God! I ALWAYS want to cheer in front of my computer this performance. What a go-for-broke performance. She brought so much passion & torment to the role. Unfortunately nowadays, too many mezzo stand there and sing the notes and casually walk off stage
Another great voice of Greek origin - as Maria Callas and Agnes Baltsa - who left this world very early, leaving behind her exquisite pieces of music such as this!!! R.I.P Tatiana!
Before I saw an interview here on YouTube with Troyanos actually talking, I just was so surprised at what a down-to-earth, humorous person she was. I know her story, and she used her past clearly to infuse her more dramatic, sorrowful roles and arias, but it's incredible how she BECAME these characters so fully, I almost thought of her as them completely! You can really tell when someone is in their head and thinking of all their blocking and technique, as opposed to someone in character!
I loved her in that role, it was her greatest Verdi achievement. Until the next season when she would sing Amneris and blow the chandeliers sideways! A continuous musical phenomenon from beginning to end, in everything she touched, and a great human being (and neighbor!). Everyone who knew her adored her. People like her don't come by us easily. Her mother was a great person, too.
I personally love them all..Verrett, Bumbry, D'Intino, Simionato, Troyanos et al. because they are all so different in their styles. I have never heard a bad aria from any of them, and I do indeed have a trained ear. Today, as in the past, it's all about the drama and the excitement that each individual singer brings to what they sing. Oftentimes vocal imperfections are a plus for a singer.
@williamsagency I have to say that Bumbry is breathtaking in that role, and her Italian is so seductive and perfectly articulated, along with fierce dramatic power; as much as I love Tatiana, I feel Bumbry edges out even Simionato, which says everything.
I agree gallstax, who you prefer is a question of taste and we are all entitled to our opinions. However, I do object to the incessant need of some posters to write one singer's name all over the pages of others. Hence my emphatic reply to airmotion1. While I very much like the quality of Baltsa's voice I think that she relies on cheap, sometimes vulgar theatrics to convey emotion. Whereas emotion seems to eminate naturally from Troyanos' soul - she moves me beyond words.
Not my favorite Eboli. But this voice is haunting as Dido and in many other roles- To my ears, Verdi didn't seem to suit her as well, but it's still astonishing good. Her voice has a sad quality- a tear in it, as though she knew she wouldn't be with us for long.
I 2nd that... musically, dramatically, vocally! Baltsa went into chest in every single aria she ever sang WAY too high... why did she do that? Who else is allowed to do that?
@andrea585ny - Have you heard both singers live on opera stage? Someone is "far greater in every way", that is more fan enthusiasm.. When you have heard both singers live in the opera in the same role , than we can talk about. I have only heard Baltsa live. Troyanos was indeed one of the greatest singer, sure. But this fan enthusiasm "absolutely better", sorry, it`s a little bit "games fan people play" on this plattform.
Why aren't there sensational singers like THIS on the stages today? I guess we'll never see the likes of Troyanos, Bumbry, Verrett, and Cossotto again. :-(
@superdooperstupor She was wonderful to watch and listen to. She had great stage presence and acting ability!! Lovely person it seems too! Yes I miss her!! :DD:
I was in Roosevelt Hospital just days before her passing -- during what is referred to as La Renasce -- in the sun room -- she just began to sing -- intuitively, instinctively - Mahler. Transformed my life.
I was so lucky to have seen her Eboli at the Met. DRAMA! VOICE! Alas she was taken from us too soon. This is a superlative performance. THanks for posting....there is far too little of Troyanos available.
It is only with the benefit of hindsight that I realize how staggeringly brilliant this artist was. I heard Troyanos sing many roles at the Met, and each time they were great performances. But in my opinion, with the exception of the late Lorraine Hunt-Lieberson, Troyanos was a once-in-a-lifetime brilliance. I thank her again and again for vivid memories brought to life by this video.
The real Princesa de Eboli was portrayed in contemporaneous portraits as wearing an eye patch. She probably had a lazy eye and wished to hide it so as not to distract from her looks, as she was apparently quite a beauty. There is als a rumour that she might have lost the eye either whilst fencing or even during a duel, but there is no good evidence for this as far as I know
Tatiana Troyanos is one of my faves....was so sad when she passed away....probably one of the most versatile singers ever...from Kundry, Venus to Octavian, she was simply a joy to hear and behold.
I'm so glad I found this! I've just started learning this piece and this is the best version I've found so far...v.nice. It brought tears to my eyes! Does anyone know if there's a Marilyn Horne version at all? Still searching...
It would be great to hear a Horne interpretation...I can imagine Aunt Jackie singing this as a warm up...hahahaha...ok, not as a warm-up, but I'm sure she'd do a great job.
What does Marilyn Horne's biography have to do with Troyanos's life or singing? Do you have a pitch pipe or a piano handy? Check the bloody pitch! It is a high B natural. End of discussion. Get a life. Get an ear!
Let's hope the piano was in tune, the pitch-pipe was blown properly and that the orig film excerpt wasn't running a little slow, hence altering the pitch...anyway, I think we all enjoy this performance. In my mezzo score, B-nat(or Cb?!)is written. I'm gonna go look for Marilyn's recording...
Horne did sing one broadcast of Don Carlo. My recollection is that she was singing it in C, a version that a famous diva of the 19th century, I can't remember who, sang when she did the role. I've always found it fascinating that Horne tried all the dramatic Verdi parts but never sang them for very long.
It's true that Horne sang many of the heavier Verdi roles. As strange as this may sound, her voice was not well suited for the dramatic mezzo roles. As we all know, Horne's voice was bel canto produced sound and thankfully excelled in that repetoire.
@CzarDodon Unfortunately, Agnes Baltsa, who had a truly magnificent voice (listen to her in her real repertoire : Bellini, Rossini ), broke it in the 80's, partly thanks to Karajan who tempted her with roles that were too heavy for her (like Eboli and Amneris). I absolutely love Baltsa's voice when she was at her top. However, as Eboli, it's clear that Troyanos is way better cast, because she had such a powerful and dramatic voice.
@Kapellmeister35 Since that comment, some 2 years ago, I've heard several of Baltsa's early performances and it is truly another singer, a terrible pity indeed, especially since she seemed perfect there while in the heavier roles she never even had an idea of the poise and dignity such roles require. Something that Troyanos was born with.
You're right about the vibrato; both Troyanos and Baltsa have faster vibrati. However, I rather like the sound - to me it makes the voice more electric. I love both ladies just about equally, maybe Baltsa just a hair more in this role in particular.
Tryoanos was ONE-OF-A KIND!!! Miss her. I love her in this. Different singers have different vibratos.... matter of tase... I adored Baltsa, but in her Karajan video she's really havign hard time. her recording is GREAT! BRAVA! Troyanos!
I hear the vibrato action too.. But have you ever heard Agnes Baltsa either in the Karajan video or recording with Jose Carreras? She's got the same high-speed vibrato action going too, possibly even faster.
She is THE MEZZO. She has the perfect mezzo voice.
cantanteporsiempre 3 months ago
God! I ALWAYS want to cheer in front of my computer this performance. What a go-for-broke performance. She brought so much passion & torment to the role. Unfortunately nowadays, too many mezzo stand there and sing the notes and casually walk off stage
operachad 4 months ago
Another great voice of Greek origin - as Maria Callas and Agnes Baltsa - who left this world very early, leaving behind her exquisite pieces of music such as this!!! R.I.P Tatiana!
scubagreek 5 months ago
molto meglio di altre Eboli. Niente male
a96577 9 months ago
My god, she almost vibrates--BRAVA!!!!!!
georgerannie 11 months ago
My god, she almost vibrates--BRAVA!!!!!!
georgerannie 11 months ago
Before I saw an interview here on YouTube with Troyanos actually talking, I just was so surprised at what a down-to-earth, humorous person she was. I know her story, and she used her past clearly to infuse her more dramatic, sorrowful roles and arias, but it's incredible how she BECAME these characters so fully, I almost thought of her as them completely! You can really tell when someone is in their head and thinking of all their blocking and technique, as opposed to someone in character!
rlee1976 1 year ago
GENIAL ! ! !
araujogarciajorge 1 year ago
brava
mongemark 1 year ago
Thanks Tatiana!!! Thank you ever so..
Donnaelvira19 1 year ago
So good Tatiana, thank you for your voice and your interpretation +++++
2loperadeparis 1 year ago
Troyanos is the gold standard for this aria and the role of Eboli
FredPlotkin 1 year ago
I loved her in that role, it was her greatest Verdi achievement. Until the next season when she would sing Amneris and blow the chandeliers sideways! A continuous musical phenomenon from beginning to end, in everything she touched, and a great human being (and neighbor!). Everyone who knew her adored her. People like her don't come by us easily. Her mother was a great person, too.
sillyboydeux 1 year ago
I personally love them all..Verrett, Bumbry, D'Intino, Simionato, Troyanos et al. because they are all so different in their styles. I have never heard a bad aria from any of them, and I do indeed have a trained ear. Today, as in the past, it's all about the drama and the excitement that each individual singer brings to what they sing. Oftentimes vocal imperfections are a plus for a singer.
williamsagency 1 year ago
@williamsagency I have to say that Bumbry is breathtaking in that role, and her Italian is so seductive and perfectly articulated, along with fierce dramatic power; as much as I love Tatiana, I feel Bumbry edges out even Simionato, which says everything.
sillyboydeux 1 year ago
Who you prefer in this dramatic aria is, as allways, a question of taste.
I prefer Baltsa, because I have never heard any mezzo singing with such a dispair.
gallstax 1 year ago
I agree gallstax, who you prefer is a question of taste and we are all entitled to our opinions. However, I do object to the incessant need of some posters to write one singer's name all over the pages of others. Hence my emphatic reply to airmotion1. While I very much like the quality of Baltsa's voice I think that she relies on cheap, sometimes vulgar theatrics to convey emotion. Whereas emotion seems to eminate naturally from Troyanos' soul - she moves me beyond words.
Cheers,
Andrea
andrea585ny 1 year ago
I miss Tatiana so much!! What a magnificent singer. The sexiest of women, yet she also excelled in trouser roles.
drtmuir 2 years ago
My favourite mezzo, by far! so powerful, so dramatic!
eugenelohks 2 years ago
Magical
operafan85 2 years ago
Superbe, splendide !!! Et quelle actrice !!!
cyranosined 2 years ago
1:04 to 1:20 -- OMG
O Mia Regina !!!
johngotwalt 2 years ago
Not my favorite Eboli. But this voice is haunting as Dido and in many other roles- To my ears, Verdi didn't seem to suit her as well, but it's still astonishing good. Her voice has a sad quality- a tear in it, as though she knew she wouldn't be with us for long.
Gorgeous woman- fabulous artist.
garyrobert13 2 years ago
who is your fave eboli
johngotwalt 2 years ago
voce fuori repertorio,stonata !
bodiloto 2 years ago
Correction: performance. Sorry!
airmotion1 2 years ago
Extraordinary performens as great as Baltsa
airmotion1 2 years ago
Troyanos is FAR GREATER than Baltsa in EVERY WAY!!!
andrea585ny 2 years ago 3
I 2nd that... musically, dramatically, vocally! Baltsa went into chest in every single aria she ever sang WAY too high... why did she do that? Who else is allowed to do that?
rlee1976 1 year ago
@andrea585ny - Have you heard both singers live on opera stage? Someone is "far greater in every way", that is more fan enthusiasm.. When you have heard both singers live in the opera in the same role , than we can talk about. I have only heard Baltsa live. Troyanos was indeed one of the greatest singer, sure. But this fan enthusiasm "absolutely better", sorry, it`s a little bit "games fan people play" on this plattform.
airmotion1 4 weeks ago
Peut-être la plus grandes de toutes ?
ianosmith 2 years ago
Wonderful! Such an actress!
sandytheslayer 2 years ago
Grande! Una delle ultime grandi! Se n'è andata troppo presto!
silsio 2 years ago
Ist wirklich genial!So kann mann singen nur mit Gotteshilfe!
knjaz35 2 years ago 2
Brava!!!!!!!!!!!
enfava 2 years ago
too bad she and KD Lang couldn''t have, well ......
johngotwalt 2 years ago
umm. now there's an idea...
beteltree 2 years ago
Why aren't there sensational singers like THIS on the stages today? I guess we'll never see the likes of Troyanos, Bumbry, Verrett, and Cossotto again. :-(
courtneybaritone01 2 years ago
someday we will
vocalpianist 2 years ago
A great artist greatly missed.
superdooperstupor 2 years ago 6
Definitely.A passion to her singing--just like Callas.Sadly missed.
lochness11 2 years ago 2
@superdooperstupor She was wonderful to watch and listen to. She had great stage presence and acting ability!! Lovely person it seems too! Yes I miss her!! :DD:
GABYCONSTANZA 1 year ago
A true artist. A perfect technique, great musicality and a genuine expressiveness. A great, no doubt.
BonomiFansClub 3 years ago 8
It seems that in this instance, "O Don Fatale" meant HOW YOU DOIN?!! to Tatiana! lol She sang it like clockwork!
VoyArrasando 3 years ago
I must take a valium now
johngotwalt 3 years ago
and off goes the eye-patch !!!
she WAS opera !!!!!
johngotwalt 3 years ago 2
she is such a great actress and singer! passion like callas had... wow!
paddymusic 3 years ago
I was in Roosevelt Hospital just days before her passing -- during what is referred to as La Renasce -- in the sun room -- she just began to sing -- intuitively, instinctively - Mahler. Transformed my life.
johngotwalt 3 years ago 2
Eccellente performance, voce splendida
neronnenn 3 years ago 3
o mia regina !!
johngotwalt 3 years ago
This comment has received too many negative votes show
bandidocat, you FUCKING IMBECILE, IT IS A C FLAT. LEARN TO READ MUSIC. BETTER YET, KILL YOURSELF AND DO US ALL A FAVOR!
tightlygagged 3 years ago
Stunning! Absolutely beautiful and full of drama at the same time!
mcknighty11 3 years ago 2
God, this makes me miss her so much.
swenner321 3 years ago
Her Carmen was SEAMLESS
johngotwalt 3 years ago 2
she was a great DIVA !!!!
Rephrat 3 years ago
I was so lucky to have seen her Eboli at the Met. DRAMA! VOICE! Alas she was taken from us too soon. This is a superlative performance. THanks for posting....there is far too little of Troyanos available.
bedwardb 3 years ago
An Eboli one can believe in! Notice how she never lets go of the sadness - brava Tatiana!
mariahelleberg 3 years ago 2
Her voice, her acting...absolutely beautiful!
lildiva1988 3 years ago 2
love it
agabusdawatchman 3 years ago
What a wonderful and credible reading of this aria. Much better that D. Zajick. She was taken from us far to soon. Brava Tatiana!
Arnold3135 3 years ago 2
how did tatiana die?
Babs22h 3 years ago
I believe she had cancer. As mentioned previously, a had a great voice and was fabulous musician.
Arnold3135 3 years ago
I've always adored Troyanos' artistry and voice. I love her Eboli, Dido and Composer.
Thanks for posting.
yes4albert 3 years ago
wow!
etyrmi 3 years ago
its a Cflat in the key
ladivina2 3 years ago
such a wonderful, elegant singer! thank you for sharing this video.
erin129 3 years ago 2
why does she have an eyepatch on to begin with?
Babs22h 4 years ago
The historic Princess Eboli wore an eyepatch, though the reason is still unclear (there are a few stories). She was still considered very beautiful.
phanface 3 years ago
This comment has received too many negative votes show
Siamo sicuri che non sia un panda gigante che canta? RIDATECI MARIA!!!!
darko03 4 years ago
HAHAHAHA MOLTO INTELIGANDO.
AGNOSFALTSOS 3 years ago
It is only with the benefit of hindsight that I realize how staggeringly brilliant this artist was. I heard Troyanos sing many roles at the Met, and each time they were great performances. But in my opinion, with the exception of the late Lorraine Hunt-Lieberson, Troyanos was a once-in-a-lifetime brilliance. I thank her again and again for vivid memories brought to life by this video.
mikedparen 4 years ago
Besides her magnificent singing, I love Troyanos' acting...how she tears off her eyepatch, and especially her intensity at the end of the aria.
phanface 4 years ago
Brava brava Tatiana!
martello79 4 years ago
BRAVISSIMAAAAA!!!!
sonqualnave 4 years ago
Damn... Tat could sing.
moonpaw92 4 years ago
Please, can anyone tel me when this performance took place?
nqqa 4 years ago
The Met - 1980
donatello1 4 years ago
Oh..............could this wonderful woman sing!
benderpm 4 years ago
you died too early, too young person, splendid voice, whether it in is made green, bellini or the French opera. I miss you.
marioj34 4 years ago 3
Fu grande mori tropo presto...
clymnestre 4 years ago
Though her voice is not really Italian in colour. Her intensity and sincerity, as always, is so engaging.
CzarDodon 4 years ago
Can someone please explain the purpose of the eye patch?
ilmaestro18 4 years ago
The real Princesa de Eboli was portrayed in contemporaneous portraits as wearing an eye patch. She probably had a lazy eye and wished to hide it so as not to distract from her looks, as she was apparently quite a beauty. There is als a rumour that she might have lost the eye either whilst fencing or even during a duel, but there is no good evidence for this as far as I know
hoggm123 4 years ago 2
Good God that's an opulent sound!
Chasson0318 4 years ago
"Opulent" is the word! Her Venus in the Met broadcast of "Tannhauser" is outstanding, as well.
phanface 4 years ago
Tatiana Troyanos is one of my faves....was so sad when she passed away....probably one of the most versatile singers ever...from Kundry, Venus to Octavian, she was simply a joy to hear and behold.
nessie96 4 years ago 2
I'm so glad I found this! I've just started learning this piece and this is the best version I've found so far...v.nice. It brought tears to my eyes! Does anyone know if there's a Marilyn Horne version at all? Still searching...
croon4u 4 years ago
It would be great to hear a Horne interpretation...I can imagine Aunt Jackie singing this as a warm up...hahahaha...ok, not as a warm-up, but I'm sure she'd do a great job.
KaminaOne 4 years ago
She did sing this at the Met, but was criticized for transposing it down a step. (Or was it a whole step? She states this in her autobiography.)
phanface 4 years ago
Nope! It's a B natural. Don't talk crap.
bandidocat 4 years ago
Read Marilyn Horne's autobiography, she herself states that she transposed the role.
phanface 4 years ago
What does Marilyn Horne's biography have to do with Troyanos's life or singing? Do you have a pitch pipe or a piano handy? Check the bloody pitch! It is a high B natural. End of discussion. Get a life. Get an ear!
bandidocat 4 years ago
I was replying to KaminaOne's comment about Marilyn Horne singing this role. Your comment came after the end of the "discussion".
phanface 4 years ago
Let's hope the piano was in tune, the pitch-pipe was blown properly and that the orig film excerpt wasn't running a little slow, hence altering the pitch...anyway, I think we all enjoy this performance. In my mezzo score, B-nat(or Cb?!)is written. I'm gonna go look for Marilyn's recording...
croon4u 4 years ago
I "learned" Strauss´ Composer with her, and - she was a great "teacher"!!
plmezjn 4 years ago
Horne did sing one broadcast of Don Carlo. My recollection is that she was singing it in C, a version that a famous diva of the 19th century, I can't remember who, sang when she did the role. I've always found it fascinating that Horne tried all the dramatic Verdi parts but never sang them for very long.
mosthappyfella 4 years ago
It's true that Horne sang many of the heavier Verdi roles. As strange as this may sound, her voice was not well suited for the dramatic mezzo roles. As we all know, Horne's voice was bel canto produced sound and thankfully excelled in that repetoire.
Arnold3135 3 years ago
Poor Eboli, such a tragic character :(
beezoid27 4 years ago
I think this must be the best O don Fatale I have ever heard. I am speechless.
tenore23 4 years ago
Baltsa's is very good too, it's on Youtube somewhere.
beezoid27 4 years ago
I heard Baltsa in vienna, maybe 15 years ago and she was so bad it was comic, it was like a drag act
CzarDodon 4 years ago
@CzarDodon Unfortunately, Agnes Baltsa, who had a truly magnificent voice (listen to her in her real repertoire : Bellini, Rossini ), broke it in the 80's, partly thanks to Karajan who tempted her with roles that were too heavy for her (like Eboli and Amneris). I absolutely love Baltsa's voice when she was at her top. However, as Eboli, it's clear that Troyanos is way better cast, because she had such a powerful and dramatic voice.
Kapellmeister35 1 year ago
Comment removed
CzarDodon 1 year ago
@Kapellmeister35 Since that comment, some 2 years ago, I've heard several of Baltsa's early performances and it is truly another singer, a terrible pity indeed, especially since she seemed perfect there while in the heavier roles she never even had an idea of the poise and dignity such roles require. Something that Troyanos was born with.
CzarDodon 1 year ago
All respect to Troyanos, whom I love and admire as one of the greatest ever... The best Eboli for my money was Shirley Verrett.
juadan 4 years ago
Amen to that !
rrreverb 3 years ago
Muy expresiva
55patri 4 years ago
You're right about the vibrato; both Troyanos and Baltsa have faster vibrati. However, I rather like the sound - to me it makes the voice more electric. I love both ladies just about equally, maybe Baltsa just a hair more in this role in particular.
Gigglingatagas 4 years ago
I actually love her vibrato. It's quick and rapid-fire. It gives her voice a very interesting and beautiful tone.
fiesco7 4 years ago
Uau, nao canso-me de ouvi-la. que maravilhosa voz. magnifica interpretacao! ovacao merecida!!!
rodypiccolino 4 years ago
Absolutamente fantastico de pugança dramática,está para além de comentários tecnicos absurdos.Brava sempre Troyanos
carhom 4 years ago
Tryoanos was ONE-OF-A KIND!!! Miss her. I love her in this. Different singers have different vibratos.... matter of tase... I adored Baltsa, but in her Karajan video she's really havign hard time. her recording is GREAT! BRAVA! Troyanos!
oizirbaf22 4 years ago
Magnífico "O Dom Fatale". Pena que essa espetacular cantora não está mais conosco para nos brindar com outras interpretações fabulosas.
mpcastilho 4 years ago
What's the story with the vibrato?! Otherwise a very good rendition! Especially liked her 1st B.
counteralto 4 years ago
I hear the vibrato action too.. But have you ever heard Agnes Baltsa either in the Karajan video or recording with Jose Carreras? She's got the same high-speed vibrato action going too, possibly even faster.
kmillard 4 years ago
I think Baltsa has done it much better, vocally and dramatically. But it's a matter of taste.
counteralto 4 years ago
magnetica.....impressionate la statura scenica....solido e controllatissimo il canto in tutti i registri...un mostro sacro...
lyside1 4 years ago
i love this woman..her versatility was nothing short of amazing..
dare57 4 years ago
Outstanding O Don Fatale!
tristanidyll 4 years ago
I love her!
wicator 4 years ago
That is outstanding.
patjan1992 4 years ago
Brava!!!!!!!!
Laeliapurpurata 4 years ago
Im-pre-sio-nan-te! Qué agudos!
Wonderful rendition!
iTubeVlc 4 years ago