Added: 3 years ago
From: furrytummy
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  • Great vid mate, Thank you..

  • Thank you for your response furrytummy. I'll get this wobble in time! :)

  • On your first wobble in the video, the cheek wobble, are you using your tongue at all? Thank you.

  • @travelhomeandgo : Yes, I use it every expiration. Infact one important thing in wobble is producing a strong and clean high harmonic (like to say "iii") to set it apart from the "simple" base drone.

    If you don't you obtain a kind of "dull wobble".

  • Do you breathe eatch time you drop air from your mouth ? Because initially those are circular breathing techniques. When i do that fast, i feel i'm breathing and getting air too much.

  • @MeditationProfonde : Yes, I'm breathing every time.

    It's not compulsory, but suggestable, for me, to breathe everytime or however to do it "symmetrically". I mean that breathing should follow a rithm too.

    If you are getting too much air is normal, you'll get used to air management by practicing. Just try some different combinations: berathing eveytime, one yes and one no, two yes, one no, two no, one yes... Breathing slow, fast, deep, with different parts of lungs... ust experiment.

  • damn that's the longest fart I've ever heard in my life, lmao.

  • @jcmnica2007

    if your farts sound like that you should get to hospital straight away!

    didgeridoo fart jokes are soooo old and pathetic, that only silly tossers use them these days!

    i doubt if 8 year olds would still get a chuckle out of them.

  • @didgerimbu : Please, read the video informations and the latest comments...

  • You need a good quality responsive really good eucalyptus to pull this off right.

  • @Toddthedidger : To be honest the best kind of didjes to make a wobble effect are cilindrical made with a non porous material... Like a pvc pipe.

  • @furrytummy

    Thats good, it makes that alot more affordable!

  • @Toddthedidger : Glad to hear this from you... I'm learning to be a good teacher. :-)

  • @furrytummy

    You are right about that!

  • no matter how fast i go i cant get to the point where the sound flips......

  • @widgeriwoo : It's not easy to understand by written word... Anyway, try to mark more on the high harmonics. "Uo - iii, uo - iii" where "uo" stands for the inhalation and "iii" the high harmonics. It could also depend on the kind of didje you have. To make a claner sound cilindrical (or near to cilindrical) ones are better.

  • @furrytummy Thanks for that...i have a yidaki so maybe its not that easy on this instrument!!!! Cheers.

  • @widgeriwoo : Yes. Yidakis are conical. Better to play percussive/tooting, lower in harmonics. Also, if the inside is not varnished the instrument is more porous, so it's more soundproof, ans the sound is more voiceless. So, perfect for traditional aboriginal style. If you prefer a claner sound you should varnish your yidaki with some not toxic varnish, or, as aboroginal kind do, put it into the water!

    Both systems are a bit... Exaggerated maybe.

  • If you oil it very often and play it a lot it becomes less porous.

  • @furrytummy yea i think im gonna buy something that suites a more modern style of play.

  • @furrytummy Thanks for that mate. I really love trad style but i am strating to look into a more modern style of playing, markus meuer is someone who i think has a really nice style. Thinking of buying a new didge from didgeridoo breath which would be more suitable more a more modern style. thanks for your help!!

  • I got it i think...

    The second rhythm is following: di dowa - di dowa - di dowa, .... (breath on wa)

    The third one: do howa-do howa-do-howa (breath on wa)...

    is that right?

  • @derzugfahrer : No. If you say "D" you are making a staccato. In these samples I'm just using my diaphragm. Anyway, it's not important! These is simply very fast circular breathing! To get the "water like" sound be sure to make very clean high armonics.

    If you really want to (but I suggest not to, it's unuseful caos) see this as a phrase it would be:"Hn i, hn i, hn i (insp i, insp i, insp i...)... And so on. They're just a simple circular breathing. :-)

  • what key is that didge in ??? sounds great :)

  • Im sorry, Im not sure if I realy understand.

    The cheeks wobble is just to do the ee-oo circular breathing very fast?

    I need to use the diaphragm ha-ha or something like this?

    I realy apreciate if you can help me with this doubt.

    Thankyou a lot!

  • @LostWords : I don't understand what you mean by "ee-oo" and "ha-ha".

    Anyway I think that every other think you need to know about this techniques is written donwn the other comments. Just read all of them. :-)

  • THANK YOU.

  • This is great - thank you for posting.

  • Sweet man, this is a great tut! Gives me some more explanation about the next step for me =) Cheers and thanks!

  • woow:-)

  • Excellent video dude. I've been trying to figure out how to do the cheek wobble and your video gives a great close up showing the circular breathing with it. Thanks man.

  • With the cheek wobble, when the sound starts to "flip" is that all coming from your diaphragm (like "HaHaHa, HaHaHa, HaHaHa") or is it coming from making a "Ti Tu Wa, Ti Tu Wa, Ti Tu Wa" sound with the tongue?

    Im having a really hard time!

  • @amsterdamob : In this video sample I'm just using the diaphragm, but I wouldn't say "HAHAHA, HAHAHA...", I'd rather say "H-H-HN" (this could seem the same, but it's not exactly).

    If you want to do it using your tongue you can do it, but you're using diaphragm as well. You always use diaphragm. Anyway with tongue you should think to "T-k-Wa", infact double tongueing staccato "t-t" is harder than "t-k", which is more... Singing! :)

  • Where can i learn to do that ? I see your cheeks move but i would like actual explanations to do this "trance like" song.

  • These are simple circular breathing base grooves simply made very fast.

  • really nice explanation =)

    I agree, tongue respiration is the most difficult !!!

  • I dont know how exercise 2 woks... The cheek wobble works already for me...

    thx

  • Instead of using your cheeks to keep air you move your jaws down keeping your cheeks still.

    Every time you inhale move your chin in the direction of your feet.

    Hope to be useful. :-)

  • Very helpful! Thanks.

  • I'm frustrated at the 0:14 - 0:15 part .. i'm stuck juuust before that !

    Anyway, thanks a bunch for the (2008 wow) video.. I'll keep on practicing ..

    Good info in the comments too !

  • So the rhythm isn't just coming from moving your cheeks? You're triple tonguing as well yeah?

  • No no, the sounds comes from moving my cheeks. Actually when we circular breathe we use to move our tongue to better push the air from the bottom of the palate to the front teeth, anyway this is not the triple tongueing. If I was triple tongueing the sound would be staccato, but without losing the wobble sound. This is what Gaulthier, Zalem, Mark Robinson do! :-) Here I'm posting a video explaining this... So, stay tuned, ok? ;-)

  • master!

    i appreciate it a lot!

  • muchas gracias compadre la verdad me ayudo mucho !!!

    thanks a lot dude, you where very helpful for many people arround the globe, like the guy before said im gonna practice... and practice... and practice !!

    cheers fron CHILE !!

  • Firstly: TY TY TY for this lesson...I have been trying to find out how it is done for a little while now...this helps a lot.

    Secondly...Do you recommend going slowly for a bit at first to learn how to integrate the rhythm of the circular breathing?

  • and, oh yeah...is the circular breathing an element in the flip? It sounds like you are taking a breath with each "wi-wo" pair.

  • Yes, I breathe every beat. It's better to do this for "balancement" reasons, I think. I think that, when you can, it's better to breathe. We must have care of our body... :-)

    And, yes, I go slowly to learn how to integrate the rhythm in the breathing but mainly to make the movements of my mouth better recognisable. I personally think that a good way to learn is imitating.

    Bye bye! ^_^

  • well done on this video very good now thats teaching from a old player

  • Wow. Makes me wanna dance in the dust!

  • Hey Furry,

    I have practiced a lot and sometimes it works, but it takes a lot of back pressure from the didge. It's hard to keep the rhythm flowing.

    Nevertheless Thanks again!

  • Hello. ^_^ Glad to hear that you are getting it.

    Yes, you need a high backpressure didje. In fact I have a very good eucaliptus didje from queensland, with cool sounds but bad backpressure: I don't play it anymore. Yidakis from arnhem land are normally better or if you don't have too much money you can buy something like mine.

  • i have been looking for a video such as this one for long time but still its better to explain what you\say inside the didgeridoo so it will be more clear i am sure you have heard the term "didgeridoo articulation" example "taka ta taka ti"

    in this way its more clear to understand what you are actually playing Cheers and hope to see a response :)

    happy diding

    Ariel

  • Hi, thanks for your wish. :-)

    I'm saying nothing in the didje. The "taka tai" like sounds are tongue percussions. Here I'm simply executing the three main circular breathing techniques very fastly. You can notice that when I play slowly the sound is a "normal" circular breathing groove. Once you start speeding up the sound seems to "flip" giving a tremolo sound that someone (Charlie McMahon first) called "wobble" (I edited the informations in the right part of the page).

  • Anyway wobble himself is not exactly a precise technique, you can obtain it in many ways. These are a few (the ones I can execute properly). There's a very cool (but very difficult too) kind of wobble made vibrating the diaphragm very very fast. Hear this... That's amazing: h t t p : / /w w w . my space . co m / bratamobbu

    Listen to the song "in a brata".

  • hi again

    furrytummy thanks a lot for the

    info appreciate it :)

  • This video is great thanks for the spit knowledge! Now for me to PRACTICE:D

    cheers

  • Nice video, good camera angle.

    Nicely done

    :)

  • thank s man

    peace

  • hey man, how did you do that sound at 1.00m to 1,10m????

  • Hi.

    That's called a toot. Toots are trumphet like sounds that you can obtain from every kind of pipe with the trumphet technique. Didjeridoos normally have three toots: the first is pretty simple to do, the second and especially the third are more difficult. The technique is similar to the "normal" didje technique to do the base sound but you have to keep your lips hard, not smooth. Not like the "horse cry" but more like a buzz.

  • Spettacolo!!!! Questo è uno strumento dal suono affascinante,e tu sai suonarlo anche bene,io ci ho provato una volta ma era meglio se lo usavo come cannuccia per bere un bel boccalone di birra!!

  • Hey,

    Thanks for the quick answer! This looks VERY helpfull. Very clear also!

    I'm gonna practice...and practice.....and practise.

    Thanks again.

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