I like this version of Pavarottis performance more than in the cinematic version. In the cinematic version, he comes off simply as a big kid having a laugh. In this one, he is more seductive and threatening
Questa o quella, per me pari sono A quant'altre d'intorno, d'intorno mi vedo Del mio core, l'impero non cedo Meglio ad una, che ad altre beltà La costoro avvenenza è qual dono Di que il fato ne infiora, la vita S'oggi questa, mi torna gradita Forse un altra, forse un altra, doman lo sarà Un altra, forse un altra, doman lo sarà La costanza tiranna del core [
The other tenor is Charles Anthony and he holds the record for most performances sung at the Met. Mr. Anthony retired this January 2010 and watching him singing here with Pavarotti was special. Mr. Anthony's real name Is Charles Anthony Caruso from Long Island New York. Mr. Anthony is also a tremendous fisherman and I spent many summers upstate New York with Mr. Caruso and his son Tony fishing Saranac Lake. I watched Pavarotti sing at the Met behind the curtains. Just amazing ! R Wydler
I don't know if this is past his prime or just the natural growth of a voice as a person ages, darkening, etc. He could also be singing with intentional bombast to match the character. I saw Paravarotti in Tosca at the opening of the season of ... 1985? 1986? at the Met and he rocked the house. He was in terrific voice, and sang his heart out. He is often characterized as a great singer who couldn't act, but I do not agree. He sang E Lucevn Le Stelle as if his life depended on it.
The "sharpness" that many hear in Pav's voice is almost a bit intentional...Pavarotti had exceptional tuning, but knew that a bit of excitement could be gleaned by ringing just slightly sharp.
IL MAESTRO!!!! Mi commuovo oltre per le emozioni e per il fatto che non si rivedrà mai più chi è cosi imponente sul palco ed ha una voce da usignolo cosi BELLA,perchè non l'ho mai visto dal vivo e mi dispiace...Grazie Maestro per essere esistito e per farmi trarre spunto dagli insegnamenti...
@taminotenor -- I love him too. I don't hear him going sharp here, but of course it is possible, since one can push too much air, especially in the high range, and kind of 'overshoot' the goal. I'm interested that he sounds better in the second verse of this aria than the first. I think the vowels in that verse work better for him.
@sopranosd Many tenors go sharp from B-flat and up in order to find the easier resonance. It's obviously very tricky to sing so high, and many find the sweet spot to be a bit sharp depending on the note. And every voice is different. You can hear Pavarotti in this performance, find a better resonance somewhere between 2:07-08.
To compare vocies between so many great tenors have been in the past is very difficult in the way to say "this is the best tenor". BUt, to me, helps when I say to my self: like wich tenor would you like, not to sound, but to sing. Looking relaxing and naturally way like speaking, I just answer to my self: Like Pavarotti
i love very much to see luciano pavarotti in this role and in this performance from 1981, he is very beautiful and attractive, that i feel toward him an immense love every time i see him, even though this is painful for me too.
epic laugh at 1:36
josewarty 4 months ago in playlist Vídeos favoritos de josewarty
I like this version of Pavarottis performance more than in the cinematic version. In the cinematic version, he comes off simply as a big kid having a laugh. In this one, he is more seductive and threatening
LaStriata 4 months ago
Alfredo Kraus "Questa o quella" Rigoletto
xxavix2 10 months ago
JIMY45GR 1 year ago
The other tenor is Charles Anthony and he holds the record for most performances sung at the Met. Mr. Anthony retired this January 2010 and watching him singing here with Pavarotti was special. Mr. Anthony's real name Is Charles Anthony Caruso from Long Island New York. Mr. Anthony is also a tremendous fisherman and I spent many summers upstate New York with Mr. Caruso and his son Tony fishing Saranac Lake. I watched Pavarotti sing at the Met behind the curtains. Just amazing ! R Wydler
Humblerman 1 year ago 3
I don't know if this is past his prime or just the natural growth of a voice as a person ages, darkening, etc. He could also be singing with intentional bombast to match the character. I saw Paravarotti in Tosca at the opening of the season of ... 1985? 1986? at the Met and he rocked the house. He was in terrific voice, and sang his heart out. He is often characterized as a great singer who couldn't act, but I do not agree. He sang E Lucevn Le Stelle as if his life depended on it.
sopranosd 1 year ago
The "sharpness" that many hear in Pav's voice is almost a bit intentional...Pavarotti had exceptional tuning, but knew that a bit of excitement could be gleaned by ringing just slightly sharp.
psalmtone2008 1 year ago
IL MAESTRO!!!! Mi commuovo oltre per le emozioni e per il fatto che non si rivedrà mai più chi è cosi imponente sul palco ed ha una voce da usignolo cosi BELLA,perchè non l'ho mai visto dal vivo e mi dispiace...Grazie Maestro per essere esistito e per farmi trarre spunto dagli insegnamenti...
MrGARRO84 1 year ago
Love this dude, but man he go's sharp more than most.
taminotenor 1 year ago
@taminotenor -- I love him too. I don't hear him going sharp here, but of course it is possible, since one can push too much air, especially in the high range, and kind of 'overshoot' the goal. I'm interested that he sounds better in the second verse of this aria than the first. I think the vowels in that verse work better for him.
sopranosd 1 year ago
@sopranosd Many tenors go sharp from B-flat and up in order to find the easier resonance. It's obviously very tricky to sing so high, and many find the sweet spot to be a bit sharp depending on the note. And every voice is different. You can hear Pavarotti in this performance, find a better resonance somewhere between 2:07-08.
conradsiebert 6 months ago
Moorhe, thanks for posting. Do you think Pav was past his prime in 1981? I thinks he was at the top of his game.
javrnunez 1 year ago 3
questo è il Duca di Mantova della storia signori .... Il suo canto è semplicemente preghiera
AleBro83 2 years ago
SUBLIME !
31122051 2 years ago 3
Si tan solo Verdi hubiese visto esto!!!
Increible Luciano como siempre
ezev8logos 2 years ago
serch for marko pavlovic polufinale.... he sings just like pavarotti but he is an amateur.
govnjaivko1 2 years ago
El mismo Pavarotti dijo que el duque era su personaje favorito de todas las operas que interpreto.
The same Pavarotti said that the duke was his favorite character of all the operas that he sang.
lcboteroo 2 years ago
Mmmm... I though that was Nemorino
aguacun 2 years ago
To compare vocies between so many great tenors have been in the past is very difficult in the way to say "this is the best tenor". BUt, to me, helps when I say to my self: like wich tenor would you like, not to sound, but to sing. Looking relaxing and naturally way like speaking, I just answer to my self: Like Pavarotti
aguacun 2 years ago 16
A-MA-ZIN...!! the best tenor for me...
QUESTANOTTE88 2 years ago 6
i love very much to see luciano pavarotti in this role and in this performance from 1981, he is very beautiful and attractive, that i feel toward him an immense love every time i see him, even though this is painful for me too.
loveluciano1 3 years ago 2
Luciano Pavarotti en todas sus interpretaciones de la "QUESTA O QUELLA" canta hermosamente ."¡Bellisimo!"
crstioherz 3 years ago
Pavarotti the great! He is soooooooo wonderful. Just love this one. Thanks Love him too.
marcherst 3 years ago 2
This is a kick!!! I love him in Rigoletto! His singing is great, of course, but he really seems to be enjoying himself in this role. Lots of fun!
novice1959 3 years ago 4
I think he is not really acting here - I imagine its pretty much him to the life.
jenni4claire 3 years ago
Yes...I imagine so! I guess that's why I like him so much here - kind of impish, isn't he?
novice1959 3 years ago 2
Wow!!!! I'm in love. Pav is amazing here! Thank you so much Mooorhe!
dee1153 3 years ago 14