Excellent really, definitely grand. But like with Leontyne Price who sang this wonderfully, it's just a recital or concert version; like others have mentioned, Caballe's unsuited for the role in it's entirety. I prefer the icy blast of Birgit Nilsson, or the evil grandeur of Leonie Rysanek, Maria Callas and Shirley Verrett. Ghena Dimitrova is also electrifying. Caballe is good, but she doesn't thrill me as Lady Macbeth.
Absolutely correct. Callas had exactly the voice Verdi intended. He faulted the original singer Tadolini for being 'good and beautiful, but I would like Lady to be deformed and ugly.Tadolini has a marvelously bright, clear voice,but I would like Lady to have a stifled, hollow harsh, voice. The voice of Tadolini is that of an angel, the voice of Lady needs something of the devil." Tadolini=Caballe, Callas=devil. ;-)
Did Caballe sing the entire role of Lady M on stage or just this aria ? It was wonderfully sung, very grand but I agree with other comments here in that she doesn't fit the part. This was a Maria Callas deluxe role, and I also love Rysanek Nilsson, Bumbry, Verrett and Dimitrova. This is a devilish role that very few sopranos can actually handle. Caballe is too lyric for the part.
what is it about opera that makes so many non-talented people judgmental and ridiculous, i really should say petty and mean? she's great and you're not!! OMG, I just did it myself....................
I think Montse is great in this performance. She cannot take out the smoothness of her voice, but the low notes are great and the acting is well done just conveying the idea of remorse.
This nonsense about being too "lady like" for Lady MacBeth is just sexist claptrap that is smeared all over operaphile speak. Reminds me of the nitwit who wanted to argue that Dessay was better as Lakme because she was more "french," although the character is a Hindu princess. A great voice like Caballe's was perfect in this repertoire, and she sings this scene with command and presence.
@iriisblue bonjour, nous sommes sur un site qui permet de profiter de belles images et grandes voix,chacun a une idée differente ce qui est normal mais pourquoi traiter de crétin celui qui n'a pas les mêmes idées que vous?c'est domage,maintenant pour cette vidéo la voix de madame caballe est superbe c'est une des meilleurs dans macbeth, merci
@iriisblue As a huge fan of Caballe (and a woman myself) it pains me to disagree with you. The role of Lady Mac was originally meant for a deeper ... "rougher" voice. La Caballe is fantastic (in everything, really. Her and Diva Devia!), but her voice is so clear and refined, for some of us, she's not the right fit for the role.
That said, I'm not really complaining. Beauty is always appreciated.
I am always pleasantly surprised hearing her in something what was not her "typical" repertoire. Her Lady is very good. It is personal taste question whether Lady must be screaming and have only "dark thick" voice. Velvet smoky colour in Montserrat voice is good enought for me to imagine Lady Macbeth.
She is still one of the most versatile soprano of our century.
The thing about Caballe is no matter what she sang, her huge, matronly, dark but lyric voice took over even the text of the aria or the acting...this was the same with Leontyne Price..I think they were both very similar...Caballe didnt have a Lady Macbeth in her but she sings with her usual wonderful voice so we overlook it...
Amazing! Especially the phrase "E mai pulire e mai, e mai pulire, queste mani io non sapro" is sung really "con forza"! Moreover, my beloved D-flat major!
La Signora Caballe mi sembra troppo "materna" in questa scena, ricordiamoci che per questo ruolo Verdi voleva un voce ...brutta , diabolica...la Signora Caballe' possiede tutto tranne che una brutta voce
Some of the pictures included looked like live stage pics, just led me to think that perhaps she might have sung this role in the theater. I'm glad we have at least the sleep walking scene
Vocalmente suberba (compreso il re bemolle finale in pianissimo), nonostante i soliti suoni gravi gutturali, tuttavia ben controllati. Grande controllo, in più, niente scivolate. Ma l'interprete dov'è? Ci si scorda la Lady e si pensa solo alla voce. anche il fraseggio è tutto pensato in funzione del respiro, della voce: "chi poteva ... tanto sangue " - pausa per preparare il fiato successivo - "immaginar". Grande comunque, ma...un'occasione un po' sprecata.
That piano D-flat is astonishing - a far cry from her explosive verismo D-flats in Lucia.
gustopheles 4 months ago
Excellent really, definitely grand. But like with Leontyne Price who sang this wonderfully, it's just a recital or concert version; like others have mentioned, Caballe's unsuited for the role in it's entirety. I prefer the icy blast of Birgit Nilsson, or the evil grandeur of Leonie Rysanek, Maria Callas and Shirley Verrett. Ghena Dimitrova is also electrifying. Caballe is good, but she doesn't thrill me as Lady Macbeth.
OperaMystery80 9 months ago
Comment removed
gustopheles 1 year ago
@gustopheles
Absolutely correct. Callas had exactly the voice Verdi intended. He faulted the original singer Tadolini for being 'good and beautiful, but I would like Lady to be deformed and ugly.Tadolini has a marvelously bright, clear voice,but I would like Lady to have a stifled, hollow harsh, voice. The voice of Tadolini is that of an angel, the voice of Lady needs something of the devil." Tadolini=Caballe, Callas=devil. ;-)
pproust 10 months ago
Superbement chanté, bien sûr, mais comme Medea, comme Gioconda, et à l'autre extrême comme Lucia ou Fiorilla ce n'est ni elle ni pour elle!!
opera75frfr 1 year ago
... for me it's a tie between Callas and Marisa Galvany. And dat's my story.
StuartLou 1 year ago
Comment removed
gustopheles 1 year ago
Unfailingly excellent. Callas is still my favourite Lady Macbeth.
Hugbutt 1 year ago
Did Caballe sing the entire role of Lady M on stage or just this aria ? It was wonderfully sung, very grand but I agree with other comments here in that she doesn't fit the part. This was a Maria Callas deluxe role, and I also love Rysanek Nilsson, Bumbry, Verrett and Dimitrova. This is a devilish role that very few sopranos can actually handle. Caballe is too lyric for the part.
MastersoftheOpera 1 year ago
No one can float those high notes like Caballe can!!!
godivapaw 1 year ago 7
the last note just makes you dream awake
andrecueca 2 years ago 7
what is it about opera that makes so many non-talented people judgmental and ridiculous, i really should say petty and mean? she's great and you're not!! OMG, I just did it myself....................
ketillflatnefur 2 years ago 8
This is heaven !
montsyblackmadonna 2 years ago 4
I'd put this in third after Price and Verrett. It's a great performance.
AGM1951 2 years ago
I think Montse is great in this performance. She cannot take out the smoothness of her voice, but the low notes are great and the acting is well done just conveying the idea of remorse.
EnricoAtHome 2 years ago 5
This nonsense about being too "lady like" for Lady MacBeth is just sexist claptrap that is smeared all over operaphile speak. Reminds me of the nitwit who wanted to argue that Dessay was better as Lakme because she was more "french," although the character is a Hindu princess. A great voice like Caballe's was perfect in this repertoire, and she sings this scene with command and presence.
iriisblue 2 years ago 13
@iriisblue not only that but she manages to be vocally beautiful and convincing.
moghedien13 1 year ago 2
Comment removed
gustopheles 1 year ago
@iriisblue bonjour, nous sommes sur un site qui permet de profiter de belles images et grandes voix,chacun a une idée differente ce qui est normal mais pourquoi traiter de crétin celui qui n'a pas les mêmes idées que vous?c'est domage,maintenant pour cette vidéo la voix de madame caballe est superbe c'est une des meilleurs dans macbeth, merci
ininacsot 1 year ago
@iriisblue As a huge fan of Caballe (and a woman myself) it pains me to disagree with you. The role of Lady Mac was originally meant for a deeper ... "rougher" voice. La Caballe is fantastic (in everything, really. Her and Diva Devia!), but her voice is so clear and refined, for some of us, she's not the right fit for the role.
That said, I'm not really complaining. Beauty is always appreciated.
helenaprice 5 months ago
I am always pleasantly surprised hearing her in something what was not her "typical" repertoire. Her Lady is very good. It is personal taste question whether Lady must be screaming and have only "dark thick" voice. Velvet smoky colour in Montserrat voice is good enought for me to imagine Lady Macbeth.
She is still one of the most versatile soprano of our century.
jirizika1962 2 years ago 6
not bad....but Leontyne Price is better¡¡¡ or Shirley Verrett.
Hantiac 2 years ago
Buttery. Smooth. Enchanting.
mm9913 2 years ago 4
@mm9913 Like a warm moist chocolate brownie!!! **drool**
godivapaw 1 year ago
The thing about Caballe is no matter what she sang, her huge, matronly, dark but lyric voice took over even the text of the aria or the acting...this was the same with Leontyne Price..I think they were both very similar...Caballe didnt have a Lady Macbeth in her but she sings with her usual wonderful voice so we overlook it...
AmericanEvita 2 years ago 5
I don't think Caballé's voice is DARK!
yodavidnavarro 2 years ago
words fail...
Really like the brisk tempi also: sometimes this piece gets dragged out
superb, and 1970!!!what a gem
BGSourgas 2 years ago 2
Amazing! Especially the phrase "E mai pulire e mai, e mai pulire, queste mani io non sapro" is sung really "con forza"! Moreover, my beloved D-flat major!
DukefromMantova 2 years ago 4
La Signora Caballe mi sembra troppo "materna" in questa scena, ricordiamoci che per questo ruolo Verdi voleva un voce ...brutta , diabolica...la Signora Caballe' possiede tutto tranne che una brutta voce
glottide60 3 years ago
Does anyone know when she actually sang the role on stage? She seems far to lady-like for such a ferocious role
semiramide1945 3 years ago
i believe she never did this on stage..only these recordings for a CD
andrecueca 2 years ago
Some of the pictures included looked like live stage pics, just led me to think that perhaps she might have sung this role in the theater. I'm glad we have at least the sleep walking scene
semiramide1945 2 years ago
I agree, great singing, but no Lady.
And I am fan of Caballe!
MisterSoprano 3 years ago
Listen to those excellent lower notes with real depth to them. Lovely end note too.
operaspark 3 years ago 13
Luxury...Sumptuosness...Elegance...Caballé!
yodavidnavarro 3 years ago 4
nessuna oggi è in grado di eguagliarla.... altro che storie
melomania58 3 years ago 3
Comunque il re bemolle finale è tenuto l'espace d'un matin...Monserrat è lontanissima da Lady, pur colla sua superba tecnica!
neronnenn 3 years ago
shattering! is this the emi cd? i'm getting it
aquax9 3 years ago 2
That pianissimo high D-flat is HEAVEN!
agnellodei 3 years ago 6
Canto eccellente, ma dov'è la Lady?
Excellent singing, but where is the Lady?
john5748 3 years ago
Non ci sta. Absolutely disconnected.
amlirco 3 years ago
La Superba at her finest!!
winedirt 3 years ago 4
BRAVO!
zurriuss 4 years ago 2
Ahh what a treat.
mm9913 4 years ago 2
Vocalmente suberba (compreso il re bemolle finale in pianissimo), nonostante i soliti suoni gravi gutturali, tuttavia ben controllati. Grande controllo, in più, niente scivolate. Ma l'interprete dov'è? Ci si scorda la Lady e si pensa solo alla voce. anche il fraseggio è tutto pensato in funzione del respiro, della voce: "chi poteva ... tanto sangue " - pausa per preparare il fiato successivo - "immaginar". Grande comunque, ma...un'occasione un po' sprecata.
gildosalerno 4 years ago
Finalmente qulacuno che commenta con cognizione di causa...grazie!
neronnenn 3 years ago