Added: 4 years ago
From: mountainboss
Views: 13,523
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  • this is a pleasure to listen to.

  • gr8 cover. Could u please add the chords , I cant find them anywhere.

  • get er dun

  • i really enjoyed this

  • good job!

  • Great cover, great song.

  • one of my favorite songs, you should definitely  tab this for the rest of us souls out here :) would appreciate.

  • yeah this shit is hard and smooth at the same time

  • this might be the best comment

  • yeah the last time i used the restroom lol you know what i meant ha ha

  • A+!

  • AGREE WITH MOE

  • this is pretty good, i wouldnt be able to do that BUT, in my opinion you destroyed a bit phil elvrum's deep voice, and replaced it by some "backstreet boys" rythm and voice. it was too catchy for it to be microphones like.

  • I would hardly call elvrum's voice "deep"; if anything it's boyish. I agree though, this is a little more pop.

  • Can you tab this? This is one of my all time favorite albums.

  • Great cover, nice job.

  • amazing man, amazing

  • your voice.

    is frickin. great.

  • What kind of distortion are you using?

  • some kind of digital shite by the sound of it.

  • Wow! Great job man, awesome playing and love your voice.

  • insanely done

  • well fucking done.

  • this is mesmerizing and it is pwnage

  • Whoa this is really cool

  • what kind of distortion pedals are you using? usually when i do this i encounter feedback.

  • good job even all the idiosynchracies of Phil himself

  • this is amazing.

    good job

  • Looks like Em, Bm, then Cmaj7 played at the fifth, like x35000 from low to high

  • this seems right but i think the last c chord is x35400 it just sounds better to me that way

  • So great. Do you have the tabs for this? if so, it would be awesome if you could send them my way. Again, great work!

  • One of the few non-embarrassing cover on YOUTUBE. Please can you post the chords as I think you've nailed it pretty close! Come on!

  • awesome, which chords are you using?

    keep on the good work.

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