Added: 5 years ago
From: MonteverdiXVI
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  • 1:36 fuckkkkk

    :D

  • Great words about Bream here, but who is the guitar builder in the video?

  • @Zoloft61 I think it's Manuel Contreras sr

  • best classical guitarrist ever

  • Magnifique, cette prestation de Julien Bream avec une guitare auson idéal !

  • just amazing passion,shreds is the word.

  • Incredible. Love it.

  • anyone know where to find a tab or has one?

  • extraordinaire!!!

  • There is something indescribably beautiful and expressive about Bream's playing here. So inspiring!

  • @bzeliotis And yet you tried to describe it.

  • Julian shreds!

  • Comment removed

  • no, it is a vihuela . 6 courses (double strings) the tuning is like a guitar but the 3rd.= f sharp, or with a copo on the 3, 2 ot 5th frets. actually there where several sizas of vihuela the most commun was in g. tuning:g' d' a' f c G. like a renaissancu lute.

    the baroque guitar i very different instrumenr, it has 5 courses,tuning: e',b'b', g'g', d d',aa. or e', b'b',gg, d'd', a' a'. it means that the 3rd corse is the lowest. go on and study early instruments it is amazing. greetings, haim.

  • La guitarra que está al principio sobre la mesa del luthier... es el modelo que patentó Abel Carlevaro ¿no?

    ¿Este luthier es Manuel Contreras?

  • It seems to me that the so-called vihuela he's using has a few frets only (no more than 12 frets, i guess) Then, the repertoire for this instrument must be pretty limited compared to the classical guitar. Correct me if I'm wrong.

  • This is the most beautiful piece I've heard in years.

  • good

  • He rips it int the end there -wow.

  • its very good! but it does not sound in the context it should be... we are talking about the Renaissance.he is playing more like a now days classical guitarist, or even flamenco, but not like should sound on early music..still very nice.

  • ? Yeah it's good - but, how 'should' early music sound? Do you have an example? This isn't like flamenco at all. It's a brilliant interpretation though.

  • He was one of pioneers of the revival of much of this repetoire. Every lutenist today owes him a debt because if it weren't for him and a few others, instrumetns like the vihuela and the lute would not be heard again. Actually, I thought his technique sounded more lutish, English dowland lutish than classical guitarish.

  • No, they absolutley dont owe him a debt. Thats a really bad way to put it.

  • Why not? Is it the nails again? So many frown on his use of nails. Do you know he even played before stravinsky? Who else was playing lute in the 1950's and 60's with such audience appeal? Are you forgetting his work with the early music consort he founded? How can he not be owed a debt of gratitude for helping to bring awareness to a long-dead instrument?

    watch?v=t4f8fej9Sqo

  • Thats not what im talking about :) Yes they def should feel gratitude and respekt for him, absolutley. But owing him a debt? For what? Thats a wrong way to put it. You cant force people in to owing debts without them going in to a deal conciously. It would be like you fixed my car because you like and love to fix cars, but you do it without me asking for it, and behind my back without my knowledge, then you come and claim a debt for it. No no. He did what he did for FREE, and out of passion :)

  • Accidentally marked your other reply as spam, sorry. Anyway, I think you're being too literal in your use of the word. Contractual debts aren't the only sort of debts incured by an individual. When someone does you a good turn and you feel moved to do one for them in return that person is owed a debt of gratitude which you willingly take upon yourself to fulfill. Debts don't necessarily involve signing something and mutual agreement. That is a narrow definition of the word.

  • This is from the Guitarra video (which is fantastic). I'm not sure that makes it legal here... but it is very nice. :)

  • Incredible, He is touch by God!!

  • One of my favorite pieces ever, very ahead of its time in terms of musical conventions. Played to perfection by Bream, of course.

  • one of my favorite pieces of classical guitar

  • It's actually a Vihuela piece. When it was written, the guitar was very much looked down upon and hadn't yet developed into the expressive instrument we know today.

  • I could listen to this all day.

  • i have been!

  • im the second WOOOOHOOOOO!!

  • I'm the first view!!!

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