John Berger's Ways of Seeing is replete with ridiculous untruths and left-wing propaganda.
It is the most absurd and poisonous book I have read in years.
In it he applies fatuous theories from Levi Strauss and other left wing "thinkers" and sneers in the typically infantile, 70s, Dave Spart type of left wing manner that was in vogue at the time.
This is an incredible study, in the brueghels section, of time & eternity, but then he gets into the VanGogh death crap: God save every artist who tries to do a study with black from that old canard!!!! *rolleyes*
@sunshiine969 it's his theory on how art is used as a text rather than a remote expression conjured by the artist. it's a language. the pieces of art mean something and aren't just eye candy. they're political biases and more critical of society than we are conditioned to take them for. like the Goya painting in comparison to the girls singing/dancing, no apparent correlation. but the execution of blacks in comparison is a direct relation and now the Goya painting has a political bias attached
Does anyone have any information about the live footage (not Goya's painting) of the men being executed? I have no idea about the history behind that footage and am unable to identify the time or place of the event, which seems disrespectful on my part considering how whatever is going on is obviously very important. I really appreciate any information you have. Thanks very much.
haha we have to watch exactly this video for an exam in our AP literature class, although I do not see the relevancy, this might be acceptable for an art or even film class, but English literatue?
but you must take into consideration the time at which this was made - 1972, that makes it almost 40 years old. and by that same token, berger doesn't 'continue' to state the obvious, this is an old recording, you just have continued access to it. also, i genuinely think people do need to be told this stuff, due to the oversaturation of manipulated works, we have begun to ignore the construct of the moving image to the point where we are less aware of the manipulation.
I watched the entire series (in the interest of being able to speak from an informed position when I mock my adversaries)
and never at any point does Berger come anywhere near to saying a single thing that did not occur to me independently by the age of twelve.
The manipulations he elucidates are -to absolutely anyone above a certain level of intelligence- utterly transparent and self-evident, and any adult who needs his hand held and...
I understand this will be a good deal more difficult than simply turning the faucet to spew trite expressions available on tap -and of course I'm well aware that any reply sufficiently detailed to be coherent leaves you vulnerable to an actual rebuttal.
In this you have my deepest sympathies.
But I'm really not terribly bright and -I beg you to forbear my obtuseness- I'm afraid I can glean very little meaning from "dhhuuurr".
If I understood you correctly, you mentioned the year it was made as if to suggest that even if Berger's ideas might seem like platitudes today, they were at least novel and perceptive at the time he presented them -yes?
To which I respond that they most definitely were not.
Anyone to whom it is not *immediately* *glaringly*, *screamingly* obvious that setting a picture to music, or showing only a cropped section of it in isolation, can distort its context, is simply beyond hope.
but your forgetting the audience for which it was made. this show wasn't made for you, it wasn't even made for your generation. what you speak of may be obvious now, and to some extent then, but it is still based on your social and cultural upbringing - which if i'm not mistaken corresponds directly to the time in which you live. by the age of 12, assuming you had a television and a vcr, you had experienced visual media in a way that those before you did not. the year is totally relevant.
Polymath7; it sounds like you don't have much to say, either.
In fact you seem to be an example of a typical 'extrovert' type, in line with Jung's outline- you are verbose and talkative but the gist of what you say is weak. Ie, you talk a lot of wind.
@polymath7 In the interests of balance: is there value in stating the obvious? I would suggest so. Whilst we may "know" something already, the level at which we know things can differ. So whilst I may "know" that panning around a still image with a camera will alter my perception of the image, I may never have really ruminated upon it before. Berger, like many other philosophers, gives us the chance to ruminate; sometimes, upon the (so-called) obvious. To stop, and think.
But in my judgment absolutely nothing here rises above the trivially, straightforwardly obvious.
I dislike Berger for other reasons as well. He is an aesthetic ideologue, one of of the myriad, tediously familiar aesthetic lemmings who have infested and overrun the humanities over the past forty years, who use art as a mere pretext to extol Marxism, or to rail against patriarchy or imperialism.
I bitterly hate these vandals and consider them my enemies.
@polymath7 I see what you mean. Yet perhaps we need to be reminded of the trivially obvious, inasmuch as it is so "trivial" that it becomes unconscious; herein lying the danger. In this sense, stating the obvious becomes a form of mindfulness; self-maintenance, or self-shaking. It keeps us liquid, prevents us from petrifying. Much Buddhist teaching, for instance, would - to our Western ears - be considered trivially obvious. But to dismiss it as so, we would be missing the point.
@polymath7 That said, I'd be interested in finding out more about why it is you are so opposed to "vandals" like Berger; any reading you would recommend?
@polymath7 If only that were true now. Seeing Ways of seeing now, takes us back to a time when an alternative to consumer capitalism was at least being imagined.
"The 3rd of May 1808 in Madrid: the Executions on Principe Pio Hill"- Painted 1814 by Goya (Spanish). It is part of the Museo del Prado collection in Madrid!
This is very much like Gilles Deleuze's Cinema books. The biggest problem is he fails to consider the impact of the awesomeness of his shirt on the Goya. What it means in theory is that an exaggerated 70s collar combined with high volume hair can be used by anyone and manipulate our desire for cat stevens and and jean jackets.
@Bam2604 Since there were only three channels broadcasting in Britain at the time "Ways Of Seeing" was made, what else was he meant to say? Clearly, it doesn't take much to make you laugh...
oh yeah 4:38 !......
todtubetod 1 week ago
This has been flagged as spam show
John Berger's Ways of Seeing is replete with ridiculous untruths and left-wing propaganda.
It is the most absurd and poisonous book I have read in years.
In it he applies fatuous theories from Levi Strauss and other left wing "thinkers" and sneers in the typically infantile, 70s, Dave Spart type of left wing manner that was in vogue at the time.
Pure garbage.
johnzbarleycorn 3 weeks ago
Man...I wanna find the full video of that song at 4:38.
FlashFire20 4 months ago
Woah, were those dancers really what was on "one of the other two channels" all the time in the seventies?
dizzyink85 5 months ago
can anyone tell me the name of the italian opera? at 2:03
acmilan10italia 6 months ago
can anyone shed some light on the live footage of the mass execution?
rrrorkk 6 months ago
Comment removed
electricrussell 6 months ago
Thanks for posting this. Wonderful series.
Gaius8666a 8 months ago
4:38
Did I just get rickrolled? xD
Whip0fAlchemy 11 months ago
sexykatie90 any more videos like this? WAYS OF SEEING (first episode) 3/4
sexykatie90 1 year ago
Plaid bell-bottoms! I used to have some of those! *LOL*
DeniseMatteau 1 year ago
This is an incredible study, in the brueghels section, of time & eternity, but then he gets into the VanGogh death crap: God save every artist who tries to do a study with black from that old canard!!!! *rolleyes*
DeniseMatteau 1 year ago
im a art student and i dont get one bit what he is going on about
sunshiine969 1 year ago
@sunshiine969 it's his theory on how art is used as a text rather than a remote expression conjured by the artist. it's a language. the pieces of art mean something and aren't just eye candy. they're political biases and more critical of society than we are conditioned to take them for. like the Goya painting in comparison to the girls singing/dancing, no apparent correlation. but the execution of blacks in comparison is a direct relation and now the Goya painting has a political bias attached
silqecat 1 year ago
@sunshiine969 that's because you're an art student.
netfinder30 1 year ago
@netfinder30 *LOL*
DeniseMatteau 1 year ago
@sunshiine969 That's unfortunate. You should start exercising your brain.
Kelseyjaclyn 1 month ago
Does anyone have any information about the live footage (not Goya's painting) of the men being executed? I have no idea about the history behind that footage and am unable to identify the time or place of the event, which seems disrespectful on my part considering how whatever is going on is obviously very important. I really appreciate any information you have. Thanks very much.
beopanacea 1 year ago
@beopanacea i agree i would also like to know about the background of the live footage.
bcom11 11 months ago
4:38
lol
Goji73 1 year ago
that was quite strange
SolusWanderer 1 year ago
what is the song of the italian opera?
mrpeachy 1 year ago
haha we have to watch exactly this video for an exam in our AP literature class, although I do not see the relevancy, this might be acceptable for an art or even film class, but English literatue?
YourRoadToHell 1 year ago
i find that man strangely attractive
Jennysbasement 2 years ago
image and text are strong but MUSIC is more powerful. (unless you are deaf)
when you watch a film with no sound - it is flat. With sound and music. the film has an edge
peckerdecker 2 years ago
Polymath, i wont call you pompous...or pseudo-intellectual....ill call you a virgin. VIRGIN. GO GET LAID!
kwooknewin 2 years ago
those girls that come in at 4:38! ha!
irish1209 2 years ago
very interesting facts and information, here.
throwntomato 2 years ago
"How often do you consciously notice the music played over paintings on television?"
Uhm, absolutely always. Berger continues to state the obvious.
Does anyone really need to be told this stuff?
polymath7 2 years ago
but you must take into consideration the time at which this was made - 1972, that makes it almost 40 years old. and by that same token, berger doesn't 'continue' to state the obvious, this is an old recording, you just have continued access to it. also, i genuinely think people do need to be told this stuff, due to the oversaturation of manipulated works, we have begun to ignore the construct of the moving image to the point where we are less aware of the manipulation.
subjectiverealities 2 years ago
I.
When it was made is entirely irrelevant.
I watched the entire series (in the interest of being able to speak from an informed position when I mock my adversaries)
and never at any point does Berger come anywhere near to saying a single thing that did not occur to me independently by the age of twelve.
The manipulations he elucidates are -to absolutely anyone above a certain level of intelligence- utterly transparent and self-evident, and any adult who needs his hand held and...
polymath7 2 years ago
II.
...his gaze conducted in this fashion is forever neurochemically debarred any real comprehension of art anyway.
Sorry, but John Berger is a first-order pinhead.
polymath7 2 years ago
You are pompous.
And exactly why John Berger made this series.
durrrrrhurrrr "real comprehension" of art exists durrrrrrrf
sevvren 2 years ago
I.
You are an insect.
Of exactly the species whose thorax I love to step on, whose face I love to grind into the dust. "
"Pompus"
Ooooh, that word yet again!
With the same reliability as Godwin's law, it will surely be no time at all before you 'll be calling me "pseudo-intellectual".
Ah, yes, "pseudo" -that prefix so much more easily affixed than adduced- the first refuge of otiose incompetence.
Just for fun, why don't you tell me just *why* Berger made this series?
polymath7 2 years ago
II.
I understand this will be a good deal more difficult than simply turning the faucet to spew trite expressions available on tap -and of course I'm well aware that any reply sufficiently detailed to be coherent leaves you vulnerable to an actual rebuttal.
In this you have my deepest sympathies.
But I'm really not terribly bright and -I beg you to forbear my obtuseness- I'm afraid I can glean very little meaning from "dhhuuurr".
But I'm sure the failing is mine.
polymath7 2 years ago
why do you feel that when it was made is irrelevant? an understanding of its time and place is a huge part of its cultural context.
subjectiverealities 2 years ago
B-I.
If I understood you correctly, you mentioned the year it was made as if to suggest that even if Berger's ideas might seem like platitudes today, they were at least novel and perceptive at the time he presented them -yes?
To which I respond that they most definitely were not.
Anyone to whom it is not *immediately* *glaringly*, *screamingly* obvious that setting a picture to music, or showing only a cropped section of it in isolation, can distort its context, is simply beyond hope.
polymath7 2 years ago
B-II
Observations that state the obvious are instant platitudes, they are stale from the very beginning.
Hence. to say this program was filmed nearly forty years ago is no defense at all. I say again; the year it was made is utterly irrelevant.
QED.
polymath7 2 years ago
but your forgetting the audience for which it was made. this show wasn't made for you, it wasn't even made for your generation. what you speak of may be obvious now, and to some extent then, but it is still based on your social and cultural upbringing - which if i'm not mistaken corresponds directly to the time in which you live. by the age of 12, assuming you had a television and a vcr, you had experienced visual media in a way that those before you did not. the year is totally relevant.
subjectiverealities 2 years ago
If you don't like it don't deal with it.
Bulacanos 2 years ago
Polymath7; it sounds like you don't have much to say, either.
In fact you seem to be an example of a typical 'extrovert' type, in line with Jung's outline- you are verbose and talkative but the gist of what you say is weak. Ie, you talk a lot of wind.
timestate 2 years ago
@polymath7 In the interests of balance: is there value in stating the obvious? I would suggest so. Whilst we may "know" something already, the level at which we know things can differ. So whilst I may "know" that panning around a still image with a camera will alter my perception of the image, I may never have really ruminated upon it before. Berger, like many other philosophers, gives us the chance to ruminate; sometimes, upon the (so-called) obvious. To stop, and think.
JamieUnicorn 1 year ago
In principal I quite agree with you.
But in my judgment absolutely nothing here rises above the trivially, straightforwardly obvious.
I dislike Berger for other reasons as well. He is an aesthetic ideologue, one of of the myriad, tediously familiar aesthetic lemmings who have infested and overrun the humanities over the past forty years, who use art as a mere pretext to extol Marxism, or to rail against patriarchy or imperialism.
I bitterly hate these vandals and consider them my enemies.
polymath7 1 year ago
@polymath7 I see what you mean. Yet perhaps we need to be reminded of the trivially obvious, inasmuch as it is so "trivial" that it becomes unconscious; herein lying the danger. In this sense, stating the obvious becomes a form of mindfulness; self-maintenance, or self-shaking. It keeps us liquid, prevents us from petrifying. Much Buddhist teaching, for instance, would - to our Western ears - be considered trivially obvious. But to dismiss it as so, we would be missing the point.
JamieUnicorn 1 year ago
@polymath7 That said, I'd be interested in finding out more about why it is you are so opposed to "vandals" like Berger; any reading you would recommend?
JamieUnicorn 1 year ago
@polymath7 If only that were true now. Seeing Ways of seeing now, takes us back to a time when an alternative to consumer capitalism was at least being imagined.
foofkanon 7 months ago
thanks, i was wondering what the video footage was of the executions thats mixed in with the goya. its looks fairly real mayb from the sixties?????
horsewolf 3 years ago
anyone know anything about that footage of guys getting shot? year, location,?
horsewolf 3 years ago
"The 3rd of May 1808 in Madrid: the Executions on Principe Pio Hill"- Painted 1814 by Goya (Spanish). It is part of the Museo del Prado collection in Madrid!
kaja214 3 years ago
This is very much like Gilles Deleuze's Cinema books. The biggest problem is he fails to consider the impact of the awesomeness of his shirt on the Goya. What it means in theory is that an exaggerated 70s collar combined with high volume hair can be used by anyone and manipulate our desire for cat stevens and and jean jackets.
tb90909 3 years ago
HA!
paryshnikov 3 years ago
just reading the book based on this documentry at the moment so thanks for adding
ellasky1980 3 years ago
"suppose you'd just tuned in to this channel - from one of the other two". made me laugh.
Bam2604 3 years ago
me 2!!
sara0why89 2 years ago
@Bam2604 Since there were only three channels broadcasting in Britain at the time "Ways Of Seeing" was made, what else was he meant to say? Clearly, it doesn't take much to make you laugh...
crazyclive 1 year ago
What's the name of the Italian opera at 2:03?
acmilan10italia 3 years ago
Do you know the title and the artist of the painting shown at 04:19?
fenoreth 3 years ago
that is Francisco De Goya's 'Execution of the Rebels of the 3rd of May, 1808'
manwithaplan999 3 years ago