Added: 3 years ago
From: benfox
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  • I have 2 copies of 154. The first one I wore out.

  • @uberalles2 Fantastic album! "The 15th" is probably the best new wave song ever!

  • Comment removed

  • This is brilliant. The sort of tossing off the lyrics and looking the other way. Exactly what I imagined when I bought the vinyl many years ago. Amazing video.

  • this is great, but the studio version...

  • studio version is better, more gothic

  • well yeah

  • ....brutal but equal.....

  • Is he singing into a mushroom? That mic is SUPER FUZZY.

  • The audience looks like they're being held hostage at gunpoint.

  • @secondstolast:it was in summer 1979 and the audience were "learning" hippies, i was maybe the only "punk" inside the audence, but i can´t find myself inside the crowd on the vid. taped inside WDR-studios (German sate cahnnel. Cologne)

  • two things about Graham Lewis: one, he looks like Michael Ballack when he pouts, which is almost always: two, he stole my hat.

  • biting sarcasm. stimulating rhetoric.

  • closing doors, open minds

  • 154 is the album, which said it all for the people who lived in 1979. And I mean those who lived at this time, not those, who were only there.

  • Interesting how Bruce & Colin swap guitar parts after the last chorus.

  • Yeah I noticed that. Great band, well ahead of their time.

  • err..that should Graham Lewis.

  • Prefer this version to the album version...chilling vocals from Lewis Graham...and the fighting guitar interlude is really something special..something very simple but the way it just gels here is amazing.

  • I don't know man, maybe it's just familiarity, but I still prefer the album verson. The studio track is much lighter and the vocals are cleaner. I think that works better for this kind of song.

  • you´re right, I think. Both versions are nice in their way, but the studio-one is produced far better. It sounds like music from deep inside, crawling through your veins and brain.

  • I also have to go with the album version, but for a different reason than those mentioned: Wire's trademark snarkiness.

    The studio track is so delightfully detached--even Lewis' bored vocals don't seem in on the biting lyrics. The song doesn't work as well live because, well, live performances are at least a requisite amount emotive.

  • @SecondsToLast And the Bass is to loud, and guitar not and much electric.

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