I saw V.M. as Mabel in Pirates of Penzance years ago and was completely captivated by the beauty of her voice and delightful stage presence. It's wonderful to see how many examples of her art appear on YouTube.
God I love this video, and watch it regularly. Beautiful singing, beautiful intonation. Her runs and trills are fabulous. I read that Valerie was more of a Gilbert and Sullivan specialist, not Handel!
@ligth95 esto es ópera barroca no pop, los cantantes no se mueven, por que en realidad no están actuando, están cantando, la acción en la ópera barroca no está en la arias, esta en los recitativos.... las arias son sólo reflexiones filosóficas, aun mas en Handel.------
@nicosupersex Muy bien explicado...no hace falta moverse para transmitir lo que quiere transmitir, está siguiendo la mas mura estética barroca: estática, sin numeros circenses para entretener a los oyentes. Por si sola llena el escenario....
Sir or Mam: I am sure that at the very Time & Date at which Ye arrive to that Harbor of All Desire, there will meet Ye Our Very Own Ambassage of Emporer Penguins and their Wonderful Young Ones, crowned with tid-bits of Regal Ice. They shall help Ye All become Able to build Igloos. Those have been built so very much by the Inuits, Eskimo, and Aleuts for Centuries to House the Natives, as such as they are, all there, and their Amicable Pet Seals. It is a Good Thing. Have a Nice Day. Godspeed.
She knows how to show off the things that only a soprano voice can do--which is make her high notes sparkle. The simultaneous virtuosity and delicacy are almost too much to handle. Such artistry!
Interesting to see the "english" debate here. The reason she is singing in English is that the production was at the English National Opera whose whole ethos is to present opera in the vernacular. As a young man I truly appreciated this as a means to open up opera to me and others. That was before surtitles, now with their technology I think ENO should think again.
BUT... sometimes we get such brilliant translators that the work becomes seminal, (the ENO Goodall Ring). The jury is out!!
Don't blame the poor woman for "sheep", blame the insensitive translater. "i" as in "ship" sounds awful as Lloyd Webber (should know better) demonstrated in European song.
Glyndebourne translation had "battered boat" rather than shaken ship. Much Better.
This song and Valerie Masterson make me proud to be a soprano. It's wonderful to see a production of Giulio Cesare done so beautifully Baroque, just as it may have been done when first produced. I loved the ornamentation of the da capo, it was very time period appropriate and skillfully executed. Dominance of the singer, baby! :P
I come back to this over and over again - I saw it three times live - just love this woman's voice and when she performed - the charm, the beauty, as an audience we went crazy for her!
I first heard Masterson a long time ago as Mabel in G&S's Pirates of Penzance and much admired her elegant diction and lovely voice. She was a real charmer. Her appearance added much sparkle to the production. When she was on stage, ALL eyes were on her--whether or not she was singing. No denying it; I was smitten! FIVE STARS!
I prefer the english version of this opera. The cast in this production is insuperable!!! Dame Janet Baker sings a superb Cesar, Sarah WAlker and Della Jones are great. Counter tenor Bowman is outstanding, and Tomlinson´s Achillas simply great. BRAVO MACKERRAS!
well, when a composer writes a vocal piece, he is thinking in the language too, this version in english is annoying sometimes, you think : there is something wrong, naturally the language
Sills' version done with 18th century staging and costume is a masterpiece. It takes your breath away, but not hers. Larsen's sad attempt in a bikini (why bother singing)and Masterson's carefully ladled out froth can't compare with Sills' depth, timbre and astonishing tempo. We owe a great deal to Meredith Greenough for allowing us these snatches of pleasure and making sure her mother's artistry remains so easily available.
Remember, Valerie is a lyric - Sill is a coloratura. Valerie has truly a pure beatuful voice with NO FLAWS. And how beautiful - not even Sills could compare there.
Remember, Valerie is a lyric - Sill is a coloratura. Valerie has truly a pure beatuful voice with NO FLAWS. And how beautiful - not even Sills could compare there. MASTERSON IS A MASTER.
Sills' version is my favorite, but I don't think you need bash every other Cleopatra you come across because of it. Masterson is a wonderful artist, and this is one of her greatest roles. Agreed on Larson, though.
Да, по-английски "Юлий Цезарь не так хорошо", как по-итальянски. Так же как и моцартовская "Волшебная флейта" не хороша по-русски. Или "Борис Годунов" по-английски. Гендель не только английский, но и немецкий композитор, вот о чем шел разговор.Вот так.
By the way I do not agree with what those two were saying. I think Handel was an English composer. I think that "Giulio Cesare" is as good in English as it is in Italian.
And in my opinion Valerie Masterson was a beautiful woman and great singer.
we speak and write English. But isn't it allowed to have a discussion in other languages? I am quite sure that people who comment opera speak lots of different languages. Sinon, comme je l'ai déjà dit, la version de cet air paticulier en anglais me plaît, MAIS je préfère que les rôles des castrats soient chantés par les falsettistes.
You are perfectly in your right to discuss in whatever language you wish, although it does peak the curiosity of some, myself included. But then, how about those who do not know any english, and have to look at all of our comments in English whereas THEY don't understand any of it. They don't ask us to know their language and YOU should not be obliged to confine your text to English.
Es mi video y yo tengo el derecho de solicitar al menos que se escriba en un lenguaje comprensible, pero lo que no es plan es que 10 persona me escriban en ruso o lo que sea, en un lenguaje cirilico. Ves, yo escribo español, I speak spanish, J'écris en espagnol
Je n'écris pas en espagnol, mais je comprends ce que vous voulez dire. Ils écrivent en russe sûrement parce qu'ils ne savent pas écrire en anglais... Tout simplement... That's it.
tienes toda la razón del mundo, no se trata de entrar en un conflicto lingüístico, sino de que nos entendamos todos. Además, no me creo que un ruso no sepa hablar inglés mucho mejor que un español.
Tienes mucho bueno gosto e te agradeço tus videos. Foi aqui que io hei descubierto el Barroco musical e me guasta mucho. My spanish is very bad, mais mon français est insupportable.......... eheheheheheheheh es solo rire
Опера написана на итальянском. И Гендель, хотя и прожил почти 50 лет в Англии, оставался немцем. Это не "Саул", и не "Иуда Макквей", не "Самсон". Это "Джулио Чезаре". И ария Da Tempeste, а не... простите, не знаю, как называется на английском.
Не ссоримся :-) Выбор языка можно обсуждать (тут тоже свои традиции), а вот исполнение великолепное. // Parfait. D'habitude, je préfère "Giulio Cesare" chanté en italien, mais cette version anglaise est super belle!
Цезарь на русском? Нда.. хотя.. интересно было бы послушать для забавы. Только вот где столько конртеноров найдут? Цезарь, Птолемей, Секст или женское контральто?:)))
После увиденного мною трижды /в Париже и в Копенгагене/ сложновато будет усвоить Цезаря-контральто :) Представляю это в Мариинском ! Кто ставить-то будет??!!! Может мы с Вами??!!!! в свободное от работы время???!!!! ;о)
Не понимаю. Английский язык - очень красивый язык. Почти треть слов в английском взято из латыни, то есть английский язык - родственник итальянского. Гендель - английский композитор, певица англичанка, красивая и хорошо поёт.
Во-первых, Гендель лишь отчасти английский композитор, и его гений не от английского .... хммм ...источника..Во-вторых, я не думаю, что английский в данном случае идеально подходит к этой опере.... было ли это в мыслях у маэстро?!...это не "Саул" :)))))
I prefer arias sung in the original language but I have to say that Valerie Masterson delivers an excellent performance here. Incredible singing and very charming! One of the best performances of this aria.
its actually a full production of Julius Caesar. Just go to amazon and search "julius caesar mackerras" and you should find a couple of dvd's. I really think you'll like it (especially Della Jones' sesto)
Madame Masterson is a magnificent artist. I have a video with her singing MIREILLE, she is gorgeous. I invite you to purchase the PEARL recital,it's her only recital and it's a miracle.
Well... because English isn't vocalic enough for so many 'coloratura', because English sounds well for theatre but not as good for singing... and because Haendel wanted it to be in Italian. Mi mother language (Spanish) sound even worse than English, so I wouldn't like at all it being sung in Spanish.
Me gusta, aunque debo decir que luego de escuchar tantos sonidos agudos enlazados en coloraturas interminables termino concluyendo que para este tipo de repertorio prefiero una mezzo!
I'm amazed at her rythm and tone in these coloratura passages. I'm also taken with her delivery of this emormously difficult music with an understated cool and aristocratic elegance. Additionally, the english version poses even more pitfalls in the coloratura than the Italian version due to the fewer vowels. This is the most elegant rendition I've ever stumbled into.
Pues eres de los pocos que pienesa eso, ya que precisamente esta cleopatra ha sido considerada antológicaa, y valerie como una de las mejores en la interpretaciones barrocas del sajón
The orchestra is NOT routine and dull. It is doing what HANDEL wanted it to do, support the vocal acrobatics of the singer, NOTHING more. Dramatic effects are left to Ritornelli.
Beautifully sung. Baroque opera DOESN'T work with the modern forms of acting as only during recitatives does the action move forward. Arias were created for vocal display only, and at most vocal acting.
She is utterly divine. First met her with BBC produce Yvonne Littlewood and recorded 6 classic ballad tracks with her.. produced by wizard, Ken Barnes (Crosby/Sinatra) - never released (in my tape store). She was simply outstanding, and a beautiful, unforgetable woman. What memories and what a talent.! (note to self... idiot!!!!)
This is lovely!!!! Really beautiful. And damn that instrumental is catchy! Tararan pam pam tararan pam pam tararararararara... I can't get it out of my head. Fantastic aria, my favorite composer!
Wonderful singing--very dull, routine instrumental accompaniment and conducting. She doesn't quite have the complete mastery of the trill that Sills and other had.
Fortunately for us, Valerie was with the D'Oyly Carte Opera for many years and recorded some of the lead soprano Gilbert & Sullivan parts (which do have some delicious soprano arias) with that company.
I hate to beg to differ sluttyruth but the was a great deal of acting in opera 20 years ago and even thrity and forty... as advancments in operatic acting reall took off in the mid-late sixties. Here though Matserson is, i think, emulating the the acting school traditional to baroque opera, that is the lack of movement standard to handel's day. if you watch Beverly Sill's clip of this same aria, she to does this even though she is renowned for the intensity and beauty of acting skills.
You can get the DVD at amazon (and most other on-line sources, I'd imagine). Just search DVD for Julius Caesar Masterson. There's also a version of Handel's Serse (Xerxes) with her, also in English.
simply wonderful. i'm already addicted to this video. its funny to see how just 20 years ago there was no acting whatsoever during an aria. she just walks from one side to the other and still you dont get bored because her singing fills the gap... fantastic!
Valerie Masterson is my favourite soprano, followed by Lucia Popp - who is now with God.She'll be singing in the heavens as beautifully as she sung on earth.
thank you so much for posting this video of a magnifiscent artist (and a great person) who despite a fantastic stage carreer has made very few recordings! what a shame for the recording industry!
Wonderful memories of the amazing Valerie Masterson. Many years of pleasure from her at ENO and Covent Garden.
robin678 1 month ago
Merveilleux !!!!
clown84700 3 months ago
it could be more interesting but..... it is difficult aria
shapewhy 7 months ago
I saw V.M. as Mabel in Pirates of Penzance years ago and was completely captivated by the beauty of her voice and delightful stage presence. It's wonderful to see how many examples of her art appear on YouTube.
gmmix 10 months ago
She is amazing, the easiness with which she produces the sounds is almost surreal.
guiradobrasil 11 months ago 3
Ultimate example of the "park and bark" style of operatic delivery. Nicely done, but how BORING.
Shezan2008 1 year ago
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God I love this video, and watched it regularly. Beautiful singing, beautiful intonation. Her runs and trills are fabulous.
rix657 1 year ago
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God I love this video, and watch it regularly. Beautiful singing, beautiful intonation. Her runs and trills are fabulous. I read that Valerie was more of a Gilbert and Sullivan specialist, not Handel!
rix657 1 year ago
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rix657 1 year ago
Beautiful clear voice and excellent technic! Very tasteful performance! Bravo!!!
Albertmaximus1 1 year ago
Beautiful clear voice and excellent technic! Very tastful performance! Bravo!!!
Albertmaximus1 1 year ago
le falta expresion corporal y escenica pero la tecnica es excelente y la diccion muy buena
ligth95 1 year ago
@ligth95 esto es ópera barroca no pop, los cantantes no se mueven, por que en realidad no están actuando, están cantando, la acción en la ópera barroca no está en la arias, esta en los recitativos.... las arias son sólo reflexiones filosóficas, aun mas en Handel.------
nicosupersex 1 year ago 4
@nicosupersex Muy bien explicado...no hace falta moverse para transmitir lo que quiere transmitir, está siguiendo la mas mura estética barroca: estática, sin numeros circenses para entretener a los oyentes. Por si sola llena el escenario....
bejun 1 year ago
Masterson is the best of the best when it comes to soprano singing, and no one can argue that.
GypsAngelyn 1 year ago
Love her!
la200o 1 year ago
I really like Mastersons' version. Most parts of it are crystal clear and with a wonderful vibrato. Very good performance!
arnsweden 1 year ago
She is one of the great sopranos. I loved her so much. A fantastic stage charisma and wonderful vocal artistry.
barneswriter 1 year ago
The acting is irrelevant. Lovely diction, and great song of course.
manc33 1 year ago 5
@manc33 The acting is just a recreation of the baroque style, in the way that operas were sung in handel age
bejun 1 year ago 7
I'm italian but I have to admit that also the english one is a beautiful version
wellbn1 1 year ago
Nice to hear. Not to watch.
passionsong07 1 year ago
I love her voice, but I'm not sold on her acting.
SeattleWaffle 1 year ago
Sir(s) or Madame(s): I ask, "Is Ms. Valerie Masterson Nordic?"
torstvillinger 1 year ago
British
bejun 1 year ago
Sir or Mam: I am sure that at the very Time & Date at which Ye arrive to that Harbor of All Desire, there will meet Ye Our Very Own Ambassage of Emporer Penguins and their Wonderful Young Ones, crowned with tid-bits of Regal Ice. They shall help Ye All become Able to build Igloos. Those have been built so very much by the Inuits, Eskimo, and Aleuts for Centuries to House the Natives, as such as they are, all there, and their Amicable Pet Seals. It is a Good Thing. Have a Nice Day. Godspeed.
torstvillinger 1 year ago
The dress makes it for me.
ZenCross1 1 year ago
Does anyone know where to find the video recording of Masterson singing Mabel in Pirates? I would love love love to own it!
AshleyTAdamsOnline 2 years ago
I have never seen this opera before.
worldvote 2 years ago
What's with those guards? The way they are just smiling and staring at her the whole time is really creepy.
rockyshott 2 years ago
They are roman soldiers
TFreckle 2 years ago 3
@rockyshott They lover her boobs, also, they probably love opera, and her beautiful voice...is there a reason to be unhappy ? :D
Szederp 2 years ago 2
She made me love opera!
FollowToChange 2 years ago 3
She gave me a hard-on.
DieSonneSinkt 1 year ago
She knows how to show off the things that only a soprano voice can do--which is make her high notes sparkle. The simultaneous virtuosity and delicacy are almost too much to handle. Such artistry!
forallyouknow 2 years ago 4
She is MasterTon- lovely ;-)
TheCanta 2 years ago
Maybe the most beautiful and precise coloratura I have ever listened to.
tenor185 2 years ago 5
Interesting to see the "english" debate here. The reason she is singing in English is that the production was at the English National Opera whose whole ethos is to present opera in the vernacular. As a young man I truly appreciated this as a means to open up opera to me and others. That was before surtitles, now with their technology I think ENO should think again.
BUT... sometimes we get such brilliant translators that the work becomes seminal, (the ENO Goodall Ring). The jury is out!!
lgawringer 2 years ago 4
Lovely authentic version. Hairs sticking up on my neck.
manc33 2 years ago 2
Don't blame the poor woman for "sheep", blame the insensitive translater. "i" as in "ship" sounds awful as Lloyd Webber (should know better) demonstrated in European song.
Glyndebourne translation had "battered boat" rather than shaken ship. Much Better.
lgawringer 2 years ago 2
really good......she is very good...excellent.....how is gay?
zasesdea 2 years ago
lol - my sheep...
LiedduoKoeln 2 years ago
Stormy winds my sheep has shaken?
DieSonneSinkt 2 years ago 2
In english????
jordidel66 2 years ago
superb!
Albinoni1 2 years ago
Ma!trovo quest'aria scialba,priva di pathos,melodia ed estro.Sara' perche' non amo l'aytore.
italwines 3 years ago
This is a true Pro' and artist!
Ostochskinkmackan 3 years ago 2
isnt it from year "onetwothree" ? but still it is good if I think the english language, because now I can only hear and not see to translate.
delauge 3 years ago
I wish I were a soprano... but (sighs), I'm a baritone.
DieSonneSinkt 3 years ago
Haha in what universe are you a baritone? Let me try, I wish I were a soprano...but (sighs) I am just superman.
elias12186 3 years ago
I wish i were superman... but (sighs) I am just God.
Motetftw 3 years ago
he is gay...
svejelka 3 years ago
This song and Valerie Masterson make me proud to be a soprano. It's wonderful to see a production of Giulio Cesare done so beautifully Baroque, just as it may have been done when first produced. I loved the ornamentation of the da capo, it was very time period appropriate and skillfully executed. Dominance of the singer, baby! :P
cantatrix 3 years ago 4
This is the best soprano that youve ever seem,my dear you must meet more sopranos
sagagossard 3 years ago 2
she's good, but Philippa Hyde is for my the one and only as Cleopatra.
woytynowska 3 years ago
Wicked coloratura
elias12186 3 years ago 4
Lascivious...
DieSonneSinkt 3 years ago
This comment has received too many negative votes show
the coloratura between 4:52 and 4:56 is below any level of good taste!!!
svejelka 3 years ago
This comment has received too many negative votes show
actually, it is dreadful :))
Lohengrin 3 years ago
Could you educate us and tell what is dreadful or do you just speak out of your arse?
belcantoBR 3 years ago 10
This comment has received too many negative votes show
This is pretty bad, yeah.
clarinetsweetheart 3 years ago
Indeed, that particular attempt at a trill is not the greatest. But in that no way undercuts the general glory of the performance.
nclysander 3 years ago
that´s right - not only technical....she has all of it :)
cellocarla 3 years ago 2
I come back to this over and over again - I saw it three times live - just love this woman's voice and when she performed - the charm, the beauty, as an audience we went crazy for her!
denchfan 3 years ago 4
omg...her intonation and technique on every single note.....
cellocarla 3 years ago 5
absolutely brilliant, hey?
emyjaymac 2 years ago 3
this is child's play for her. brava.
wobblatura83 3 years ago 4
notice how still she is - she doesn't move her mouth on coloratura....genius.
Kleinfelterz 3 years ago 4
enil gaeu mier an 4:20 nos
lomoto69 3 years ago
what about her beautiful high notes in 4:20?????????
nicosupersex 3 years ago
I first heard Masterson a long time ago as Mabel in G&S's Pirates of Penzance and much admired her elegant diction and lovely voice. She was a real charmer. Her appearance added much sparkle to the production. When she was on stage, ALL eyes were on her--whether or not she was singing. No denying it; I was smitten! FIVE STARS!
gmmix 3 years ago 3
Love Valerie Masterson in this role she's very English boroque in every sense.
sicuro75 3 years ago 3
I prefer the english version of this opera. The cast in this production is insuperable!!! Dame Janet Baker sings a superb Cesar, Sarah WAlker and Della Jones are great. Counter tenor Bowman is outstanding, and Tomlinson´s Achillas simply great. BRAVO MACKERRAS!
GUILLERMO1957 3 years ago 4
well, when a composer writes a vocal piece, he is thinking in the language too, this version in english is annoying sometimes, you think : there is something wrong, naturally the language
nicosupersex 3 years ago
Her voice is so clear and bright. I think it fits this aria so well, and she gives us an amazing performance. Simply beautiful.
Ellimaaan 3 years ago 3
A very underrated singer. Brava
mrrk 3 years ago 3
God she,s good.
daco54 3 years ago 4
simply breath-taking! Bravo!
stingabe 3 years ago 3
why not? I complain again. Have you undestood?
bejun 3 years ago
永這兒有一篇評論中國人,所以你不要抱怨
fassionero 3 years ago
永這兒有一篇評論中國人,所以你不要抱怨
fassionero 3 years ago
Sills' version done with 18th century staging and costume is a masterpiece. It takes your breath away, but not hers. Larsen's sad attempt in a bikini (why bother singing)and Masterson's carefully ladled out froth can't compare with Sills' depth, timbre and astonishing tempo. We owe a great deal to Meredith Greenough for allowing us these snatches of pleasure and making sure her mother's artistry remains so easily available.
h56770 4 years ago
Remember, Valerie is a lyric - Sill is a coloratura. Valerie has truly a pure beatuful voice with NO FLAWS. And how beautiful - not even Sills could compare there.
PecsMstr 3 years ago
Remember, Valerie is a lyric - Sill is a coloratura. Valerie has truly a pure beatuful voice with NO FLAWS. And how beautiful - not even Sills could compare there. MASTERSON IS A MASTER.
PecsMstr 3 years ago 4
Sills' version is my favorite, but I don't think you need bash every other Cleopatra you come across because of it. Masterson is a wonderful artist, and this is one of her greatest roles. Agreed on Larson, though.
nclysander 3 years ago 11
not bad, unless you've seen Sills do it then it pales no authority or power
h56770 4 years ago
I think I actually prefer Masterson's version to Sills'. Masterson is clearer and seems more in control of her voice, though Sills is fabulous too.
skeetonwarde 4 years ago
why dont you speak english?
bejun 4 years ago
I can describe you what these guys were discussing.
They argue that "Giulio Cesare" in English is not as good as in Italian. They claim that "Giulio Cesare" had to be performed only in Italian.
And they say that Handel has to be considered a German composer, not an English one (despite most of his life spent in England).
And then they discussed feasibility of finding a male singer with castrato voice in Russia.
iromanovsky 4 years ago
Да, по-английски "Юлий Цезарь не так хорошо", как по-итальянски. Так же как и моцартовская "Волшебная флейта" не хороша по-русски. Или "Борис Годунов" по-английски. Гендель не только английский, но и немецкий композитор, вот о чем шел разговор.Вот так.
Slavaimperator 4 years ago
By the way I do not agree with what those two were saying. I think Handel was an English composer. I think that "Giulio Cesare" is as good in English as it is in Italian.
And in my opinion Valerie Masterson was a beautiful woman and great singer.
iromanovsky 4 years ago
Handel was actually born in Germany.
EmilyGreene1984 3 years ago 2
we speak and write English. But isn't it allowed to have a discussion in other languages? I am quite sure that people who comment opera speak lots of different languages. Sinon, comme je l'ai déjà dit, la version de cet air paticulier en anglais me plaît, MAIS je préfère que les rôles des castrats soient chantés par les falsettistes.
QueenOfShemakh 4 years ago
You are perfectly in your right to discuss in whatever language you wish, although it does peak the curiosity of some, myself included. But then, how about those who do not know any english, and have to look at all of our comments in English whereas THEY don't understand any of it. They don't ask us to know their language and YOU should not be obliged to confine your text to English.
God Bless you.
contessabrilliante 4 years ago
Es mi video y yo tengo el derecho de solicitar al menos que se escriba en un lenguaje comprensible, pero lo que no es plan es que 10 persona me escriban en ruso o lo que sea, en un lenguaje cirilico. Ves, yo escribo español, I speak spanish, J'écris en espagnol
bejun 4 years ago
Je n'écris pas en espagnol, mais je comprends ce que vous voulez dire. Ils écrivent en russe sûrement parce qu'ils ne savent pas écrire en anglais... Tout simplement... That's it.
QueenOfShemakh 4 years ago
tienes toda la razón del mundo, no se trata de entrar en un conflicto lingüístico, sino de que nos entendamos todos. Además, no me creo que un ruso no sepa hablar inglés mucho mejor que un español.
pacomerode 3 years ago
Tienes mucho bueno gosto e te agradeço tus videos. Foi aqui que io hei descubierto el Barroco musical e me guasta mucho. My spanish is very bad, mais mon français est insupportable.......... eheheheheheheheh es solo rire
gloriain9 3 years ago
Опера написана на итальянском. И Гендель, хотя и прожил почти 50 лет в Англии, оставался немцем. Это не "Саул", и не "Иуда Макквей", не "Самсон". Это "Джулио Чезаре". И ария Da Tempeste, а не... простите, не знаю, как называется на английском.
Slavaimperator 4 years ago
Otsjen horrosjo = Very good.
Sadiesexy 4 years ago
Не ссоримся :-) Выбор языка можно обсуждать (тут тоже свои традиции), а вот исполнение великолепное. // Parfait. D'habitude, je préfère "Giulio Cesare" chanté en italien, mais cette version anglaise est super belle!
QueenOfShemakh 4 years ago
Прекрасная ария! Только почему на английском?
Slavaimperator 4 years ago
Да! :( .... на английском странно звучит....
BachLoveNat 4 years ago
Da tempeste на английском, нда...
Slavaimperator 4 years ago
Не удивляйтесь, дорогой, если скоро ....
по-русски петь будут :)))))))
BachLoveNat 4 years ago
Цезарь на русском? Нда.. хотя.. интересно было бы послушать для забавы. Только вот где столько конртеноров найдут? Цезарь, Птолемей, Секст или женское контральто?:)))
Slavaimperator 4 years ago
Некоторым контртенорам не мешало бы поучить .... русский. Это язык Пушкина, Толстого и Достоевского! Вот хорошая идея! :о)
А с контральто, я думаю, в России проблем никаких ....
BachLoveNat 4 years ago
Это точно!:) С контральто не будет проблем. Здесь же кстати фрагменты, где Цезаря, играют женщины.
Slavaimperator 4 years ago
После увиденного мною трижды /в Париже и в Копенгагене/ сложновато будет усвоить Цезаря-контральто :) Представляю это в Мариинском ! Кто ставить-то будет??!!! Может мы с Вами??!!!! в свободное от работы время???!!!! ;о)
BachLoveNat 4 years ago
Чё это тут русские собрались?
На каком языке она вам должна петь?
Гендель всё-таки,
значит по-английски нужно петь.
Вот она и поёт по-английски.
iromanovsky 4 years ago
'Cesare' и английский....
Это все-равно что "че" и Пушкин :(
BachLoveNat 4 years ago
> 'Cesare' и английский..
Не понимаю. Английский язык - очень красивый язык. Почти треть слов в английском взято из латыни, то есть английский язык - родственник итальянского. Гендель - английский композитор, певица англичанка, красивая и хорошо поёт.
Что не так?
iromanovsky 4 years ago
Во-первых, Гендель лишь отчасти английский композитор, и его гений не от английского .... хммм ...источника..Во-вторых, я не думаю, что английский в данном случае идеально подходит к этой опере.... было ли это в мыслях у маэстро?!...это не "Саул" :)))))
BachLoveNat 4 years ago
For some reason she reminds me of Roberta Peters. Not sure why.
artdanks 4 years ago
She seems so suited to this role. Yet more beautiful singing from Valerie, and yet more beautiful music from Handel.
EllimanAtomica 4 years ago 2
Could you please post Sextus' recitative and aria from the first act 'the time for tears is over...come rouse yourselves to vengeance'?
hillevifan 4 years ago
I prefer arias sung in the original language but I have to say that Valerie Masterson delivers an excellent performance here. Incredible singing and very charming! One of the best performances of this aria.
ekhsoj 4 years ago
It's in English, but it's still awesome.
zacharybr 4 years ago 2
How does she do it, amazing singing.
lorgain2 4 years ago
where can i get that recital?
bejun 4 years ago
its actually a full production of Julius Caesar. Just go to amazon and search "julius caesar mackerras" and you should find a couple of dvd's. I really think you'll like it (especially Della Jones' sesto)
hillevifan 4 years ago
Madame Masterson is a magnificent artist. I have a video with her singing MIREILLE, she is gorgeous. I invite you to purchase the PEARL recital,it's her only recital and it's a miracle.
FABRIZIO82 4 years ago
wonderful technique!
gentle&charming
bravasoprano 4 years ago
Why in english??? No, no, no
energyandpower 4 years ago
Why not in English??? Yes, yes, yes.
radicalclassic 4 years ago
Well... because English isn't vocalic enough for so many 'coloratura', because English sounds well for theatre but not as good for singing... and because Haendel wanted it to be in Italian. Mi mother language (Spanish) sound even worse than English, so I wouldn't like at all it being sung in Spanish.
mepidoprimer 4 years ago
Valerie Masterson is one of my favorite Handel sopranos. Her voice is just so suited to it.
HsFreezer 4 years ago 5
Sorprendente!
Me gusta, aunque debo decir que luego de escuchar tantos sonidos agudos enlazados en coloraturas interminables termino concluyendo que para este tipo de repertorio prefiero una mezzo!
Pero es brava!
Miguelpalermo 4 years ago
I'm amazed at her rythm and tone in these coloratura passages. I'm also taken with her delivery of this emormously difficult music with an understated cool and aristocratic elegance. Additionally, the english version poses even more pitfalls in the coloratura than the Italian version due to the fewer vowels. This is the most elegant rendition I've ever stumbled into.
operaoaf 4 years ago 2
adoro haendel pero esta mujer lo interpreta como si estubiera cagando
cartman40000 4 years ago
Pues eres de los pocos que pienesa eso, ya que precisamente esta cleopatra ha sido considerada antológicaa, y valerie como una de las mejores en la interpretaciones barrocas del sajón
bejun 4 years ago
Menudo comentario...
Poco conocimiento el tuyo.
"interpreta como si estubiera cagando"... Deja la vulgaridad en casa, chato.
clashguy 4 years ago
esta mujer is one of the best haendel's interpreter of our times, her performance is delightful, and her voice expressive and beautiful
pianofolle 4 years ago
The orchestra is NOT routine and dull. It is doing what HANDEL wanted it to do, support the vocal acrobatics of the singer, NOTHING more. Dramatic effects are left to Ritornelli.
BDSCalgary 4 years ago
Beautifully sung. Baroque opera DOESN'T work with the modern forms of acting as only during recitatives does the action move forward. Arias were created for vocal display only, and at most vocal acting.
BDSCalgary 4 years ago
cadenzas are gorgeous and spot on.
gclef2288 4 years ago
She is utterly divine. First met her with BBC produce Yvonne Littlewood and recorded 6 classic ballad tracks with her.. produced by wizard, Ken Barnes (Crosby/Sinatra) - never released (in my tape store). She was simply outstanding, and a beautiful, unforgetable woman. What memories and what a talent.! (note to self... idiot!!!!)
CharlesMcCxca 4 years ago
English! How dare they. I just can't stand linguistics crimes in opera.
alexmacias 4 years ago
This is good but WAY too slow!
CHerbek 4 years ago
This is lovely!!!! Really beautiful. And damn that instrumental is catchy! Tararan pam pam tararan pam pam tararararararara... I can't get it out of my head. Fantastic aria, my favorite composer!
CaballeroCatalan 4 years ago
Pretty lady (even at this age) with a great voice to match...
polyglotbyron6 4 years ago
Wonderful singing--very dull, routine instrumental accompaniment and conducting. She doesn't quite have the complete mastery of the trill that Sills and other had.
Fortunately for us, Valerie was with the D'Oyly Carte Opera for many years and recorded some of the lead soprano Gilbert & Sullivan parts (which do have some delicious soprano arias) with that company.
MrGuizot 4 years ago
I hate to beg to differ sluttyruth but the was a great deal of acting in opera 20 years ago and even thrity and forty... as advancments in operatic acting reall took off in the mid-late sixties. Here though Matserson is, i think, emulating the the acting school traditional to baroque opera, that is the lack of movement standard to handel's day. if you watch Beverly Sill's clip of this same aria, she to does this even though she is renowned for the intensity and beauty of acting skills.
donizettirules 4 years ago
appreciate your correction, it was just an impression i had, but what you say seems right. thx^^
sluttyRuth 4 years ago
Where can I get a copy of this? I love it! It's the first time I've good singing AND good acting. I don't get bored at all.
Iolamusica 4 years ago
You can get the DVD at amazon (and most other on-line sources, I'd imagine). Just search DVD for Julius Caesar Masterson. There's also a version of Handel's Serse (Xerxes) with her, also in English.
Llednew 4 years ago
simply wonderful. i'm already addicted to this video. its funny to see how just 20 years ago there was no acting whatsoever during an aria. she just walks from one side to the other and still you dont get bored because her singing fills the gap... fantastic!
sluttyRuth 4 years ago
Really wonderful. I found that she made the ending to this aria particularly magical.
theguy3000 5 years ago
Beautiful...I think one of the best songs around:)
AsTessrid 5 years ago
wow...nice clarity. A perfect voice for Baroque arias. Her vocal gymnastics in the repeat of the "A" section deserves a clear 9.89!
baroquegeek 5 years ago
Amazing, she is 47 years in this video!
sruli2 5 years ago
What I would like to know is what year this was performed?
firebreathone 5 years ago
1984
rakewell2 5 years ago
Valerie Masterson is my favourite soprano, followed by Lucia Popp - who is now with God.She'll be singing in the heavens as beautifully as she sung on earth.
linhcba 5 years ago
I ve seen all you love Valerie Masterson, so I ve uploaded some new videos about her. Just have a look at my nick
bejun 5 years ago
i watch this also every day and not just once :)
dgviktor 5 years ago
everyday I watch this and her voice gives me joy !
paminaase 5 years ago
even better than beverly sills !
paminaase 5 years ago
Truly Amazing
D9l3tt 5 years ago
Its absolutely brilliant, however you said "singed by the most.." it should be "sung"
firebreathone 5 years ago
I can't agree more - Valerie is the best Handelian soprano I have ever heard. Such a fantastic artist & as you say sadly under-recorded.
kiwiscouse 5 years ago
thank you so much for posting this video of a magnifiscent artist (and a great person) who despite a fantastic stage carreer has made very few recordings! what a shame for the recording industry!
Sibelius75 5 years ago
I first saw Valerie at the eno singing Xerxes, and I loved her, but in Giulio Cesare as Cleopatra is the best one.
Noeliuxx 5 years ago