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From: PedroAlonsoLopez
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  • I actually enjoy his voice- not in this one, but when he reads "The Love Song of J. Alfred Prufrock" and "Portrait of a Lady." It sounds harsh here, but in those recordings, it's rather soothing.

  • He sounds like a frightfully educated foreigner, like someone deeply learned from India, almost...

  • i love ts eliots poetry, but not when he reads it

  • He should never have read his own work aloud. Awful voice set to inarguably one of the best poems ever written.

  • Wonderful poem, though I prefer The Love Song of J A P myself. I can understand 0194D to a degree though, when I studied it at school I didn't like it either (though I was not such a drama queen about it), but as time has gone on I've come to see why it is so powerful. I think its a poem to complex and too adult in its melancholy to be understood by the average child.

    Thank you for the upload, even though he's not a great reader I love knowing I'm hearing Elliot's voice. These emotions are his.

  • Eliot's understanding of England was that of an American tourist, and leads to a profoundly flawed, profoundly interesting understanding of what England is.

    In the end, it doesn't matter that Eliot was more American than English. He lived in a vision of England even more bizarre than that of P. G. Wodehouse (who was English), but it is the poetry that matters.

    I believe his best poem is not "The Wasteland" or even "Four Quartets".

    I believe it is "La Figlia Que Piange". Anybody agree?

  • @eastwood1941 Perhaps the understanding of a foreigner to England is more true, certainly more perfect, than that of an Englisher. I know that I don't have any concept of England, a country where I was born and have lived all my life, except from literature and films.

  • Interesting comment, which I think I can relate to myself. Being English (as, presumably, being any other nationality) could well be a disadvantage in one respect, in that one is too close to the reality to see it objectively- not seeing the wood for the trees.

    But Eliot's vision of England was a romantic/intellectual one, because that's what he was- his modernism is only skin deep.

    I apologise for my mis-spelling of "La Figlia Che Piange", and would recommend Eliot's reading of this.

  • hypocrite reader, my double, my brother

  • missouri or whatever...listen to the poem....and listen to it twice more, for once shall not be enough.

  • It's amazing, I've had so many highly intellectual conversations about this poem, and then I come here to hear Eliot read it, and check out the comments below, and low and behold, idiocracy crowds the comments. If you don't like the poem, that's fine. Many people, even highly intelligent ones, hate Eliot. And there's no inherent value in a poem simply because it's difficult. But it ISN'T trash, nor shit, nor whatever you want to call it simply because you don't get it. Grow up, people!

  • @brandon1ucas I guess your first mistake was looking at the comments. Youtube comments: Idiotly charmed at their frequent disappointment, the disappointment of which is heightened by the tiny percentage of gems. The youtube comment only appreciates the gems for their worth in rising expectations to be dashed, and could care less about the gems in and of themselves. But curiosity and ease of mouse scroll means comment wins. Luckily, the youtube comment can just be just as easily forgotten about.

  • each man dies alone, eichmann his children. frich wheet der mein heimat zu, a a mento a porai a granta a maria madelana a donna a contro vorto, appostila comunicate ni fide u christiana, freatleeloes, each man dies alone litterlay farming man.

  • Thank you so much for posting this.

  • April sure is the cruelest month!

  • I recited this part of The Wasteland for a competition once. It made me cry the first time I read it.

  • You showed me fear in a handful of dust. Thank you. Schubert tore my heart out with his Adagio. TS tore my heart out with his Wasteland.

  • Numptial sleep is deep, deep as they reap and seap and creep and leap and dazzle and frazzle and mazzle, and a muslim at his mosicis gun, goes boom blop doom. And the shiad with his pride, he comandist an army of mind. The reaper sows his thorn and never reap afore the storm. but after what laughter a toil in tale,

  • This is the elegiaic voice of three thousand years of civilization speaking through a modern prophet.

  • Can you imagine the god of war in the mountains, how his voice travels. Axe, art, industry or warfare? yeah the blacks wear golden armour and the other side silver. like butter. i have no tools.

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  • @HNCS2006 so you think you know how to read the poem better than the poet?

  • @PedroAlonsoLopez I certainly don't have the performative capacity to do the Waste Land justice. A lot of poets in fact can't do their own poems performative justice. There's nothing wrong with that. Even in pop music, Bob Dylan for example was a great song writer, but obviously couldn't sing as well. Some classical composers for example that can be as great a pianist/violinst as the piece requires, but not everyone.

  • @PedroAlonsoLopez I certainly don't have the performative capacity to do the Waste Land justice. A lot of poets in fact can't do their own poems performative justice. There's nothing wrong with that. Even in pop music, Bob Dylan for example was a great song writer, but obviously couldn't sing as well. There are some classical composers that can be as great a pianist/violinst as their piece requires, but not everyone. So, this really isn't something to be offended by.

  • Is it about restoring devine right? of man's first disobedience, and the fruit. of that forbidden, tree, whose mortal taste. brought death ito the world, and all our woe, with loss of eden, till one greater man, restore us, and regain the blissful seat. fight for devine right. Did you hear them bloom, only to stop the ears with blissful sound? A people with no father. I stole in to my fathers house. Trumpet his name. Christ showed the kingdom of heaven within, then showed gods mercy. look

  • i think i'm gonna die from "boringness".

  • The Burial of the Dead.

  • I love this poem and since studying it I have got deeply into Eliot. It's just a shame that I have to write on it for an essay. I feel the essay spoils it for me and it's my favourite Eliot poem. :(

  • I love Eliot but someone should have grabbed him by the collar and said, "Hey Tommy Boy, reality check time: you grew up in Missouri!"

  • @ryan06105 One would hope a man can change, no? This is a theme throughout Eliot - if you feel more English than American is it possible to align yourself over time with something you identify with more? This is why he went the whole hog and got so deep into Anglicism. He felt more at home in England than the States. In his soul he was English.

  • @PedroAlonsoLopez

    But as an example, John Lennon lived in America for I believe the last ten years of his life, but he never adopted an American accent. But Eliot is an interesting case study: with all his religious, conservative leanings, he revealed himself to be far more Midwestern than European. Despite his best efforts to adopt the speech, dress, and habits of a proper Englishman, he could never hide his roots.

  • @PedroAlonsoLopez But he also said his poetry was 'purely American'!

  • @PedroAlonsoLopez Not to mention the fact that to say that he "grew up" in Missouri would be thoroughly misleading. He spent much time on the east coast where he had deep family roots. Not to mention his Harvard education.

  • @PedroAlonsoLopez I don't agree with that you wrote "In his soul he was English." First off, you're getting metaphysical, but I know what you mean. But if you want to talk about 'souls', lets talk about them in terms of art. I'd say the 'soul' of his poetry was American, not British. He said of his poetry "in its sources, in its emotional springs, it comes from America." His roots were English, but you're speculation isn't necessarily right just because you post it on the internet

  • @PedroAlonsoLopez Sort of like the reverse of Chrisopher Hitchens, although Eliot a poet, Hitchens a journalist.

  • @ryan06105 so truly. It would be great to hear him read in more conversational tone. had a teacher who had us memorize poetry, and recite. recall many people memorizing him. a shame some schools stopped teaching literature s/a this. Later, it was all really trashy stuff. This in gradeschool, lol, then trash in college. go figure.

  • @ryan06105 Uh, man, this poem is called "The Waste Land." Have you ever BEEN to Missouri?

  • English was yet another mask for TommyBoy. And, by the way, the difference between real English a la Churchill and English in a Missouri English family was not as overwhelming as it is today. Dig? Listening to Auden gone American is rather ghastly, int? Or shall we promote Gicano?

  • And the dead tree gives no shelter, the cricket no relief, and the dry stone no sound of water.

  • girl pure satanasm wo wielest due. A death in march douth spoil all heavens grace, while flowers bloom the orchard grave. nuff said.

  • @TheBlindPig1 What is that quote from? It's really good.

  • @Leonhart231 Its wildest flowers, not while. Its from alexandero mancho, winter in the heart of eternity.

  • @TheBlindPig1 Hmm...sorry to bug you again, but what is that? Could you get me a link or something? I've done some searches that turned up nothing, and you've gotten me curious now.

  • april is the cruelest month

  • or did Linton Kwasi Johnson capture in words just what it is to be alive,

    more than some white middle-class native American holed up

    in England could ever do, an emigree,

    fleeing, an expatriate, I'm lost for words!

    to describe the pair of them

  • @ChornyKlegg The difference is that Eliot knew life could not be captured in words. That is what makes him a poet and Linton Kwasi Johnson second rate.

  • Yes, this is a difficult poem to understand, especially in this day and age of but therein, in this poem's confusion, lies it's meaning. Elliot takes the Grail legend and places it in the modern day. In short, summarizing more than I should, the narrator is the knight searching for the Grail which will revive the king and consequently the kingdom, which is this current world we live in. The Grail I would deduce could be a number of things, to me it is poetic inspiration.

  • @0194D It's a shame you are being force to read it. Try to listen to the poem without prejudice and hear Eliot's pain in the face of life. He is attempting to break through his icy personality to a universal (and timeless) message and so he avoids any dramatic effect or pull that might give you relief (or cartharsis). It is a poem about agony that induces agony. In other words it is a successful poem.

  • @PedroAlonsoLopez

    I was joking man, what I said was a joke off of long and complexed similies and metaphors that seem to go on and on. It was meant to be sound that way.

    Would you like to explain more on it though, I already turned my paper but you made it seem more interesting than I believe it really is, so I'd like to hear your opinion on it

  • @0194D You should study it well. You might learn how to string together a half decent simile.

  • @jimztar

    Lol, how the hell did you not notice I was joking. It was obviously a joke. Its a good poem, very boring and the narration makes it worse, but never the less good. It was a parody off of complexed simile, how they seem really long and streched out. It was a joke...old sport.

  • @0194D

    I love Eliot. Listening to his words as he intended them should add something to it for you. Granted this isn't his entire reading.

  • @SuperKrystalicious

    Whatever narc

  • @0194D well, at least the poem managed to make you feel something

  • @01738083370

    yeah boredom, hate and suicidal thoughts.

  • @0194D you probably just shouldn't be in school?  Maybe a trade school of some kind or just take up working in a restaurant. You should move on and do whatever you like. It's a shame for people who don't have a taste for literature or theory, philosophy, thinking, whatever, to have to do it--- when so many who LOVE THIS can't afford educations.

  • @westchesterny

    Please excuse yourself from this existence, but while you are still here DON'T jump to conclusions about me. Your ignorantly assumed comment shows you(obviously) know nothing about me or who I am. I love literature, philosophy and "thinking"(in quotes b/c it seemed like insult in your comment). I just don't like The Waste Land. Everyone has their opinions. It's boring. There are so many other things that I would rather read and do an essay on than simply read this trash.

  • @0194D Ah. I see.  A real highbrow type. What do you believe should be taught instead? Enlighten us about the grand literature that more high-minded folks s/a yourself find not "boring." (That's a real critical category right there..."not boring," lol).

  • @westchesterny

    I love how you are going on this rant, and I just don't care to argue with you. It's my opinion. Grow up and deal it. Also I just had to do an essay on this, it was never really talked about in classes. So it wasn't taught.

    And what would I say to read over this? Anything, you name it, anything.

    Hahaha, still laughing at this rant you went on, it's sad in a way. You go and rant my friend, you obviously need to release so steam because of my opinion.

  • @westchesterny

    And just for your information, I could get a way better job than working at a restaurant. Without a degree of any kind.

  • @0194D My, you really are high-brow. No wonder you think TSE is "boring." But then, I bet there are a lot of truly intelligent waitresses out there. Are you a class-ist, too? What? A communist maybe--- like you think all waitresses are stupid? That's a very marxist position, and often communists disregard TSE and also, (of course!) poets s/a the inner part of the circle, Ezra Pound, who was locked up for 13 years in St. Elizabeth's for his radio show).

  • @westchesterny

    I'm pretty sure there are some intelligent waiters and waitresses( Why did you mention waitresses only, do you believe only women are fit to wait tables?) out there. I was just saying, I could get a job better than waiting table, w/o a degree. Since you suggested I drop out and work in a restaurant, I simply countered with the fact that I could get a job w/ far more money to offer.

    But that's besides the matter and off topic, the waste land is trash.

  • @0194D Trash eh? now.. how shall jump to Eliot's defence in a calm rational manner...?

    Piss off you cunt.

  • @BlinJe

    It's trash. Get over it. It's my opinion. Stop getting so butthurt about it.

  • @0194D Oh sorry, your opinion, yes, worth a lot isn't it.

    I skipped 5 pages of comments and still find you arguing with other people about this damn poem, and

    I'm butthurt? pah.

  • @BlinJe

    Yes you are the butthurt one.

    Lol, you and all of the others are the ones who are so offended by my opinion, that you all comment with either anger or sarcasm(to hide your anger XD)

    Notice that I posted my comment, and everyone else replied to it( like yourself ), all I'm doing is repling back to you all.

    All opinions are worth the same. So your opinion is "worth a lot isn't it"(Which of course is sarcasm).

    Anyways don't get your fallopian tubes in a knot.

  • @0194D tl;dr

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  • @BlinJe

    I know you still read it lol, but it's not too much longer than any of the other ones. Lol, you can read the drab ass piece of shit(and get butthurt when someone doesn't like it) called the wasteland, but you can't read a comment less than 500 characters. lmfao anyways, you probably still read it anyways. lol

  • POETRY'S the dog' dangilly bits

  • MIXING MEMOR AND DESIRE.... Ce vers est magnifique.

    J'ai étudié Eliot au lycée pendant tout un semestre.. c'est mon meilleur souvenir du cours de littérature.

    Il m'a donné envie d'écrire des petits textes moi aussi : si vous voulez les voir, ils sont sur ma chaÎne.

  • I like Eliot's reading very much, very much indeed, (thank you Pedro Alonso!), but not the poem. I'm am with the few that shout: The Emperor is Naked! This bizarre mixture of words, his own and those taken from everyone else, in every academically correct language, makes no sense and is not even beautiful!

    Miguel

  • @Jedermann101 I couldn't agree more.

  • I can't believe Eliot has more views than Ezra Pound's stuff. Democracy in action.

  • my english teachr who teaches AP lit as well, btw im in 9th grade at the time, hes taken years nd still has not analyzed this poem. the man is a genius nd for him to not yet fully analyze this poem, it blows me away im glad tht my teachr introduced this to me. T.S. Elliot is a poetic genius..has anyone read The Hollow Men by Eliot? im reading it in class currently wit my teachr nd it is quite puzzling....Mistah Kurtz-He Dead

    ahh btw i am an American in NY jus wantd to say tht we respect Eltiot..

  • I do not like the poem. Not. At. All. But I like listening to it read out by Eliot. Strange ...?

  • Time to troll... Ahem, ladies and gentlemen, poetry is gay. Thank you, that is all.

  • @shillbuster I have uploaded the second part (see my vids) and I have planned to do the rest but I doubt I will end up doing it. Suffice to say that anybody who has not read the poem but has searched out a video of it would be a strange person indeed.

  • @PedroAlonsoLopez Then I must be a strange person indeed. What's wrong with wanting to hear a poem *sound*? I believe poetry is meant to be read aloud, to be heard. So I came here to hear, for the first time, a masterpiece. Thank you for posting it. It is very nice to be introduced to the poem by Eliot reading it to me himself...

  • @nextren I agree. Poems are meant to be read aloud. Sometimes they cannot be simply understood UNLESS they are heard. Written word and spoken word both activate the ORAL part of our brains.

  • @PedroAlonsoLopez

    Ironically I am that strange person!

  • @PedroAlonsoLopez Why didn't you add the other three sections of the poem?

  • The world will end not with a bang, but a whimper... best line ever

  • If Elliot grew up in Missouri, why does he have an english accent?

  • @zagat44 He lived in England for quite a long time. He probably lost his accent.

  • @TLHobo yes, but his family originated from the UK, they fled england cause of religious persecution. you know that they ( jews ) also see Eliot now as an anti-semite ? Those zionists want to destroy the integrity of all great western-poets ( also pound, etc )

  • I studied him in one of my classes for my English Major. He was American, but adored Europe and, "tried too hard to be British," according to my British professor who instructs this American Literature class. Oh, irony. Eliot was one of the best we ever had.

  • Play some music over this, It really sets a mood.

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  • I like the way he said, " winter kept us warm"

  • @029Mhelz I agree. "Winter kept us warm" has to be one of the most culturally meaningful and resonant lines ever and he just reels it off - but with gravitas.

  • i first heard eliot read this when i was in college...i make fun of him, referring to him as one of those dead white european male poets...but i respect his talent...this and the love song of j. edgar prufrock and my favorites...

  • @Kellogs43able J ALFRED prufrock, not edgar. I LOVE it too :)

  • @jullybean315 do you write poetry or just read it....lol

  • This is very interesting to hear, but for a real experience, one should listen to the recording of "The Waste Land" that Paul Scofield did for the BBC. It was excellent.

  • the thing on his back is a shell hes a snail get it SHNEL. shoo the one with the shell is leading we must follow hes going offly slow isnt he perhaps if i overtake hell follow me?

  • ANd so it came too pass them who knew least had most power...the holocaust...them with shortest sight guided the earth...tony blair burning in hell kill him become a king.

  • inflection and dynamics are crap in the rendition.He was a staid and emotionless dictator. However this is my favorite poem as wrote,and emote.

  • you gotta get the allusions and the music

  • if i was a soilder i would fight america for real evil you know man and woman the same spit on them death to america.

  • from the vatican whats worse than pedophilia?hmmm good quesion democracy..correct.

  • we are but children of the dust...if it must be so. in a handful of dust.fear

  • with life is fastly becoming a parady on life...plotless plays everywhere there shalt be no more kings

  • oui stopped in the hof garden and said fuck me in the ass

  • that bit about the sled

  • must stand against the powers of destruction. anyway hypocrite soilder.

  • i read the love song of J Alfred Prufrock at the age of 14. can't say I understood it quite well then.

    Now im 34 and Im turning into J Alfred Prufrock (not that i have a bald spot in my hair)

    thats creepy

    I wish i can be one of those hollow men again

    wasteland didnt feel so ghastly then

  • Thank you very much for posting this. It is very valuable.

  • Wallace Stevens once gave a lecture on "The Sound of Words" and the significance of purely HEARING words. I'll be honest, my phonetic understanding of "The Waste Land" when I first read it was profoundly different. Eliot's metered reading gives me a completely different understanding of the Biblical and Western rhetoric he uses throughout the poem. Wallace Stevens was right - the sound of words is crucial. Thank you for posting this. Where the hell did you find it?

  • figa che voce...sembra che muore mentre parla

  • My favorite poem ever.

  • the lad done good

  • Red Cloth Series: Ross McCague (In tribute to Eliot)

  • Very cool. Thank you PedroAlonsoLopez!

  • I don't have the foggiest idea what he wanted to say. Honestly, I think there are very few people who do. But still, I am stuck with it throughout my whole course in American Lit, which in turn does suck a good deal !

  • excelente !!!!!!!!!

  • This is, in my opinion, a case where the poem itself exists as a form of profound expression that is almost disconnected from its own meaning. It's a whirlwind of imagery and crazy ideas, and as intense as any music I have ever heard. It is no mystery why this guy caught people's attention while so many thousands of others doing basically the same thing were practically ignored. Pure talent.

  • don't try to understand it

  • Should be pointed out that this is just 'The Burial of the Dead', the first of 4 parts.

  • @retread01 5 parts

  • The thing about Wasteland is it performs on its own, and you don't have to be an English snob to enjoy it.

  • he reminds me of the dude reading the necronomicon in Evil Dead, :P. It's quite ominous, and I think it's important to hear the original poet read his work. Although with a poem such as this, it's more important to get a feel for it yourself, because you often dictate the meaning more than Eliot does.

  • We are all doomed.

  • woo go vegan

  • Awesome stuff. And the reason he reads it the way he does is cause he wants you to create your own meaning for the words.

    Timothy Thomas Cole is another talented St. Louis poet, though probably not your typical one.

  • I know little .. yet I always prefer the man himself to read his own work, to my mind no-one else comes close. First heard him ten years ago on BBC r3 ... incredible.

  • Thank you.

  • yeah, it is interesting seeing emphasis, etc. though. what other poems/poets do you recommend?

  • @aka1darkknight You can check out some of the poets who hung around with Eliot's crowd: H.D., Ezra Pound, Yeats of course, Marianne Moore, Mina Loy, e.e. cummings. For contemporary poems, I found Robert Hayden's style remarkably similar to Eliot's, and Elizabeth Bishop is always fun (she had already established a rapport with Eliot when she was only a child)

  • I agree with the 2nd, 3rd, and 4th things aurora said. Still I like his works

  • He is still one of the very best technicians ever of the English language. I understand your envy of him. Truly.

  • I think the way he reads this is very telling - Eliot was a man who knew the difference between words that are meant to be read, and words that are meant to be spoken. The deadpan delivery just shows that he knows what the poem is, and isn't trying to make it into something more dramatic.

  • Pound was more important for the ideas he expounded on poetry than for his poetry itself, in my own opinion.

  • No. I think no other poet worked the sounds of English so well against the meanings of the words. Musicality of English phrasing almost perfect.

  • someone give me a good connotative meaning or thesis on this poem, i gotta do a paper on it soon

  • O.O I have nothing intellectual to say, except that I thoroughly enjoyed "The Waste Land". As for my own, personal kind of comment...I will promptly forget his voice, and let the voice I gave him replace it whenever I reread this, as silly as that is. Not saying I dislike his reading, but he sounds too normal for such an innovative poem. ....A strange thing to say about the author, but....oh well. ^^; I would have been upset if I never heard him speak, though, so thank you! ^_^

  • I am familiar with Eliot's reading but not of the Waste Land - which I learnt almost by heart when I was maybe 20 in 1968. We had his reading Prufrock and other poems -I think his reading is great. he is / was a great poet. Thanks for this.

  • I rewrote The Waste Land and read it in NY when I was visiting and here in Auckland where it went down very well. It started as an exercise suggested by Bernadette Mayer, one of list, i.e. "Rewrite someone difficult"

    I kept the Laforgian ironic (almost comical -the corpse..can bloom again! I didn't use that but it is amusing) tone but also the sense of revelation or "mystery" etc

  • He has an interesting way of reading it. I also read this, before hearing this, which is good, as I might have been influenced by it, but I never would have guessed that this was the author, as most people read it with more expression. Good German pronunciation, sort of Bavarian accent.

  • il miglior fabbro...Eliot & Pound have their own charm. As for Pound's "unrecognizable renditions of tradition (sic) Chinese verse"; they're 'interpretations' and not strict 'translations' let alone 'renditions'. "The River-Merchant's Wife: A Letter" is particularly powerful.

  • Wow. I am learning so much from reading all of your comments! I just wanted to say that it's good to hear his voice, but I suddenly feel a bit put to shame.

  • I just heard Chris Matthews refer to February as the cruelest month. He's an illiterate blowhard prick. Are those Ezra Pound's notations at the beginning? The greater craftsman? I think so.

  • Matthews is useless. Pound however is a hack, and his unrecognizable renditions of tradition Chinese verse continue to mislead people even today.

  • A hack? A who's-who of the greatest modernist poets and writers of the 20th century would disagree. Pound wrote some great poems and some not-so great poems. It was T.S. Eliot who dedicated The Waste Land to Pound, whose suggestions Eliot credited with making the Waste Land the landmark poem it is. As for his translations, I don't read, write or speak chinese so I can't really speak to that. It's not what he's famous for. Translations are a tricky business. But you're 21, no use to tell you that

  • I loathe Eliot, and would very much like to be able to deny his poetic genius, but alas, I cannot.

    Magnificent.

  • @polymath7

    Why do you loathe Eliot? (I'm not criticizing, just wondering.)

  • @cufflink44

    Oh, the usual reasons: his bigotry, his prudery, his social snobbery, his far right wing politics, and, most of all, his unpardonably foolish belief that the decline of western civilization could be ascribed largely to enlightenment secularization.

  • @polymath7 Thanks. I had heard of Eliot's anti-semitism but not so much about the other things you mentioned. But it's a fact of life, isn't it, that great art is sometimes produced by awful people. Wagner was a detestable human being, but his music can move me to tears. Go figure.

  • @polymath7 Maybe you have something deeply poetic in you, something that shook you

  • @polymath7 hahaahh so well spoken. probably an asperger's case. i had a professor who noted that his readings of his own poetry reminded him of frasier crane... this was years ago.. yes, perhaps pretentious and pedantic, but alas...magnificent indeed

  • @ Polymath7 same here

  • The second strophe is incredible.

  • I don't understand how his accent is like that. (He is from the West!!) It sounds like a traditional southern New England accent. I have that (although not so drawn out) and I am one of the last ones who still have it. It has been on the decline since after the Great War. Everyone thinks I am British. A bit like the Auntie Mame accent. That too is quite extreme!

  • He was born in St. Louis but went to Harvard and most of his family was from or had connections with New England. Also, he spent a lot of his life in England so it's a combination of the two...

  • he became a British subject in 1927 and lived in Britain 38years until his dieing day, perhaps he lost his accent over time, as many do, that would explain the accent.

  • If you listen to recordings of Ezra Pound, it's uncanny how similar his voice is to Eliot's. I'm tempted to call it a mutual affectation. But perhaps it's simply the accent of men so well-versed in the multi-linguistic universality of Latin poetry (as Pound and Eliot were) that they've internalized it. I don't know. Eliot was from Missouri, and Pound was from Idaho.

  • do you have the rest of the poem recited by Eliot?

  • masterpiece

  • ts eliot was a one of a kind poet.

    entropy56.... eliot was american .... read before you post a comment.

  • Eliot was American, indeed, but he became British subject in 1917. I've been stuying American and British literature, and it got my attention that Eliot is mentioned in both anthologies (that I have read) as one of the most remarkable writers of the 20th Century in both countries.

  • I couldnt agree more my friend. If you study poetry you could read also odysseus elytis and george seferis. They are from my country and they got the nobel prize. I believe that both these poets where influnenced by T.S. Eliot

  • @moupriksate Thank you for the advice!

  • It isn't a fake English accent. It is an American accent. I don't think you've ever payed much attention to accents if you thought this was meant to be British. Technically speaking, Eliot is British though since at the age of 39 he became a British subject even if he was born in America. This, however, it is a drawn out American accent.