The 1950's version by Dame Janet Baker still remains the best. Fortunately, it's on YouTube. The aria is all the more affecting when you realize that she is a queen dying of a broken heart.
She can't wait to get through this can she? What's the rush - last train about to leave? Maybe 'Holby City' is about to start and she hasn't even boiled the kettle. Remember who?
No, I'm sorry but I can not understand how it is possible to hear that (and to love that) after Jessye Norman...
Yes, yes, I know, maybe that is more authentic, that is Baroque not Romantic, blah blah blah. Well, in this case, "authenticity" is disappointing, "romantic adaptation" is sublime, and that's all...
Classically trained singers....Yuuuuk. Such a lovely melody though - clumsy on the extra volume on the high "remember me" 3/4 way through. At least she doesn't over do the vibrato
I love Evelyn Tubb's voice and usually her performances too. I also often agree with the increase in tempo that authentic performance tends to favour. However, this character is just about to keel over and die so how would that impression be best conveyed? I would venture to say perhaps not this way.She sings it beautifully but I do detect more anticipation of an after-performance dinner at a favourite restaurant than of a visit to the hereafter. Janet Baker is still the best for me in this.
The ONLY version on youtube that I like! I strongly disagree with those who find the slower versions more emotional -- quite the opposite! But, everyone is entitled to their opinion :)
Oh bliss! Bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now. As I slooshied, I knew such lovely pictures!
As this is my favorite aria from any opera, I have about a couple of dozen versions of it. This one is very high on my list. It's direct, simple in an almost folk-like way, and sung what what I consider consummate feeling and taste. The harmonium-like organ and dark lute tones are perfect for the text.
i only dont like one thing about this one, it is by far my faveorite, because you can understand her clearly, and she has a beutiful voice, but i dont like the rolling of the R's :) 5 star material my friend
This is one of my favourite arias & I love the way she does it. Some of the other comments are very "nit picking" It is all to do with communication and she gets the message across. Of course in a different acoustic she would do it differently again, the available space being part of the instrument?
not my fav.. but you know what... who cares.. who says you don't have the right to sing if you can't do it perfectly?... gosh some of you are harsh.. and funny thing is I bet not all of you even sing.. it's not easy..
"..you don't have the right to sing if you can't do it perfectly?.." Evelyn Tubb is just Professor for singing at the SCHOLA CANTORUM BASILIENSIS! She is an incredible singer, who knows perfectly what to do and she is one of the best singers for the repertoir of this period! Listen to her "MAD SONGS" CD and you will never ever forget her anymore!
It would be that you selectively quoted something you misread to begin with.... before you go off on a tangent.. re-read what i wrote and then comment in defense.. you would find (had you read it well in the first place,) that I was saying that people should not criticize her and I was actually in agreement with you... but of course (lik so many,) you were too busy on your soap box to pay attention.
If that's what's comfortable and good for her, then I say let it be! It's better for it to be "inaccurate" than for her to try to squeak out those top notes and have them spill out sounding horrible.
Fact is, the human voice isn't like other instruments. Each one has its own unique range and its own quirks. Even with all the practice in the world, a piece might not work for a certain person if it doesn't have a couple key changes, but any violinist can play a piece written for violin.
I wish they would write it in the key that reflects the original Diapason because it would be so much easier and nicer to sing. It's hard for the mezzo to get up to all those high Gs. High Fs are much easier !! LOL...All joking aside. I really wish they would honor the original pitches.
Maybe, maybe, whatever, whatever....Whatever you say, it's still not Janet Baker...And what has "closer to the original" got to do with anything? Most violins were not Stradivari and orchestras were not as accomplished as they are now - I would rather not have authenticity at the expense of brilliance and emotion
i disagree with those who criticize the tempo. performances like those be Jessye Norma are highly affecting in thier own way, but the piece is Baroque not Romantic, and this performance reflects that historical reality. the pace gives the piece room to be emotional in its own terms, by virtue of the purity of the voice and the beauty of the composition, not the heart-wringing emotionalism of the more 'operatic' performances. Utterly beautiful.
I Think she's just doing what you can see at the Score, but to give the piece a lot more of sense you need to make a lot of ritardandos and play with the tempo, enjoy de disonances and really get in the role of Dido, that's part of the interpretation, and singing Baroque it's quite particular, hard for me.
Clearly, while it is a matter of taste, people should understand that the faster tempo is far more in keeping with historically informed performance practice. This clip comes from a TV show that was shot in a sound stage without any natural acoustic, and admittedly not improved by the audio mastering. But that's TV for you. If you want to experience music properly, go listen to it live and acoustically!
"When I am laid, am laid in earth, may my wrongs create No trouble, no trouble in, in thy breast. When I am laid, am laid in earth, may my wrongs create No trouble, no trouble in, in thy breast. Remember me, remember me, but ah! Forget my fate. Remember me, but ah! Forget my fate. Remember me, remember me, but ah! Forget my fate. Remember me, but ah! Forget my fate."
Everyone has their likes and tastes on an Opera Singer; I prefer the opera singers that actually add emotion and make the audience feel the emotions in the song.
For example here, not the best but its worth watching for the taste of pain from loss' of love.
Yes, I happen to agree with you. Technically, artistically, and emotionally, hers is the performance that moves me the most. Dido And Aeneas was my introduction to Jessye Norman, and I couldn't ask for a better one.
Way too fast.....way way too fast...it's sad and meant to be powerful..not 'oh god, i've left the kettle on' so better sing this quick!!! Much better performances elsewhere.
It is a lovely song and adequately done, but Tubb's voice lacks the gravitas that--I believe--the lament requires. Far too airy and light and, as everyone has already stated, far too fast. I'm a big fan of Jessye Norman's version.
beautiful quality to her voice.. I wish the tempo was about half what it is.. I would like to hear more of the contrast in the choices she makes. beautiful voice.
Jolie voix (de mezzo-soprano ?), pas très étoffée, qui convient pour le Baroque. Par contre, pourquoi avoir besoin de courir si vite vers la mort ?? On dirait que la demoiselle a un TGV à prendre pour l'au-delà...
Most classical singers would be envious of such fantastic rs. It's harder than it seems to get it so perfect. If the weren't rolled, the rs would be totally lost and it would sound like "wemember me"
dont know the chords but click on youtube subscriber " tpeluso (Dido's lament)". He has a video in which a guy is playing the electric bass to Dido's Lament.. Check it out..
no trrrrrrrrrrouble...no trrrrrrrrrrouble... ???
quedieutaccompagne 1 month ago
So very beautiful.
arunachala1 2 months ago
Just listen to Jeff Buckley singing this. All other versions will seem pedestrian.
squider98 4 months ago
@squider98 you mean walking?
VolkColopatrion 3 weeks ago
This is the best interpretation I have ever heard! It just touched my heart deeply.
kikkimaki 10 months ago
What a monkey tempo!!!!
No go!
jankerle58 11 months ago
The 1950's version by Dame Janet Baker still remains the best. Fortunately, it's on YouTube. The aria is all the more affecting when you realize that she is a queen dying of a broken heart.
RoboSlater 11 months ago
She can't wait to get through this can she? What's the rush - last train about to leave? Maybe 'Holby City' is about to start and she hasn't even boiled the kettle. Remember who?
AndyRubio1 1 year ago
@AndyRubio1 The rush is she can't wait to die! ;)
operagirl81 6 days ago
Wow, I want these lyrics on my tombstone.
mipobrekiss 1 year ago
Its sped up..
:D
clockwork421 1 year ago
Wow! Very nice :) Thanks for sharing!
wendy1037 1 year ago
I like the fact that it isnt 5 min i wonder how long it would be witht the recit!
goldie1102 1 year ago
No, I'm sorry but I can not understand how it is possible to hear that (and to love that) after Jessye Norman...
Yes, yes, I know, maybe that is more authentic, that is Baroque not Romantic, blah blah blah. Well, in this case, "authenticity" is disappointing, "romantic adaptation" is sublime, and that's all...
fan2jnrc 1 year ago
so is this is or did she sing the beginning?
"Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest."
VolkColopatrion 1 year ago
@VolkColopatrion İt is before than this one. This is the second from the end, and there is only one more after this with the choir.
kikkimaki 10 months ago
@VolkColopatrion İt is before than this one. This is the second from the end, and there is only one more after this with the choir.
kikkimaki 10 months ago
Classically trained singers....Yuuuuk. Such a lovely melody though - clumsy on the extra volume on the high "remember me" 3/4 way through. At least she doesn't over do the vibrato
hootersnooter 1 year ago
I love Evelyn Tubb's voice and usually her performances too. I also often agree with the increase in tempo that authentic performance tends to favour. However, this character is just about to keel over and die so how would that impression be best conveyed? I would venture to say perhaps not this way.She sings it beautifully but I do detect more anticipation of an after-performance dinner at a favourite restaurant than of a visit to the hereafter. Janet Baker is still the best for me in this.
alipitogen 1 year ago
This is amazing
maxjamesorgans 1 year ago
muy triste y tan hermosa la voz
listacanales 1 year ago
The ONLY version on youtube that I like! I strongly disagree with those who find the slower versions more emotional -- quite the opposite! But, everyone is entitled to their opinion :)
dinulipat 1 year ago
Sublime!!!!
FUNERARIA79 1 year ago 2
This is very beautiful, but it lacks the emotion that I have heard in other versions (Janet Baker & Jessie Norman).
jking1974 1 year ago
Oh bliss! Bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now. As I slooshied, I knew such lovely pictures!
wisesatyr72 1 year ago
As this is my favorite aria from any opera, I have about a couple of dozen versions of it. This one is very high on my list. It's direct, simple in an almost folk-like way, and sung what what I consider consummate feeling and taste. The harmonium-like organ and dark lute tones are perfect for the text.
alonzogarbanzo 2 years ago
i only dont like one thing about this one, it is by far my faveorite, because you can understand her clearly, and she has a beutiful voice, but i dont like the rolling of the R's :) 5 star material my friend
lilyaoifan 2 years ago
This is one of my favourite arias & I love the way she does it. Some of the other comments are very "nit picking" It is all to do with communication and she gets the message across. Of course in a different acoustic she would do it differently again, the available space being part of the instrument?
christineannemarsden 2 years ago
not my fav.. but you know what... who cares.. who says you don't have the right to sing if you can't do it perfectly?... gosh some of you are harsh.. and funny thing is I bet not all of you even sing.. it's not easy..
BreeVassar 2 years ago
"..you don't have the right to sing if you can't do it perfectly?.." Evelyn Tubb is just Professor for singing at the SCHOLA CANTORUM BASILIENSIS! She is an incredible singer, who knows perfectly what to do and she is one of the best singers for the repertoir of this period! Listen to her "MAD SONGS" CD and you will never ever forget her anymore!
trompetermax 2 years ago
It would be that you selectively quoted something you misread to begin with.... before you go off on a tangent.. re-read what i wrote and then comment in defense.. you would find (had you read it well in the first place,) that I was saying that people should not criticize her and I was actually in agreement with you... but of course (lik so many,) you were too busy on your soap box to pay attention.
BreeVassar 2 years ago
Also this is whole step down from what is in the aria books !!
DivaDeb1234 2 years ago
If that's what's comfortable and good for her, then I say let it be! It's better for it to be "inaccurate" than for her to try to squeak out those top notes and have them spill out sounding horrible.
Fact is, the human voice isn't like other instruments. Each one has its own unique range and its own quirks. Even with all the practice in the world, a piece might not work for a certain person if it doesn't have a couple key changes, but any violinist can play a piece written for violin.
bcmummy 2 years ago
That's the original diapason for the Music of Purcell a'=ca. 392 Hz.
trompetermax 2 years ago
I wish they would write it in the key that reflects the original Diapason because it would be so much easier and nicer to sing. It's hard for the mezzo to get up to all those high Gs. High Fs are much easier !! LOL...All joking aside. I really wish they would honor the original pitches.
DivaDeb1234 2 years ago
Nicely done. I like it. Tempo is for me best at this pace. I like the blue and the dramatic veil too.
DivaDeb1234 2 years ago
Maybe, maybe, whatever, whatever....Whatever you say, it's still not Janet Baker...And what has "closer to the original" got to do with anything? Most violins were not Stradivari and orchestras were not as accomplished as they are now - I would rather not have authenticity at the expense of brilliance and emotion
guyosborn 2 years ago
i disagree with those who criticize the tempo. performances like those be Jessye Norma are highly affecting in thier own way, but the piece is Baroque not Romantic, and this performance reflects that historical reality. the pace gives the piece room to be emotional in its own terms, by virtue of the purity of the voice and the beauty of the composition, not the heart-wringing emotionalism of the more 'operatic' performances. Utterly beautiful.
magsharding 2 years ago 26
Comment removed
bnewbyb 2 years ago
@magsharding
wasn't the tempo and ornamentation up to the performer?
actually, did Purcell give a tempo?
VolkColopatrion 1 year ago
Excellent piece with astounding vocals, but the tempo is a too fast for this piece... I agree, magicminstrel. 5 stars;
XxOakDryadxX 2 years ago 3
I Think she's just doing what you can see at the Score, but to give the piece a lot more of sense you need to make a lot of ritardandos and play with the tempo, enjoy de disonances and really get in the role of Dido, that's part of the interpretation, and singing Baroque it's quite particular, hard for me.
I love this Aria.
luisiege2 2 years ago
Clearly, while it is a matter of taste, people should understand that the faster tempo is far more in keeping with historically informed performance practice. This clip comes from a TV show that was shot in a sound stage without any natural acoustic, and admittedly not improved by the audio mastering. But that's TV for you. If you want to experience music properly, go listen to it live and acoustically!
magicminstrel 2 years ago 3
JBearInIndiana 2 years ago 2
"Rimember me but forget my face"??
dorotttta 2 years ago
..forget my fate.
Isiik 2 years ago
lol! hence, the veil!
BernardProfitendieu 2 years ago 2
"Remember me! But, ah! Forget my fate!"
In other words, she is saying "Remember me but not what became of me." (Dido kills herself after Aeneas leaves her)
TheChipster91 2 years ago
Remember me, but forget my feint. (She plays football terribly).
bnewbyb 2 years ago 2
@bnewbyb: thanks for the comic relief! very funny pun, which i may steal if you don't mind ^.^
jangmiflower 2 years ago
no me gustó en absoluto..algo anda mal..
vidaflippie 2 years ago
<3 shit she's good
dinmolle 2 years ago 2
Everyone has their likes and tastes on an Opera Singer; I prefer the opera singers that actually add emotion and make the audience feel the emotions in the song.
For example here, not the best but its worth watching for the taste of pain from loss' of love.
Montyleeny14 2 years ago
that's actually a very good tempo. makes more sense than most other famous performances. just not as convincing as baker, norman, kirkby.
roger5n5 2 years ago
I think Jessye Norman's is the best.
Justine1953 3 years ago
Don't you think Janet Baker is almost absolute perfection?
robertcouturier 2 years ago 3
Yes, I happen to agree with you. Technically, artistically, and emotionally, hers is the performance that moves me the most. Dido And Aeneas was my introduction to Jessye Norman, and I couldn't ask for a better one.
yoochoobb 2 years ago
Very very good performance!
melinat 3 years ago
PT Barnum had you in mind when he made his famous quip.
lvsiii 3 years ago
Way too fast.....way way too fast...it's sad and meant to be powerful..not 'oh god, i've left the kettle on' so better sing this quick!!! Much better performances elsewhere.
1svlad 3 years ago
LOL. I want to see that as a tempo marking on a sheet of music. "Prestissimo-- Tempo di 'oh god I've left the kettle on'"
maryjivinjane 3 years ago 2
Yes, check out Dame Janet Baker's...sheer class!
LillyArwen 3 years ago
NO! See Janet Baker to see this properly done.
lvsiii 3 years ago
i highly recommend Emma Kirkby's version of this song. it can be easily found on youtube, and is definately worth checking out!
vegantrooper 3 years ago
Also Emily Van Evera's, which is lovely too.
maryclaude2 1 year ago
This has been flagged as spam show
im singing this ///....amazing song
kt12bday 3 years ago
Much too fast...loses all emotion
Cafww 3 years ago
i definately agree.
Zorica12 3 years ago
It is a lovely song and adequately done, but Tubb's voice lacks the gravitas that--I believe--the lament requires. Far too airy and light and, as everyone has already stated, far too fast. I'm a big fan of Jessye Norman's version.
paperduckie 3 years ago
beautiful quality to her voice.. I wish the tempo was about half what it is.. I would like to hear more of the contrast in the choices she makes. beautiful voice.
klarynn 3 years ago
Strong voice, but too fast a pace for a mournful ode, I think. But a strong voice.
Jamaicanchocolate34 3 years ago
Jolie voix (de mezzo-soprano ?), pas très étoffée, qui convient pour le Baroque. Par contre, pourquoi avoir besoin de courir si vite vers la mort ?? On dirait que la demoiselle a un TGV à prendre pour l'au-delà...
mariasarda 3 years ago
Her voice is very lovely, but I also feel that this rendition is too fast. The accompaniment is great, too.
operagirl89 3 years ago 2
very interesting rendition from a specialist in baroque repertoire
condeceprano 3 years ago 2
too fast! but i like the voice for this, in resume it is for mezzo or for soprano voice?
cantanteporsiempre 3 years ago
I don't like the rolling rrrrrs
montecarlostar 3 years ago 2
It's called classically trained singing.
Most classical singers would be envious of such fantastic rs. It's harder than it seems to get it so perfect. If the weren't rolled, the rs would be totally lost and it would sound like "wemember me"
eoghdes18 3 years ago 12
it sounds like she's singing in a classroom. this recording needs to be run through a mixer to take out the deadness in the sound.
tararep 3 years ago
lolololol
baulkweon 3 years ago
Faster than I'm used to. I like the accompaniment
coopandre 3 years ago
by the way does anybody know the chords? piano chords or guitar chords?
dolunaydainsanolan 3 years ago
dont know the chords but click on youtube subscriber " tpeluso (Dido's lament)". He has a video in which a guy is playing the electric bass to Dido's Lament.. Check it out..
whatowhatadeal 3 years ago
Sorry , It's under the title " When I am laid in Earth" under subscriber "tpeluso."
whatowhatadeal 3 years ago
ah thank you so much
dolunaydainsanolan 3 years ago
ah thank you so much
dolunaydainsanolan 3 years ago
jeff buckley's version is GREAT! I'm not saying it's the best...It could be but IT IS G-R-E-A-T! :)
dolunaydainsanolan 3 years ago
The fact that this is transposed down a third is what hurts the intensity. Sometimes the composer does know best...
dbrel 3 years ago
Yuck. This one leaves me cold.
She did do one nice ornamentation near the end... but on the whole? Snoozefest. Sorry.
jenga68 3 years ago
i agree, i like the little thing she does, but it's not too good otherwise.
XJackAlmostTooMuchX 3 years ago
her ending consonants were good in the beginning but they seemed to die away by the end. but great job though! i LOVE this piece!
annead 3 years ago
This is my favorite composer Purcell!! I love the text setting!
lildevillaya 4 years ago
Very bright color! Beautiful interpretation.
eeli1 4 years ago