever, funny, and intelligent, but hard to imagine someone really saying. At times it seems forced. That being said I still loved that movie and found a lot of the conversations in it awesome.
The thing is when Randall really gets going he starts talking in long speeches that flow almost too well. They seem rehearsed and written more like a thesis then dialogue. I find the conversation they have about the civilian workers on the death star very hard to believe as dialogue. Although I still find it very clever and funny.
This comment has received too many negative votesshow
one day I'm going to be the first person to watch an indy mogul video, I'll be waiting. then I'll get the first comment! Then I'll rate 1 star and it will actually turn one star!
Stop talking about your balls, you big ass!
lilypil21 14 hours ago
Demand a script like a boss
1Romstar 1 month ago
IF.....i dont see anything
jihDCchillin 6 months ago
for my balls are in danger!!!
MightyMasterMC 6 months ago
"Or I will eat your testicles." ..Your boss is an asshole.
MDubBeezy 10 months ago
up this
morelikeyourface 1 year ago
i need that scene in four minutes or i will eat your testicales
TheTutorialWorkshop 1 year ago 3
the main guy looks like hes the son of garey busey
powerfulclown 1 year ago
what's b roll?
MusicBySav 1 year ago
@MusicBySav B roll is a term that refers to "alternate" shots. Basically, it's footage that you can cut to in order to disguise the cutting of unwanted A roll (or Main) footage.
CorkyPictures 1 year ago
please tell me that kids hair wasnt real
ImHomeAtLast 1 year ago
w t f - educational but odd.
csselement 1 year ago
IF only i had $1,000,000......dang no fairy.
magic1995 1 year ago
Hey Indymogul - How did Emily Bronte write Wuthering Heights, did she have an iphone lodged up her cunt? (to record the conversations of nearby cafeterias and burger kingsesizz) Anyway she fuckin didnt !! How did she do it!! well back in the 1800s they used something u'll never understand....it was called the nokia 5100 - a piece fo shit phone, but whatever she got some great usage....now fuck off
tiarnan76 2 years ago
3:40 are you inadvertently doing a Walken impression?
MrAnderson1985 2 years ago
Walken indeed
MrKohlenstoff 1 year ago
now go %$*& yourself and get me that scene!
the5chronicles 2 years ago
i cant head over to the forum cos you banned me for telling someone they were fuckn awsome :( lol
moekanz 2 years ago
"Smoothen everything out" I got your smoothen right here.
OmegaManATX 2 years ago
yeah thats what tarantino does but way more exaggerated
rawfflecakes 2 years ago
major LOL from the phone voice...
"Now, Go F*** yourself and get me that scene!" HAHA!
ZombieGorePrincess 2 years ago
Dr..Strangelove FTW!
Sydpart2 2 years ago
so what was the fate of the testacles?
kameshita 2 years ago 3
they got eaten
NickWeber333 2 years ago 3
meanwhile, what happened to your balls??!
pu186 2 years ago 2
LOL. HAHA. Balls in danger!!!!!!!!!!!!!!!!!!!!!! HAHAHAHAHAHAHAHAHA SOOOOOOOOO FUNNY!! Awesome vid guys. Helped A LOT!!
justinwilsonsinger 2 years ago 2
This comment has received too many negative votes show
retard!!! Dialog if 2 or 3 people? what a dumbass, dialog means a conversation between two people, how can you have three?!
PandiiMan 2 years ago
This comment has received too many negative votes show
actually dialogue is conversation between more than 3 people, duologue is between two.
joesummerton 2 years ago
Good stuff, but there was that part in the middle when you went on about how to shoot the scene. That is different from writing the dialogue of the scene. There were more tips in this video on the shooting as opposed to the actual writing process. I wish you had not gotten side tracked like that. More tips on the actual writing and creative process would have been better.
StuntmanJake 3 years ago
at tha "crossing" commercial dude reminds me of david spade lol
xDATbOIChRISx 3 years ago 7
good advice, but there was nothing about 3-d glasses!!! you lied to me!! I even made my self feel stupid and wore a pair through the whole thing!!
gothkid1 3 years ago
haha thats a dif episode lol
thekeytarplayer 3 years ago
Wow those forum members you used sure are smart...
seventhentity 3 years ago
you much teach me quickly, for my balls are in DANGER!!!! hahahaha
bunnyofwar 3 years ago
This has been flagged as spam show
Those who can't do teach. You guys suck.
smalltimepictures 3 years ago
Without teachers, how would we have people who knew how to do?
Honestly, that saying is rubbish, I know plenty of professors who have done, and do teach as well. I also know teachers who could do better than some of the people actually out there doing.
Perhaps go troll some other place.
Cirvin 3 years ago 3
He is kinda right though. These guys don't do anything that we can use in a real movie. It's kind of just for people who make movies for fun.
stevenltucker 3 years ago
Well, in their backyards "hint" with BFX.
stevenltucker 3 years ago 3
STEVEN NELSON I WILL EAT YOUR TESTICLES
hahahah! man i was just thinking what it would be like if indy mogul left in the f-bombs
flannelking 3 years ago 3
this is the funniest episode ever
nbobski 3 years ago 2
I love this. Steve Nelson is like the god of video.
glideby7 3 years ago 2
If, the If-fairy didn't show up!! jk:P
Good advices!
ThomasIsTired 3 years ago 2
good advice. having a reading of the script before the shoot is also a good idea. then, any improv can be transcribed beforehand so every take has the same lines. it also lets you know if the lines sound awkward. if the actors start tripping over their lines, let them improv the lines a little bit so it sounds more natural
ErgoPictures 3 years ago
to my comments underneath...this is out of order . the directly underneath is to go between the other two.
roguestarproductions 3 years ago
He detested improve with a passion. He would have his students memorize their scripts by rote but only after making them do repetitions. Speeking from experience as one who did reps for many a month without ever so much touching a script your observation skills of the other person become hightened and you truly become...Connected with your partner. That way when you do get to script you are able to put more meat and substance out of your performance than were you to go straight for the lines
roguestarproductions 3 years ago
(without many of the head games that are involved with sub-dialog and tracking what your character is thinking from moment to moment. If the writer wanted to have 5 scripts he would have written them.
roguestarproductions 3 years ago
best advice ever. er. wait. most useful indymogul i've seen thus far.
tftws 3 years ago
Pulp fiction has some great dialoug and so does Clerks.
panag3 3 years ago
Yep! Godfather too.
gamexprt1 3 years ago
Yep! Godfather too.
gamexprt1 3 years ago
I suggest watching Pulp Fiction for a long dialouge movie. It's fantastic, and pretty much everybody loves it. It's the ultimate cult classic.
TheDon415 3 years ago
Thank you
SancWaltz 3 years ago
I find it helpful when writing dialog to base speech patterns on people you actually know. Ask yourself "what would (insert buddys name) say in this situation?" Helps alot. Unless of course you know nothing but really phony people. Otherwise it helps things sound a bit more natural.
darqsaint 3 years ago
yeeeah thats exactly what i do
sebrules 2 years ago
I agree, my best inspiration is sitting in public places. I like going to thrift stores, discount food stores, Wal-Mart and flea markets with a pocket recorder.
The best dialog is in places like this.
cuntrytrash 3 years ago 11
One of the better ideas, instead of using a tape recorder, go to a public place and keep your eyes and ears open. Sometimes you can find good bits and pieces of dialogue that you can use (if not on one project, than another). For example, this was a bit of dialogue I picked up from a cafe while I was at FSU: "There's a secret about the cat. I can't tell you that there's a secret, but there is a secret about the cat." (the topic was about a Harry Potter book)
codebreaker2001 3 years ago
dun dun dun dun dun tun dadadada dun dun DUUUUN dun dun dun dun
yay violin garageband
minxado 3 years ago
so.... does steve get to keep his balls? He never finished the script...
nedarb0 3 years ago
lol
maxytaxi 3 years ago
Is that legal? The government does it all the time! lol
Xenu 3 years ago
Thirty seconds to at most a minute should be more than enough for recording background noise. A few minutes for each location could drain too much time if working with a lot of sets since everyone must stay silent and still when recording background, or even just two or three(if someone makes a noise, you may have to restart). Time that could be used taking down equipment for the next location.
notsostarvingartist 3 years ago
Uh, steve, is "smoothen" a word? haha
ShavosBlackJacket 3 years ago
4 minute film school is more useful then bfx. but you cant have one without the other!. keep it going man . you guys are my inspiration!
satanHchrist 3 years ago
Kevin Smith should watch this.
OneRottenTomato 3 years ago
Holly shit we were talking about DR Stranglove today in world history
urasai101 3 years ago
at the end the audio was messed up his lips moved after a word
kamuran007 3 years ago
I swear I am going boycott 4 minute film school if you don't either adhere to the 4 minute limit, or rename it 6 minute film school!!
obtree 3 years ago
whats that piano music?
gangstaafl 3 years ago
For examples of "realistic" speech patterns in dialogue, I would also recommend Robert Altman films (especially M*A*S*H*).
StevenAtkins 3 years ago
Dr Strangelove had an awesome script. read it like...3 times
ProtoWeapon 3 years ago
"He didn't know that did he?" Haha!
htmlbandit 3 years ago
what microphones?
blueblade50 3 years ago
Tie clip radio mics, also called Lavalier
JD1010101110 3 years ago
no but there is a sexual harrassment Panda
JD1010101110 3 years ago
LOL, i love south park.
brodie2121 3 years ago
lol....we don't care...na just jk
deadbackman 3 years ago
lol! great tips
cptrecon 3 years ago
AAAAAAAAGGGGGGGGGGHHHHHHHH!!
"Dr. Strangelove"?? Are you kidding me?! With a few exceptions nearly every scene was improvised on the set. Bad example. Better examples:
"Lawrence of Arabia" and "Beckett" - Robert Bolt was - and, I think, remains - the greatest screenwriter of dialogue in cinema history. Controversy aside, Mankiewicz's dialogue for "Citizen Kane." Mamet's for "House of Games" and "The Untouchables." Tarantino's for "Pulp Fiction." Comedy? Woody Allen, Mel Brooks, Bros. Marx.
robtran 3 years ago
yeah, but the episode also talks about improv as a tool for realistic dialogue...so it actually is quite a good example.
AutumnDevi 3 years ago
Improvising does help. But it's also a way to drive your actors nuts, depending on their background. Writing good dialogue can't be taught, anymore than creative writing itself can be taught. Either you're born with the gift or you're not.
Now you CAN teach people how to AVOID writing shitty dialogue, which might have been a better subject for this video. And in that case the place to start is having your students read the classic scripts and then watch the movies.
robtran 3 years ago
on the improv thing: i'm fortunate to have a LOT of acting friends, so they're usually pretty good with improvisation. i usually let them adlib certain parts when i'm too lazy to script a specific scene.
I have to disagree with you on the "born with the gift" thing...i mean, its a given that it comes easier to some people than others, but overall it depends on what your influences are (in my opinion anyway).
AutumnDevi 3 years ago 2
I have noticed that more and more actors today have some improv background, but my own experience is that it was usually some seminar or night class they took to enhance their other studies/ambitions.
Now an actor who adheres to a particular school of acting is another story. They generally HATE improv. They want to come tot he set totally prepared and script changes tend to make their butt itch. But, again in my experience, these people give the best performances.
robtran 3 years ago
yeah. I come from an acting school/background and while its true many schooled actors prefer to remain true to the script etc,. I've noticed that most "Method" actors are comfortable in improv. Meisner actors especially. But I believe whatever the background, improv is a necessary tool for any actor. If done properly it shows true understanding of the character, scene objective etc. I think the best actors out there all stay true to the script and prefer that, but can improv if needed
MarkMikex 3 years ago
Obviously that is a bit of exaggeration on my part and script analysis should be a part of any actors job, this however can become very restraining to the actor and many times this is translated through the camera lens and straight onto the screen...where as with the meisner technique the words are a rail on which the scene rides. breaking away from that rail was not anything sanford suggested as the scene would go off course.
roguestarproductions 3 years ago
I agree with AutumnDevi that writing isnt something you are born with or not. Writing teachers teach you guidelines to writing that help develope any natural talent you have. Of course if you dont have the imagination for it then chances are no school is going to help you. But good ideas still need structure to make a good story, and writing school teaches how to structure a story. That and many other things.
ToasterPig 3 years ago
did his balls get eaten or not?
zammeez 3 years ago
Good advice but it felt like this episode was just dragged out. I was a bit bored lol. Normally your chock full of good info!
But this will help me a bit. Thanks guys
cvmyawg 3 years ago
A book called 'Directing Actors' by Judith Weston.
It is INVALUABLE tool for directing actors to speak naturally. Well, 50% of it is EXCELLENT, the other 50% may sound like 'duh - don't take your contradictions so seriously' The contents of this book is some of the greatest knowledge a director can have to maniuplate/direct actors (mostly chp 1)
Shaggy72 3 years ago
Man, that fairy had a few Christopher Walken moments...
whynotretake 3 years ago
Jajaja, who comes up with the awesome little jokes? Is it Steve, or do you just read them?
Micco6 3 years ago
I love this guy! hahahha
wannasodaGJ 3 years ago
This was the funniest 4 minute film school, I want a Macbook Pro, they're just awesome :)
dangsterr 3 years ago
We made a script once, but the film was never finished. but, I couldn't figure out good responces for a few lines, so, I struck up a phone conversation with the actors (that knew nothing about the script) and waited for a way to discreetly say the lines before theirs, in ways that sounded like normal conversation.(it involved lying about my brother.) I took their responces, got the consept of how they react, and altered them to fit the script. The movie plot sucked. The dialoge was great.
yofomojojo 3 years ago
at 4:45 steves head moves to the right then its to the left
randomvidios 3 years ago
Speaking of dialogue, who's seen Clerks?
dionysus91 3 years ago
Clerks dialogue is actually kinda unrealistic. It is very clever, funny, and intelligent, but hard to imagine someone really saying. At times it seems forced. That being said I still loved that movie and found a lot of the conversations in it awesome.
ToasterPig 3 years ago 2
really? 'cause i know a lot of people who's cocky way of talking is EXACTLY like Randall's.
AutumnDevi 3 years ago
The thing is when Randall really gets going he starts talking in long speeches that flow almost too well. They seem rehearsed and written more like a thesis then dialogue. I find the conversation they have about the civilian workers on the death star very hard to believe as dialogue. Although I still find it very clever and funny.
ToasterPig 3 years ago
I got ya'. How about Seinfeld? Now thats natural sounding dialogue.
dionysus91 3 years ago
i dunno, i know a lot of people who, when they really get going about something, can sound pretty elequant.
AutumnDevi 3 years ago
is it me or does this video cut off at :51
mondaxkiller 3 years ago
it's u
hitmanbloodmoney777 3 years ago
Its you ^.^
ghostyfireXz 3 years ago
refresh the page
cvmyawg 3 years ago
awesomeeee x3
blueeyes927 3 years ago
exciting
love 4 minute film school
acheronwalthers 3 years ago
This comment has received too many negative votes show
one day I'm going to be the first person to watch an indy mogul video, I'll be waiting. then I'll get the first comment! Then I'll rate 1 star and it will actually turn one star!
jacklawr 3 years ago
Good video. I've been wondering about this topic for a while. :)
Poskusin 3 years ago
nice video =)
speedcro 3 years ago
i guess he got his balls eaten
SmashTheStAte199 3 years ago
"Now go F*** yourself and get me that scene" Lmao!
NoDookiePictures 3 years ago
awsome guys!
Likethelegos 3 years ago
This comment has received too many negative votes show
4th comment awsome video
FLCProductions 3 years ago
haha dumbass i got 4th
mrp4nts 3 years ago
i ment i got 3rd :P
mrp4nts 3 years ago
LOL
Devan1044 3 years ago 2
3rd
mrp4nts 3 years ago
This comment has received too many negative votes show
1st
EmperorEva0001 3 years ago
This has been flagged as spam show
you should be banned
boondocksaint909 3 years ago
(: tee hee
WWJDfilms 3 years ago
*writes dialog*
EmperorEva0001 3 years ago