I love Joan's juicy singing of Handel! The sound is so full and sumptuous, compared with the so-called period voices. For such a substantial voice, it is yet a further miracle that Joan could throw of the ornaments with such prodigous flexibility and style. In his writing for the voice, Handel showed an extraordinary gift for melody and form. This is why so many singers love the Handelian repertoire, as challenging as it can be at times, and find it so rewarding to sing.
Joan Sutherland ist one of the greatest Singers of all time.
With over 50 she sing this piece absolutely georgeous.
An I say it also again: Its wonderful to her this music with a Huge VOICE and not this half-breed itchysitchy Singers which are sing this music today!!!!
this looks like the sydney production for the Australian opera beautifull cast in that production one of my best opera memories thanks for posting this.
To appreciate Joan one need to be in the theatre... She was in Toronto in the 80s for Anna bolena ... And the voice was a force of nature! Big beautiful and agile! And by then she sings with much more fire than her younger days. It was my first opera experience and what a way to initiate LOL
Tornami a vagheggiar! te solo vuol amar quest'anima fedel, caro mio bene.
Gia ti donai il mio cor; fido sera il mio amor, mai ti saro crudel, cara mia spene.
Or, in English: "Return to me with longing; this faithful soul wishes to love thee alone, my dear beloved. Already I have given thee my heart; my love will be faithful, never will I be cruel to thee, my dear hope!"
@888HeRa888 In this version, which is in the original key, and the key by which most sopranos sing it, the highest note is a D in the final cadenza. However, Sutherland sang it half a step higher in the '60s, which would've made it an Eb. And yes, this aria is specifically for coloratura sopranos; and if you meant the note being only for coloraturas, well, it depends on the voice, but most soprano voices top out at about a C6.
What I love about her singing of Handel is that she actually SINGS the coloratura passages, rather than hammer out notes like a machine gun as people do today. Every note and trill is there perfectly, and it's all joined together into music rather than a collection of notes shot out at the listener at breakneck speed.
magnifica vozzz.con medios poderosisimos y agudos gordos.como solo ella era capaz de hacer.voz fluida....interpretada totalmente hasta el final....con gusto de verdadera cantante de opera.
The good old days of The Australian Opera...This was indeed a beautiful production ,directed by Robert Helpmann and sumptuous costumes by Michel Stennett..I was lucky to have seen this quite a few times..
I cant' believe that Opera Australia as its known today has decided to do another horrible production of Alcina when they had this one !!
Mon Dieu! Une pieuvre bleue criarde! Quand on beugle handel comme celà on reste sous la douche, ce qui irait bien à son deguisement poulpesque (Heureusement que la Sutherland ne peut plus chanter...)
@guizoctave Vous m'avez fait bien rire. Et combien vous avez raison aussi - non seulement ici mais c'est son mari, Richard Bonynge, qui exigeait qu'elle soit habillee 'en meringue'. Ca m'a toujours fait pense au moment dans 'Romeo & Juliet' quand la nourrice entre, habillee pareillement, et les jeunes hommes crient, 'Un navire! un navire!' De tout facon comment elle arrivait a bouger dans des telles creations est incroyable! Julien
I prefer the version she did in the 1950s, without the excessive ornamentation. There is little historical evidence to indicate exactly how Handel's singers interpreted this role, so why do we bother with all this "historical interpretation" stuff?
@WJCairns no conosco esa version y me gustaria mucho.....ponte en contacto conmigo por favor......1950 es una epoca de ella que me interesa mucho......los ornamentos no es lo importante en ella para mi.....sino su estilo de cantante suprema...........
The wig is draggilicious. I guess Joan never cared about the intentions of the composer, taking another character's aria or singing whatever she feels like up an octave or completely rewritting the vocal line. At least she sang great 95% of times.
Lovely set and costumes....Wish there were a video account of her earlier magic in this role;amazing still decades later!Is this REALLY a half step down?Seems the usual key to me...but haven't heard those early records for a while!
OH WOW! I LOVE the staging! Pure magic! Such a shame that 'modern' stagers would prefer to see this opera taking place in a hawaiian beach than following Händel's original ideas :-/
I agree absolutely. The whole staging is just beautiful, and Joan herself looks almost supernatural. So much opera is wrecked these days by ridiculous and self-indulgent directors who think they can improve somehow on great masterpieces.
Appearing here too is the great Australian mezzo Margreta Elkins, who died only recently. This production was directed by Robert Helpmann!! very Baroque and very lavish...
J Sutherland en este " Tornami a vagheggiar " está mucho mejor, que en la interpretación de la "Reina de la Noche" , que también puede verse en Youtube..., en mi modesta opinión, claro.
Esto es un ejemplo para todos esos barrocos de ahora que hacen cantar con la voz atras y sin brillo, sin elegansia y desinflado. Para que aprendan esos desgraciados que el barroco no se canta como ellos piensan. INFELISES!!!
isn't this Morgana's aria? I don't understand why she's singing this because she's singing Alcina's aria ("Ah Mio Cor") in another video which seems to be from the same production... did she alternate between two roles?? wonderfully sung, in any case.
The aria was given to Strada, the original Alcina, to placate her after the success of the Morgana, Mrs. Young! The recitative before it, "Tiranna gelosia dell'amato Ruggier tormenta il core" makes the aria refer perfectly to Ruggiero, Alcina's love and nothing n the text is specific to the character of Morgana. And with Joan Sutherland in the cast, would you really want someone else to sing it?
@Richiesutherland I personally prefer the brighter and clearer Alcina of Emma Kirkby. Luckily the world and talent in opera is diverse so we can both have what we want.
What I think is interesting is that Dame Joan's voice had become much "heavier" by this stage in her career than it had been, and yet it still maintained its flexibility and beauty. Brava La Stupenda!
If Joan is playing Morgana in this production I'm curious who's playing Alcina...
nostopsnopurgatory 2 months ago
Not my favorite of hers. She seems to be persistently behind. However she is still...amazing. I tink Nathalie Dessay owns this nowadays.
mariannamouse 4 months ago
My vocal score (a 19th cent. reprint) has two versions of the recit before this aria, so that either Alcina or Morgana can sing it.
jmitchell002 5 months ago
We miss you miss Sutherland!
iyamt 7 months ago
I love Joan's juicy singing of Handel! The sound is so full and sumptuous, compared with the so-called period voices. For such a substantial voice, it is yet a further miracle that Joan could throw of the ornaments with such prodigous flexibility and style. In his writing for the voice, Handel showed an extraordinary gift for melody and form. This is why so many singers love the Handelian repertoire, as challenging as it can be at times, and find it so rewarding to sing.
vocalissimo1 8 months ago 4
Comment removed
nostopsnopurgatory 9 months ago
And I say It again:
Joan Sutherland ist one of the greatest Singers of all time.
With over 50 she sing this piece absolutely georgeous.
An I say it also again: Its wonderful to her this music with a Huge VOICE and not this half-breed itchysitchy Singers which are sing this music today!!!!
OLIVCHEN77 9 months ago
this looks like the sydney production for the Australian opera beautifull cast in that production one of my best opera memories thanks for posting this.
JOHNE65 11 months ago
To appreciate Joan one need to be in the theatre... She was in Toronto in the 80s for Anna bolena ... And the voice was a force of nature! Big beautiful and agile! And by then she sings with much more fire than her younger days. It was my first opera experience and what a way to initiate LOL
floridante2k 11 months ago
Does any one have the the text for this? I'd love to know what she's saying LOL :) thanks
operagirlify 1 year ago
@operagirlify The words are:
Tornami a vagheggiar! te solo vuol amar quest'anima fedel, caro mio bene.
Gia ti donai il mio cor; fido sera il mio amor, mai ti saro crudel, cara mia spene.
Or, in English: "Return to me with longing; this faithful soul wishes to love thee alone, my dear beloved. Already I have given thee my heart; my love will be faithful, never will I be cruel to thee, my dear hope!"
AgnesRegina 2 months ago
@AgnesRegina THANKS!!!
operagirlify 2 months ago
What's the highest note of this aria? It is only for coloraturas?
888HeRa888 1 year ago
@888HeRa888 In this version, which is in the original key, and the key by which most sopranos sing it, the highest note is a D in the final cadenza. However, Sutherland sang it half a step higher in the '60s, which would've made it an Eb. And yes, this aria is specifically for coloratura sopranos; and if you meant the note being only for coloraturas, well, it depends on the voice, but most soprano voices top out at about a C6.
ChrisStockslager 11 months ago
@ChrisStockslager Thanks;)
888HeRa888 11 months ago
What I love about her singing of Handel is that she actually SINGS the coloratura passages, rather than hammer out notes like a machine gun as people do today. Every note and trill is there perfectly, and it's all joined together into music rather than a collection of notes shot out at the listener at breakneck speed.
Shahrdad 1 year ago
A great singer but just wrong for this Italian Baroque.....she's never on the beat. This is no Bartoli for sure.
rumpwrestler 1 year ago
@rumpwrestler
Never on beat? I would wait until Bartoli is 57 before making comparsions.
Hako2004 10 months ago
@rumpwrestler But it's fabulous to be able to hear every note above the orchestra. I love Joan, I don't care - I love her! :)
jd7x7jd 9 months ago
I'm doing this song for third year uni. I just died a little bit on the inside. She's just toooo goooooood >_<
ChaseSpace 1 year ago
Comment removed
ChaseSpace 1 year ago
WHERE was this production please?
liedersanger1 1 year ago
precioso!!!!!
marcebety 1 year ago
Joan Sutherland has gone away, but her voice and her soul are still with us!
she was elegant and magic! Joan,I miss you so much!
Pharnaces1 1 year ago 2
bye, bye La Stupenda!
mstrawson 1 year ago
too bad for the poor quality of the recording sound & image
endeavourthelimits 1 year ago
Rest in Peace, enchantress!
ploplisphilin 1 year ago
a opera é muito sexy!
essenciademusica 1 year ago
Une leçon de style, à mon humble avis. Joan forever.
Quant aux costumes, c'est de la crème chantilly. MDR !
saol67 1 year ago
Que fastuosa version, que voce, que musica !!!
Ferdinand0880 1 year ago
magnifica vozzz.con medios poderosisimos y agudos gordos.como solo ella era capaz de hacer.voz fluida....interpretada totalmente hasta el final....con gusto de verdadera cantante de opera.
bellini7verdi 1 year ago
The good old days of The Australian Opera...This was indeed a beautiful production ,directed by Robert Helpmann and sumptuous costumes by Michel Stennett..I was lucky to have seen this quite a few times..
I cant' believe that Opera Australia as its known today has decided to do another horrible production of Alcina when they had this one !!
marioegorga 1 year ago
amazing!
1923pars 1 year ago
Mon Dieu! Une pieuvre bleue criarde! Quand on beugle handel comme celà on reste sous la douche, ce qui irait bien à son deguisement poulpesque (Heureusement que la Sutherland ne peut plus chanter...)
guizoctave 1 year ago
@guizoctave Vous m'avez fait bien rire. Et combien vous avez raison aussi - non seulement ici mais c'est son mari, Richard Bonynge, qui exigeait qu'elle soit habillee 'en meringue'. Ca m'a toujours fait pense au moment dans 'Romeo & Juliet' quand la nourrice entre, habillee pareillement, et les jeunes hommes crient, 'Un navire! un navire!' De tout facon comment elle arrivait a bouger dans des telles creations est incroyable! Julien
zimnaya 1 year ago
I prefer the version she did in the 1950s, without the excessive ornamentation. There is little historical evidence to indicate exactly how Handel's singers interpreted this role, so why do we bother with all this "historical interpretation" stuff?
WJCairns 2 years ago
@WJCairns no conosco esa version y me gustaria mucho.....ponte en contacto conmigo por favor......1950 es una epoca de ella que me interesa mucho......los ornamentos no es lo importante en ella para mi.....sino su estilo de cantante suprema...........
bellini7verdi 1 year ago
Wow, really very good. I didn't know she sang Alcina this late either.
peejes 2 years ago
Stupenda! Qui a fait déjà ces preuves et n'a pas besoin de nos commentaires... Bravissima! AV
ALEXISVASSILIEV 2 years ago
that was fun!
wattever333 2 years ago
Just fantastic, as always.
zurriussII 2 years ago
The wig is draggilicious. I guess Joan never cared about the intentions of the composer, taking another character's aria or singing whatever she feels like up an octave or completely rewritting the vocal line. At least she sang great 95% of times.
primohomme 2 years ago
Nope.....in Handel's time this aria was sometimes given to Alcina to sing vs Morgana depending on the singers.
baritonebynight 2 years ago
Lovely set and costumes....Wish there were a video account of her earlier magic in this role;amazing still decades later!Is this REALLY a half step down?Seems the usual key to me...but haven't heard those early records for a while!
lastupendaboy 2 years ago
@lastupendaboy I think it's because she sang it half a step up in the '60's, then took it down to the standard key when she got older.
ChrisStockslager 1 year ago
OH WOW! I LOVE the staging! Pure magic! Such a shame that 'modern' stagers would prefer to see this opera taking place in a hawaiian beach than following Händel's original ideas :-/
Joan sings beautifully as always.^^
leoperarm 2 years ago
I agree absolutely. The whole staging is just beautiful, and Joan herself looks almost supernatural. So much opera is wrecked these days by ridiculous and self-indulgent directors who think they can improve somehow on great masterpieces.
vocalissimo1 2 years ago
Brava!
TheOperaBarbie 2 years ago
Appearing here too is the great Australian mezzo Margreta Elkins, who died only recently. This production was directed by Robert Helpmann!! very Baroque and very lavish...
DazFromOz 2 years ago
BRAVO !!!
operalover42 2 years ago
This was quite wonderful - original key or not. Is this available in its entirety? Thanks once again for posting rare material.
goranandersson 2 years ago
J Sutherland en este " Tornami a vagheggiar " está mucho mejor, que en la interpretación de la "Reina de la Noche" , que también puede verse en Youtube..., en mi modesta opinión, claro.
jmsampietro 3 years ago
Comment removed
jmsampietro 3 years ago
I loooove the period costume... and Dame Joan of course :)
gibraltarrr 3 years ago
Wow she really makes it sound easy! Other singers sound wonderful too, but she just makes it sound so free.
Daniloveschoir 3 years ago
Is this in the original tone ?
paminaase 3 years ago
No, this was taken down a half step.
sour7lemon 2 years ago
This is the original key at period pitch.
CountertenorJ 2 years ago
Esto es un ejemplo para todos esos barrocos de ahora que hacen cantar con la voz atras y sin brillo, sin elegansia y desinflado. Para que aprendan esos desgraciados que el barroco no se canta como ellos piensan. INFELISES!!!
siglinde86 3 years ago
Lovely. Handel is best when its acted... badly. Hate the new modern interpretations. Brava!
beadlegirl921 3 years ago 3
isn't this Morgana's aria? I don't understand why she's singing this because she's singing Alcina's aria ("Ah Mio Cor") in another video which seems to be from the same production... did she alternate between two roles?? wonderfully sung, in any case.
mrdoryun 3 years ago
This is Morgana's aria but Joan always appropriated it to Alcina because it would have been a horrible waste if she hadn't sung it herself.
spsp2sp3sp3dsp3d2 3 years ago
aha. good to know. thank you.
mrdoryun 3 years ago
which she does wonderfully. But it's still bad taste. The composer's works comes first, not the singer...
juju1305 3 years ago
Wrong. Handel himself reassigned the aria to Alcina in later revivals.
Richiesutherland 3 years ago 2
I did not know that. Well I take it back then.
But even under Handel's direction, it must have made little sense as far as the libretto is concerned.
juju1305 3 years ago
The aria was given to Strada, the original Alcina, to placate her after the success of the Morgana, Mrs. Young! The recitative before it, "Tiranna gelosia dell'amato Ruggier tormenta il core" makes the aria refer perfectly to Ruggiero, Alcina's love and nothing n the text is specific to the character of Morgana. And with Joan Sutherland in the cast, would you really want someone else to sing it?
Richiesutherland 3 years ago 7
I read about it in the meantime. Thanks for elevating my awareness on that :) With Sutherland in the cast, i'd give it to her.
But I love Fleming and dessay under Christie's direction in which dessay is a stunning morgana :)
juju1305 3 years ago
@Richiesutherland I personally prefer the brighter and clearer Alcina of Emma Kirkby. Luckily the world and talent in opera is diverse so we can both have what we want.
CountertenorJ 1 year ago
I saw this wonderful production in Sydney, it was directed by Sir Robert Helpmann. I loved the rolling ocean in the background.
Joans first appearance in the opera: she comes out of a giant clam shell!!!!
Unforgettable.
I still have the opera program for that night.
mxwhisper 3 years ago
What I think is interesting is that Dame Joan's voice had become much "heavier" by this stage in her career than it had been, and yet it still maintained its flexibility and beauty. Brava La Stupenda!
hisimperialmajesty 3 years ago 13
"La Stupenda" first performed this on stage in 1957. She's 57 years old here in '83 and she still sings this role well.
spsp2sp3sp3dsp3d2 3 years ago
and Magreta the same )))
lahire22 3 years ago
I love the set and the costumes!! And well, let´s not talk about Joan´s voice!!!!!
SueAnnNivens 3 years ago
I love what she does at the end of the B section, 2:15 - 2:30!
operatube 3 years ago 3
Thanks for pointing out the 2:15 embellishment.
LaStupenda 3 years ago