Added: 3 years ago
From: mj51980
Views: 21,977
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  • I don't know whether the recording has raised the pitch, but that is a high F sharp, not F

  • apesta

  • Bruttissimo. 

  • Falzet.

  • This opera was written just after one particular tenor (whose name escapes me) demonstrated how to move into the tenor high range above A in the early 19th cenrury. I think its first staging was about 1835.

    Before this, opera composers like Mozart rarely moved beyond F or G on the tenor clef. Very quickly composers realised that trying to sing chest tone above a D-flat did not produce a musical, masculine or even a pleasant sound.

  • @donaldrose the tenor you might be saying is Rubini, the one for whom Bellini wrote the Elvino :D

  • Do you have the whole song?

  • puede tener el agudo, pero todo lo demás deja mucho por desear.

  • @juanmaplante Estoy de acuerdo... comienza bien, pero.... no cubre y forza... abre el sonido... solo el agudo es meritorio

  • it's ZP Theart's dad ;P

  • Being a former heavy metal surely helps him...lol

  • BRAVO!!!

  • and a very good one!! he doesn´t pause before the F as he does in the 1996 carneige version in my main video. very chesty and non-feminine sounding, thanks a lot! let me know if you find chris merritts F also.

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