The perfectly measured buildup that starts to really kick into high gear around 8:54, and the subsequent orgasmic climax that happens at 9:24, are pure, signature Shostakovich-ian bliss, and constitute one of my favorite stretches in all of music. And nobody tops Rostropovich's understanding of this piece.
Just total and utter bliss. Dearest Rostrpovich your love of the Cello is truly missed. No one has ever played with the passion and understanding of the sanctity of sound as you do.
The second concerto has a weak first movement. It is too long and lacks musical and developmental interest.
The rest of it is possibly the most personally revealing music he ever wrote.
(the section 1:41-1:54, for me, shows all the anguish and sadness shostakovich felt through all his life. He was so sad, yet he wasn't able even to express his grief, because of the obscene government, and the environment in which he lived.)
I was astonished and could barely believe it when I first heard this piece. Gripped from the first note to the enigmatic last. Unbelievable. What it must have been like to be there.
Great teeth gnashing at 9:30 and thank goodnes the mistake in the score that the snare drum plays during the high cello entrance after the wood slap is corrected : It should be , and here is, the tambourine: it has more venom in that snake! A recent performance in Berlin has the snare drum playing this passage with Yo Yo Ma :-( It's wrong in the score! But shostakovich was at this performance , I assume... Lynn Harell
I think that the tremolo of the tambourine in the cadenza (0:40) is the more difficult that the part of the cello, 53 seconds of tremolo is not easy to play xD
@danielgdecastro Usually, when I perform it I ask that two players play the tremolo one at a time ,of course but so each can rest and come in and give the other a rest. This way it can stay fast during the whole passage. ;-) Lynn Harrell nice that at 602 the ritard is played: it is missing in some of the material.
I'm so thrilled to discover there is film of Rostropovich playing this genius piece...does anybody know if there is film of Oistrakh playing the 2nd violin concerto? That would be too good...
Man, Shostakovich's orchestral colours were so fantastic during these years! Just love the squirmy lines and dark template. And that loopy, ecstatic, baroque climax... SO, SO incredible! This video made my week.
Lol in the "related videos" bar, the title of this video is shortened to "Rostropovich plays Shostakovich's Cello" which is something completely different from what this actually is
Rostropovitch was so fantastic throughout his best playing years. I never heard such a great cellist. I heard him during the earlier years many times in London. He was like from another planet.
Not quite - There are about ten more pages of score to the end of the piece. You've seen the big climax of the movement, the rest is basically winding down with the Cello growing quieter amongst Pizzicato Double Bass and that haunting percussion rhythm, ending on a low D.
@Emusic18 Agreed. This one movement, with its surprises, its distorted memories of more conventional concerto licks, is one of the most remarkable and modern in all Shostakovich. It takes a true music lover, or a fellow composer, to assimilate just how beautiful and unusual this third movement is.
Ah, just squeezed the chaos in there. I was scared for a minute there that it would not make it to the greatest 30 seconds of music for all time there.
I've always thought that part is one of the most powerful orchestral tutti ever written.. glad to hear other people share my view! I wish this piece were more well-known.
This is absolutely fantastic playing. After hearing him live several times during his very best playing years in London,there was truly never anyone quite like him.He was unbelievable and had an incredibly large repertoire.
The perfectly measured buildup that starts to really kick into high gear around 8:54, and the subsequent orgasmic climax that happens at 9:24, are pure, signature Shostakovich-ian bliss, and constitute one of my favorite stretches in all of music. And nobody tops Rostropovich's understanding of this piece.
DanWallaceMusic 1 month ago
Just total and utter bliss. Dearest Rostrpovich your love of the Cello is truly missed. No one has ever played with the passion and understanding of the sanctity of sound as you do.
44448100 4 months ago
The second concerto has a weak first movement. It is too long and lacks musical and developmental interest.
The rest of it is possibly the most personally revealing music he ever wrote.
(the section 1:41-1:54, for me, shows all the anguish and sadness shostakovich felt through all his life. He was so sad, yet he wasn't able even to express his grief, because of the obscene government, and the environment in which he lived.)
god bless Slava.
PTCello 6 months ago
I was astonished and could barely believe it when I first heard this piece. Gripped from the first note to the enigmatic last. Unbelievable. What it must have been like to be there.
woofti 9 months ago
@woofti
AMEN!
Great music grabs us and shakes us, teaches us. reveals truth to us.
You are correct. what a thing to have seen!
PTCello 6 months ago
Great teeth gnashing at 9:30 and thank goodnes the mistake in the score that the snare drum plays during the high cello entrance after the wood slap is corrected : It should be , and here is, the tambourine: it has more venom in that snake! A recent performance in Berlin has the snare drum playing this passage with Yo Yo Ma :-( It's wrong in the score! But shostakovich was at this performance , I assume... Lynn Harell
lynnharrell 11 months ago
Great!!! all hell breaks loose at 903 and afterwards. Obviously, they all know Bublicki Rublitchky (Sp?) and it's significance! Lynn Harrell
lynnharrell 11 months ago
I think that the tremolo of the tambourine in the cadenza (0:40) is the more difficult that the part of the cello, 53 seconds of tremolo is not easy to play xD
Awesome document.
danielgdecastro 1 year ago
@danielgdecastro Usually, when I perform it I ask that two players play the tremolo one at a time ,of course but so each can rest and come in and give the other a rest. This way it can stay fast during the whole passage. ;-) Lynn Harrell nice that at 602 the ritard is played: it is missing in some of the material.
lynnharrell 11 months ago
why is audio cut at 0:41 and at 9:44 also??
chocovni 1 year ago
epessina 1 year ago
Could you please upload the last part? the last 5 minutes.. please..!!!
FfAaTtaLlBbaZzuKka 1 year ago 3
1:55-2:55 is a wunderful and mysterious moment with the flute. Schostakovitch is a great man.
raphung 1 year ago 2
I'm so thrilled to discover there is film of Rostropovich playing this genius piece...does anybody know if there is film of Oistrakh playing the 2nd violin concerto? That would be too good...
vanpitt 1 year ago
Man, Shostakovich's orchestral colours were so fantastic during these years! Just love the squirmy lines and dark template. And that loopy, ecstatic, baroque climax... SO, SO incredible! This video made my week.
ddsoco 2 years ago
isn't there a part 4??
anisometropie 2 years ago 2
Lol in the "related videos" bar, the title of this video is shortened to "Rostropovich plays Shostakovich's Cello" which is something completely different from what this actually is
AbsoluteZ3R0 2 years ago
Rostropovitch was so fantastic throughout his best playing years. I never heard such a great cellist. I heard him during the earlier years many times in London. He was like from another planet.
cattleman6420012000 2 years ago 3
Thanks a lot, shavkatikk. Do you know orchestra and conductor?
javierqatar 2 years ago 2
So, The hall is "Bolishoi Zal" of Moskov Konservatory, the conductor is Evgeni Svetlanov, ant I guess that´s the Moskov Philarmony...
lawrentii 2 years ago 2
Brilliant so far, but what happened to the last bit? Where is part 4?
massivegayshite 2 years ago 8
yes
shlomzion 3 years ago 2
is that how it ends???
swimmer1215 3 years ago
Not quite - There are about ten more pages of score to the end of the piece. You've seen the big climax of the movement, the rest is basically winding down with the Cello growing quieter amongst Pizzicato Double Bass and that haunting percussion rhythm, ending on a low D.
DSCHShostaMaestro 2 years ago
@DSCHShostaMaestro please, show us, because it´s like Quichote, it´s a great finale!
allegrettus 2 years ago
@DSCHShostaMaestro it´s like a big inner reconciliation!
allegrettus 2 years ago
Xylophone.
Kurtyoungblood 3 years ago
Personnally, I prefer Kyril Rodin's performance. This is my favorite DSCH concerto.
Lovetoalemon 3 years ago
I agree.. that's one of my favorite albums. 1st concerto is awesome no doubt but only a true shostakovich fan will rate no 2 on top
releasethefrogs 2 years ago 11
I love this movement the other movements aren't as interesting, but I love this movement. Rostropovich is incredible. Impeccable playing.
Emusic18 3 years ago
@Emusic18 Agreed. This one movement, with its surprises, its distorted memories of more conventional concerto licks, is one of the most remarkable and modern in all Shostakovich. It takes a true music lover, or a fellow composer, to assimilate just how beautiful and unusual this third movement is.
Schell77 1 year ago
Ah, just squeezed the chaos in there. I was scared for a minute there that it would not make it to the greatest 30 seconds of music for all time there.
hesingshesobs 3 years ago 3
I agree.
Arodang 3 years ago 2
I've always thought that part is one of the most powerful orchestral tutti ever written.. glad to hear other people share my view! I wish this piece were more well-known.
releasethefrogs 3 years ago 3
Agreed.
hesingshesobs 3 years ago
Thank him!!!He was a fantastic professional!!!
letsfacetherythm 3 years ago
Effortless, Sheer Genious!!!
theoldlefthander 3 years ago
No words Just Thank-You!!!!!
theoldlefthander 3 years ago
THANK YOU!!!!
celloproko 3 years ago 2
This is absolutely fantastic playing. After hearing him live several times during his very best playing years in London,there was truly never anyone quite like him.He was unbelievable and had an incredibly large repertoire.
cattleman6420012000 3 years ago
Rostro is God..........
But what a fantastic, really great Conductor!
Swetlanow of course.
Thanks for posting!
Michael
MichaSchlechtriem 3 years ago
Thank you! Can't see clear who is conducting... Svetlanov?
ritaviolin 3 years ago
Thank you!!!
imusiciki 3 years ago