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  • You forgot to tell us who is playing the Boatswain, who has lines of his own and is casted in the score in his own character and not merely part of the sailor's chorus.

  • 9:08-9:24 Catchiest bit of music in HISTORY

  • It's a pity Martyn Green wasn't in the Doyly Carte company at the same time as Thomas round and Donald Adams

  • As you wrote ...

    ... absolute perfection.

    With such a treasure in the musical recording, one's imagination is free to visualize a staging as perfect as was Gilbert's original.

    Beautiful.

  • Thomas Round will always be my definitive G&S tenor. What a voice! And how hot was he in his prime?

  • @poordogabone Tom Round was one of the handsomest of the 1950's-1970's musical theatre tenors. Today, at 94, he remains one of the most charming and approachable stars of the DOC. I had the good fortune to have met him in 1972 when he toured with G&S For All. Not at all overbearing or into himself, just a real guy, but so damned good-looking that everybody, even the men, loved him.

  • Doyly Carte is the best for Gilbert and Sullivan.

  • BRAVO!!!!

  • Charming, charming!

  • Great post. Thomas Round and Jean Hindmarsh are wonderful. And Donald Adams is unique.

    Didn't hear Joyce Wright (mezzo), however.

  • Cousin Hebe doesn't have a solo here; she doubles some of the lines for "Oh joy oh rapture unforeseen" and gets a few of her own in "This very Night" ("as stiff as death", etc).

  • Wonderful performance of the world's most enjoyable operetta.

  • Molto bello

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