Added: 4 years ago
From: diegowik
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  • Shostakovich really loved piccolo, didn't he? He give so many solos to the piccolo! He treats it as an independent character, not as auxiliary.

  • perfect®

  • Great upload @diegowik.

  • at 2:36 They play D Dis C H ! Dis = S ! D. SCH ! Dimitri SCHostakovich ! He did this on purpose ! I think that this Idea is sooo great ! I love Shostakovich !

  • This is in fact the most dark but yet the most romantic and bitter-sweet, almost cute movement. He spells out his first girlfriends name EAEDA with the horns, topping with his DSCH with the piccolos. I have to cry every time I hear it.

  • movement ii is better

  • Imagine that party agents are knocking on your door while you're composing this piece. It makes it about 20 times better.

  • melhor orquestra do mundo, desbanca qualquer uma. SBYO SZ

  • Fabulous musicianship. Here is the future of music in such capable hands.

  • Dudamel is a proud for our country, Venezuela, at such a young age and already converted in a world recognized director, here conducting the venezuelan orchestra SBYOV, magnifique!

  • @beethomozart

    Very sharp performance of an piece of 20th Century history. This guy is someone I will be listening to.

  • Dudamel must be something special--this is an incredibly difficult piece to "pull off", particularly for a youth orchestra!

  • i hate zehnter

  • Fun Fact: The chromatic sounding theme (D Eflat C B) can be written as D (E)s C H and stands for D(mitri) SCH(ostakovich).

    The horn theme played so brilliantly (EAEDA) has a meaning discovered in just 1996: it reads E - L(a) - Mi - R(e) - A, Elmira, the other half of a teacher-student love affair. Dmitri himself wrote: "Will our paths ever cross? Maybe not ever. There are many, too many reasons for that".

    That's basically what this part's about.

  • That horn player really ruled his roost...!!

  • The dissonance of that ending gives me chills every time... the clash of the horn and piccolo theme, and the haunting pitches dying out in the background.

  • stop fighting on youtube xD

    O_o You're right! lol Doesnt even look like a girl.. XD aZ

  • yo no se como iran a quedar todos aquellos secuestradores de la verdad musical, siempre se escucho que si la filarmonica de berlin, que si las orquestas fracesas, inglesas , etc, etc, ahora tienen que calarse la revolucion de los humillados. j,c de venezuela.

  • magnificent. he has a sick ability to transform all the peices and phrases into one entity. it's almost alive

  • yo creo que las obras musicales no se le puede imponer un dogma y que queden inmutable como si fuesen una creencia religiosa,la creacion musical es como las ciencias naturales donde los fenomenos van evolucinando progresivamente y estan sugetas a los cambios. j,c de venezuela.

  • bravo Alejandro! excelente tu solo!estas tocando mucho chamo sigue asi. saludos de Juan carlos desde londres. un abraso mi pana..

  • Buena interpretación, al menos respetó el TEMPO cosa que no hizo en el II mov que fue extremadamente rápido, no se porque tantos directores tienen la manía de cambiar tanto los tiempos metronómicos indicados por el autor y con shostakovich es peor aun, ¿acaso creen que tienen un criterio mejor que el de shostakovich para decidir cual es el TEMPO que debe tener SU música y contradecir su voluntad?

  • Simplemente hay que romper PARADIGMAS!!!. Cada Director tiene la libertad de otorgar su estilo característico en cada obra. ¡Imagínate!, si todos se rigieran por un mismo patrón sería como aburrido. ¡Recuerda! son otros tiempos.

  • utterly brilliant, especially from an orchestra of such young musicians.

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