@operabohemian - Actually, no, Verdi wrote in the era of "dramatic" opera, when the composers wrested back control from the singers who had made the composers music into their own vocal showcases. Now the singers had to convey the emotion of the drama with their singing...
As to Alagna - again, he is a singer who has chosen to interpret the score as it is written....
You are right about Pavarotti as to the rest, I'll let Alagna speak for himself -
"I look for simplicity, sincerity, and I try to give much. I sing what the composer wrote, without portamento and without adding extra notes or other effects to the music."
@myyellowlabfan I truly admire Alagna's talent, and if, his fans are opera purists then his interpretation as written by the composer is exactly what he needs to preform. However, one must realize that a huge part of Pava's goal was to bring new audiences to opera, to open that world to folks who previously would not have given opera a thought. In order to reach them and to please his already massive audience, he knew what they wanted--the thrill of the high note,
@appeace1 the sustained note, the full, open throat, bell voice, the rapport he had with them. That was HIS audience and he knew very well what they expected to hear and what would keep them coming back for more. Therefore, if he deviated from the form, it was to please HIS audience and we love him for that. (perform NOT preform--lol)
@ah332 Riccardo Muti is very strict with singers and does not allow them to sing notes which are not written in the score - unlike Pavorotti, Alagna can read a score, and so is performing this aria correctly.
@myyellowlabfan Correctly or to Muti's liking? You just mean "come scritto" which does not mean correctly. even in verdi's own premiere's you can read about ornamentation and excessively decorated cdenzas
and pavarotti's choice to sing the high note has nothing to do w/ his ability to read a score
@myyellowlabfan Well, didn't Verdi write music like the previous Bel Canto composers where ornamentation and adding high notes (within reason) was generally accepted?
Quel musicien!!!!!! Avec la partition sous les yeux je me rend compte combien est excellente cette performance! Bravo!
sushiyang 1 month ago
alagna canta il Rigoletto come e' scritto da Verdi,come ha voluto Muti, anche per il Trovatore
l'acuto finale e' stato inventato in seguito, cosi come il si naturale della donna e' mobile
alagna canta Verdi come voleva Verdi
clementeamiodar 3 months ago in playlist Ella mi fu rapita
Muchas gracias por subirlo.
CHARICHCH 4 months ago
da paura
fra1979it 4 months ago
Ma perché non ha preso l'acuto pre-finale? Mi pare che lo poteva fare. O no?Mica è Domingo. O forse sì?
costicapopian 8 months ago
Meraviglioso. Lo trovo estremamente toccante in quest'aria. Grande Alagna!
FloriaTosca90 8 months ago
I love that he opted for the lesser known phrase at the end.
mikehardcastle 1 year ago 2
@operabohemian - Actually, no, Verdi wrote in the era of "dramatic" opera, when the composers wrested back control from the singers who had made the composers music into their own vocal showcases. Now the singers had to convey the emotion of the drama with their singing...
As to Alagna - again, he is a singer who has chosen to interpret the score as it is written....
myyellowlabfan 1 year ago
You are right about Pavarotti as to the rest, I'll let Alagna speak for himself -
"I look for simplicity, sincerity, and I try to give much. I sing what the composer wrote, without portamento and without adding extra notes or other effects to the music."
Roberto Alagna
myyellowlabfan 1 year ago
@myyellowlabfan I truly admire Alagna's talent, and if, his fans are opera purists then his interpretation as written by the composer is exactly what he needs to preform. However, one must realize that a huge part of Pava's goal was to bring new audiences to opera, to open that world to folks who previously would not have given opera a thought. In order to reach them and to please his already massive audience, he knew what they wanted--the thrill of the high note,
appeace1 2 months ago
@appeace1 the sustained note, the full, open throat, bell voice, the rapport he had with them. That was HIS audience and he knew very well what they expected to hear and what would keep them coming back for more. Therefore, if he deviated from the form, it was to please HIS audience and we love him for that. (perform NOT preform--lol)
appeace1 2 months ago
i wish he took the high note. bravo, regardless
ah332 1 year ago
@ah332 Riccardo Muti is very strict with singers and does not allow them to sing notes which are not written in the score - unlike Pavorotti, Alagna can read a score, and so is performing this aria correctly.
myyellowlabfan 1 year ago
@myyellowlabfan Correctly or to Muti's liking? You just mean "come scritto" which does not mean correctly. even in verdi's own premiere's you can read about ornamentation and excessively decorated cdenzas
and pavarotti's choice to sing the high note has nothing to do w/ his ability to read a score
ah332 1 year ago
@myyellowlabfan Well, didn't Verdi write music like the previous Bel Canto composers where ornamentation and adding high notes (within reason) was generally accepted?
OperaBohemian 1 year ago