These days are very sad. This Lady too hass left us. But only on this worls. Her stellar voice and gigantic work shall remain 4ever! Thank You, Ms Verrett, respectfully, You'll live in our souls! R.I.P
her top notes are so furious...so wonderfully done!!! she has such a sweet countenance in her interviews. where does this fire come from? i love it!!! love it, love it, love it!!!
Un fil di Voce!!!!!!!!!!!!!! I have jet to hear any other singer Out sing this............ Brava Diva.... thank you for your hart work and respecting the composers Shakespeare and Verdi. This is just THE BEST!!!!!!!!!!!!!!!
Peccato che il sonoro sia cosi' in anticipo rispetto al movimento corretto delle labbra.Non e' un buon servizio per la signora Verrett,che trovo sempre affascinante.
She is still very good here, but having seen and heard her in 1978 at La Scala in this role when she was in better vocal shape, THAT'S a performance which i will never forget! Unfortunately she was bad in the Italian of the letter, that's why in the Scala production they had the a man's voice reading the letter for her, as she was rememembering it.
WOOOO-HEEEE ! LOL What a performance ! At exactly 7 MIN 12 SEC she steals 2 counts (7:07) ... realizing this she must have thought "What the hell did I just do here... ?" LOLOL but who cares ? it s just funny ... Since I listened to the 1986 recording with Chailly for the movie I can only listen to her in these arias . I listened to the VHS sooo many times . When I saw the recording on CD I almost shouted in the HMV store LOLOL . And now the movie is out on DVD . Perfect ! Great great singer !
You need strengh when you sing such an aria. That's why it is called a "drammatico di forza", this part. You haven't heard the sound in live, it filled the hall completely.
Apart from that, Verrett spoke about her shoulder breathing at a time in her career, because of a fung infection in the lungs for years.
I like this. Very captivating. I like the way her voice sounds also, it's not shrieking and even though when you watch her its dramatic, her voice flows, its not too breathy, forced or over dramatic like I see in some other performances. I would love to hear her sing te habanera.
In my opinion Joan was a lyric and a dramatic coloratura and I always thought that singers who sing roles like Lucia di Lammermoor, Queen of the night (early in Joan's career), Semiramide, Amina (La Sonnambula), Elvia (I Puritani)... can be classified as a dramatic coloratura soprano. And being a dramatic coloratura soprano does not rule out to be capable of "agilittà".
you're crazy bro, if sutherland wasn't dramatic coloratura, I don't know what is. it's true that joan's singing style was rather lyrical, but that's because she was the queen of bel canto sopranos. joan's voice was like a mighty tempest. this role is written for a much lower type of soprano (in fact, many of the best lady macbeths have been mezzos).
Joan Sutherland is dramatic. listen to her sing Odabella or even Turandot with ease and poise. she sounds lyrical because her singing is natural and never forced at any time the way most dramatic sopranos like to do. a true dramatic voice should sound someone lyrical if the music they are singing is florid and has long legato phrases
Sorry buddy..Lady Macbeth IS NOT a dramatic coloratura role! Dramatic Coloratura roles are Norma, Constanze (abduction-Mozart), Ana Bolena, Lucrezia Borgia..etc..BUT of course, a dramatic coloratura will BE perfect for Lady Macbeth. This role has some fioritura, yes, but it is not a dram.colo role.
Verret, Dimitrova, Makris, ALL SANG THIS ROLE WONDEFULLY AND ARE NOT DRAMATIC COLORATURA!
Soprano Dramatico Coloratura is not the same as a Soprano who CAN do coloratura! SOPRANO DRAMATICO COLORATURA HAS OTHER QUALITIIES IN THE VOICE THAT QUALIFY THEM AS SUCH:
CHECK: EDDA MOSER, MARISA GALVANY, CRISTINA DEUTEKOM AND OF COURSE CALLAS. THEY ALL HAVE THEIR BEAUTIFUL HIGH RANGE TO REACH Eb and even G's!!!! yeah...you're wrong!
that's true, they "contained" more fioritura compared to AIDA, OTELLO OR BOCANEGRA...IT IS TRUE WHAT YOU SAID. He did always use coloratura with darker almost MEZZOish voices for EVIL Characters,,,notice that from Abigaill and L. Macbeth!!! also you might know that G.Strepponi was Verdi's early inspiration and she is the one I believe that sang these early roles first. In a way you can say a Dramatic Coloratura sings these roles best, but they are not ONLY sang well by those.
that's true, they "contained" more fioritura compared to AIDA, OTELLO OR BOCANEGRA...IT IS TRUE WHAT YOU SAID. He did always use coloratura with darker almost MEZZOish voices for EVIL Characters,,,notice that from Abigaill and L. Macbeth!!! also you might know that G.Strepponi was Verdi's early inspiration and she is the one I believe that sang these early roles first. In a way you can say a Dramatic Coloratura sings these roles best, but they are not ONLY sang well by those.
and what's your opinion......have you loked into the score of Macbeth and Norma to compare them? I HAVE! That's why I am so strong on my point. Sorry it came across like that. But you see, Caballe on an interview said the WORSE role for her was I believe Roberto Devereux and not Norma. On the other side Callas quoted Lily Lehmman who said, "prefred sing 5 wagner roles as opposed to 1 Norma"...so you see...some might say Lady Macbeth IS a Dra.Colo role..so it is solely my opinion after my analyse
I do believe Roberto Devereux was difficult for Caballe due to the intense coloratura.
Norma requires BOTH coloratura and some heft in the voice (among other even more qualities). Damrau (arguably a lesser singer than Caballe) could possibly do R Devereux but NOT Norma.
And Lilly Lehman said that about Norma & Wagner due to the nature of her voice. I'm sure Caballe would rather do 10 Normas than sing a single Brunhilde.
La première Lady Macbeth que j'ai jamais écouté, sur disque vynil, deutche gramophon : une violence intérieure qui explose dans ces pages !!!
drodde5607 1 month ago in playlist Favorite videos
Is this badly lip-synched? Her lip movements and the music don't match.
Great lady and great singer indeed.
Chayastri 4 months ago
I wish she would of done Abigaille....
TerrancePogue 1 year ago
Thats exactly what i mean....dear foropera !and im sur angels are so hapy to hear her! something i ll never have the oportunity to do it live...
kotsaika 1 year ago
she breaths with chest but she is perfect for Lady...Imagin if she use more her diafragma!
kotsaika 1 year ago
even she breaths with chest and she use not much diafragma her voice is brilliant!
Her own technic fits good to LADY.....
kotsaika 1 year ago
Comment removed
foropera 1 year ago
Che grande artista, bravissima e bellissima
PatagaiaBarrosa 1 year ago
These days are very sad. This Lady too hass left us. But only on this worls. Her stellar voice and gigantic work shall remain 4ever! Thank You, Ms Verrett, respectfully, You'll live in our souls! R.I.P
Coloraturissimo 1 year ago
her top notes are so furious...so wonderfully done!!! she has such a sweet countenance in her interviews. where does this fire come from? i love it!!! love it, love it, love it!!!
couturesixfour 1 year ago
a real dramatic coloratura e punto who not understand,you can not change not lose your time,da vero una vera dramatico coloratura e basta!
mmisaku 1 year ago
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Un fil di Voce!!!!!!!!!!!!!! I have jet to hear any other singer Out sing this............ Brava Diva.... thank you for your hart work and respecting the composers Shakespeare and Verdi. This is just THE BEST!!!!!!!!!!!!!!!
waterfordwinstons 1 year ago
One of the best Lady Macbeth's ever...BRAVA
BravoLucero 1 year ago
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Verrett always owned everything she sang .Always the best at everything she sang.
BravoLucero 1 year ago
Peccato che il sonoro sia cosi' in anticipo rispetto al movimento corretto delle labbra.Non e' un buon servizio per la signora Verrett,che trovo sempre affascinante.
isabella1954able 1 year ago
I like... she has better high C's then most sopranos.... nice and full!!!!
TerrancePogue 1 year ago 3
She is still very good here, but having seen and heard her in 1978 at La Scala in this role when she was in better vocal shape, THAT'S a performance which i will never forget! Unfortunately she was bad in the Italian of the letter, that's why in the Scala production they had the a man's voice reading the letter for her, as she was rememembering it.
xafnndapp 2 years ago
She must've practiced the "man's" voice reading the letter, as this was done some 3 years after...sounds good to me!
Chasson0318 2 years ago 2
Are talking about the Italian of the reading?..If you are, it's not good at all!
xafnndapp 2 years ago
"Good", by whose standards?
Chasson0318 2 years ago
@Chasson0318 by someone who is Italian.
xafnndapp 2 years ago
Holy crap, this is what great opera truly is. What a mesmerizing performance.
BorisGodunov 2 years ago 6
WOOOO-HEEEE ! LOL What a performance ! At exactly 7 MIN 12 SEC she steals 2 counts (7:07) ... realizing this she must have thought "What the hell did I just do here... ?" LOLOL but who cares ? it s just funny ... Since I listened to the 1986 recording with Chailly for the movie I can only listen to her in these arias . I listened to the VHS sooo many times . When I saw the recording on CD I almost shouted in the HMV store LOLOL . And now the movie is out on DVD . Perfect ! Great great singer !
miuzefreak 3 years ago
hummm i wonder if its just her being dramtic or if its tention in her throat and shoulders
immature0916 3 years ago
You need strengh when you sing such an aria. That's why it is called a "drammatico di forza", this part. You haven't heard the sound in live, it filled the hall completely.
Apart from that, Verrett spoke about her shoulder breathing at a time in her career, because of a fung infection in the lungs for years.
foropera 3 years ago
it's neither, but rather, her breathing technique. By keeping that position, everything is kept very efficient.
UrsulanChild 2 years ago
I like this. Very captivating. I like the way her voice sounds also, it's not shrieking and even though when you watch her its dramatic, her voice flows, its not too breathy, forced or over dramatic like I see in some other performances. I would love to hear her sing te habanera.
kmcha1442 3 years ago 2
Whenever I want to get inspired I listen to this! Shirley does it for me every time!
Chasson0318 3 years ago
YES VERRETT!
TreblesBasses 3 years ago
Very impressed Mrs. Verrett
oprah22 3 years ago 3
Shirley owns this aria.
benderpm 3 years ago 8
Very good,but her top was at this role the Scala rendition with Abbado conductor.
saverioorlando 3 years ago
Yes, indeed. The role fits Verrett like a couture glove. A wise choice for her vocal and dramatic gifts. Brava!!!
yes4albert 3 years ago 2
ok I have the answer to all of you,,,, This role is for miss Verrett and Callas only...... the end.
waterfordwinstons 3 years ago 2
I believe that lady Macbeth is a highly dramatic soprano role -which must, of course, have technical dispositions for coloratura.
Mrs. Verret is fantastic!
humaczenko 3 years ago
Is this a mezzo role? The tessitura is so low.
court0114 4 years ago
no it is a dramatic coloratura soprano role
mtenor 4 years ago
Did Joan Sutherland do this role?
court0114 4 years ago
No, never, this role is for a dramatico d'agilittà
Onegin65 4 years ago
Although Joan Sutherland was a dramatic coloratura soprana, this role maybe would have ruined her voice.
Klassizismus 3 years ago
Joan Sutherland was a lryc d'agilittà, never a dramatic her didn't have nor solidaded in central registry and bottom registry was almost nonexistent
Onegin65 3 years ago
In my opinion Joan was a lyric and a dramatic coloratura and I always thought that singers who sing roles like Lucia di Lammermoor, Queen of the night (early in Joan's career), Semiramide, Amina (La Sonnambula), Elvia (I Puritani)... can be classified as a dramatic coloratura soprano. And being a dramatic coloratura soprano does not rule out to be capable of "agilittà".
Klassizismus 3 years ago
BRAVO ONEGIN65!!! You hit the nail.
jclmiami23 3 years ago
@Onegin65
you're crazy bro, if sutherland wasn't dramatic coloratura, I don't know what is. it's true that joan's singing style was rather lyrical, but that's because she was the queen of bel canto sopranos. joan's voice was like a mighty tempest. this role is written for a much lower type of soprano (in fact, many of the best lady macbeths have been mezzos).
PS: what is a lyric d'agilita?
raigekimaru 1 year ago
@raigekimaru PS: what is a lyric d'agilita?: That is Joan Sutherland
Onegin65 1 year ago
@Onegin65
Joan Sutherland is dramatic. listen to her sing Odabella or even Turandot with ease and poise. she sounds lyrical because her singing is natural and never forced at any time the way most dramatic sopranos like to do. a true dramatic voice should sound someone lyrical if the music they are singing is florid and has long legato phrases
raigekimaru 1 year ago
Sorry buddy..Lady Macbeth IS NOT a dramatic coloratura role! Dramatic Coloratura roles are Norma, Constanze (abduction-Mozart), Ana Bolena, Lucrezia Borgia..etc..BUT of course, a dramatic coloratura will BE perfect for Lady Macbeth. This role has some fioritura, yes, but it is not a dram.colo role.
pirocagrande 3 years ago
OF COURSE it is!
How can a soprano who doesn't have coloratura manage this cabaletta and the brindisi??
And on top of that, she MUST have a big dramatic voice.
So, Lady Macbeth is a SOPRANO DRAMMATICO COLORATURA.
xafnndapp 3 years ago
Verret, Dimitrova, Makris, ALL SANG THIS ROLE WONDEFULLY AND ARE NOT DRAMATIC COLORATURA!
Soprano Dramatico Coloratura is not the same as a Soprano who CAN do coloratura! SOPRANO DRAMATICO COLORATURA HAS OTHER QUALITIIES IN THE VOICE THAT QUALIFY THEM AS SUCH:
CHECK: EDDA MOSER, MARISA GALVANY, CRISTINA DEUTEKOM AND OF COURSE CALLAS. THEY ALL HAVE THEIR BEAUTIFUL HIGH RANGE TO REACH Eb and even G's!!!! yeah...you're wrong!
pirocagrande 3 years ago
You mistake "drammatico d'agilità" with "dramatic coloratura" which are two differents types of voice.
And anyway in the XIX century everybody was a "coloratura" singer at least in Italy.
foropera 3 years ago 3
all those early Verdi´s operas were kind of for dramatic coloratura sopranos.
ezayi 3 years ago
that's true, they "contained" more fioritura compared to AIDA, OTELLO OR BOCANEGRA...IT IS TRUE WHAT YOU SAID. He did always use coloratura with darker almost MEZZOish voices for EVIL Characters,,,notice that from Abigaill and L. Macbeth!!! also you might know that G.Strepponi was Verdi's early inspiration and she is the one I believe that sang these early roles first. In a way you can say a Dramatic Coloratura sings these roles best, but they are not ONLY sang well by those.
pirocagrande 3 years ago
that's true, they "contained" more fioritura compared to AIDA, OTELLO OR BOCANEGRA...IT IS TRUE WHAT YOU SAID. He did always use coloratura with darker almost MEZZOish voices for EVIL Characters,,,notice that from Abigaill and L. Macbeth!!! also you might know that G.Strepponi was Verdi's early inspiration and she is the one I believe that sang these early roles first. In a way you can say a Dramatic Coloratura sings these roles best, but they are not ONLY sang well by those.
pirocagrande 3 years ago
Déjala que se quede bruta. Está demente!
ezayi 3 years ago
The expert talked... We must remember he talked himself with Verdi. He told pirocagrande to instruct the world. What a lot of bull!
ezayi 3 years ago
and what's your opinion......have you loked into the score of Macbeth and Norma to compare them? I HAVE! That's why I am so strong on my point. Sorry it came across like that. But you see, Caballe on an interview said the WORSE role for her was I believe Roberto Devereux and not Norma. On the other side Callas quoted Lily Lehmman who said, "prefred sing 5 wagner roles as opposed to 1 Norma"...so you see...some might say Lady Macbeth IS a Dra.Colo role..so it is solely my opinion after my analyse
pirocagrande 3 years ago
I do believe Roberto Devereux was difficult for Caballe due to the intense coloratura.
Norma requires BOTH coloratura and some heft in the voice (among other even more qualities). Damrau (arguably a lesser singer than Caballe) could possibly do R Devereux but NOT Norma.
And Lilly Lehman said that about Norma & Wagner due to the nature of her voice. I'm sure Caballe would rather do 10 Normas than sing a single Brunhilde.
Liwah 3 years ago
unsurpassable!
niklausse 4 years ago
One of her best live performances ever!
Chasson0318 4 years ago
SUPERB!
wantok99 4 years ago
Viva La Nera Callas!!!
pirocagrande 4 years ago
this is my favourite role....and she is now my favourite diva to see and hear in this role!
creidhe 4 years ago
What a superb performance of one of the most taxing dramatic roles in verdian opera! Brava Verrett!!!
claudioalexenrique 4 years ago
Such a beautiful African Queen; a Magnificent singer and a dramatic actress, too.
benderpm 4 years ago
better than her recording from La Scala...she is so FIERCE!!!
jmahlon 4 years ago
i love her in this role
bigsteel83 5 years ago
oh HELL YES...
BeauTenor 5 years ago