Исполнение Рихтера несёт выражение высочайшей внутренней культуры. И это скерцо - взволнованная исповедь о трагизме человеческого существования. От некоторых аккордов холодеет и замирает сердце. А как выразительны паузы! Не понимать, не чувствовать этого- значит, не дорасти ни до Шопена, ни до Рихтера.
Да нет... И Рихтер может не нравиться, но говорить о нём *так и в таком тоне* не стоит - Вы пока не заслужили такого права (if ever)... Понимаете, Евгений, ни Ваши конкурсные победы, ни ассистенство с будущей профессурой в Московской консерватории не дают Вам такого права. У Рихтера есть, чему поучиться... даже Вам... Так что не обижайтесь, а становитесь умнее и интеллигентнее. Наташе Труль - привет! Я её совсем молоденькой помню... ;)
@truecrypt Учитесь, маэстро, на здоровье. Я, однако, предпочту этого не делать, так как нечему. Есть куда более интересные музыканты. Конкурсные победы и ассистентство здесь ни при чем. Сейчас все лауреаты, и это, что называется, ни о чем. Так и намерен думать дальше, до тех пор пока не найду хотя бы одну приличную запись этого пианиста. Пока не везло. Может повезет в будущем. Это ведь ИМХО, как принято постить в инете. А комментарии в YouTube - это оно и есть. Кстати, как Ваше имя?
Проблема в том, что право на мнение у Вас есть, а скромности и уважения - нет.
По поводу "приличных записей" - Вы плохо искали - для начала послушайте из того, что сами играли - Франка и Шостаковича... или Скрябина... может, ход мыслей и поменяется.
@truecrypt Г-н Анонимус. Скука и ординарность (прямолинейность) не могут быть предметом для уважения. А Франка и Шостаковича я, разумеется, слушал. Нет. Не звучит.
И все же. Кто же он, этот ярый поклонник советской фортепианной школы?
Прямо досада берет, на канале один Рихтер. Однако - спасибо за Я. И. Зака и Софроницкого. Впрочем, позволю себе, (а ведь дураку, да еще седьмому - можно) ремарку: собственные записи запощены в недурной компании.
Кому "скука и ординарность", а кому и нет... Речь не о праве на различие мнений, а на тон и способ "самовыражения" в comments. По поводу "не звучит" - Бог Вас простит... ;)
Я не *ярый* поклонник "советской" школы, а вот русскую пианистическую традицию очень даже уважаю. И в YT выкладывал не только Рихтера, т.ч. не надо "подкусывать"... ;)
Мои записи - по просьбе друзей. Славы не ищу, но хамства не люблю. Каждый себе свою компанию выбирает, не так ли?
As great as this performance is (it really is), it just blows my mind thinking about the fact that people are even capable are composing great music like this...I mean, really. Mind boggling but brilliant at the same time.
I listen to rock/metal bands as well as classical music. I am amused to hear matters of personal taste argued in both areas albeit more politely in the classical arena. Rock and metal fans seem more interested than classicists in audio recording techniques and the differences in instrumental choices, for instance guitar and drum makers.
@brengf Instrumental choices are pretty moot to be honest. All the good makes are well established from donkeys years long relationships with music's greatest performers and composers. We moan about recording quality, but considering the artists have little control over their own recordings - classical has never been a studio "art" in the same way that popular music is - it would be pointless to criticise them directly on that.
don't you feel like you might be understating the importance or significance in the audio production of a track? keeping in mind that the end goal of all music to be heard by a listener, you would think that almost all musicians would have a strong will to (a.) do the production themselves to retain artistic control over something so encompassing, and/or (b.) make sure that whoever does produce their albums/songs does so in the best way possible. a lot of great artists produce themselves.
@koreybishop Very true on both points. I guess what I was gettting at is that in classical music the job of the recording is - in my eyes at least - to bring the performance to the listener in a rich but transparent manner. I would argue that classical will never be a studio art like pop is. Classical is recorded in the studio, a lot of great pop is *made* in the studio. I hope that made a little sense at least.
i agree with that (also the line "classical will never be a studio art" (never be) (already happened)), and my point is that it is restrictive and limiting and it shows. in modern times where audio recordings are a given destination for the songs you write, you have no excuse not to take the art of audio production every bit as seriously as the first stages of writing, you write a lot while you're producing and add and compliment and enhance. see: radiohead ok computer - in rainbows.
i remembered staying overnight at piano camp and i didnt sleep well 4 the whole week and the day of the recital i was about 2 doze off until this kid started playing this piece i have 2 say awesome piece
i have a recording that i downloaded from some site. its incredibly fast and really accurate but i dont know whos it is! im guessing it could be Argerich or I.Pogorelich. has alot of Pogorelich signature in it
I do not know why!.. But!.. Every time I turn the Scherzo on (any performer; my favs are Richter and, of course, Pogorelich), I am horribly covered with sweat; it is badly flowing from my head and armpits.
Chopin must have had an intention to depict the Earth after "Koniec świata" (Doomsday). After the Last Judgment, the creeping chaotic horrors are infesting the desolate soils of the sinful Earth. Pure running devils in the main theme at 00:07-00:09 and so on!..
This does the heart and mind much justice after breathing it in a few times. That's all it takes to escape the jaws of time just for a few moments in your life.
This is from the other side. Richter's interpretion sounds like a nightmarish pursuit across the ivories, which is what chopin intended as the ironic title betrays. A beautiful contrast with the hypnotic middle section males the reprive even more devilish.marvellous playing from an absolute master
Whoever was involved in getting this to me while I am sitting by the window with the first snow of the year falling, I thank you. Perfect. Thank you Chopin, Richter, whoever recorded this, passed it through the generations, and brought it to me. Thank you, thank you, thank you!
The other is the blanket statement concerning dynamic, articulation, tempi and overall interpretation "Exagerate." Whether specific delineation of parameters is quite clear or not, the performing soloist remains a
potential composer to make empirical alterations, an indulgence into excessives is a flaw, the mentioning thereof, the same.
There is also the obvious misprint in the interlude's metronome marking.
I knew Sviatoslav to be of humbleness enough to appreciate my comment.
not true...He does not make "empirical alterations". Chopin gives people to play with freedom in certain parts of the piece; he may be strict with his notations, but there is not one specific type of way to play sotto voce, or ritenuto. John T Belies, suck a fat one and try to play this piece as well as he does. You will never succeed.
It's precisely the dynamics, articulation, tempi and cohesion found in Richter's interpretation which makes it very special.
If you analyse Horowtiz version are very similar talking about articulation and accentuation of the piece.
To play this piece as Richter does requires an extreme finger control in order to take out the 'melody' figure in the dynamics, somehing hardly seen noadays.
I dare you to play with metronome in your hand and upload the video, I'd like to see the result.
Funeral dirge??? Not on your nelly!!!! Johntbelias you are totally misguided. I have to agree with trucypt-it is indeed the poignant polish "Kolysanka" ('L' here is crossed with a diagonal line and is pronounced the Polish way -not as 'L' -if you catch my drift!)..Richter here transcends into a different and divine world where Chopin is redefined-transforming the banal into a source of wonderment. Thank you trucrypt for posting this masterpiece.
@astrofizzi12 Agree,the most honneste pianiste in the world,not like cziffra who is very good,but he always slow down a bit,Richter never.And he is very cleer to.
This comment has received too many negative votesshow
In this recording he plays the A section with amazing dexterity except for the misreading (and learning) of the tied left hand octave(s) at measure 52 (et. al.).
He played the B section more like a funeral dirge than a lyrical hymn. Although playing it that way makes for a greater contrast when the A returns, the real beauty of the B section is lost.
Leaving aside what Richter was "misreading (and learning)" let me note that part B is neither "funeral dirge" nor "lyrical hymn"... ;)
This is an old Polish Christmas song (Kolyadka) "Lulajze Jezuniu" .
Chopin also used B-major in the middle sections of Fantasy Op. 49 and Polonaise-Fantasie Op. 61. All these episodes clearly associated with Chopin's reminiscence of his homeland.
I have difficulties to hear "funeral dirge" here... matter of perception, of course...
@truecrypt let me just add something, being Polish and very familiar with Lulajzenie Jezuniu: It is actually a lullaby (that is the meaning of the word "Kołysanka"), sang by Mary to put little Jesus to sleep. We do sing it as a christmas carrol, but given the tempo and emotional value a "lyrical hymn" seems to be a good description.
I don't think it is destructive to note that the B major interlude is particularly slow. Sviatoslav having lived through many tragic times, the major key would normally mask any lament. And there still is beauty in the way Mr. Richter performed it.
This comment has received too many negative votesshow
There are two statements that could have influenced a decidedly slow interpretation of the B major interlude in this Scherzo. The first "It is a scandal to rush." carries with it an erroneous implication that we are all better than Judas Iscariot who betrayed Jesus Christ. Judas actually began his personal private revelation to resurrection by following Christ's order "do quickly". Scandal is a repetition of evil, not a description of how an activity is performed.
Hang on a second. You're telling me that the fact that he is one of the few people who can play at this speed means he's rushing? Rushing gives us the impulse to worry while he's playing, and obviously this genius interpretation does not convey that affect. You do not sound smart talking about Judas, and you do not seem to understand why he did it. This is an amazing piece that deserves the utmost credit. The emotions illustrated in this piece along with the articulation is masterful. FUck You
No. What I'm telling you is that Sviatoslav Richter agrees with me, as does Chopin. Anyone with a nanogram of compassion can understand that. So your idea of credit is to debase both of them with profanity.
Wow, this man really does a good job with this piece. I think I still enjoy Emanuel Ax a little more. The impressive thing to me is that Richter understands the piece, most pianists either butcher the entire piece (yundi li) or don't play it correctly (horowitz).
Give Emanuel Ax a listen, if you enjoyed this you will enjoy his interpretation as well.
Oh, I really like his playing. I never thought he can play the Chopin so well. In this particular case, I like RIchter's playing even than Rubinstein's. Richter's is more floawing in the part a and part b is just beautiful.
In the past I had not thought of Richter as one of the supreme Chopin pianists...wonderful in about everything else (Beethoven, Schubert, Schumann, Liszt, Scriabin, Rachmaninov, Prokofiev)...now I think he was such a thoughtful artist that he understood Chopin perhaps better than anyone else. I love the way he maintains an underlying tension and even forboding in that central lullaby...not every pianist gets that. Magnificent! Makes me hunger for more Chopin from this master!
I got to know the Chopin Scherzi from an old EMI LP of Richter's. I'm not sure if this performance is taken from that but there's such a glorious Slavic melancholy about this performance and, as you'd expect from Richter, all the repeats!
If you can get it in the USA I'd strongly recommend a DVD that's recently come out of him playing Chopin etudes at the Barbican Hall in London in 1989. Just a 40 watt light bulb, as was usual in the later years but it forces the cameraman to concentrate on what's important!
This comment has received too many negative votesshow
I am back teacher! So teacher and pupil have finally someting what they can agree about. I am very glad after I have read comment below. I think we both consider Richter as master of piano. I cann't understand why you cann't understand Lang Lang's quality then. Lang Lang is not Richter, but very good young pianist. I think Lang Lang is in strong hypnotic state when playing, so much he is into music. Please try listen to Lang Lang with eyes closed next time. Sorry, wrong English, and thank you.
UGH. It's so smooth and fluid. It doesn't even sound that fast because the phrasing is so smooth. -.-' Inspiring but also just... ugh. I wanna be able to play like that.
I don´t know, words get short to explain it, but to make a good example, the Well Temperated Clavier I didn´t like it by Richter at the beginning, just liked the Gould version, but years later when I got a more mature taste in music I started to enjoy Richter´s WWC as much as Gould´s, even more in some works in it.
I usually do not like Richter's performance, but this one is the best Scherzo No.1 that I have ever heard. From the beginning, his touch and other things are just amazing.
What god inspired him to play like this? Never have I heard anything to compare. The "B" section from 4:16 moves me to tears with its beauty. How can the movement of ten fingers reveal the magnitude of the universe? All that is needed is to listen.
Magnificent! There is a real sense that anything is possible when one listens to Sviatoslav Richter-- the whole paradigm shifts to color, drama, magic and the adventure of being alive.
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!!! Замечательная передача посвящена
ГЕНИЮ ХХ Века - СВЯТОСЛАВУ РИХТЕРУ
смотрите здесь: youtube.com/watch?v=cuJpWWQlyfQ
MedDanila 2 days ago
4:16 - 7:42
skelittle 1 month ago 2
Исполнение Рихтера несёт выражение высочайшей внутренней культуры. И это скерцо - взволнованная исповедь о трагизме человеческого существования. От некоторых аккордов холодеет и замирает сердце. А как выразительны паузы! Не понимать, не чувствовать этого- значит, не дорасти ни до Шопена, ни до Рихтера.
OhNatali 1 month ago
Bore. All the repetitions are the same... Which is not professional. It is the only difficult thing in this Scherzo. And he fails.
eugenstar81 1 month ago
@eugenstar81
Да, товарищ Стародубцев... Конкурсов выиграли много, а скромности мало...
Ваш, с позволения, "комментарий" напомнил мне подобный из "Жалобной книги" Чехова - "Сию станцию проезжал Иванов седьмой"
И совершенно замечательный ответ:
"Хоть ты и седьмой, а дурак"!
truecrypt 1 month ago 3
@truecrypt Ясен пень - Рихтер это круто, а кто не согласен - седьмой.
eugenstar81 1 month ago
@eugenstar81
Да нет... И Рихтер может не нравиться, но говорить о нём *так и в таком тоне* не стоит - Вы пока не заслужили такого права (if ever)... Понимаете, Евгений, ни Ваши конкурсные победы, ни ассистенство с будущей профессурой в Московской консерватории не дают Вам такого права. У Рихтера есть, чему поучиться... даже Вам... Так что не обижайтесь, а становитесь умнее и интеллигентнее. Наташе Труль - привет! Я её совсем молоденькой помню... ;)
truecrypt 1 month ago 3
@truecrypt Учитесь, маэстро, на здоровье. Я, однако, предпочту этого не делать, так как нечему. Есть куда более интересные музыканты. Конкурсные победы и ассистентство здесь ни при чем. Сейчас все лауреаты, и это, что называется, ни о чем. Так и намерен думать дальше, до тех пор пока не найду хотя бы одну приличную запись этого пианиста. Пока не везло. Может повезет в будущем. Это ведь ИМХО, как принято постить в инете. А комментарии в YouTube - это оно и есть. Кстати, как Ваше имя?
eugenstar81 1 month ago
@eugenstar81
Проблема в том, что право на мнение у Вас есть, а скромности и уважения - нет.
По поводу "приличных записей" - Вы плохо искали - для начала послушайте из того, что сами играли - Франка и Шостаковича... или Скрябина... может, ход мыслей и поменяется.
truecrypt 1 month ago
@truecrypt Г-н Анонимус. Скука и ординарность (прямолинейность) не могут быть предметом для уважения. А Франка и Шостаковича я, разумеется, слушал. Нет. Не звучит.
И все же. Кто же он, этот ярый поклонник советской фортепианной школы?
Прямо досада берет, на канале один Рихтер. Однако - спасибо за Я. И. Зака и Софроницкого. Впрочем, позволю себе, (а ведь дураку, да еще седьмому - можно) ремарку: собственные записи запощены в недурной компании.
eugenstar81 1 month ago
@eugenstar81
Кому "скука и ординарность", а кому и нет... Речь не о праве на различие мнений, а на тон и способ "самовыражения" в comments. По поводу "не звучит" - Бог Вас простит... ;)
Я не *ярый* поклонник "советской" школы, а вот русскую пианистическую традицию очень даже уважаю. И в YT выкладывал не только Рихтера, т.ч. не надо "подкусывать"... ;)
Мои записи - по просьбе друзей. Славы не ищу, но хамства не люблю. Каждый себе свою компанию выбирает, не так ли?
truecrypt 1 month ago 2
@truecrypt Верно Вы говорите. У нас с Вами очень мало общего. Всего хорошего, удачи!
eugenstar81 1 month ago
@truecrypt Искусство можно сравнить с горной системой. Она состоит из незыблемых вершин. Рихтер - одна из них. И никому до неё не доплюнуть!
OhNatali 1 month ago
@OhNatali
Но некоторые всё же пытаются... ;)
truecrypt 1 month ago
@eugenstar81 this is even not a critic. OMG I can't believe that there is somebody on earth who says Richter unprofessional....haha nice try.
hevosha 1 month ago
Shocking edit at 2:08!! Richter is wonderful, though. I'm just surprised he would permit that on the record, given his perfectionist attitude.
davidgray2 1 month ago
Love it! Richter was awesome! From the very first notes you hear that HE HAS GOT IT!
ym42ym42 2 months ago
crazy
margotlorena1 3 months ago
As great as this performance is (it really is), it just blows my mind thinking about the fact that people are even capable are composing great music like this...I mean, really. Mind boggling but brilliant at the same time.
keetner 3 months ago
I listen to rock/metal bands as well as classical music. I am amused to hear matters of personal taste argued in both areas albeit more politely in the classical arena. Rock and metal fans seem more interested than classicists in audio recording techniques and the differences in instrumental choices, for instance guitar and drum makers.
brengf 5 months ago
@brengf Instrumental choices are pretty moot to be honest. All the good makes are well established from donkeys years long relationships with music's greatest performers and composers. We moan about recording quality, but considering the artists have little control over their own recordings - classical has never been a studio "art" in the same way that popular music is - it would be pointless to criticise them directly on that.
RH98 5 months ago
@RH98
don't you feel like you might be understating the importance or significance in the audio production of a track? keeping in mind that the end goal of all music to be heard by a listener, you would think that almost all musicians would have a strong will to (a.) do the production themselves to retain artistic control over something so encompassing, and/or (b.) make sure that whoever does produce their albums/songs does so in the best way possible. a lot of great artists produce themselves.
koreybishop 2 months ago
@koreybishop Very true on both points. I guess what I was gettting at is that in classical music the job of the recording is - in my eyes at least - to bring the performance to the listener in a rich but transparent manner. I would argue that classical will never be a studio art like pop is. Classical is recorded in the studio, a lot of great pop is *made* in the studio. I hope that made a little sense at least.
RH98 1 month ago
@RH98
i agree with that (also the line "classical will never be a studio art" (never be) (already happened)), and my point is that it is restrictive and limiting and it shows. in modern times where audio recordings are a given destination for the songs you write, you have no excuse not to take the art of audio production every bit as seriously as the first stages of writing, you write a lot while you're producing and add and compliment and enhance. see: radiohead ok computer - in rainbows.
koreybishop 1 month ago
i remembered staying overnight at piano camp and i didnt sleep well 4 the whole week and the day of the recital i was about 2 doze off until this kid started playing this piece i have 2 say awesome piece
MISSANNOYINGHAHAHA 5 months ago
i like his performance! perfect
MetalAge19 6 months ago
Among the numerous performances of this Schezo,Richter plays the best,and no other one cannot realize so fantastic music as Richter does.......
rabbit055jp 7 months ago
i have a recording that i downloaded from some site. its incredibly fast and really accurate but i dont know whos it is! im guessing it could be Argerich or I.Pogorelich. has alot of Pogorelich signature in it
anonymousQ45 7 months ago
@anonymousQ45 can you share it plrase??????
Carlosrenti 6 months ago
goddddd dammmmnnnn....
pudunda 8 months ago
I do not know why!.. But!.. Every time I turn the Scherzo on (any performer; my favs are Richter and, of course, Pogorelich), I am horribly covered with sweat; it is badly flowing from my head and armpits.
Chopin must have had an intention to depict the Earth after "Koniec świata" (Doomsday). After the Last Judgment, the creeping chaotic horrors are infesting the desolate soils of the sinful Earth. Pure running devils in the main theme at 00:07-00:09 and so on!..
f1f1s 9 months ago
we have 11- very jelous people here!
farah73 11 months ago
This is a beautiful version, but I think Arrau's is so much musical and lyrical than Richter's
Ray0X0 11 months ago
This does the heart and mind much justice after breathing it in a few times. That's all it takes to escape the jaws of time just for a few moments in your life.
advisorC101 1 year ago
I really like this piece and Sviatoslav Richter did an EXCELLENT job
cedricrlongreen 1 year ago 2
I uploaded my rendition of this Scherzo to my channel. Would anyone like to give me some critiques and suggestions? XD
MicrobeObliteratorMo 1 year ago
richter is the greatest pianist of all time
awesomekapownoises23 1 year ago
@awesomekapownoises23 : lmno! u mean of OUR time?
pianOracle 1 year ago
This is from the other side. Richter's interpretion sounds like a nightmarish pursuit across the ivories, which is what chopin intended as the ironic title betrays. A beautiful contrast with the hypnotic middle section males the reprive even more devilish.marvellous playing from an absolute master
aston0708 1 year ago
Comment removed
VolcanoBalls 1 year ago
This is very good! Richter hit the spot, here!
OrangeSodaKing 1 year ago
One of my favorite recordings, not just of this scherzo, but period.
gfabisevich 1 year ago
This is a monstrous piece.
Although, also a beautiful one.
essboarder23 1 year ago
hehe you can hear Lulajze Jezuniu (Polish christmas carol 'Sleepy Baby Jesus') starting at 4:17 :)
MyKawaiiPeach 1 year ago
I never realized it until my piano teacher told me
essboarder23 1 year ago
It's the speed of this piece and static that makes it so awesome, for me atleast.
edwatom 1 year ago
*****Speechless*****
elgallo2622 1 year ago
Richter is the best, and the beast...
Angel94angel94 2 years ago 6
can't go wrong with richter! never! true master of all music!
lunaseaux 2 years ago 4
Wonderful studio recording though but anyone having heard the live 1965 Carnegie Hall version will be breahtless!!
superbemaison 2 years ago
Piekne wykonanie utworu, który zawsze wzrusza...
menkihs 2 years ago
Exactly what I was going to say.
CelloBoy13913 2 years ago
Whoever was involved in getting this to me while I am sitting by the window with the first snow of the year falling, I thank you. Perfect. Thank you Chopin, Richter, whoever recorded this, passed it through the generations, and brought it to me. Thank you, thank you, thank you!
Pianoman602 2 years ago 3
4:48 : how not to cry during the 30 following seconds ...
beautiful, sweet, calm, perfect
thanks chopin, richter, and trucrypt
amidunet 2 years ago 5
The other is the blanket statement concerning dynamic, articulation, tempi and overall interpretation "Exagerate." Whether specific delineation of parameters is quite clear or not, the performing soloist remains a
potential composer to make empirical alterations, an indulgence into excessives is a flaw, the mentioning thereof, the same.
There is also the obvious misprint in the interlude's metronome marking.
I knew Sviatoslav to be of humbleness enough to appreciate my comment.
johntbelias 2 years ago
not true...He does not make "empirical alterations". Chopin gives people to play with freedom in certain parts of the piece; he may be strict with his notations, but there is not one specific type of way to play sotto voce, or ritenuto. John T Belies, suck a fat one and try to play this piece as well as he does. You will never succeed.
Dougster333aolcom 2 years ago
@Dougster333aolcom Chopin is only another instrument in God's hands.
johntbelias 1 year ago
It's precisely the dynamics, articulation, tempi and cohesion found in Richter's interpretation which makes it very special.
If you analyse Horowtiz version are very similar talking about articulation and accentuation of the piece.
To play this piece as Richter does requires an extreme finger control in order to take out the 'melody' figure in the dynamics, somehing hardly seen noadays.
I dare you to play with metronome in your hand and upload the video, I'd like to see the result.
alexggable 1 year ago
@alexggable If you like the slower tempo, fine.
johntbelias 1 year ago
apologies for misspelling your name truecrypt! Vagaries of keyboard stroke!
BoratBrother 2 years ago
.. imbued with a thousand nuances of vibrating colour...
BoratBrother 2 years ago
Funeral dirge??? Not on your nelly!!!! Johntbelias you are totally misguided. I have to agree with trucypt-it is indeed the poignant polish "Kolysanka" ('L' here is crossed with a diagonal line and is pronounced the Polish way -not as 'L' -if you catch my drift!)..Richter here transcends into a different and divine world where Chopin is redefined-transforming the banal into a source of wonderment. Thank you trucrypt for posting this masterpiece.
BoratBrother 2 years ago
richter is the best!!
astrofizzi12 2 years ago 27
@astrofizzi12 Agree,the most honneste pianiste in the world,not like cziffra who is very good,but he always slow down a bit,Richter never.And he is very cleer to.
loboris1995 1 year ago
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In this recording he plays the A section with amazing dexterity except for the misreading (and learning) of the tied left hand octave(s) at measure 52 (et. al.).
He played the B section more like a funeral dirge than a lyrical hymn. Although playing it that way makes for a greater contrast when the A returns, the real beauty of the B section is lost.
johntbelias 2 years ago
Dear johntbelias;
Leaving aside what Richter was "misreading (and learning)" let me note that part B is neither "funeral dirge" nor "lyrical hymn"... ;)
This is an old Polish Christmas song (Kolyadka) "Lulajze Jezuniu" .
Chopin also used B-major in the middle sections of Fantasy Op. 49 and Polonaise-Fantasie Op. 61. All these episodes clearly associated with Chopin's reminiscence of his homeland.
I have difficulties to hear "funeral dirge" here... matter of perception, of course...
truecrypt 2 years ago 18
@truecrypt let me just add something, being Polish and very familiar with Lulajzenie Jezuniu: It is actually a lullaby (that is the meaning of the word "Kołysanka"), sang by Mary to put little Jesus to sleep. We do sing it as a christmas carrol, but given the tempo and emotional value a "lyrical hymn" seems to be a good description.
constantyou 1 year ago
@truecrypt Kolyadka is Russian! It's "Kolęda" in Polish.
tomekkobialka 1 year ago 3
@tomekkobialka
Thank you for mentioning it! Polish language is not my strong point... ;)
truecrypt 1 year ago
johntbelias: you appear to be a person who would be most constructive making instruments, man...not commenting on high level musical skills.
kevinherbert 2 years ago
I don't think it is destructive to note that the B major interlude is particularly slow. Sviatoslav having lived through many tragic times, the major key would normally mask any lament. And there still is beauty in the way Mr. Richter performed it.
johntbelias 2 years ago
johntbelias: but for what gain?..your ego ?..our edification.....tell us..
kevinherbert 2 years ago
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There are two statements that could have influenced a decidedly slow interpretation of the B major interlude in this Scherzo. The first "It is a scandal to rush." carries with it an erroneous implication that we are all better than Judas Iscariot who betrayed Jesus Christ. Judas actually began his personal private revelation to resurrection by following Christ's order "do quickly". Scandal is a repetition of evil, not a description of how an activity is performed.
johntbelias 2 years ago
I thought we were talking about Richter playing Chopin, not the bible.., LOL
retrogamerdave 2 years ago 8
Hang on a second. You're telling me that the fact that he is one of the few people who can play at this speed means he's rushing? Rushing gives us the impulse to worry while he's playing, and obviously this genius interpretation does not convey that affect. You do not sound smart talking about Judas, and you do not seem to understand why he did it. This is an amazing piece that deserves the utmost credit. The emotions illustrated in this piece along with the articulation is masterful. FUck You
Dougster333aolcom 2 years ago
No. What I'm telling you is that Sviatoslav Richter agrees with me, as does Chopin. Anyone with a nanogram of compassion can understand that. So your idea of credit is to debase both of them with profanity.
johntbelias 2 years ago
Since when have there been tied octaves in m. 52?
You last played this piece when, may I ask?
flashlightsfreak 2 years ago
Wow, this man really does a good job with this piece. I think I still enjoy Emanuel Ax a little more. The impressive thing to me is that Richter understands the piece, most pianists either butcher the entire piece (yundi li) or don't play it correctly (horowitz).
Give Emanuel Ax a listen, if you enjoyed this you will enjoy his interpretation as well.
EuphoricDan 2 years ago
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fuck your emanuel ax
WhiteButterfly87 2 years ago
Oh, I really like his playing. I never thought he can play the Chopin so well. In this particular case, I like RIchter's playing even than Rubinstein's. Richter's is more floawing in the part a and part b is just beautiful.
fyipwang 2 years ago
I think this is the best recording of this piece I have ever heard. He portrays the fury of the piece like none other.
trigalg693 2 years ago 4
In the past I had not thought of Richter as one of the supreme Chopin pianists...wonderful in about everything else (Beethoven, Schubert, Schumann, Liszt, Scriabin, Rachmaninov, Prokofiev)...now I think he was such a thoughtful artist that he understood Chopin perhaps better than anyone else. I love the way he maintains an underlying tension and even forboding in that central lullaby...not every pianist gets that. Magnificent! Makes me hunger for more Chopin from this master!
soami2u 3 years ago 24
I got to know the Chopin Scherzi from an old EMI LP of Richter's. I'm not sure if this performance is taken from that but there's such a glorious Slavic melancholy about this performance and, as you'd expect from Richter, all the repeats!
rabengeraun 3 years ago 2
Dear soami2u,
If you can get it in the USA I'd strongly recommend a DVD that's recently come out of him playing Chopin etudes at the Barbican Hall in London in 1989. Just a 40 watt light bulb, as was usual in the later years but it forces the cameraman to concentrate on what's important!
rabengeraun 3 years ago 2
Thanks!
soami2u 3 years ago
This comment has received too many negative votes show
I am back teacher! So teacher and pupil have finally someting what they can agree about. I am very glad after I have read comment below. I think we both consider Richter as master of piano. I cann't understand why you cann't understand Lang Lang's quality then. Lang Lang is not Richter, but very good young pianist. I think Lang Lang is in strong hypnotic state when playing, so much he is into music. Please try listen to Lang Lang with eyes closed next time. Sorry, wrong English, and thank you.
himitsunosallychan 3 years ago
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Oh, sorry, and almost forgot to remind my teacher. I am still waiting for your Islamey. See you again somewhere soon!
himitsunosallychan 3 years ago
UGH. It's so smooth and fluid. It doesn't even sound that fast because the phrasing is so smooth. -.-' Inspiring but also just... ugh. I wanna be able to play like that.
JDIsASuperman 3 years ago 5
then it gets really romantic in section B sound a bit jazzy in B. Nery nice Work
Coixxman 3 years ago
Actually, the romantic section B starting at 4:17 is based on an old Polish Christmas carol, "Lulajże Jezuniu".
weikko79 3 years ago 7
Richter is as always impressive and complete in his art intentions, his God is the BEATY! Thank you for sharing this!
veseli601 3 years ago 3
Richter is just for mature musicians.
ilshatt 3 years ago
What do you mean?
werciu 3 years ago
I don´t know, words get short to explain it, but to make a good example, the Well Temperated Clavier I didn´t like it by Richter at the beginning, just liked the Gould version, but years later when I got a more mature taste in music I started to enjoy Richter´s WWC as much as Gould´s, even more in some works in it.
ilshatt 3 years ago 4
stop dissecting it, its just personal taste, each to their own.
ljoekelsoey4 3 years ago
Can't assume mature taste, what may apply to you may not apply to others. :)
RabidCh 3 years ago
WTC* (Well Temperated Clavier).. sorry
ilshatt 3 years ago
He isn't a pianist. He is a painter
hansmeyer111 3 years ago 2
да пианист он , пианист!, просто гениальный...и ещё он очень много работал
mmityok 3 years ago 8
The Best, just the Best!!!
levante83 3 years ago 2
yes.
ibclappin 3 years ago 4
My other favorite version of this is Pogorelich's recording with DG - I think all 4 scherzi, including the no.1 are just amazing to listen to.
her0esfan 3 years ago
Bravo sì, su questo non c'è dubbio, mi piace come interpretazione, ma preferisco quella di Yundi Li ;)
Sto provando questo pezzo (sono appena entrato al 5°corso °_°) ed è un casino, non riesco a fare la prima frase xD
Bravo ;)
MetalNicola 3 years ago
richter the best ever........but ashkenazy version is best of all over the world
massy1111 3 years ago
I usually do not like Richter's performance, but this one is the best Scherzo No.1 that I have ever heard. From the beginning, his touch and other things are just amazing.
BecsteinDude 3 years ago 5
Magical. Thank You, Truecrypt, for posting this.
janetvan83 3 years ago 11
russia
Galliano11 3 years ago
a. ma. zing.
borsch21 3 years ago 3
Richter at his greatest. He truly captures the Scherzando element of the Scherzi; listen Scherzo # 4!
billyguns2 3 years ago 4
What god inspired him to play like this? Never have I heard anything to compare. The "B" section from 4:16 moves me to tears with its beauty. How can the movement of ten fingers reveal the magnitude of the universe? All that is needed is to listen.
mal8739 3 years ago 11
The B section really sang.
aewanko300 3 years ago 6
Many pianists play that section to fast, Richter's version is perfect!
SecaMartin 3 years ago 5
Exactly, Richter makes it sound just like a carol! It's incredible.
weikko79 3 years ago
bravo!!
flute1982 3 years ago 3
Magnificent! There is a real sense that anything is possible when one listens to Sviatoslav Richter-- the whole paradigm shifts to color, drama, magic and the adventure of being alive.
willistara 3 years ago 7
well said..very well said,my friend...the incredible adventure..the unfathomable adventure of to be alive..already alive!!!!
Ankhsnammon
Ankhsnammon 3 years ago
A masterly performance. Bravo!
paulostroff99 3 years ago 2