@NathanMantle Not sure it works that way... I don't know if eyesight improves as technique improves. I've been playing for a long time and I wouldn't mind the fret markers.
The Am7b5 chord can be built from the 6th of the C melodic minor scale, C,D,Eb,F,G,A,B (notes as they are in third intervals; C-Eb-G-B-D-F-A), so starting from the 6th of melodic minor (A) and building a chord we have A C and Eb or a minor chord with a flat 5.
One of the choices for building dominant chords is building a V chord from the 7th note of a melodic minor scale. In this example he uses the D7 built from the 7th note of the Eb melodic minor scale. D7#4,b6,b9,#9 alterations or D7alt
Amin7b5 is the 2 chord of Gminor. so, A lochrian is the mode when playing A to A in the key of Gminor. C mel.min. scale is "A" lochrian with a B for the 2nd note. "A" lochrian usually has a Bb for this. hence the name "Lochrian #2" for the 6th mode of mel.min. the 7th mode of mel.min. is the "altered" scale. playing D to D over D7#9 with Eb mel.min. gives the scale 1, b9, #9, 3, b5, #5, b7, 8. this introduces tension and a stronger auditory desire to resolve to the G minor 6 chord. :)
No pain no gain. YOU MUST WOK YOUR FINGERS TO THE BONE, this is the only way mate...The problem is, here in my country its really hard to get well payed as a musician, it is quite sad. Nowadays I'm using one single scale for everything, LOL, with some chomatic notes to add some colour...
So C minor triad over A minor is because C minor is the iv of the G minor key centre and the substitution of A minor. E flat minor triad over D7 because E flat minor is the vi of G minor key centre but the tonicized i chord as if in a harmonic minor key, meaning that E flat minor is the subsitution of BANG
@Yimmery XD in few words,every degree of the melodic minor scale gives origin to a type of chord.The sixht degree is a m7b5 so you have to find out which scale has A as its sixht degree(C melodic minor).The seventh degree is an altered dominant so you have to find out which scale has D as its seventh degree( Eb melodic minor).Gm6 is a minor tonic chord so you use the first degree of which scale? G melodic minor ^^. Every chord has its own color so he needs to be played with the appropriate scale
This is great! Your videos are excellent for teaching material. Many YouTube "teaching" vids are just a stage for showing off chops but never really actually teach the subject at hand. Because it is too fast without an example. This stuff is so hip .Thank you for this.
This is guy is good. But you cant explain guitar like this. it goes over peoples heads like crazy. You gota through in words like 3rd fret and 5th fret. LOL . Great sound and player. Props on his theory .
I personally don't really like them (to play at least) because that damn upper cutaway always goes right into my chest while I'm playing sitting down.
@leopower7 if you harmonize the melodic minor scale you'll get a m7b5 chord on the sixht degree (Am7b5 is the sixht degree of C melodic minor scale, which he uses over it) and you get an altered chord on the seventh degree (D7#9 is the seventh degree of Eb melodic minor which he uses over it). Gm6 is the tonic minor chord and he uses G melodic minor. Let me know if this is helpful ^__^ if not ask again i'll try to be more complete in the explanation.
@leopower7 well, that might be because his approach is meant for advanced jazz guitarists. In the basic approach you would play this as 2nd. 5th and 1st mode of melodic minor (sharp 6) or harmonic minor (sharp 7) but he goes further using substitutes for chords (Cm#6 for Am7b5 and Ebm#6 for Dm7#9) and uses appropriate scales for that. Still if you do not go as far as that in understanding jazz theory it is enough to hear how good it sounds :)
@leopower7 well, that might be because his approach is meant for advanced jazz guitarists. In the basic approach you would play this as 2nd. 5th and 1st mode of melodic minor (sharp 6) or harmonic minor (sharp 7) but he goes further using substitutes for chords (Cm#6 for Am7b5 and Ebm#6 for Dm7#9) and uses appropriate scales for that. Still if you do not go as far as that in understanding jazz theory it is enough to hear how good it sounds :)
@varulv234 Because it's a D7#9 and that's from melodic minor. so it's using different notes from that scales to create more tension for the resolution to the I chord
@varulv234 If you start a melodic minor from its seventh step, it's a diminished whole tone scale, which can be used as the five chord in a minor two five one, so from the Eb melodic minor scale, the D - the 7th of the Eb scale - diminished whole tone scale would be: D-Eb-F-Gb-Ab-Bb-C-D.
@varulv234 Within any scale, there are several others, but simply put, he's using the Eb melodic minor scale: Eb-F-Gb-Ab-Bb-C-D-Eb. However, in his chord progression, even though he's using the same notes from the Eb scale, it's applied from D to D, not Eb to Eb.
@varulv234 Harmonically, yes. In the video at about 1:30, he says you can use the Eb mel. minor scale, which is what he plays. The chord, or what the bassist is playing, is a D altered dominant (dim whole tone in this case), which is contained in that Eb scale. It doens't matter which note in that Eb scale he starts on, the notes that matter harmonically are from the D scale, which are D-Gb-C-Bb-F.
@varulv234 It's both. Easier example: If a song has a G7 chord, the scale is G A B C D E F G. This scale is taken from a C Major scale, which contains the same note, but from C to C: C D E F G A B C. Technically, I could just play the C scale, but since it's a G7 chord, there are certain notes I want to reflect, harmonized in thirds from G: G B D F. Good luck. Theory really isn't that hard. You can learn this stuff online, with a book, but it's a must that you apply it to your guitar!
@varulv234 The harmony of a chord are the notes stacked in thirds (every other note) from the root of chord, so yes. However, artistic freedom allows you to do whatever you want. I just don't see the point of choosing a tune with a chord progression if you're not going to address them.
@NathanMantle Not sure it works that way... I don't know if eyesight improves as technique improves. I've been playing for a long time and I wouldn't mind the fret markers.
jazzgtrplayer 2 months ago
i understand this probably because im NOT a guitar player
thedking94 8 months ago
The Am7b5 chord can be built from the 6th of the C melodic minor scale, C,D,Eb,F,G,A,B (notes as they are in third intervals; C-Eb-G-B-D-F-A), so starting from the 6th of melodic minor (A) and building a chord we have A C and Eb or a minor chord with a flat 5.
One of the choices for building dominant chords is building a V chord from the 7th note of a melodic minor scale. In this example he uses the D7 built from the 7th note of the Eb melodic minor scale. D7#4,b6,b9,#9 alterations or D7alt
Macktones 10 months ago
could anyone explain that why can play Cm melody minor over Amb5 and play Eb over D7? what's the theory? thank u
pizzagoing 10 months ago
ego no....
style and substance, YES
Dean, you are the BEST!!
thanks for the schoolin.
teatown 11 months ago 5
i first looked at that guitar and i thought metal :p
TheSeeker133 1 year ago
God, I wish I could study guitar with this guy. He's teaching what I want to master. Great Professor. I just can't afford MI.
mannijimenez 1 year ago 4
God, I wish I could study guitar with this guy. He's teaching what I want to master.
mannijimenez 1 year ago
is it just the light reflecting or is he using like 0.15s or some shit? those strings look massive
yngvaibucketrucci 1 year ago
@yngvaibucketrucci nope, 0.10 DR tite-fit
bluesyboypete1 10 months ago
Amin7b5 is the 2 chord of Gminor. so, A lochrian is the mode when playing A to A in the key of Gminor. C mel.min. scale is "A" lochrian with a B for the 2nd note. "A" lochrian usually has a Bb for this. hence the name "Lochrian #2" for the 6th mode of mel.min. the 7th mode of mel.min. is the "altered" scale. playing D to D over D7#9 with Eb mel.min. gives the scale 1, b9, #9, 3, b5, #5, b7, 8. this introduces tension and a stronger auditory desire to resolve to the G minor 6 chord. :)
funkymonkey6string 1 year ago
i like how he goes "OBVIOUSLY" it's this chord/scale
lol 1:47 - 1:50 - "you use G melodic minor"
BuMbLeBeeLY 1 year ago
No pain no gain. YOU MUST WOK YOUR FINGERS TO THE BONE, this is the only way mate...The problem is, here in my country its really hard to get well payed as a musician, it is quite sad. Nowadays I'm using one single scale for everything, LOL, with some chomatic notes to add some colour...
raoni04 1 year ago
beautiful stuff Dean :)
stickkguitar 1 year ago
What a terrible tone.
superskwrl 1 year ago
Ugly ass guitar.
Chaz6993X 1 year ago
So C minor triad over A minor is because C minor is the iv of the G minor key centre and the substitution of A minor. E flat minor triad over D7 because E flat minor is the vi of G minor key centre but the tonicized i chord as if in a harmonic minor key, meaning that E flat minor is the subsitution of BANG
...head exploded
Yimmery 1 year ago
@Yimmery XD in few words,every degree of the melodic minor scale gives origin to a type of chord.The sixht degree is a m7b5 so you have to find out which scale has A as its sixht degree(C melodic minor).The seventh degree is an altered dominant so you have to find out which scale has D as its seventh degree( Eb melodic minor).Gm6 is a minor tonic chord so you use the first degree of which scale? G melodic minor ^^. Every chord has its own color so he needs to be played with the appropriate scale
simobubba 1 year ago
So much thankss!!!
pointers90 1 year ago
jazzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz
kar98ksniper 1 year ago
beautiful :) this guys awesome and sporting the lingo of real musicians :)
dittotl 1 year ago
Very interesting.
JeffKnight 1 year ago
Just what i was looking for
GuitarsOfArp 1 year ago
doh phreddy
senSedative112 1 year ago
Hey using a guitar that has fret markers on it would be a good idea when making these vids.
colliss1 1 year ago 37
@colliss1 Or you could just learn your fretboard so you know what he's talking about
ferbicus 1 year ago
@colliss1 you got ears? don´t you?
rockrock3090 1 year ago 2
@colliss1 alternatively you could use your ears
tomwilliams1983 1 year ago 2
@colliss1 if thats the case then this might be a little above your level
ynot69her 8 months ago 4
what's the difference?
DrLokrian 6 months ago
@colliss1 this lesson isn't really for beginners.
travelinpicker 2 weeks ago
What program are you using for the backround music?
G7flat5 1 year ago
This is great! Your videos are excellent for teaching material. Many YouTube "teaching" vids are just a stage for showing off chops but never really actually teach the subject at hand. Because it is too fast without an example. This stuff is so hip .Thank you for this.
G7flat5 1 year ago
that's a good looking guitar!, what is it ? his tone is sloppy
ManosRK 1 year ago
@ManosRK Parker
Ibik 1 year ago
@ManosRK The guitar is a Parker Fly.
rpgavan 1 year ago
"lets change the groove up, cause i'm gettin' a little bored of this one"
extremely unpractical lesson...
thatisstupid1212 1 year ago
Needs more distortion... xD
biglou250 1 year ago
@biglou250 *SLAP*
varulv234 1 year ago
black fingerboard, no dots, black backround, no lights,,,, yeah.... we can see everything... sure...
tokyosan1 1 year ago
@tokyosan1 yeah no kidding. even though if they were there it would still make no sense to me
ReVVVern 1 year ago
@tokyosan1 you dont need that lesson if you need fret markers. Sincerely and no offence intended mate.
pablodepolonia 1 year ago 2
What guitar is that?? THAT'S WOW.... o.o
Lokar92 1 year ago
@Lokar92 Parker fly.
tjsr21 1 year ago
why is the e scale plaied on the d chord ???
amirhe6 1 year ago
Thumbs up for jazz
Killer9299 1 year ago
i think it would help the player if they had a camera from the players point of view.
FallingForInsanityx7 1 year ago
This is guy is good. But you cant explain guitar like this. it goes over peoples heads like crazy. You gota through in words like 3rd fret and 5th fret. LOL . Great sound and player. Props on his theory .
dropless2002 1 year ago
@dropless2002 this is meant for people who know their notes and scales
superagnitio 1 year ago
Jeremy Irons plays jazz?
AraGuitar 1 year ago
holy donkey tits what gauge is that?
kaynek00l 1 year ago
@kaynek00l Probably .012's or .013's, for clarity in clean settings.
hiitsmcjosh 1 year ago
i like the tone of these guitars but really dont like how they look
NoTrespassing2 1 year ago
@NoTrespassing2
I personally don't really like them (to play at least) because that damn upper cutaway always goes right into my chest while I'm playing sitting down.
XxSconeManxX 1 year ago
what guitar is that
bengrockson 1 year ago
@bengrockson parker fly
aarona493 1 year ago
@guitarplayer7133
I just hate the way they look.
Ghostman7777 1 year ago
This would be much better if the guitar had dots or big inlays in the neck.
gooney0 1 year ago
@gooney0 some people like me like it without inlays...though for teaching purposes yeah it would've been better if they used a guitar with inlays
alapunk13 1 year ago
@alapunk13 Looks cool but I have no idea where his fingers are.
Craydon 1 year ago
great video!
piccicacca 1 year ago
that C minor meloodic minor at 1:25 was so minor it made me puke in my mouth a little.
NeckPickup 1 year ago
@NeckPickup those b5's can be real ear twisters
jahenx94 1 year ago
I can't understand shit.............
leopower7 1 year ago 24
@leopower7 if you harmonize the melodic minor scale you'll get a m7b5 chord on the sixht degree (Am7b5 is the sixht degree of C melodic minor scale, which he uses over it) and you get an altered chord on the seventh degree (D7#9 is the seventh degree of Eb melodic minor which he uses over it). Gm6 is the tonic minor chord and he uses G melodic minor. Let me know if this is helpful ^__^ if not ask again i'll try to be more complete in the explanation.
Peace
simobubba 1 year ago
@leopower7 well, that might be because his approach is meant for advanced jazz guitarists. In the basic approach you would play this as 2nd. 5th and 1st mode of melodic minor (sharp 6) or harmonic minor (sharp 7) but he goes further using substitutes for chords (Cm#6 for Am7b5 and Ebm#6 for Dm7#9) and uses appropriate scales for that. Still if you do not go as far as that in understanding jazz theory it is enough to hear how good it sounds :)
pablodepolonia 1 year ago
This has been flagged as spam show
@leopower7 well, that might be because his approach is meant for advanced jazz guitarists. In the basic approach you would play this as 2nd. 5th and 1st mode of melodic minor (sharp 6) or harmonic minor (sharp 7) but he goes further using substitutes for chords (Cm#6 for Am7b5 and Ebm#6 for Dm7#9) and uses appropriate scales for that. Still if you do not go as far as that in understanding jazz theory it is enough to hear how good it sounds :)
pablodepolonia 1 year ago
Why put him in front of a full band rig and make him use the computer as the backing band?
guitardude1230 1 year ago
Don't like his tone at all...
Agnes135 1 year ago
@Agnes135 Because it's the tone a jazz player has? Pretty much any jazz guitarist on a solidbody guitar will sound like this..
mullen2105 1 year ago
Why and how does D connect with Eb?
varulv234 1 year ago
@varulv234 Because it's a D7#9 and that's from melodic minor. so it's using different notes from that scales to create more tension for the resolution to the I chord
mullen2105 1 year ago
@varulv234
WTF? They are literally right next to each other on the musical alphabet!
Ghostman7777 1 year ago
@varulv234 The D7 is altered. The 7th mode of Eb melodic minor is the D altered scale (also called Superlocrian), so it fits. Hope that helps.
Cainer666 1 year ago
@Cainer666 Oh, okay, i understand, although i obviously need some lessons on this stuff. Thanks :-)
varulv234 1 year ago
@varulv234 If you start a melodic minor from its seventh step, it's a diminished whole tone scale, which can be used as the five chord in a minor two five one, so from the Eb melodic minor scale, the D - the 7th of the Eb scale - diminished whole tone scale would be: D-Eb-F-Gb-Ab-Bb-C-D.
bluenote71 1 year ago
@bluenote71 Thanks, but i don't really understand explanations like that, i'm sorry.
varulv234 1 year ago
@varulv234 Within any scale, there are several others, but simply put, he's using the Eb melodic minor scale: Eb-F-Gb-Ab-Bb-C-D-Eb. However, in his chord progression, even though he's using the same notes from the Eb scale, it's applied from D to D, not Eb to Eb.
bluenote71 1 year ago
@bluenote71 Oh, so using the D note in the scale, which is Eb, to D?
varulv234 1 year ago
@varulv234 Harmonically, yes. In the video at about 1:30, he says you can use the Eb mel. minor scale, which is what he plays. The chord, or what the bassist is playing, is a D altered dominant (dim whole tone in this case), which is contained in that Eb scale. It doens't matter which note in that Eb scale he starts on, the notes that matter harmonically are from the D scale, which are D-Gb-C-Bb-F.
bluenote71 1 year ago
@bluenote71 Oh, i understand, it's a matter of which SCALE, not which exact note. Correct?
varulv234 1 year ago
@varulv234 It's both. Easier example: If a song has a G7 chord, the scale is G A B C D E F G. This scale is taken from a C Major scale, which contains the same note, but from C to C: C D E F G A B C. Technically, I could just play the C scale, but since it's a G7 chord, there are certain notes I want to reflect, harmonized in thirds from G: G B D F. Good luck. Theory really isn't that hard. You can learn this stuff online, with a book, but it's a must that you apply it to your guitar!
bluenote71 1 year ago
@bluenote71 So there's some notes that'd fit better with the G7 chord, even if you chose to play the C Major, in other words?
varulv234 1 year ago
@varulv234 The harmony of a chord are the notes stacked in thirds (every other note) from the root of chord, so yes. However, artistic freedom allows you to do whatever you want. I just don't see the point of choosing a tune with a chord progression if you're not going to address them.
bluenote71 1 year ago
@bluenote71 So one wouldn't harmonize with for example an octave, because it's ''every other note''?
varulv234 1 year ago
@varulv234 I recommend you learn the basic harmonies: major,. minor, and dominant.
bluenote71 1 year ago
i like it how gw outs videos out like these
i alwayslearn alot
rockandrollforever23 1 year ago
fret buzz i thinks?
Yowzow 1 year ago
@Yowzow i´m not sure, either fret buzz, or shitty tone, OR cause it´s recently added. They quality is crappier then
triviumgibson 1 year ago
@Yowzow I think it's just amp breakup
xdivinebladex 1 year ago
@Yowzow Not fret buzz, its just his tone.
jacka94 1 year ago