Added: 11 months ago
From: BlackPondFilm
Views: 15,783
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  • My life is meaningless because I am incapable of laughing like that.

  • Saw this film at the BFI Future Film Festival. Laughed and thought about everything in it through to the end. A magnificent film, and alongside Submarine, Tyrannosaur and Coriolanus shows that British film is going to kick some serious ass in the future.

  • This film is so much deeper/funnier/grander/more poetic/philosophical/emotional­/generally awesomer then the trailer.

  • So real/ Just reality, real lives, in a real story. Not glamourised, gritty, harsh, depressing. Real.

  • @BaubleRob @callendrellist Which scene breaks the 180 rule? The car window scene? I'm not sure how that is. Is it because they're both on the left of screen?

  • Yup, seeing this for Amstell as well, hope he's in it a lot.

  • does anyone know where i could find this film, ive looked everwhere!!!

  • ugh i pray to god that this will show here in the US soon. simon amstell is my spirit animal <3

  • Chris fucking Langham finally back! Now when will Ianucci bring him in from the cold for The Thick Of It? Such a brilliant actor.

  • Looks great. Mainly going to see Chris Langham working again. Also, fuck yeah, Simon Amstell. <3

  • OOOh looks interesting.Great to see Chris Langham back, total fucking injustice done to him!

  • i will go to see this just for Simon Amstell, so Freaking HOT!

  • I for one can't wait to see this, I might even pay for a cinema ticket!

    Be interesting to see Langham again.

  • baublerob...trying to send end of that reply but it won't work..!

  • Could anyone tell me what the music at the start of this trailer is?

  • When the edit crosses the line at the beginning of the trailer it hardly inspires confdence

  • @BaubleRob

    Thing is, I only see that now that you pointed it out. But, now that I see it, you're right.

  • @BaubleRob Yeah, but not crossing the line is not a cast iron rule. They have crossed the line and it still works perfectly well - there is no sense of disorientation, loss of geography, or jarring. Filmmakers often cross the line, for both formal and non-formal reasons - not being a slave to the rule is just as often a sign of good filmmaking as it is of clueless filmmaking.

  • @callendrellist Yes, the best filmmakers aren't slaves to rules, but this rule is a very basic one and I disagree that filmmakers often break it (I would genuinely like to see examples). Also, when any 'rule' of filmmaking is broken, you need a convincing reason. Admittedly we're not watching the whole movie here, so perhaps it's not fair to comment just yet, but I see no good reason for the rule being broken on a simple shot-reverse-shot like this. Can you name one?

  • @BaubleRob Sorry, had a quick look at clips from movies that I remember breaking the rule (jungle fever, JFK, Last of the Mohicans etc) and couldn't find one (its quite difficult without remembering the exact scenes, although in JFK I remember it happens during the 'thru the looking-glass scene', just couldn't find the video of the scene. So I looked at The Insider for an example (I was mostly looking at movies that I remember crossing the line and that were also very 'talky' as they are...

  • @BaubleRob Sorry, had a quick look at clips from movies that I remember breaking the rule (jungle fever, JFK, Last of the Mohicans etc) and couldn't find one (its quite difficult without remembering the exact scenes, although in JFK I remember it happens during the 'thru the looking-glass scene', just couldn't find the video of the scene. So I looked at The Insider for an example (I was mostly looking at movies that I remember crossing the line and that were also very 'talky' as they are...

  • @BaubleRob (at 1.33 min, chris casenove screen switch)

  • Ah! it won't let me reply with a youtube link! Ok, there is a clip from The Insider (Pacino Speech) posted by Chico31. At 1.33min, they cross the line and Chris Cazenove screen switches. There is no motivation for the switch, and they revert back to the original line straightaway. It's a small example and I'll send some more later, if you like?

  • @callendrellist OK, thanks. I wouldn't comment on whether every shot in that Insider scene is a good or bad choice, but I think when you have four actors talking it's harder for both the audience and the cinematographer to know where the line is, and hence when it's crossed. Same thing in the opening scene of Reservoir Dogs. With only two actors in shot-reverse-shot? More likely to be a mistake, I think.

  • @BaubleRob I think its pretty easy for the director and/or cinematographer to know that the line is between Pacino and the other guy standing up in most of that scene. New lines are established later in that scene and they choose to stay over Pacino's right shoulder for all of them. In the main it effectively plays out as a two actor shot-reverse-shot thing. Yeah, I was thinking about looking at R. Dogs but didn't coz had vague memory of the circling camera which would just complicate matters.

  • @BaubleRob I think you generally made a good point about crossing the line, the only thing I really would say is that as audiences over the decades have become more sophisticated/educated in cinematic grammar we tend to accept more visually.

  • Looks interesting, not sure about simon amstell though

  • IT'S F#$@&$*@*$G SIMON AMSTELL!!!

  • Sounds like a dramatic and artsy version of A Film with Me in it.

  • OMG i cant wait for this :DDD <3 I LOVE YOU WILL SHARPE

  • Love the new no- tv -bullshit-sexy-glasses Simon . sexy! can't wait for the film.

  • Simon Amstell I miss you.....

    but this?

  • @yacrazydiamond :-( It seems more depressing/weird than what I'd normally watch, but I miss Simon so much I'll watch it :-P

  • @kaitzi I will too lol ....though it looks like a bunch of not particularly talented film students made this :/

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