I think monrealese said all the things I wanted to tell you. like I said this is my opinion, the interpretation is marvelous, and I think is authentic.
One can wonder what Couperin exactly meant by vivement, tempo or mere indication of character? Wy this slower than "usual" tempo? Because it is also possible.With this slower tempo I tried to elevate the "sustain-pedal"-effect, (due to the overlapping notes). This effect becomes less in higher tempi.
And what more, we taste this piece in a different way when played slowly, shadows and passaging dissonances which are Couperin's finest heritage. Maybe you already thought about it but slight changes in tempi could have been interesting and very acceptable. Yet still, very well done.
is incredible one of the few real interpretations of this beautiful tune, usualy people tend to go faster, but you sir get the right ideea!!!!! bravo very authentic, although I like the guitar version (because I play guitar!) you captured the real spirit of Couperin
So beautiful! I have usually preferred the faster tempo, like the way Christopher Parkening plays it. But I really love your slower, more sensitive version. You can really savour each note so much more.
Haha...I just got yelled at by my harpsichord prof. for playing this slowly too. I did look up some of Couperin's comments and apparently he was rather specific about the way he wanted things played; didn't really care for the performer to reinterpret his pieces. (I must admit, I do like this one slow and sensitive, but what can you do?)
Hi, interesting comment. One can wonder what Couperin exactly meant by vivement, tempo or mere indication of character? Then, isn't life boring if everyone played a piece the same way? Wy this slower than "usual" tempo? Because it is also possible.With this slower tempo I tried to elevate the "sustain-pedal"-effect, (due to the overlapping notes). This effect becomes less in higher tempi.
And wy not a matter of taste? Maybe not only a matter taste, but one cannot rule out taste.
How much does clavecin like yours cost?
pikarchik1986 2 years ago
(Probably already been asked, but) Who built the harpsichord? It's VERY good.
virginiaorganbuilder 2 years ago
It's a Zuckermann do-it-yourself kit Flemisch mark VI build by Reinier Maliepaard in 1977 and revised by Eduard Trompetter in 2004
Monrealese 2 years ago
I think monrealese said all the things I wanted to tell you. like I said this is my opinion, the interpretation is marvelous, and I think is authentic.
opidacul 2 years ago
One can wonder what Couperin exactly meant by vivement, tempo or mere indication of character? Wy this slower than "usual" tempo? Because it is also possible.With this slower tempo I tried to elevate the "sustain-pedal"-effect, (due to the overlapping notes). This effect becomes less in higher tempi.
Monrealese 2 years ago
@Monrealese
And what more, we taste this piece in a different way when played slowly, shadows and passaging dissonances which are Couperin's finest heritage. Maybe you already thought about it but slight changes in tempi could have been interesting and very acceptable. Yet still, very well done.
Hradrik 1 year ago
Belissimo!!!
Luigilacongunale 2 years ago
Grazie!
Monrealese 2 years ago
Davvero! non mi stanco di sentire!
Luigilacongunale 2 years ago
Comment removed
susta1N 3 years ago
wonderfull!
susta1N 3 years ago
is incredible one of the few real interpretations of this beautiful tune, usualy people tend to go faster, but you sir get the right ideea!!!!! bravo very authentic, although I like the guitar version (because I play guitar!) you captured the real spirit of Couperin
opidacul 3 years ago
Thank you so much for your kind words!
Best wishes
Monrealese 3 years ago
Beautifully played, with thoughtful deliberation, and a great finale. Thank you.
arct395 3 years ago
whoa, beautiful ornament at 0:52!
fcouperin 3 years ago
Thanks!
Monrealese 3 years ago
Great both the sound of your instrument and your tempo choice. 5 stars from me.
SarrasaniPianoCircus 3 years ago
So beautiful! I have usually preferred the faster tempo, like the way Christopher Parkening plays it. But I really love your slower, more sensitive version. You can really savour each note so much more.
pgrace2008 3 years ago
Thank you so much for your kind comment!
Monrealese 3 years ago
Haha...I just got yelled at by my harpsichord prof. for playing this slowly too. I did look up some of Couperin's comments and apparently he was rather specific about the way he wanted things played; didn't really care for the performer to reinterpret his pieces. (I must admit, I do like this one slow and sensitive, but what can you do?)
iamspookynstuff 3 years ago
That is a most beautifull compliment! Thank you;)
Monrealese 3 years ago
Love the baritone timbre of your instrument.
Dale
speedstick77 3 years ago
Thanks! It is characteristic for Eduard Trompetter who revised the instrument to have a warm sound especially in the bas register.
Monrealese 3 years ago
Love the individualistic interpretation. And the harpsichord also sounds very nice.
wolkowy1 3 years ago
I loved!!!I love the harpsichord!!!Magnificent interpretation,congratulations!
WolfgangSebastien 3 years ago
Thanks for the compliment!
Monrealese 3 years ago
Hi, interesting comment. One can wonder what Couperin exactly meant by vivement, tempo or mere indication of character? Then, isn't life boring if everyone played a piece the same way? Wy this slower than "usual" tempo? Because it is also possible.With this slower tempo I tried to elevate the "sustain-pedal"-effect, (due to the overlapping notes). This effect becomes less in higher tempi.
And wy not a matter of taste? Maybe not only a matter taste, but one cannot rule out taste.
Kind regards:)
Monrealese 3 years ago
This comment has received too many negative votes show
My God! what a bad playing...
the tempo is so irregular in your videos...what´s your problem ??
Did you smoke or drunk drugs??
Put this poor harpsichord FOR SALE !
messalabr 3 years ago
Is it maybe possible for you to be more speciffic? Making crude statements and not get to the point is really cheap.
Monrealese 3 years ago
Excellent version of this Rondeau! Thanks. I was just wondering whether this should be played on a clavecin instead of a harpsichord.
djv14 4 years ago
Thanks! By the way, isn't clavecin french for harpsichord?
Monrealese 4 years ago
Right! How silly of me. Well, again, great version!
djv14 3 years ago
Nice! And I see... you also play the saz? :) Quite a different instrument from the harpsichord. It lodges a lot of emotion.
Eiramennaj 4 years ago
That is a very pretty version at a slower, meditative tempo, and your instrument has a nicely defined sound.
BarNuun 4 years ago 2
Thanks!
Monrealese 4 years ago
ahhh! :õ)
OedipusColoneus 4 years ago
I love the harpsichord... soooo much!!! @:)
OedipusColoneus 4 years ago